Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Music Tom Cockburn -

Latest

Christmas Songs: The Hidden Treasures and Epic Failures

If you’re anything like me, you’ve been listening to Christmas songs since the beginning of November. Oxmas is without doubt one of the very...

The Solidified People

"The people have solidified since the summer. Seized up in the cold. No longer fluid Melting and melding together in the sun They can be discerned as individuals now. Separate entities two metres apart."

A swing of the pendulum: the horror literature that’s making its way up

"Modern academics are reexamining genre fiction, helped by a number of critical movements breaking down literary elitism, and there’s a world of horror which is intelligent, complex and, most importantly, terrifying."

Review: Adrianne Lenker’s ‘songs / instrumentals’

Big Thief’s album covers — hazy, warm-eyed snapshots of earthy nostalgia — are a fitting prelude to their deeply intimate folk music gnarled among...

Review: Future Islands’ ‘As Long As You Are’

Originating from Baltimore, Future Islands were three albums into their acclaimed discography when they hit the mainstream in 2014 with their iconic Letterman performance...

Cherwell’s end of year music recommendations

It's been a testing year, but the music hasn't stopped. From impressive debuts to lockdown albums from well-established favourites, 2020 has seen its fair...

Review: Bring Me the Horizon’s ‘Post Humans: Survival Horror’ EP

In November 2019, frontman of Bring Me The Horizon, Oli Sykes, boldly claimed that the band were “not going to do an album again,...

Behind the BT

"What characterises Oxford drama? The energy and enthusiasm!"

Cherwell Recommends: Bildungsroman

"Are we destined to become who we are as adults, or are we formed by our experiences on the way? It happens to all of us, but the process of growing up continues to fascinate writers, artists, and filmmakers, for it surrounds the struggle to forge an identity in a chaotic and often harsh environment."

Still

"Even as you float on panicked waves find the caress of a thousand petals softening you still."

Earthly Pleasures

"The sun hangs low in the sky like a ripe apple as my bicycle zig-zags over the thick paint-stripe shadows cast by the trees."

Review: Kali Uchis’ ‘Sin Miedo (del Amor y Otros Demonios) ∞’

As any even casual listener of Kali Uchis (born Karly-Marina Loaiza) will know, she has simply never dropped a bad song. And I’m not...

It was All a Dream: Escapism and Falling Down the Rabbit Hole

Dreams seem to straddle this boundary between fiction and reality, often informed by real life or perhaps made to help us cope with it.

Review: Simulacrum

Written and directed by Helena Aeberli and Riana Modi, Simulacrum is the first play on the Oxford drama scene specifically designed for online production,...

Who’s who: Ai Weiwei

But the deserted building in Chaoyang was no criminal lair—it was an art studio. And the man arrested at the airport, far from being a hardened felon, was Ai Weiwei: filmmaker, visual artist, and one of the most outspoken political dissidents in China.

All I Want for Oxmas…

When the crystal ball was dusted off in January 2020, The Atlantic predicted that the next decade would “look very different from what most people expect.” Little did we know how true that statement would be.

Forgive me, Katherine Mansfield, for I have sinned.

"The essay I would go on to write, and, reader, the article I had drafted and readied for this very publication, would, I see now, have Mansfield, alongside pretty much every other writer of fiction, willing to cross both space and time in order to beat me around the head with a copy of Crime and Punishment."

La vita davanti a sé: Sex, death and Sophia Loren

Long time, no see! Sophia Loren, Italian star of ‘60s classics such as 1963's Yesterday, Today and Tomorrow and 1964's Marriage Italian Style, commands...

The HAPPIEST SEASON to be queer

With Christmas comes family and with family comes movies. It’s that time to cuddle up cosy on the sofa and watch yet another Reese...

A Worm on What If

"A delicate chain bobs around his neck (his neck being the whole length of his body, which is just one long neck really); he bought it after watching Normal Worms. Maybe if he looked like worm-Connell, he imagines, things would have been different. Maybe worm-Sharon wouldn’t have left him for worm-Darren."

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Culture

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

In More, Pulp aren’t just trading on nostalgia – they’re fresh

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