Last week, I sat down with Luke Nixon, Lydia Free, and Isobel Connolly, the directorial force of a new ‘vivid and visionary’ production of Sondheim’s timeless classic Into the...
NUTS works in its ability to keep the audience on edge, waiting for the delicately thin emotional facades the characters have built to come crashing down.
Alan Bennett’s acclaimed 1991 exploration of George III’s first bout of mental illness and the constitutional crisis it triggered is reborn in this National...
Trigger Warnings- Rape and Violence
Sarah Kane’s first play, Blasted, begins with the ageing Ian grooming his young girlfriend Cate in an expensive hotel room....
Video may have killed the radio star, but Jazz Hands Productions’ radio play A Midsummer Night’s Dream aims towards resurrection, encouraging audiences to “escape...
Touted as one of their ‘relaxed performances’, the Globe’s Macbeth seeks to “break down walls to cultural access and empower teenagers to develop their...
Perhaps the biggest debate surrounding ‘gender-blind and colour-blind’ casting (with which actors are cast regardless of the traditional race/gender of their role) is the...
Iconic, encyclopaedic, and kaleidoscopic, Salman Rushdie’s Midnight’s Children has garnered a healthy sense of both wariness and respect from critics and readers alike over...
After mastering the downward facing dog-chaturanga-upward
facing dog transition, my isolation development peaked and it was time to do
some work. I watched the Donmar Trilogy’s...
00 Production’s
performance of The Last Five Years pulls off the ambitious project with
surprising grace. I say surprising because bringing a musical to the small
screen,...
With his aquiline nose, translucent skin and
deep pale eyes, Ralph Fiennes certainly makes an impression. And that is even before
he speaks or emotes -...
