Thursday 10th July 2025

Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Review: The Quiet Ones

This copy-cat horror flick is absolute garbage

Review: The Unknown Known

Errol Morris' new documentary is an astounding piece of work

Introduction to… Electro-Swing

Naomi Polonsky introduces us to the jazzy new music craze that's taking Babylove, Freud's and our iPods by storm

Review: New Worlds

Channel 4's new historical drama is clunky, clichéd and downright confusing

Review: The Double

Richard Ayoade's sophomore directing effort is a tantalising and arresting piece of work

Pre-Release Thoughts: The Maleficent Conundrum

Anna Corderoy considers the problems facing Disney's Sleeping Beauty 're-telling' starring Angelina Jolie

Kate Rundell wins the Waterstones Children’s book prize

Cherwell revisits an interview with the author as Rooftoppers wins the 10th Waterstones Children's Book Prize.

A ‘case’ for the Anglo-Saxons

Emma Simpson visits the British Museum’s refurbished Sutton Hoo gallery.

Review: The Grand Budapest Hotel

Wes Anderson's latest film is a delightfully self-reflexive movie which demonstrates Ralph Fiennes hitherto untapped comic potential

Review: Under The Skin

There is a hauntingly austere beauty to 'Under The Skin', but some may not be able to sustain interest in this emotionally muted world.

Review: The Past

Asghar Farhadi's emotional drama once again proves his virtuosity as a film-maker

The Mighty Comeback

Inspired by Kate Bush's recent gig announcement, Rushabh Haria charts the highs and lows of artists who've come out of their career hiatus to make last ditch attempts at reclaiming the charts.

Don’t limit literature in prison

Why building books into an incentive and reward scheme is entirely counterproductive.

Review: Starred Up

Niamh McIntyre finds David Mackenzie's British prison drama to be a compelling and unflinching look at life behind bars

Printers and Presses

Isaac Goodwin takes a trip to the Bodleian’s historic presses with the Bibliophiles.

The Gods are in us: Kate Tempest

David McShane on why Tempest's epic spoken-word poetry is best seen live.

Review: Pterodactyls

Zoe Slater is compelled by this dark comedy about a dysfunctional family

Review: Dial M for Murder

Emma Papworth relishes the murderous machinations in this staged thriller

Review: The Curious Case of the Improvised Musical

Vicky Holley is enraptured by this improvised musical comedy extravaganza

Review: Devised Play I – Fear

Ellie Wade fears that the play's title eclipses an excellent production

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