Culture

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat derivative and the neon signs...

Art Willow Jopp -

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of...

Film Siena Tracey -

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good...

Theatre Amy Lawson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Music Val Michael -

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Preview: Semi-Monde

Catherine Shafto looks forward to a play guaranteed to dispel fifth week blues

Review: Normal

Alex Woolley is explains why the title of this play is an apt review

Letter from…Nice

This week Cherwell receives insights into the trains, buses and suitors of the CÃ´te d'Azur

Culture Editorial: Artwork Unfolding at a Glacial Pace

A look at the works of art that seek to put the length of our lives into perspective

Cherwell Culture tries…Grand Theft Auto V

Matt Broomfield fails in his career as a violent criminal

Review: Simon Jay

Ben Horton is underwhelmed by this overambitious comedy

Review: Tartuffe

Anna Corderoy enjoys this fresh attempt at a well-known story

Review: Lone Survivor

Peter Berg's passion project poses as a thoughtful film about warfare, yet is ultimately a dumb nationalistic action-movie

12 Years A Slave – A Holocaust Narrative?

Josh Dolphin considers the cinematic precedents for McQueen's Oscar contender

Review: Yves Saint Laurent

Jalil Lespert's biographical drama is a compelling and moving watch

Foals Surprise Gig

Ellie Caddick gives an up close and personal account of last Saturday's homecoming sweat-fest.

Bargain Bin: Prince – Lovesexy

Helen Thomas sifts through the cringeworthy genius of Prince

Review: Breton – War Room Stories

Helen Thomas wades through the chameleon-like composition on Breton's latest release.

Review: Marissa Nadler – July

Marissa Nadler takes a soporific aesthetic to soaring, dreamy heights on her latest album.

Review: Ekoplekz – Unfidelity

Tom Stafford immerses himself in the abstract, but absorbing textures created on Nick Edwards' latest release for Planet Mu.

Mogwai: Scots still at the rave

Aadit Shankar talks to Mogwai’s Barry Burns about new album, Rave Tapes.

Review: 12 Angry Women

Rosalee Edwards listens in on this 'whirlwind experiment' ****

Review: The Dig

David McShane considers the poetic resonance of Cynan Jones' latest novel.

The trouble with Tarantino

Ollie Johnson charts the decline in the career of a past master

Review: Inside Llewyn Davis

James Martin suggests that the new Coen Brothers film is some of their best work, with a brilliant debut performance from Oscar Isaac

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Culture

What I learned from Tracey Emin about regeneration

In sickness, health, and wrongdoing: ‘The Drama’ in review

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

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