Wednesday 19th November 2025

Culture

‘Controversial but compelling’: ‘Women Beware Women’ Reviewed

CW: Sexual assault The Michael Pilch Studio might just have been the perfect venue for Women Beware Women. Intimate and beguiling, the audience were made to feel almost as naked...

GCSE drama nostalgia: ‘The Detention’ review

The Detention provided its fair share of giggles, but whether that was a result...

The power of the playlist

"These ten precious songs ... will become a time capsule"

Ceilings, wives, and love letters to the city: The Pre Raphaelites in Oxford

It was in 1857, not long after the construction of the Oxford Union, that...

My Evening with the Gods

Ching Lee reviews the first of the Ashmolean's Live Friday programme

Photo Competition Winner – ‘Black and White’

Congratulations to Ieva Maniustye for her lovely Black and White snow scene

Festival Fun!

Martha Newson brings summer loving, from Mischief Festival, to a cold and wintry Oxford

Review: Christopher Owens – Lysandre

Ceri Fowler is charmed by Lysandre

Review: Everything Everything – Arc

Joshua Barfoot is underwhelmed by this sophomore release.

Who’s Afraid of Frightened Rabbit?

Marc Pacitti interviews the Scottish folk-rockers

Review: The Blackout – Start The Party

Isabel Stoppani de Berrie finds little to love in this car crash of a release.

If You Like… Radiohead

Katy Wright recommends soundtracks on the back of Oxford's finest band.

The Year in Fear

Cherwell Film and TV guides you through Horror of early 2013

Sheila Heti keeps it reel

Barbara Speed talks to Sheila Heti about recording her friends for fiction

Hands tied on Fifty Shades spin-off

Alexander Woolley looks at a mischievous prank on a fickle industry

Focus on… Gilbert and Sullivan

Claire Rodwell delves into the world of the Oxford University G&S Society

Preview: A Theory of Justice: The Musical

Alexander Wilson is impressed by this student-written musical

Preview: They Will Be Red

Alexander Woolley is impressed by this innovative BT production

Nostalgia just isn’t what it used to be

Lizzie Greene explores the world of British Period Drama and its sense of bygone Britishness

Review: Django Unchained

Emily Hislop revels in the strange brilliance of Tarantino's latest release

Review: Angels in America

Kezia Lock reviews the first student Playhouse production of Hilary

Review: Yo La Tengo – Fade

Natasha Frost takes a liking to the latest release by the godparents of indie rock.

Out in the Spotlight

With Angels in America opening at the Playhouse, Peter Junger criticises how sexuality is approached in the acting world

Review: Whipping It Up

Samuel Graydon simply cannot laugh at this satrical political production

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