Monday 24th November 2025

Culture

Brown boots, black boots, and the politics of autumn style

Autumn always brings a question of existential importance: brown boots or black boots? It’s more than a colour choice; it’s a subtle declaration of intent. Fashion might be dismissed...

“You’re going to make mistakes”: Katie Robinson on fashion and sustainability

Katie Robinson is a sustainable fashion journalist, content creator, and campaigner, with experience working...

Alternative Oxford: The changing stereotypes surrounding body modifications

Cienna Jennings visits Oxford’s renowned tattoo and piercings studio, Tigerlily, to speak with the...

Fashion around Oxford – Iggy Clarke

Iggy Clarke, the president of the 2025 Oxford Fashion Gala, shares her style secrets and where she’s shopping right now.

The Return of Formals

For many colleges, formals are finally back on the menu. Whether that means donning your gown for the first time in a year, or...

Hanging by a Thread: Fragility and Femininity in the Work of Nensi Dojaka and Rui

The LVMH Prize for Young Fashion Designers was launched in 2013 with the aim of seeking out and fostering emerging talent within the fashion...

Review: “Lost Connection” by Felix Westcott // Jazz Hands Productions

"Lost Connection, as a production, effectively memorialises the issues and troubles that lockdown caused all of us, whether in the world of performance or not."

Review: “Black Lives Playlist: Track 2” by Sam Spencer

'Spencer’s script never tries to be overly clever or conceptual, instead relying on its innately heartfelt character development and engaging humour.'

Ethical fashion: Woven by women from the Earth to our bodies

'Women are born with the opportunity to make everything possible. It’s part of our DNA, if we can deliver children in this world, we can do anything. Women are the best managers, we manage the home, pregnancy, periods, family.'

Live in the Opera House: A Review of 21st-Century Choreography

"I didn’t sit back and enjoy the show. And I ended up with a lot more opinions than I had ever expected four pieces of 21st-century choreography to evoke." Patrick Gwillim Thomas discusses the Royal Opera House's newest choreography project.

Could the Friends Reunion BE any more nostalgic?

It's fair to say the Friends Reunion was a mixed bag. The best? A heavy hit of nostalgia from seeing the cast reunited. The...

“Rotterdam is anywhere, anywhere alone…”: A Literary Pilgrimage

'If I do go to these places, I won’t need to be transported to a fictional world for them to be magic. They’ll be wonderful because I went there, and had fun, and lived a life that is far less exciting than those of the characters, but was good all the same.'

The Nordic Inheritance and the Power of Myth over the Modern Imagination

For a historian who has made every effort to avoid studying the early history modules, Prime Video’s Vikings was perhaps a surprising viewing choice....

Review: Home Fires

Every aspect of the show was defined by attention to detail. All of Dettmer’s movements were controlled and carefully blocked; from walking across the stage to crossing her legs and the little touches of her hands, each had a sense of purpose. Accompanied by judicious use of props — the chair and stool, a water glass, and folded list — this meant every little motion was imbued with meaning.

Review – Spiral: From the Book of Saw

My friend and I arrived about thirty minutes late to see Spiral: From the Book of Saw in the cinema. It didn’t particularly matter....

Modern Art Oxford launches exhibition by Oxford fellow: ‘Samson Kambalu: New Liberia’

"Modern Art Oxford (MAO) has opened a new exhibition ‘Samson Kambalu: New Liberia’ depicting the work of Oxford-based artist and writer Kambalu"

“Je ne comprends pas”: learning to love bilingual literature

My first experience of reading a bilingual novel was both painful and involuntary. It was that heady World Cup summer of 2018 – the...

Review: “Half Baked” by Nina Jurković @ North Wall Arts Centre/00Productions

"'Half Baked' passes the Bechdel test with flying colours. It is truly a feminist triumph and is so refreshing to see an all-female cast on an Oxford stage—something of a rarity, especially in the genre of farce." James Newbery reviews the first live post-Lockdown show in Oxford, "Half Baked" by 00Productions at the North Wall Arts Centre.

In Conversation with Eleanor Neale

"These ones are being told on my channel because no one else will tell them and I want to tell that story."

Five Book that Shaped My Life: A Biblio-Biography

'Upon sitting down to write this article, the immense prospect of narrowing down my entire life's reading experience to five books suddenly seemed to stare at me, chasm-like. Life does not always present itself to us in such neat sequences.'

Why I’m still disappointed by How I Met Your Mother’s finale

Spoiler alert! The finale of How I Met Your Mother aired in 2014, and its discordance with everything that came before it and unexpected direction...

The Ashmolean reopens with new exhibition: ‘Pre-Raphaelites: Drawings and Watercolours’

"The Ashmolean will reopen to the public on 17th May 2021 with a new temporary exhibition, ‘Pre-Raphaelites: Drawings and Watercolours’, opening the following day."

What Makes A Great Writer: A Biblio-Biography

'What makes a great writer? Practice, of course, and undoubtedly that unique spark called talent or inspiration. But as every writer, great or otherwise, knows, the whole business of writing is built on reading.'

Review: “The Arnolfini Portrait” by Tamsyn Chandler

"The Arnolfini Portrait was an intricate, sophisticated project with a controlled yet bold execution. Every element of sound was carefully considered, and I took great satisfaction in being guided along Jean’s journey through the various mediums of sound." Beth Ranasinghe reviews the audio production of "The Arnolfini Portrait" by The Industry Magazine Podcast.

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