Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.

Review: Devised Play I – Fear

Ellie Wade fears that the play's title eclipses an excellent production

Interview: Eagulls

Two weeks after the release of their self-titled debut album, Helen Thomas talks to frontman George Mitchell about punk, writing and smurfs

Review: Great Gatsby

Naomi Polonsky finds this show 'almost' great.

Preview: Pterodactlys

Georgina Wilson is bewitched by this symbolic portrayal of a family

Focus On: New Writers

Ben Horton meets the winners of the OUDS New Writing Festival

Bargain Bin: The Velvet Underground – White Light/White Heat

Cherwell trawls charity shops looking for musical bargains

Review: The Notwist – Close to Glass

Adam Piascik isn't impressed by this new, experimental album

Review: Nothing – Guilty of Everything

My Bloody Valentine inspired guitar rock earns Guilty of Everything four stars from Adam Piascik

Review: Ava Luna – Electric Balloon

Ben Phillips takes a listen to the lo-fi sophomore record of Brooklyn four piece Ava Luna

Culture Editorial: A Hearty Wahoo For Entrenched Classism

Our culture editor's thoughts on Wahoo's most recent attempt at social commentary

Cherwell tries…Being an Artist

Every week, a member of the Cherwell team tries a new cultural experience. This weekend was spent living the life of an impoverished artist Finsbury Park

Review: Lover’s Suicide

Naomi Polonsky is unconvinced by this piece of new writing

Preview: Devised Play I – Fear

Georgina Wilson grapples with this new kind of production

Review: ‘Tis Pity She’s a Whore

Bethan Roberts is entertained by a modernisation of this racy classic

Review: OUDS New Writing Festival presents Love Plus

Nathan Ellis enjoys an accomplished work of sci-fi on stage

Verdict: The Oscars 2014

Marcus Balmer enjoys another awards ceremony. Another year of farcicle, pompous, ultimately insignificant fun.

Review: The Caucasian Chalk Circle

Emma Hewitt is impressed by a thoughtful and staunchly authentic version of Brecht's parable

Interview: Alan Ayckbourn

Emma Hewitt chats to the Olivier and Tony Award winning playwright

Live Review: Royal Blood – The Art Bar

After recovering from the ear damage, Cherwell reviews last week's gig with hotly tipped rockers Royal Blood.

Review: Pharrell Williams – G I R L

Cherwell reviews the hip-hop-turned-pop superstar's latest release.

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