“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
Whether it’s a mild sniffle or full-blown tears, I always end up feeling a bit ridiculous about the whole ordeal when it’s over. I mean, it’s not real, is it? Why do I waste my grief on things that haven’t happened, that will never happen?
Last November, Waterstones named Greta Thunberg as their ‘author of the year’. Her collection of speeches, No One Is Too Small to Make a Difference, certainly...
The name of Arkells’ newest single, ‘Years in the Making’, is somewhat appropriate considering that this is their first new release since 2018’s Rally Cry....
The election of a new conservative government begs the question of how British culture and the Arts will be affected. Close to a decade of Tory rule caused a sharp decline in the funding and support of art and culture throughout the nation, and it seems like it's not getting any better.
In a fashion week which is churning out Victoria Beckham’s bland, half-heartedly tailored black coats and Richard Quinn’s line-overstepping spiked gimp masks, Matty Bovan...
The 2020 Oscars was a night in
which history was made, with Parasite being the first foreign-language
film to win Best Picture, and the animated short...
When the largest book retailer in the United States, Barnes & Noble, launched their so-called Diverse Editions initiative in honour of Black History Month,...
If you want to feel the sensation of your skin crawling, watching Eminem’s unexpected performance of ‘Lose Yourself’ at the Oscars should certainly do...
When depicting the world and ideology of Nazi-Germany, the theme of childhood or the child-like figure is quite a well-used one. Key examples include...