Culture

Night School: Oxford’s after-hours curriculum

The first time I saw Nahom and Ethan, it wasn’t on a night out – it was an early morning. I was shuffling through the half-awake crowd when my...

Culture Maya Rybin -

‘Delusions and Grandeur’ at the Fringe

★★★⯪☆ If there is one word to describe Karen Hall’s Delusions and Grandeur, it is...

Culture Peter Hardisty -

The Oxford Revue at the Fringe

★★★⯪☆ Returning for their 62nd annual pilgrimage to the Edinburgh Fringe, the Oxford Revue rolled...

Culture Leon Moorhouse -

Academia is hell, literally: R.F. Kuang’s ‘Katabasis’

R.F. Kuang’s Katabasis touches on a range of near-universal academic experiences: impostor syndrome; frantic,...

Books Charlie Stevens -

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Review: Richard Hawley – Standing at the Sky’s Edge

Aaron Payne finds Richard Hawley's new direction holding its own, but only just

Review: Regina Spektor – What We Saw From the Cheap Seats

Marc Pacitti enjoys an album that embraces the mainstream and is all the better for it

Preview: Love’s Labour’s Lost, Christ Church Cathedral

Barbara Speed urges you to watch this lighthearted and energetic production of Shakespeare's Love's Labour's Lost, in an idyllic Oxford setting

When is a book a book?

Review of Terry Eagleton’s latest book of literary criticism

Captivating Calligraphy

Review of the Ashmolean’s exhibition of Qur’anic art

Oxford Oddities #4 – Hertford

Exploring the history of our colleges to discover eccentric artistic personalities.This week: Hertford’s Evelyn Waugh

Women Playwrights

Maria Fox addresses the dearth of women writing for the stage

The Bluffers’ Guide to: Women on Stage

Our weekly guide talks you through all the classic roles available to female actors

The Bard in Drag

Angus Hawkins muses on cross-casting in Shakespeare

Cannes you feel the love tonight?

Nick Hilton examines the 2012 Cannes Film Festival and whether it's just a Hollywood jamboree

Review: The Dictator

Georgina Pollard is pleasantly surprised by the latest film from the creator of Borat

TV Flop of the Week: Made in Chelsea

Carmella Crinnion is sick of everything about Made in Chelsea

Here’s to you, Ms Robinson

Christy Edwall listens to the Pulitzer-prize winning novelist and essayist speak

Review: Bug

Will Tummon is held emotionally captive by this raw, heartfelt and unmissable production

Review: Proof

Jonathan Chapman is not disappointed by this emotional play

Review: Dark Shadows

Georgina Pollard is left somewhat cold by Tim Burton's latest film

Review: Donkeys’ Years

In one of the last bastions of all-male academia, Jonathan Chapman takes in a delightful garden production

Suicide on the rail tracks

Thoughts from inside a train. When somebody took their own life under the wheels of an earlier train, things started to look a bit different.

Preview: The Deep Blue Sea

Timothy Bano previews what looks to be an excellent production of a play full of emotional understatement

Preview: Proof

Angus Hawkins recommends this stunningly good production

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Culture

Night School: Oxford’s after-hours curriculum

‘Delusions and Grandeur’ at the Fringe

The Oxford Revue at the Fringe

Academia is hell, literally: R.F. Kuang’s ‘Katabasis’

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