Set during the 1972 Munich Olympics, Tim Fehlbaum’s September 5 tracks the ABC Sports crew’s coverage of the Israeli athlete hostage crisis in the Olympic Village: the first terror...
The final instalment of Hilary Mantel’s Cromwell trilogy finds her writing with more lyricism and force than ever before, and cements her prestige as...
Notes on a Conditional Form, the fourth studio album
by The 1975, has created its own chaotic history even before its release. The
band’s latest record...
The ancient Greeks were so moved by music that
in their mythological conception, the father of songs, Orpheus, could move even
the rocks. In less fanciful...
Like many of us quietly fascinated with Matty Healy’s
prolific output, I recently put in a shift to listen through The 1975’s
sprawling new album Notes...
Imagining a world where reproductive technology has evolved to popularise prosthetic wombs, Helen Sedgwick’s ‘The Growing Season’ toes the line between utopia and dystopia...
Aubrey Beardsley was an intensely talented, risqué artist who stunned
his late-Victorian audience. Loved by many for his depiction of the underside
of London life, Beardsley...