Theatre

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

After their staging of Company at the Oxford Playhouse earlier this term, Fennec Fox Productions are set to return next week with a run of The Flick (2013) at the Burton Taylor Studio.

Culture Beatrix Arnold -

A deeply Singaporean play: In conversation with ‘Late Company’

OUMSSA Theatre makes their debut with Jordan Tannahill’s Late Company. While the text originated in Canada, OUMSSA Theatre’s take on it is nonetheless entrenched in Singaporean culture.

Culture Jessica Phillips -

Lighthouse Productions on ‘Things I Know To Be True’

Fresh from the success of their debut production, Lighthouse Productions are set to deliver their second show: Andrew Bovell’s Things I Know to Be True (2016).

Culture Abigail Lakeland -

A masterclass in devising: ‘Noether’

This original play tells the story of the mathematician Emmy Noether and her struggles with the misogyny of her male peers against the backdrop of the rising Nazi state.

Culture Jessica Phillips -

Latest

Making “Magic”: A Revival of an Edwardian Fantasy-Genre Play

Magic lends itself well to the online format. It is a play of voices, of witty exchanges and mystifying, unseen events. The audience is called on to construct the setting from their imagination, inspired by the actors and the sound effects, resulting in a final product which is a collaboration between players and listeners.

Fun Home?

CW: sexual assault, child abuse, suicide, homophobia. 2015 was a great year in the history of musical theatre, possibly the greatest year of this century...

Zoom cuppers – a new sub-genre of theatre?

This was an entirely new experience, a mode of art barely explored before 2020 and something that I believed would benefit me to be a part of.

The comedy bug

No sympathy laughs from your mate when the joke doesn’t quite land; no in-jokes to fall back on; no new haircut to make fun of. Comedy is a savage mistress.

Creating theatre in a pandemic: Spoon River Anthology

Working with other people on Spoon River is definitely a welcome distraction from the monotony of being stuck in lockdown at home. It is truly inspiring to get to witness so many creatives coming together for this production.

“We’re going into a new territory”: interviewing theatre director Sally Cookson

Sally Cookson is a theatre director who has worked on productions for theatres including the Old Vic London, the Bristol Old Vic, the National...

Dick Whittington: not quite the win the National was hoping for

This version attempts to be the Hamilton of pantomimes, incorporating street dance, rap, pop ballads and frequent references to TikTok trends into an otherwise familiar tale.

Backstage takes centre stage: a look behind the scenes

It is at this moment that it becomes obvious just how important backstage is; it can quite simply carry the play or allow it to flop, making the phrase ‘break a leg’ cut a bit close to the bone.

Becoming Hir

The play’s cathartic nature hinges on New York playwright Taylor Mac’s darkly playful approach to gender issues.

Review: Mischief Movie Night

"Mischief Movie Night is a funny and engaging show that is sure to brighten up even the darkest lockdown night."

Reinvention: rethinking gender and race on stage

"Marginalised actors should not just be shoehorned into pre-existing plays without any respect or provision for the stories they have to tell. To do so is to package diversity into commercially successful morsels that are digestible for largely white, middle-class audiences."

Theatre

Let’s go to the movies: Fennec Fox Productions’ ‘The Flick’

A deeply Singaporean play: In conversation with ‘Late Company’

Lighthouse Productions on ‘Things I Know To Be True’

A masterclass in devising: ‘Noether’

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