Culture

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives of the characters were what...

Culture Emma Heagney -

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

Culture Evelyn Lambert -

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

Culture Hattie Simpson -

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

Books Abigail Lakeland -

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A Beginner’s Guide to… Halsey

Emmanuelle Soffe examines the beautiful darkness of Halsey

Review: The Fairy Queen

Antonio Gottardello is taken to another world by this magical production

Linking Linklater’s Latest

Jake Kennedy identifies time as the common thread in Richard Linklater’s work

Review: Melted Butter

Ellie Siora warms towards this unapologetically patriotic drama

Rewind: Let It Be

Sam Purnell reflects on the release of The Beatles’ final studio album

Representing The Impossible

Cinema will never be able to represent the horrors of the Holocaust, but Son of Saul offers a sensitive try, writes Jem Bartholomew

Review: the OBA Easter Projects

Louise Howland dissects Sunday’s OBA student film screening, praising their indie feminist zeal

Review: Pripyat

Alex Barasch is impressed by both the performers and playwright of this important piece of new writing

The two parts of a poet’s whole

Emily Beswick explores the duality of the self in Sarah Howe’s collection of poems, Loop of Jade

Rewind: Jean Rhys

Samantha Phey looks back on the anniversary of the death of Jean Rhys

“I was a part of him, nothing more”

Simran Uppal finds inspiration in the recollection of his grandfather’s stories about Jalandhar, India

Review: Le Petit Prince

Alex Barasch is charmed by this adaptation of Saint-Exupéry’s classic novel

Common People, an Uncommon Stage

Ellen Peirson-Hagger discusses the diversity of Oxford music at Common People Festival

Spotlight: Hip-Hop Histories

Alex Barasch appreciates the unlikely union of Shakespeare and hip-hop

What’s going on in Abu Dhabi?

Richard Birch stops to consider his surroundings in a place of unadulterated senselessness

Review: the End of the Affair

Benn Sheridan finds just a bit too much God in this lesser known love story by Graham Greene

Backstage: Doctor Faustus

Alex Barasch talks to Cai Jauncey about direction and design

Preview: Me & Mike

Surya Bowyer is impressed to find a play that stands out amidst Oxford's otherwise mediocre new writing

Live review: We Are Scientists

Calum Bradshaw queued, laughed, and moshed at Bristol Bierkeller

“David Cameron, you wanker!”

Ellen Peirson-Hagger discusses fandom and arts funding with Wolf Alice’s Joff and Joel

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Culture

Does ‘Euphoria’ no longer speak to our generation?

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

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