Wednesday 9th July 2025

Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Review: Measure for Measure

In Measure for Measure, one of Shakespeare’s problem plays, Vienna is depicted as a city of vice and perdition, such that the situation seems...

Review: Wire’s ‘Mind Hive’

Wire are a band that don’t like nostalgia, unlike most mainstream cultural figures. So much so, that they have been known to take...

The music of Little Women

For the characters in Greta Gerwig’s recent film adaptation of Little Women (2019), music is an essential part of their lives. Beth (the third...

Heimat: a cinematic odyssey through 20th century German life

The controversy surrounding Taika Waititi’s recently Oscar nominated satire on Nazi Germany, JoJo Rabbit, demonstrates that dramatic portrayals of Hitler and the era of the Third...

Photo Editorial: Off-Duty Suiting

Fashion in the latter half of the 2010s was defined by the unprecedented cross-contamination of streetwear with the old luxury houses, of the casual...

Review: Frank Turner’s ‘Love, Ire & Song’

Frank Turner is an interesting character. Somehow famous enough to play Wembley and the Olympic opening ceremony, but not quite famous enough that...

Review: The Pillowman

Martin McDonagh’s jet black comedy is brought to life (and sentenced to a gruesome death) by Tom Fisher and his stellar cast. I coughed, continuously,...

The Place of Regional Theatre

The power of identity is arguably greater today than ever before. The stale, collective “British” identity is slowly being pervaded by the vibrant diversity...

Review: Merrily We Roll Along at the Oxford Playhouse

Merrily We Roll Along begins with a bang – the peak of Franklin Shepard’s career as a Hollywood producer while he relaxes (and then enters...

Jean Paul Gaultier and a New Vision for Fashion

Last Thursday at the Théâtre du Châtalet in Paris, the fashion world came together to celebrate the career of iconic French designer Jean Paul...

Review: Nutcracker

As a child, ballet lessons made me wince in pain, but two-and-a-half hours of The English National Ballet’s The Nutcracker passed in the blink...

Songs for the Sadgirl

Whether it’s due to a lack of sunlight that no SAD lamp can remedy, the post-December comedown, or the onslaught of Hilary term...

The Enduring Legacy of Pippi Longstocking

This year marks the 75th anniversary of Pippi Longstocking’s arrival at Villa Villekulla. In her first appearance Astrid Lindgren’s eponymous heroine fascinates her neighbours,...

Cinema Self-Care: A Therapeutic Guide to Nora Ephron Films

Even when I am most in need of time to myself, I still crave company. Nora Ephron’s characters, from jolly, larger than life Julia...

Review: JoJo Rabbit

Based on Christine Leunens’ Caging Skies, Jojo Rabbit is a very different kind of war film to Sam Mendes’ 1917, advertised just moments before....

Review: The Rise of Skywalker

Space Operatic Dullness by Mattie Donovan, “The Critic” When this new trilogy of Star Wars films began back in 2015, there was a charming sense of...

ROYALTY IN FILM

“Uneasy is the head that wears a crown”, wrote Shakespeare, who seemed compulsively committed to documenting the simultaneous lure and burden of monarchy more...

The Death of Jesus

The world of J. M. Coetzee’s Jesus novels – a trilogy which has accounted for most of the author’s output in the last decade – is not easy...

Review: ‘Howards End is on the Landing’

Oxford time does not have the rhythms of ordinary time. There are very few moments for extended, contemplative, peaceful reading, of the sort which...

In conversation: Ross McNae, Twin Atlantic

In the heart of the Glaswegian alternative music scene circa 2006, Sam McTrusty, Ross McNae, Craig Kneale and Barry McKenna formed the rock outfit...

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