Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

It is the examination of archaic methods and attitudes surrounding women’s bodies, and the idea of the ‘nagging’ woman, which runs through Olivia Plender’s exhibition.

Art Amy Lawson -

Nonsense and sensibility: Adapting Austen for the screen

It is a truth universally acknowledged that not all Jane Austen adaptations are created equal.

Culture Abigail Christie -

‘Our House’ in the middle of Beaumont Street

'Our House' ultimately becomes not just a story about crime or morality, but about the vulnerability of growing up and the frightening uncertainty of trying to decide who you are.

Culture Gavriella Epstein-Lightman -

Is the dancefloor really dead?

Tongue-in-cheek as it may be, Charli xcx’s ‘Rock Music’ speaks to the structural issues actively decimating nightlife across the world, even if her motivations may be more aesthetic than political.

Culture Emma Heagney -

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Natasha Frost is impressed by OUDS' New Writing Festival 'Antarctica', despite identifying some structural problems with the script

Who write the word? Girls.

Cherwell reconsiders 'women's writing'

Mosse-t Interesting

Jack Powell and ChloÃ« Wicks speak to award-winning author Kate Mosse

The long and the short of it

Christy Edwall speaks with the new master of the short short story

The Two Gentlemen of Verona: Producer’s Blog

Sarah Leonard on the trials and tribulations of the audition process

Blockbusters and Bueller: the 80s in film

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A ring of writers

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Skins at Season Six

Goh Li Sian bemoans the decline of the hit teen drama

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Culture

Hag, Nag, Harpy, Hen: Olivia Plender’s ‘Little Fennel’s Complaint’

Nonsense and sensibility: Adapting Austen for the screen

‘Our House’ in the middle of Beaumont Street

Is the dancefloor really dead?

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