Monday 19th January 2026

Culture

‘Songs, skits, and a third thing beginning with S’: Jack McMinn in conversation

If there’s one thing I believe Oxford’s theatre scene is missing, it’s a button-down-shirt-wearing ex-zoology student with a penchant for writing songs about Pret A Manger.

The Oxford art calendar: Hilary 2026

Oxford’s frosty Hilary term is best spent looking at new exhibitions. This art calendar will guide you through some of the upcoming highlights.

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Damaging detachment: Reflections on the Booker Prize 

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

Neighbourhood Watch: Figment

Sean Lennon digs the fig.

Interview: Pendulum

Thomas Barrett speaks to drum and bass stars Pendulum.

Review: The Sabotage Café

Amber Coakes reviews Joshua Furst's new novel.

Gift Exchange

Gift Exchange Ovada Gallery Until 24th May

Review: Kill Your Friends

John Niven’s debut novel draws on the writer’s own experience as an A&R man in the late nineties, but its stab at postmodernism are clumsy.

Review: The Nose

BT Studio

Review: God’s Own Country

God's Own Country Ross Raisin 4 stars out of 5

More chipmunk than Chimera

Angela Cockayne Chimera Mus. of Hist. of Science Until 1st June 1 star out of 5  

Review: The Rose Labyrinth

Sam Losey gets lost in Titiana Hardie's latest work.

Theatrical Thrills

Looking back to Edward II.

In defence of the musical

Swing when you're winning, says Ash Barker.

Review: Spring Quartets

BT Studio 2nd Week Tues - Sat

Interview: Sir Peter Stothard

Daniel Rolle discusses the changing face of journalism with the editor of the TLS.

Tindersticks – ‘The Hungry Saw’

Daniel Rolle reviews "The Hungry Saw".

Matmos – "Supreme Balloon"

James Armshaw reviews the 'holiday from conceptual responsibility'.

Neighbourhood Watch: DFO

"We were probably Oxford’s only undercover funk band."

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