News
Opinion
Culture
Books
Film
Music
The Source
Columns
Arrogant, Offensive, Truth Twisters
Auntythetical
Behind The Screens
Brain Freeze
Haute Kosher
Hysterical Histories
Off The Rails
Pens, Paper, and Panic
Features
Innovation
Business & Finance
Science & Technology
Lifestyle
Food
Rusty Kate
Profiles
Sport
Search
UrbanObserver
Saturday 2nd May 2026
Oxford's oldest independent student newspaper, est. 1920
Facebook
Instagram
Twitter
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
The Source
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
News
Opinion
Features
Profiles
Culture
Books
Film
Fashion
Theatre
Music
Art
The Source
Lifestyle
Sport
Print Editions
More
About
Puzzles
Search
Culture
All in a day’s Work.txt: Metatheatre’s extremes
For £5 (and a 42p booking fee), I found myself in a room full of theatre kids who had finally attained that cherished jewel of our modern world: a...
Theatre
Jessica Phillips
-
What I learned from Tracey Emin about regeneration
CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life,...
Art
Willow Jopp
-
In sickness, health, and wrongdoing: ‘The Drama’ in review
CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of...
Film
Siena Tracey
-
It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined
It has been 93 years since the first performance of Bertolt Brecht’s The Good...
Theatre
Amy Lawson
-
Latest
Search
Review: ‘Initiate: An Oxford Anthology of New Writing’
Ella Sands reviews 'Initiate', the first anthology of work by graduates of
Oxford's MSt in Creative Studies
Mastering creative writing
Tom Cutterham and Ella Sands talk to Dr Clare Morgan, director of Oxford's MSt in Creative Writing, about how the course has been instrumental in encouraging students to start writing more than just essays
Review: The Pigeon Detectives Live
Penny Sarchet reviews the Oxford leg of the Pigeon Detectives' comeback tour following the recent release of their new album, 'Up, Guards And At 'Em!'
Cherwell Abroad: Paris
Cherwell visits the Musée d'Orsay on Paris' Left Bank
Cherwell Abroad: Rome
Cherwell takes a look around the Borghese Gallery
Review: Colin Stetson – ‘New History Warfare, Vol. 2: Judges’
Simon Torracinta reviews Colin Stetson's mind-bending solo album
Review: Metamorphoses – Fables from Ovid
Rebecca Tatlow finds this modern adaptation of Ovid surprisingly faithful to the original
Rave in the nave
Marques Toliver and Lianne La Havas play St Giles in the Fields Church
Review: Nicholas Ostler at the Oxford Literary Festival
Rebecca Tatlow hears Nicholas Ostler talk about his new book, \'The Last Lingua Franca: English Until the Return of Babel\'
Review: The Strokes – ’Angles’
Patrick Scott explains why The Strokes just aren\'t cutting the right shapes and Angles with their latest album
Review: Submarine
Jacob Williamson weighs up Richard Ayoade's directorial debut
Panic on the streets of London
Marcin Plonka risks it all to capture last Saturday's demonstration from the front line of the breakaway group
Review: Cause Celebre
Francesca Wade finds cause for celebration in this revival of Rattigan's final play
Celebrating the life of Elizabeth Taylor
Students, peers and critics remember Taylor\'s life-long contribution to Oxford theatre
Review: You Will Meet A Tall Dark Stranger
Jacob Williamson is underwhelmed by Woody Allen\'s latest sermon on the philosophy of life
Back in Black?
Jo Sarchet reflects on minimalism and modernity in Yohji Yamamoto\'s first major solo show in the UK
Review: The Adjustment Bureau
It's been compared to 'Inception' and 'Blade Runner', but how does George Nolfi's supernatural thriller really fare next to these greats?
Review: Theatre Uncut
Rebecca Tatlow experiences theatre at its most political
Sights from my car
...
Out of Oxford
Airport life
1
...
295
296
297
...
347
Page 296 of 347
Follow us
Facebook
Instagram
Twitter