Friday 1st May 2026

Culture

What I learned from Tracey Emin about regeneration

CW: Abortion I left the Tate Modern’s latest headline show, Tracey Emin: A Second Life, feeling unmoved by the artworks. I found the paintings somewhat derivative and the neon signs...

In sickness, health, and wrongdoing: ‘The Drama’ in review

CW: Gun violence. “What’s the worst thing you’ve ever done?” is the driving question of...

It’s a bird, it’s a plane, it’s theatre: Defining the ill-defined

It has been 93 years since the first performance of Bertolt Brecht’s The Good...

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Originality could be dead in pop music. The genre is so self-referential that it...

Is Love Actually actually sexist?

Disclaimer: before I massacre the entirety of its script, Love Actually is one of my favourite films. I watch it every year without fail....

the peaches

"the table is rotting, and the house is rotting, and we are rotting too."

Gift-Giving in 2020

"a difficult balancing act, between thoughtfulness and practicality, and between social responsibility and reception"

The Show Must Go On…but not in every region of the UK

Several regional theatres have struggled to cope in the pandemic, due to persistent negligence and underfunding for decades, both by regional funding bodies and the government themselves.

Review: The Dancing Men

"The whole crew behind this production are worthy of praise for their resourcefulness, having produced a piece which works with, rather than against, its unusual circumstances".

The Prom: rainbow lighting, James Corden & the stage-to-screen adaptation

After a year in which curtains have hardly left stage floors, The Prom gives theatre fans a much needed dose of gliz, glamour and cheese. Katie Kirkpatrick reviews.

Six of the best: winter albums

"Sit back and relax by the fireplace with a mince pie in one hand and a glass of mulled wine in the other, and let Bing Crosby’s ‘White Christmas’ soothe your soul."

On First Looking into Rupi Kaur’s ‘Home Body’

'bricolage applause as spoken word verses raining down like stardust'

Lighting: the art of manipulating the audience

The effect of light is upon the unconscious, unacknowledged unless you are thinking about it, but it’s influencing you all the same.

Review: Taylor Swift’s ‘evermore’

‘In the disbelief I can’t face reinvention. I haven’t met the new me yet.’ So sings Taylor Swift in her ninth and most recent...

Memory/Dream

'snippets of shared secrets, tied to a half forgotten memory'

Instead Of

"I won't have to close my eyes to remember your smile."

Review: Phoebe Bridgers’ ‘If We Make It Through December’ EP

Coming off the post-apocalyptic scream that concluded Punisher, Phoebe Bridgers’ 2020 album (my favourite album this year, and possibly ever), the muted buzz of...

Christmas Songs: The Hidden Treasures and Epic Failures

If you’re anything like me, you’ve been listening to Christmas songs since the beginning of November. Oxmas is without doubt one of the very...

The Solidified People

"The people have solidified since the summer. Seized up in the cold. No longer fluid Melting and melding together in the sun They can be discerned as individuals now. Separate entities two metres apart."

A swing of the pendulum: the horror literature that’s making its way up

"Modern academics are reexamining genre fiction, helped by a number of critical movements breaking down literary elitism, and there’s a world of horror which is intelligent, complex and, most importantly, terrifying."

Review: Adrianne Lenker’s ‘songs / instrumentals’

Big Thief’s album covers — hazy, warm-eyed snapshots of earthy nostalgia — are a fitting prelude to their deeply intimate folk music gnarled among...

Review: Future Islands’ ‘As Long As You Are’

Originating from Baltimore, Future Islands were three albums into their acclaimed discography when they hit the mainstream in 2014 with their iconic Letterman performance...

Cherwell’s end of year music recommendations

It's been a testing year, but the music hasn't stopped. From impressive debuts to lockdown albums from well-established favourites, 2020 has seen its fair...

Review: Bring Me the Horizon’s ‘Post Humans: Survival Horror’ EP

In November 2019, frontman of Bring Me The Horizon, Oli Sykes, boldly claimed that the band were “not going to do an album again,...

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