Culture

Beyond the binary: Leigh Bowery’s radical individuality

Tate Modern's "Leigh Bowery!" refuses easy categorisation—much like its subject A fashion student from Sunshine, Melbourne, rocks up to London in 1980, writes 'wear makeup everyday' on his New Year's...

Art Ava Doherty -

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

In a move that lives up to its motto of ‘Consulto et Audacter’ (purposefully...

Culture Miriam Hussain -

Just like the movies: An American’s notes on her Oxford year

Oxford occupies a mystical, almost fantastical place within the American psyche – so much...

Culture Radhika Bhargava -

Reading Oxford books in Oxford

For those who have not even set foot in Oxford, the city still lives...

Books Ngoc Diep -

Latest

Numbers Review – commendable but difficult to feel nuance

The play was particularly successful in its exploration of masculinity

Review: Shostakovich 7 with the Oxford University Orchestra

Peter Stark conducts a moving performance of Shostakovich 7 with the Oxford University Orchestra

Interview: renowned opera singer Iestyn Davies

Cambridge, choirs, colleges and everything else

Classical music’s illusions

Lauren Hill discusses the captivating, and yet illusory effects of performing music at a point where music education is under threat

Preview – Pirandello’s Henry IV – “a challenging role wonderfully enacted”

Omelette Productions presents an unconventional take on a Tom Stoppard translation

Review: Eugene Onegin at St John’s College Auditorium

The People's Opera's production of Eugene Onegin is a great achievement against the odds

The Pitchfork Disney Review – ‘reality and morality is blown apart to become a nightmare’

"From the moment you step into this play the direct ‘in-yer-face’ nature of the performance is abundantly clear."

Who’s direction is it anyway? An interview with the director of How to Make Friends and then Kill Them

Charlie Rogers talks black-box theatre and responds to recent Oxfess controversy

Sex Education review: exuberantly explicit

It refuses to conform to the tiring tradition of sugar-coating anything that sits outside the realm of the PG-13

The illusion of reality television

Reality television is, then, in many ways a fiction. They tell us they are depicting something akin to an authentic reality, but flatten and stabilise the randomness and contingency of actual life, while refusing to overtly acknowledge the authorial voice behind it.

Culture

Beyond the binary: Leigh Bowery’s radical individuality

St Anne’s goes All-Steinway: A purposeful and bold commitment to music

Just like the movies: An American’s notes on her Oxford year

Reading Oxford books in Oxford

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