Culture

A jarring Mann: ‘Fatherland’ (2026) in review

'Fatherland', which recounts celebrated Modernist author Thomas Mann’s return to a Germany in wreck and rubble, deals with great personal malaise against a backdrop of great political unease.

Why does everyone like East of Eden so much?

A beautiful book, written in a determinedly readable style, is bound to become popular, not to mention the endless power of nostalgia.

The return of the surreal 

Mythical, dreamlike, phantasmagorical, and absurd: Surrealism, which took the art world by storm in...

Must theatre be so dire? Thoughts on the “unworthy scaffold”

If 'art est celare artem' (true art is to conceal art), then theatre is pretty poor art. You ain't fooling me into thinking that's a storm.

Book Review: Oxford Poetry ’08

As the 99th birthday of Oxford Poetry approaches, Cherwell takes a belated look at this year's offering.

Go West

A new wave of European films grapples with immigration

Golden Globe Nominations

Brits on top in this years Golden Globe Nominations

The Pillowman First Night Review

The Pillowman proves to be a thought-provoking evening

The Films of 2008

What rocked the box office this year?

Lost kids and exploding dogs

Two blockbusters are heading to cinemas this week. We take a look...

The Pillowman Preview

Wilner's direction of The Pillowman both distresses and impresses

Chain Reaction: Spinal Tap

How the original rockumentary changed music

The World’s A Stage: Japan

Cherwell investigates the arts of Noh and Kabuki

Oxford Shakespeare reaches new heights…

A second look at this week’s production of Romeo and Juliet

Radical harmony

Political radicalism - still thriving in the music industry.

A Special Boy: Review

The play promises to entertain - but does it live up to expectations?

The Winter’s Tale

Stage review of a seasonal Shakespeare classic.

Sweeney Todd

A classic piece of drama gets the Oxford treatment. Is it a clean cut or a close shave?

Neighbourhood Watch: Crime doesn’t pay

When stage comedy goes wrong.

Decemberists Review

We review 'Always the Bridsemaid'.

Alphaholics Anonymous

Guy Pewsey tackles his addiction head on meeting perky popsters Alphabeat

Blindness

Julianne Moore shines in an otherwise bland Blindness

Choke Review

We review the new film from the author of 'Fight Club'.

Leo and Russel take on the Middle East

Ian Lister finds Ridley Scott's attempt at political-action thriller somewhat lacking

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