Culture
A Future in the Light of Darkness review: Imagined engines of desire
Modern Art Oxford’s exhibit Frieda Toranzo Jaeger: A future in the light of darkness counters the potential for automated vehicles and social media algorithms to consume our future reality. With...
Taylor Swift’s The Tortured Poet’s Department: Who tortures the poet?
The most tortured love affair on Taylor Swift’s new album is her relationship with...
Christian Atheism by Slavoj Žižek review
‘And what did the twentieth century want with religion, already well worn and threadbare...
The Oxford Fashion Gala: A stellar display of talent
The evening of Wednesday 8th May brought a show that transcended the limitations of...
Film around the world: Germany’s The Lives of Others
I’m sure that those of us who studied A-Level German back in the day...
First night review: Rhinoceros
Will you join the herd? asks Robert Holtom
Review: Youth in Revolt
Not your average teen movie
Emma Johnson and Pascal Rogé
Our new classical music reviewer attends an impressive concert at the Sheldonian Theatre, 30th January
Heavenly Features
Nicolas Pierce evaluates cinema's after-death experiences
Online review: A Prophet
Beau Woodbury says the future's uncertain for this acclaimed drama
Cherwell Photo Blog – Week 3!
Yet more snaps and shots from around Oxford...
Art, not without ambition
Macbeth has much to commend and much to condemn, says Andrew McCormack
Online review: Edge of Darkness
Edge of your seat stuff
What you’ve been missing
Is it indulgent to review an author in this column? Not when it's Orhan Pamuk
Review: Romance is Boring
Cherwell's most musically minded Ex-Editor reviews the latest from Los Campesinos!
Review: Realism by The Magnetic Fields
Idiosyncratic but interesting
15 years since…
We take a look at Leftism by Leftfield
Something to watch
Someone Who'll Watch Over Me impressed Vanessa Lehner
A Humorous Rhinoceros
Brave choices and absurdist comedy make this production entertaining as well as profound, says Alex du Sautoy
