Culture

Oxford on-screen: Historical atmosphere and fantasy worlds

Ideally, we should strike a balance; an awareness of the reality of life at Oxford can co-exist with an appreciation of its grand architecture and historical atmosphere.

Culture Siena Tracey -

The rise of Stats.fm: Music as a signal of identity

It is far harder to maintain a separation between your taste, your identity, and how you are thought of by others.

Culture Suzi Sharp -

‘Would you mind if I asked you a troubling question?’: ‘Ulster American’ in review

Arun Lewis reviews Grá Productions' staging of David Ireland's 'Ulster American', and finds fault in an otherwise fascinating performance.

Culture Arun Lewis -

Subs, dubs, and AI flubs: Lost in film translation

How hard could it be to watch an entire film in German when I could not even introduce myself in the language? Quite hard, it turns out.

Culture Emma Heagney -

Latest

The Play of Colour

May Anderson takes part in an intense rehearsal for She was Yellow, coming to the Burton Taylor in 3rd week, and briefly loses the boundary between reality and fiction

Review: Little White Lies

Guillaume Canet fails to depart from the clichÃ©d with a film in which the characters smoke a lot, swear a lot and break things when they get angry, without getting up to much

DÃ©jÃ view: Seen it all before?

Antz and A Bug's Life, Deep Impact and Armageddon, Kick-Ass and Hanna: similarities in themes and plot demonstrate Hollywood's inability to go beyond trends

Review: Shostakovich by Florestan Trio and Susan Gritton

One of the most exciting ensembles on the British classical music scene's final recording is a difficult yet fascinating listen

Review: w h o k i l l by tUnE-yArDs

Singer-songwriter Merrill Garbus' solo project tUnE-yArDs yields another album of sonic potpourri; jarring yet irresistible

What Doherty did next…

Cherwell saw Pete Doherty of Pete Doherty infamy at the O2 Academy, and was pleasantly surprised by both his punctuality and his performance

Diving in at the shallow end

Is the short story a lesser genre? Ella Sands recommends some conveniently brief gems.

First past the postmodern

The latest round-up of contemporary British art, In the Days of the Comet, proposes to show us ‘alternative ways of thinking about the here and now’ yet only seems to confuse and irritate

Aphra

Harriet Baker reveals all about this pioneering female playwright

Review: The Man with a Flower in his Mouth

Wake up and smell the coffee: Josephine Sarchet discovers that Metta Theatre’s Pirandello performance in a cafÃ© is more than just a gimmick

Taking Wadstock

Penny Sarchet tells us what its like to play with a funk soul ensemble at Oxford University's annual festival event.

Week in Pictures (2)

This week, Amelia Cox shares moments captured during her trip to Holland - and there's not a windmill in sight

Week In Pictures (1)

Joseph Caruana goes back home to Malta to bring us some splendid colour and light

May Day, May Day!

Cherwell's photo team document this year's May Day mayhem

Review: Marcus Foster Live

Francesca Wade is impressed by the rock ballads of Robert Pattinson's best mate

Review: Ashmolean Late and Pots and Plays

Operas, poetry, audio plays and two very intense DJs - Rebecca Tatlow reports on one of her favourite nights out in a long time

Review: Call of the Wild

May Anderson reviews the much anticipated stage adaptation of Jack London's novel, Call of the Wild, and is far from disappointed

Entering the Cult of Beauty

Laetitia Weinstock spends a sensuous evening indulging her senses at the opening of the V&A's new exhibition

Review: Jenny Hval – Viscera

The Norwegian singer draws out highly eroticized soundscapes on her latest recording, writes Cherwell's Music Editor, En Liang Khong

Review: Fleet Foxes – Helplessness Blues

Thomas May explores Robin Pecknold's new depths on Fleet Foxes' sophomore outing

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Culture

Oxford on-screen: Historical atmosphere and fantasy worlds

The rise of Stats.fm: Music as a signal of identity

‘Would you mind if I asked you a troubling question?’: ‘Ulster American’ in review

Subs, dubs, and AI flubs: Lost in film translation

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