Culture

Oxford’s art scene: A picture still being painted

Who gets to make art, who gets to see it, and whose art history gets told? Oxford’s artistic identity may seem firmly established: the Ashmolean’s collections, the portraits and...
Art Miriam Hussain -

Behind glass: Lighthouse Productions’ ‘The Seagull’

The thematic potency and the overall success of Lighthouse Productions’ iteration of Anton Chekhov’s 'The Seagull' all came together in a great and terrible revelation.
Culture Jas Mauj -

The paradox of uniformity: Who do we dress for?

Walking to chapel on a mid-winter Wednesday morning, you could almost be certain to...
Culture Tilly Stanley -

How cinema has taught us to see Autumn

Autumn is clearly a time for comfort and reflection, a fact the film industry has learnt very well and pumps into new releases.
Culture Amalia Dasgupta -
Latest

Review: Shells

Despite a few shortcomings, this is an impressive and thought-provoking production, boasting strong performances and fantastic writing

Review: 100

Georgina Wilson is perplexed more than intrigued by this purgatorial world

Review: More Funny

A couple of technical glitches didn't stop this show from being roundly hilarious

Lou Reed’s Final Gig

Ben Wilkinson-Turnbull remembers the rockstar's final performance

Palma Violets competition

Enter now to win tickets to see Palma Violets at the O2!

Introduction To… Peruvian Folk

Olivia Arigho Stiles switches the focus from stanky Western bass to ethereal Andean harmonies

Art: does authenticity matter?

Luke Barratt wonders whether authenticity matters in culture

My Week: Susannah Moody

Susannah Moody discusses her recent cultural favourites

Letter from Rosice

Lazlo writes to us from his year abroad in a Czech small town near Brno

Review: Lady Gaga- ARTPOP

Gaga's latest offering pushes things to the extreme- and not in a good way

Interview: Marvellous Medicine

Luke Barratt gets a quick dose of Oxford’s most exciting live act at Isis’s Cellar night

Review: Autobiography by Morrissey

Please, Please, Please, Let... him stop writing

Review: Actors’ Anonymous by James Franco

Will Pimlott on James Franco's 'trite and embarrassing' new novel

Interview: Albert Alla

Adam Whiley speaks to Albert Alla about his Oxford-set debut novel

Interview: Jim Crace

Emma Hewitt talks politics, journalism and Booker nominations with Jim Crace

More Funny

Claire Watt has a laff with the jokers behind last term's 'Some Funny'

Cuppers 2013

Highlights form OUDS' annual introduction to thespdom

Preview: Shells

From the writer of Bluebeard and Lead Feathers comes a new play, set in a post-apocalyptic Britain

Review: The Hypochondriac

Witty, farcical and mad: this week's play at the Keble O'Reilly was a sheer delight

Introduction to: Grime Instrumentals

George King introduces the sub-low enfant terrible of the British underground
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