Sunday 11th January 2026

Culture

2025 releases you may not have seen (but definitely should)

It’s that time of year again: the season in which we are inundated with a never-ending stream of lists ranking 2025’s top releases. Cherwell, however, will not attempt to...

‘Dark, revealing, gripping’: In conversation with the cast of ‘JACK’

JACK, by Musketeer Productions, reimagines the cult story of the most notorious serial killer...

‘The political is also political’: Ash Sarkar’s ‘Minority Rule’

Universities have often been seen as bastions of radicalism. Forgetting the fact that higher...

Graceful and self-assured: Circle Mirror Transformation reviewed

Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s...

Top 10 Films for a Trouble-Free Trinity

'For every bit of stress, there’s a summer day, an approaching sense of closure and a long sprawling summer to keep us going.'

‘Cozzie livs’ core: recession fashion trends

'If mankind has established one thing in the recent years of pestilence and political disarray, it is that anything can become a fashion aesthetic.'

For the Love of Libraries: The Taylorian

'Although its exterior may not be as striking as the RadCam, the Taylorian's interior is breathtaking and sure to leave a lasting impression on any visitor.'

She’s Glad Her Mom Died. And I understand why.

'In a sea of celebrity memoirs, I'm Glad My Mom Died stands out as one of the most poignant releases of 2022.'

Daft Punk’s ‘Random Access Memories’: A Tenth Anniversary Retrospective

'What is there in our current pop landscape that could possibly have its roots in Daft Punk’s Random Access Memories?'

Hooked on Hooks? Thoughts on the current crochet craze

"Whether you are a crochet novice or a hardened hooker, here are my top five tips for crocheters."

Ready For Takeoff: My Little Airport and the Hong Kong Indie Scene

Hong Kong indie, like the city, has plenty of gas left in the tank.

Rabelais’s Gargantua: Formulating Free Will in the Twenty-First Century

"It can feel, at times, that various sources are all fighting to influence you. Not Rabelais."

“Bursts of love, hate, and everything in between”: A Review of ‘Love and Money’

"Everything was brilliantly executed, but this play is hard to watch, not only because of its subject-matter but also because of the way it unfolds."

Review: This House

"The audience was delivered an impeccable and immersive experience which left a lasting impression."

Give a Book, Give a Smile!

"If it were up to me, I would make every day International Book Giving Day."

The Paradise Bangkok Molam International Band – Planet Lam review

"An exemplary of the international force of genre-bending, experimental music, this album represents a kind of music in which boundaries are transgressed and influences intermingled, creating an intensely enjoyable, diverse listening experience."

Dahl in the Dock; or, the publishing industry and its consequences 

"Modern editors aim to unanchor texts from their historical moorage."

The Source, HT23, Week 5

Featuring poetry from Nicole Gibbons and Charlotte Lai.

‘Originality is overrated, but we do it anyway’ Creativity in Cosplay

"There is something freeing in making art which has no commercial value"

Everything Everywhere All At Once: A Review

"EEAAO is a boundary-breaking, deeply entertaining film that deserves all 11 of its Oscar nominations and more."

Sam Smith’s Gloria is Queer, Controversial Perfection

"For the queer community as a whole, this album is a welcome addition to queer culture"

‘This House’: An Interview with the Cast and Crew

"As a play which I suppose relishes the grubby reality of politics instead of just putting politicians in the pillory for their inconsistencies and failures, it’s one that really appreciates it."

Frankenstein and Me

"The important ethical issues and imaginative storytelling are more than enough to stimulate your mind in the middle of a dreary academic workload."

The Death and Resurrection of Z-Library

"Z-Library opened up doors for people who were barred by too many locked doors."

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