Culture

NAZA: The most important film of the year

The filmmakers of NAZA clearly know that beyond physical distance, emotional distance is what allows the violence in Gaza to continue, and shows us just how easy it is to ignore what is going on right under our noses.

In conversation with John Kennedy, “one of the most trusted voices in music”

In a media landscape often dominated by gossip, rumours, and sometimes pure hate, it’s undeniably refreshing to listen to John, a man who never lost sight of what really matters.

The legacy of the caricature

That the ‘In Memoriam’ section of the 2026 Academy Awards is going to be a serious tear-jerker was solidified by the passing of Dolly Parton and Tim Curry over two consecutive days.

The problem with Nolan’s ‘The Odyssey’

Nolan had all the tools for greatness. Instead, to my eternal frustration, his 'Odyssey' will always only be just alright.

Papa Loach… and son

Cherwell takes a look at Ken Loach in the wake of the directorial debut of his son, Jim

Review: The Rover

Fiamma Mazzocchi Alemanni is wooed by Restoration comedy, The Rover

Review: She Was Yellow

May Anderson is provoked by a five-star production of a stunning piece of new writing

Review: Beastly

This revisiting of Beauty and the Beast set in high school makes The Twilight Saga look like a masterpiece

Review: The Miners’ Hymns

Jóhann Jóhannsson delivers an avant-garde concept album inspired by the miners of North East England

The Icelander at the coalface

En Liang Khong talks to Jóhann Jóhannsson about failed utopias and his new album, The Miners’ Hymns

Review: DNA

This play about a group of teenagers trying to escape the consequences of their actions is put on as part of Catz Arts Week, 25-28 May

Review: Glengarry Glen Ross

David Mamet's tale of capitalism and its vices is on at Keble O’Reilly, 25-28 May

Review: The Government Inspector

May Anderson is delighted by a farcical piece of outdoor theatre

Derelict in Menfi

Will Granger captures the atmosphere of a derelict Menfi in Sicily

Week In Pictures (3)

Kathleen Bloomfield captures Oxford's beautiful countryside

Review: Mona & Bea

Rosalind Stone applauds the innovation of Tim Keily's new play

First Night Review: Jeffrey Bernard is Unwell

Rosalyn Johnston-Flint finds herself in a late 1980s Soho pub, engulfed by an anti-hero's drunken memories

Review: The Nihilists

Drawn in by a love of Wilde, Fiamma Mazzocchi Alemanni investigates the merits of the playwright's first failure

Review: The Trestle at Pope Lick Creek

May Anderson is provoked and challenged by a brave production of Naomi Wallace's haunting play. At the O'Reilly from Wednesday 3rd week.

Review: Starf**ker Reptilians

Simon Torracinta reviews the third effort from this Portland synthpop quartet and discovers the perfect summer soundtrack

Review: Antlers Burst Apart

Simon Torracinta looks at the wonderful parts of Burst Apart

Review: Pygmalion – The Magdalen Garden Show

Rosalind Stone finds that elaborate characterisation is all the sugar-coating an audience needs

The Edgar Wind Society

Joe Funnell introduces the University's new and blooming Art society

First Night Review: Call of the Wild

The Oxford Playhouse goes to the dogs with this masterful student adaptation of Jack London's famous novel

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