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UrbanObserver
Tuesday 9th June 2026
Oxford's oldest independent student newspaper, est. 1920
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Theatre
‘The Harrowing of Hell.26’ reviewed
Fundamentally, The Harrowing of Hell.26 is a finely acted, well-produced play which was enjoyable enough to watch, but its conclusion is unsatisfying.
Culture
Arun Lewis
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Behind the red curtain: ‘Stories From an Abandoned Warehouse’ reviewed
Leo Jones reviews Crazy Child Productions' performance of 'Stories From an Abandoned Warehouse', the first English staging of the play.
Culture
Leo Jones
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‘Would you mind if I asked you a troubling question?’: ‘Ulster American’ in review
Arun Lewis reviews Grá Productions' staging of David Ireland's 'Ulster American', and finds fault in an otherwise fascinating performance.
Culture
Arun Lewis
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‘The Importance of Being Earnest’ in review
The Harris Manchester Players immersed Oxford’s inhabitants in the delightful world of Oscar Wilde’s The Importance of Being Earnest this May.
Culture
Elizabeth Bourn
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Five Minutes With… Hugh Tappin
In our final interview of term, we chat to Hugh Tappin, of Nitrous Cow Productions
Mountains review – ‘uncomfortable and immersive’
Michael O'Connor is impressed by this unorthodox performance.
As You Like It review – ‘Slightly flat, with a twist of theatrical magic’
Shared Experience’s reinterpretation of As You Like It is surprising and worth a watch, writes Harry Hatwell
Five minutes with: Audrey, the mysterious figurehead of The Oxford Revue
This week, we chat to Audrey, the Oxford Revue’s mysterious icon.
‘Twelfth Night’ review – ‘The Luscombe effect strikes again’
The RSC’s new version of Twelfth Night is an innovative reinterpretation, writes Katie Sayer
‘Volpone’ review – “Overdone accents but an otherwise fantastic production”
Amelia Coen enjoys Seeing Hand Production's witty Blackpool update of Johnson's satire
‘Volpone’ preview – “a very potent type of dramatic humour”
John Livesey is excited by 'Volpone', playing at the Keble O'Reilly in 7th week
‘God of Carnage’ preview – “a disgusting and disquieting play”
Jorge Lopez Llorente previews God of Carnage at the BT Studio
‘Retelling Tales’ preview – “I heard stories that got inside my body.”
Lucy Enderby is impressed by the originality and emotive power of ‘Retelling Tales’
Confessions of a Drama Queen 6: Things get worse, again
Our drama queen goes into hiding, after some shocking humiliation.
Under Milk Wood preview – ‘Creative and interesting but overly dramatic’
Though admiring the production's use of space, Zad El Bacha finds the acting of 'Under Milk Wood' excessively solemn.
Five minutes with: Lucy Hayes
We chat to Lucy Hayes, chair of OUDS and manager of Perepeteia Productions, about her experience with Oxford drama, her real-life heroes, and her latest exciting project.
Confessions of a Drama Queen 5: Things can only get better
Our drama queen's unparalleled potential is finally recognised
‘Lieutenant of Inishmore’ review – ‘An excellent understanding of pace’
John Livesey admires the acting in 'The Lieutenant of Inishmore,' but regrets how it shies away from violent visuals
In conversation with Layo-Christina Akinlude
Katie Sayer talks Shakespeare and the pursuit of happiness with the star of 'As You Like It'
‘A Familiar Friend’ review: “a masterful intensity”
Shamika Tamhane highly recommends 'A Familiar Friend' at the Michael Pilch studio
Lady in the Sheets review – ‘powerful and horrible but comic for all the wrong reasons’
Amber Sidney-Woollett says 'Lady in The Sheets' should leave the laughs at the door and stick to emotional impact
Intruder and Seven Princesses review -‘Twisted and ghoulish delight’
Charles Britton is won over by the plays' disturbing horror
The right production but the wrong play
The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough
The Lieutenant of Inishmore review – ‘fast moving and extremely funny’
Whip-smart dialogue ensures this black comedy leaves its mark
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