Wednesday 29th April 2026

Culture

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good Person of Szechwan at Schauspielhaus in Zurich. Many critics cite Brecht as the pioneer of...
Theatre Amy Lawson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...
Music Val Michael -

Why you should spring clean your bookshelf this Trinity

In the Northern Hemisphere, astronomers mark the beginning of spring on the date of...
Books Elizabeth Bourn -

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably...
Culture Emma Heagney -
Latest

Cherwell Abroad: Paris

Cherwell visits the Musée d'Orsay on Paris' Left Bank

Cherwell Abroad: Rome

Cherwell takes a look around the Borghese Gallery

Review: Colin Stetson – ‘New History Warfare, Vol. 2: Judges’

Simon Torracinta reviews Colin Stetson's mind-bending solo album

Review: Metamorphoses – Fables from Ovid

Rebecca Tatlow finds this modern adaptation of Ovid surprisingly faithful to the original

Rave in the nave

Marques Toliver and Lianne La Havas play St Giles in the Fields Church

Review: Nicholas Ostler at the Oxford Literary Festival

Rebecca Tatlow hears Nicholas Ostler talk about his new book, \'The Last Lingua Franca: English Until the Return of Babel\'

Review: The Strokes – ’Angles’

Patrick Scott explains why The Strokes just aren\'t cutting the right shapes and Angles with their latest album

Review: Submarine

Jacob Williamson weighs up Richard Ayoade's directorial debut

Panic on the streets of London

Marcin Plonka risks it all to capture last Saturday's demonstration from the front line of the breakaway group

Review: Cause Celebre

Francesca Wade finds cause for celebration in this revival of Rattigan's final play

Celebrating the life of Elizabeth Taylor

Students, peers and critics remember Taylor\'s life-long contribution to Oxford theatre

Review: You Will Meet A Tall Dark Stranger

Jacob Williamson is underwhelmed by Woody Allen\'s latest sermon on the philosophy of life

Back in Black?

Jo Sarchet reflects on minimalism and modernity in Yohji Yamamoto\'s first major solo show in the UK

Review: The Adjustment Bureau

It's been compared to 'Inception' and 'Blade Runner', but how does George Nolfi's supernatural thriller really fare next to these greats?

Review: Theatre Uncut

Rebecca Tatlow experiences theatre at its most political

Sights from my car

...

Out of Oxford

Airport life

Out of Oxford – 1. Airport life

In this new photo blog, we journey with Lauri Saksa as he escapes Oxford for the vacation

Out of Oxford – 2. Sights from my car

We travel home from the airport with Lauri Saksa and his captured curiosities

Review: Norwegian Wood

How does the film measure up to Haruki Murakami\'s best-selling novel?
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