Culture
The Mermaid
The mermaid is dying, and no one cares.She does not belong here, here in the suburbsWhere council-mandated hedges block her from the sea.She does not belong where houses must...
Freida Toranzo Jaeger’s Prophetic Glitter
Freida Toranzo Jaeger names her paintings like items in a manifesto: Extinction is the...
Film around the world: Italy’s Suspiria
The first time I heard about Suspiria, I was nine and my babysitter was...
Sunak’s Samba with the fashion industry
In Rishi Sunak’s recent Downing Street Interview, his words and promises were certainly not...
The Human Body review: ‘A Socialist exploration of healthcare and romance’
I recently attended my first production at the Donmar (https://cherwell.org/2024/01/24/review-of-tennant-as-macbeth-an-auditory-experience/ - shameless self plug!)...
Review: Paperweight
Our reviewer finds that silence is golden in this absurd and moving piece of Theatre
Review: Fairy Queen
A single actor plays out a strange world...
First Night Review: tick…tick…Boom!
The Larson musical seriously impresses
Interview: Philip Pullman
Pullman talks dark materials and light comedy with Cherwell
Nuns and nipple-sucking
the strange world of the 24 hour play
Review: Terminator: Salvation
We're less than impressed by McG's reworking of an old favourite
Review: Lady Windermere’s Fan
Oscar Wilde, the patron playwright of Trinity, doesn't disappoint
Review: As the Mother of a Brown Boy
It all looks good - shame about the script, says our reviewer
Review: Three More Sleepless Nights
A show to make you slit your wrists - for all the right reasons!
The Insect Play
Cherwell reviews Trinity's garden play
tick…tick…Boom
Larson's rock monologue at the OFS
Review: We’ll Meet Again
Cherwell celebrates a new comedy that brings home the funny.
Review: Green Day
We review Green Day's long-awaited new album '21st Century Breakdown'
Review: Alphabetical Order
This newspaper-centred farce is just like OxStu, only funny.
