Oxford occupies a mystical, almost fantastical place within the American psyche – so much so that when I told my peers I’d be studying abroad, they had me promise...
Their physical manifestations seem so much a part of the poetic experience that seeing them on a page, relying only on written descriptions for their original context, is almost a tease – a promise of the possibility of an even fuller experience.
Morpurgo intended the tale to be one of ‘reunion and reconciliation’, but Nick Stafford and the National Theatre have transformed it into an ‘anthem for peace’.
Imagine the future. You walk into a room expecting an art gallery. Instead, you come face to face with a baron white cubicle. A woman stands in the corner, holding a pair of VR glasses. She hands them to you. Puzzled, you put them on.
Sophie Hyde’s latest film Animals, adapted from Emma
Jane Unsworth’s 2015 novel, is a welcome antidote to the friendships of fun, feminist,
Glossier-buying millennial women that...
Welcome to the British Library’s new exhibition, which will certainly put your mind in motion, as its title suggests, thanks to its atypical depiction of the genius we think we know.
Madlib is perhaps hip-hop’s greatest enigma. In a career spanning almost three decades he has studied a variety of genres, masterfully integrating them into...
Delivered in the form of a virtual ghost tour, Hoof and Horn Productions' take on The Witch of Edmonton offers an original retelling of Elizabeth Sawyer's story.
The Shakespeare’s Rose Theatre wants its audience to experience Shakespeare as intended – in the bard’s self-designed theatre. But is this immersive theatre experience more pop-art than pop-up? Arabella Vickers reviews.