When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Timothy Drummond is transported back to the era of psychedelic freedom, as, despite the exhibition's many flaws, 1960s culture continues to entrance and beguile
Daniel Curtis and Louis McEvoy remember the actress who transformed Princess Leia into a feminist icon, and pay tribute to Fisher's work outside of the silver screen