“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...
Another 20 or so years, another Little Women; this time brought to us by acclaimed director Greta Gerwig and starring some of the hottest young actors of...
On New Year’s Day, exactly ten years after David Tennant’s beloved Tenth Doctor regenerated into Matt Smith, Doctor Who returned with the first instalment...
By the mid-60s, jazz was floundering. The preceding decade saw bebop – the most radical post-war interpretation of the breed – birth several pioneering...
Oxford University Jazz Society have welcomed in the new year with the announcement of the launch of their new independent record label, JazzSoc Records.
Describing...
Find Me is the October 2019 sequel to André Aciman’s 2007 novel Call Me By Your Name, which was popularised by the success of its 2017 movie adaptation. As a much anticipated...
“Everything’s like everything in a relationship, don’t you find that?” This is the question Nicole (Scarlett Johansson) asks at the start of Marriage Story....
We, your Film Section Co-editors, have assembled a totally and completely objective top ten best films of the 2010s list. While we theoretically believe...
It is hardly a ground-breaking revelation that Christmas is an extremely wasteful enterprise. However, due to my mum’s insistent anti-palm oil venture, this year's would be a truly green Christmas, whatever that means.
The election of a new conservative government begs the question of how British culture and the Arts will be affected. Close to a decade of Tory rule caused a sharp decline in the funding and support of art and culture, and it doesn’t look like it’s getting any better.
It would be hard to think of another set of myths that are so present in contemporary culture as those surrounding the fall of Troy and its aftermath, immortalised most notably by Homer and Virgil. Stories such as the judgment of Paris, which sets the war in motion, the deception of the ‘Trojan Horse’ and Odysseus’ encounter with the Cyclops during his decade-long journey home are many people’s first introduction to the classical past as children, and the past few years have seen a resurgence of the Trojan cycle in popular culture. Novels such as Madeline Miller’s The Song of Achilles and Pat Barker’s The Silence of the Girls have reconsidered the war and its characters from different angles, and the BBC’s Troy: Fall of a City adaptation brought the saga to a generation raised on Game of Thrones. Therefore, the British Museum chose an opportune time for this year’s BP exhibition, Troy: myth and reality, which aims ambitiously to exhibit artistic depictions of the well-known myths and their various post-classical reinterpretations alongside the archaeological evidence that Troy and the war actually existed.
Nine years after they last took Muswell Hill by storm, indie giants Vampire Weekend played a two-night engagement at London’s Alexandra Palace as part...
The Royal Academy’s current exhibition, Lucian Freud: The Self-portraits, is a bold and singular response to this century’s fascination with self-image. Lucian Freud’s artistic career predates the selfie-saturated 2010s, yet his work captures the obsession and volume with which we display ourselves today.