Sunday 26th April 2026
Blog Page 1075

Commemoration Balls

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White tie balls are one of Oxbridge’s great anachronisms. Upon a cursory search as to what the dress code entails, I realised it was ‘The Western World’s most formal form of dress’ and that it was apparently only used in Royal events, and in Oxbridge commemoration balls. Which explains then, why it seems so utterly bizarre to see men in tails, with top hats and silk scarves, zooming down helter skelters like the aristocracy attempting to regress into a state of infantile delayed adulthood.

This state is further exemplified by the food and drink typically on offer – taking the American all-you-can-eat mentality to food, drink and so on. It is an opportunity for all guests to glut themselves until at 5:40 a.m., exhausted and wondering whether the evening’s festivities were worth their current state of tiredness and feeling slightly queasy, where they stand in the main quad and wait for a photographer to take a photo from on high (‘oh but I do look dreadful, must have the worst bags under my eyes’, they all think inwardly).

All things on which one gluts, of course, are of the absolute highest quality – genuine, not imitation, champagne greeted my own arrival at one such ball. Canapes, prawn skewers still sizzling hot in the early summer evening; paraded through in endless trains of excess back and forth from the kitchens; gin bars, cocktail mixers, and my personal favourite, an old Oxford punt filled with iced water and a veritable ocean of bottled Peronis.

The entertainment was likewise of a uniformly high quality, featuring the pop-rock of Circa Waves (who seemed slightly bemused at the whole proceedings, saying, ‘Oxford… (waiting for a cheer) Cambridge… (waiting for a sneer) now I’m out… out of banter.’) familiar Oxford acts and even the college’s own band. A light show came on at midnight, projecting on to the walls of the college’s main quad; a quite remarkable show, all in all.

As the night wore on, people became progressively sweatier, the suits and elaborate extravagant elegant dresses frayed at the hems, muddied round the ankles, graying with ash marks from the endless train of cigarettes that sent plumes of smoke upward providing a contrast against the darkening sky; which in turn could be seen to rise sink downward upon the gaudily lit battlements of the college. Indeed, it must be admitted that there can be no more beautiful setting for such an event as an Oxford college – steeped in history and in the lineage of people who’ve trod the same steps you tread through those illustrious halls, these parties feel both distinctly modern in their entertainment; but also their anachronisms allow you, for one night, to tap into something older than yourself.

‘Oxford Eye’ proposed addition to Oxford skyline

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The ‘city of dreaming spires’ might soon become the ‘city of dreaming spires and giant ferris wheels’, if proposals for an ‘Oxford Eye’ come to fruition.

The wheel was proposed by the Oxfordshire Local Enterprise Partnership (LEP), who have put forth a £44.5 million plan to increase tourism to Oxford, the full details of which will be revealed on Monday at Blenheim Palace.

LEP chief Nigel Tipple told the Oxford Mail, “The programme we are pulling together looks at how a range of investments across culture and tourism can add value to the economy and also create a sense of place for people who live and work here.”

The wheel, which would be “similar” to the London Eye, is intended to boost tourism and offer “a different view of the city and its surroundings”. More than half of respondents to a vote conducted by the Oxford Mail yesterday said they believed the Oxford Eye to be a good idea, which one Balliol second year told Cherwell “was yet another indication that the public is not to be trusted.”

There is still some hope, however, for Oxford residents. “I am not sure it would be feasible or what it would add to the city,” city council leader Bob Price said.

‘Budgie smugglers’ added to the Oxford English Dictionary

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Following the custom, the Oxford English Dictionary (OED) has been updated in an attempt to keep up with modern language.

The latest of these cringeworthy lists of the vernacular include ‘budgie smuggler’ – meaning a man’s overly-tight swimming trunks, Catherine Tate’s ‘bovver’ and the perhaps more useful adjective ‘left-wingy’.

The OED acknowledged that the “inescapable factor of modern life is our increasing reliance on computers and digital communications”, adding ‘LMFAO’, ‘IDK’ and ‘IRL’ and other acronyms to the list.

Other terminology taken from technology or popular culture that must have not made the cut on its release includes ‘speed-dial’ and ‘K-pop’.

University students everywhere will be thrilled to find that ‘varsity jacket’ is at last canonised vocabulary according to one of the world’s oldest dictionaries, which has been in publication since 1884.

The next of these instalments will be released in September.

Coming soon: more books in Oxford

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The bookshop chain Blackwell UK, commonly known as Blackwell’s, is set to open its fourth store in Oxford. The new shop, which will be located in the refurbished Westgate centre, is due to open towards the end of 2017.
Blackwell’s already has two branches in nearby Broad Street, its flagship store and an arts and poster shop, as well as a branch near Oxford Brookes.
Since its opening in 1879 Blackwell UK has catered largely for the academic and student market in Oxford, but the new store will be aimed at attracting more general customers. It will sell a greater range of best-sellers, as well as non-book products such as board games.
After nearly a decade of loss-making, ending in 2014, Blackwell’s has sought to expand its share in the market by investing in ebook technology and re-launching its website. It currently has over 40 locations in the UK.
The new store has been welcomed by some Oxford University students, who feel that the existing stores are too crowded. Blackwell’s frequenter and Balliol undergraduate Zachary Leather said, “I’m glad that they are making efforts to pull tourists away from my precious Broad Street.”
The £440 million Westgate refurbishment aims to modernise and expand the shopping complex, first opened in 1972. The new development will feature a range of High Street stores including Pret, H&M, River Island, Superdry, Primark, and Next. Curzon Cinemas, which specialise in European and art house films will have a five-screen cinema within the centre. In total, 100 shops, 25 restaurants and 61 flats will be located on the site.

BBC Panorama editor to become Oxford’s Director of Public Affairs 

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Ceri Thomas, the current editor of Panorama, will be leaving the BBC after nearly 25 years of service to become Director of the Public Affairs Office at Oxford University.

Thomas began his career in broadcasting at LBC before becoming editor of Radio 4’s Today programme from 2006 to 2012, as well as editor of Radio 5 Live’s breakfast show. He took over Panorama in 2014 and in 2012 was appointed as Acting Deputy Director of News at the BBC. He also has a background at Harvard University, where he spent a year as a Nieman Fellow in Journalism.

Ceri Thomas told the Oxford University Press Office, “Oxford is a byword for ideas, knowledge and progress, and deserves the reputation as a force for good in Britain and the wider world. I can’t think of a more inspiring place to be, and I’m delighted that I’ll be able to be part of it.”

Thomas’ colleague and the BBC’s director of news and current affairs, James Harding, highlighted Thomas’ positive qualities, telling the Guardian, “He is questioning, thoughtful and decent – qualities that have echoed through the programmes he has edited. The BBC has had many exceptional editors of the Today programme, but none could claim to have done a better job than Ceri.”

As Director of the Public Affairs Office, Thomas will be responsible for “developing public understanding of the aims and activities of the collegiate University, and for promoting effective internal communication in a large and dispersed institutional structure.” This will include overseeing community and government relations, providing information about the University to the public and news to students and staff and managing the content of the high echelons of the University website.

Professor Louise Richardson, Vice-Chancellor of the University of Oxford, has expressed enthusiasm about the appointment. She commented, “Ceri Thomas has enjoyed a distinguished career at the BBC in both radio and television, editing two of its flagship programmes, Panorama and Today. I am very much looking forward to the vision, energy and strategic insight that he will bring to our external relations.”

The revolution will be live-streamed

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I read less than I used to. This is not through design, and is not indicative of a loss of interest, or a loss of passion. As a literature student in English and French, I love books, and all forms of narrative fiction. Rather, I have simply been busy. This is not due to work; prelims have long since passed, heralding with them the end of term and the beginning of relative independence. It is not even due to sleeping, which second to reading should be the favourite hobby of the committed literature student. Instead, I have been playing video games.

The rhetoric surrounding this under-rated art form is a simple one. Video games kill brain cells. Video games lead to violent crime. Video games are corrupting our young. All of these charges have been levelled at video games – but also at rock music, novels and film before them. Indeed, the latter medium provoked genuine fear and consternation on the viewing of ‘L’arrivée d’un train en gare de La Ciotat’ in January 1896, the famous early clip in which cinema viewers are reported to have fled the screen as the train enters their field of vision. As with many new advances, there is a habitual fear of the misunderstood.

That is the issue at the heart of the matter – a vicious clash between reactionary social conservatism and legitimate art. Consider the skill of the artists involved in Campo Santo’s Firewatch (2016), employing a spectacularly simple blend of naturalistic landscapes and minimalistic poster art to forge a unique stylistic background to a deftly handled emotional narrative. Consider the team of writers needed to craft the story, side-stories, lore and dialogue of vast role playing games such as Skyrim (2011) Grand Theft Auto V (2013) and The Witcher III (2015). Consider the powerful performance capture of industry veterans such as Ashley Johnson, Nolan North, Emily Rose and Troy Baker in Naughty Dog’s epic narratives The Last of Us (2013) and Uncharted 4 (2016). It goes without saying that video games are art – anyone who claims otherwise demonstrates not a lack of understanding of the medium, but of art itself.

But the claim goes further. Even if video games’ artistic value is begrudgingly accepted, social conservatives would have you believe that video games, for all of their cultural and financial heft, are not true art, because art and mainstream relevance are incompatible. Not so. E3, a weekend of presentations, live demos and marketing which drew in 950,000 views during just the preamble, alongside 21 million streams on livestreaming site Twitch in total, is the ultimate debunker of this fallacy. Whereas in the past, companies such as Sony, Microsoft et al would rely on celebrity cameos, comedy sketches and tedious gimmicks to cater to the ever-growing crowds, those at the pinnacle of this growing form now realise that, with a pre-built audience, gamers want to see new experiences, not buzz words and stage tomfoolery.

Indeed, while developers Bethesda and Ubisoft, heavyweight giants in the gaming world, showed off impressive projects with slick presentations, and while Microsoft’s gambit of showing off new hardware, equipment and software largely paid off more readily than in the past, Sony’s press conference was nearly flawless, almost devoid of speech apart from a heartfelt tribute to the victims of the attack on the LGBTQI+ community in Orlando, and a handful of linking segments. Other than that, the trailers and demos themselves did the talking, in a presentation which fully embraced the new minimalism of video game marketing: the medium itself no longer needs to be sold; instead, it is time to present new narratives.

And that is the most marked shift. Whereas before, gameplay, graphics and gimmicks were the order of the day at E3, it is now storytelling which is at the forefront of Sony’s output, surely already furthering their status as industry leaders as the sales of the PS4 system and the cheers for a quieter, more considered Kratos, the newly nuanced protagonist of the God of War series testify. Just follow the trajectory of Kratos as a character and as a cultural icon: whereas a decade ago a player would engage in brutal bloodletting and sex mini-games as facilitated by a barebones story, now Kratos is grounded by a son. As the official description put it, “This game is about Kratos teaching his son how to be a god, and the kid teaching Kratos how to be human again”, a theme expounded by Christopher Judge, the new voice of Kratos: “how can you be a father when you have never been fathered?”

Just as Kratos has been humanised, so have video games, to such an extent where the term itself no longer befits the gamut of emotional and narrative depth accessible by the medium. I would propound the term ‘interactive narratives’ – it’s time that we proudly reclaimed such experiences, and began to give them the treatment that any art deserves: namely scholarly debate, critical analysis, and a recognition of their craft and scope.

It’s been a long time coming, but perhaps we are finally on the precipice of adding to our range of writings on prose, poetry, theatre and film. The revolution will be live-streamed. Press X to start.

Human lives must trump society’s borders

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2016 has proven to be one of the most disturbing and tragic years in recent decades, and it is only July.

The ‘stars’ on the earth seem to be fading – from celebrity greats such as David Bowie and Muhammad Ali who promoted equality through their passions and professions, to the stars of unity on national and international flags. In the West, the United States of America is tearing itself apart in the wake of the upcoming presidential election; Great Britain gashed a hole in the European project. Tensions between nations in the far East are tighter than ever, and the ongoing refugee crisis is only getting worse. It would simply be an impossibility to mention all of the unrest occurring in the world right now, as well as illustrating these horrors in one single cartoon. Yet there is a single word that strongly links all the unrest together, and it is that of ‘borders’.

From literal borders of walls and barbed wire; to economic barriers of entry, immigration borders and those that side with the personal; it is these borders that ooze hatred throughout the world. In these uncertain and dark times, it’s easy to become cynical and turn to satire in order to create our own individual peace with global anxieties. Yet only a year ago, we laughed at the possibility of Trump becoming the chosen presidential candidate for the Republican party in the US. Today this is no laughing matter, and I find it simply impossible to draw a laugh out of this deeply-disturbed world.

Bring on Brexit

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Following the decision of the British people to exit the European Union, supporters of the Remain side immediately lashed out in hateful, alarmist, and dangerously illiberal ways. As the proud citizen of a non-EU country, much of the reaction struck me as bizarre, and plainly absurd.

Today in the New Yorker, remain supporter Bee Wilson wonders whether Britons will be able to continue eating the foods they love, suggesting that outside of the EU access to such simple pleasures as apricots and olive oil will be in jeopardy. Others seem to believe that Brexit will somehow prevent them from international travel; my Facebook feed is filled with posts about folks enjoying their last holidays to Europe. Believe it or not, most countries in the world are not in the EU, and those of us from those countries still travel and eat fruit. Though you wouldn’t think it listening to outraged remain voters, some of us even have electricity.

What’s truly odd, however, is the assumption made by many that Brexit is a rejection of internationalism that will isolate Britain. I watched the vote in Paris, with a group that included Americans, Germans, French and English, and cheered as the UK voted to leave. Exiting the EU is not a pulling up of the country’s drawbridge, but an opening to the rest of the world. Accusations of racism seem particularly bizarre, though there were unfortunate attitudes held by some Leave campaigners. What could be more racist than an organization which ensures largely white Europeans can enter the country no questions asked, but those from the (largely non-white) rest of the world are routinely turned away, despite their qualifications and cultural or familial ties to the UK?

As Matthew Ellery of the Get Britain Out campaign has written, “We want an outward facing United Kingdom; we don’t want to be a part of an elite gentlemen’s ‘club’, which believes Europeans are superior to people from the rest of the world.” It is puzzling to me that students who fervently decry any perceived euro-centrism in university curricula are the first to laud its most obvious and concrete manifestation.

Even stranger are the attempts by supposed liberals who continually decry an elite they claim is out of touch and ignores the working class, to ignore the votes of that same working class because it’s members are allegedly unable to understand their own interests. Arguing for MPs to ignore the referendum or for a second referendum to be held on these grounds is tantamount to claiming that the working class are too stupid to be trusted with the vote. It is the worst form of elitism to suggest that we, being Oxonians after all, understand what’s best for disaffected voters in post-Industrial cities and towns better than they themselves do.

In this very paper, Toby Williams claimed that there never should have been a referendum because, “Many people have far more pressing concerns, such as putting food on the table and paying the bills, than ensuring they are sufficiently informed to vote on every piece of legislation that comes up in Parliament.” This is a clear suggestion that those who struggle financially cannot be trusted to participate in our democracy, plain and simple. Ordinary people understood the importance of this referendum, and thought carefully about it. If ordinary voters cannot be trusted to determine such fundamental questions regarding the nature of the British state as its membership in the EU, then why should they be trusted at all? This attitude is a shameful betrayal of the liberal principles central to Britain’s identity, which the remain campaign claimed to stand for.

There are many reasonable arguments against leaving the EU, and it will take time to see whether the economic forecasts warning against Brexit will pan out. However, the reaction to this vote by a vocal, elite minority has been hysterical, misleading, and deeply illiberal. Brexit is not isolationist – indeed, precisely the opposite is true. By separating itself from an elitist, insular, and implicitly racist club, the UK can now prosper even more by engaging with the whole world, rather than just a small slice of it.

Labour’s Flawed Electoral System

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The Labour Party may well be a mass membership organisation. Jeremy Corbyn, however much some want to topple him, was indeed democratically elected by the members. But neither of these two things change the undisputable fact that Labour’s membership and electoral system are currently severely hindering its ability to act as an effective opposition.

Regardless of their ambitions in the next general election, the fact of the matter is that currently Labour is the official opposition party in this country, despite speculation of their being superseded by the SNP should this inner party turmoil not come to an end soon.

The role of the opposition party, arguably one of the most important structural pillars in our parliamentary system, is to question the current government’s decisions and to hold them accountable to the public. Without an effective opposition, we risk affording the government too much power, a clearly dangerous position, which can ultimately lead to what amounts to a dictatorship.

In a Facebook post today, renowned lefty, Billy Bragg, focused on the members’ democratic power within the party and dismissed the importance of the PLP’s verdict and what it revealed about the party’s confidence in Corbyn: “The PLP have had their chance to express their opinion. Now there must be a leadership contest so that the members can have their say, after which the electorate will vote on the outcome. That’s how democracy works.” What Mr. Bragg fails to understand is the absolutely pivotal importance of the parliamentary members’ approval and support of their leader.

Yesterday’s PLP vote, in which the no confidence motion passed by the overwhelming majority of 172 to 40, provided crystal clear evidence that Corbyn doesn’t have the support of his parliamentary party.

If you end up with a leader supposedly wanted by 60 per cent of the members, yet unanimously unsupported by his MPs, something has clearly gone seriously wrong within the party’s internal structure. In my mind, the MPs and MEPs should have a greater say over who their leader is, since they’re the ones expected to be working directly with him on a day-to-day basis. The idea that any Tom, Dick or Harry could buy the right to help decide who leads the Labour party for £3 is so ill-thought through and idealistic, that it miserably fails to acknowledge how easily abused this system can be. It’s common knowledge that during the last leadership election, thousands of Corbynistas and even duplicitous Tories bought membership just to intentionally skew the results.

It’s clearly unfortunate that there’s a clash of preferences between the PLP and the rest of the members over who should be leading the party, as in theory an enfranchised membership is desirable. Yet in the interest of maintaining the party as a single, coherent, unit with the power to contend law-making in parliament, the PLP’s verdict must take precedence. In challenging situations such as our current one, pragmatism must triumph over idealism.

It’s all well and good clinging to these noble socialist ideals of the party being a voice of the people and every member standing on a level footing, but if they can’t even function as an opposition in parliament, what’s the point? Whilst the Labour party lacks a leader that can unite the party and command the support of his MPs in parliament, it will be inhibited in carrying out its current, primary role as the party of the opposition.

We should consider it telling that the Tories clearly don’t feel under any pressure or scrutiny whilst Corbyn is leading the opposition. This was made clear in David Cameron’s comments during this Wednesday’s PMQs: after a relatively tame interaction between the two, Cameron pulled no punches as he directly questioned Corbyn’s leadership: “It might be in my party’s interest for him to sit there, it’s not in the national interest and I would say, for heaven’s sake man, go.” Then again, this could just be a cheap shot from the recently resigned Cameron, taking advantage of the current turmoil within his opposite number’s party.

Given that Leave have already gone back on various pledges made during the campaign, such as the now infamous £350bn supposedly pledged for the NHS, or even the suggestion published in The Independent that Boris, Gove and Farage would support its privatisation, surely having a united opposition in place is more important than ever?

However noble or democratic the concept of mass membership may be, there’s no denying that it’s at least partially responsible for Labour’s current crisis and inability to function as the coherent and united opposition our country so desperately needs in these times of uncertainty.

Brexit likely to impact EU research funding for Oxford

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Cherwell has found that contributions from public and private donors within the EU, which represented 12% of Oxford’s aggregate income from research grants last year and are maintained through close institutional co-operation, may be impacted by Brexit post-2020, depending on the outcome of negotiations. Research donations and contracts are Oxford’s single largest source of income, representing 42% of the university’s consolidated income in 2014-15.

The exact figure of EU research funding to Oxford has been disputed; Times Higher Education claim a fifth of Oxford’s research funding comes from the EU, whilst Digital Science claims the figure is up to a quarter. However, according to Oxford University financial statements, in the 2015 academic year, out of the £522.9 million the university received in research grants £60.4 million came from the European Commission and other EU government bodies, and £8.5 million came from other EU grantors, meaning 13.1% of funding came from EU sources.

The News and Information office for Oxford University’s Research Services’ European Team told Cherwell, “Oxford received more than £66 million in EU research funding last year – some 12 per cent of overall research income. While we have a strong stream of competitively-won awards from many other sources, including industry, charities and the UK Government, we cannot overlook or underestimate the importance of access to ERC grants. That’s why the University will argue strongly in the coming months to keep this access, including the right for Oxford academics to lead on collaborative projects with European partners.”

Institutionally, Oxford University and the EU share a close relationship. Horizon 2020 work programmes in Oxford include Excellent Science, which provides funding opportunities for scientific research through the European Research Counciland the Marie Sklodowska-Curie Actions; Industrial Leadership, which promotes industrial innovation including industrial work programmes Leadership in Enabling and Industrial Technologies and Access to Risk Finance, helping research companies gain easier access to loans; and Societal Challenges, which funds collaborative research in the social sciences to address problems such as demographic change, security and climate action.

Besides these three main pillars of EU funded research, other EU-funded programmes include the Joint Research Commission, the European Commission’s in-house science research service, and nuclear energy research and innovation projects in Oxford funded by Euratom.

In the immediate future, it appears little will change. Horizon 2020, at least, will continue for another 3 years, after which the University may have to look for other funding sources, depending on the Brexit deal reached. In a statement on Gov.uk the government assured, “the referendum result has no immediate effect on those applying to or participating in Horizon 2020. UK researchers and businesses can continue to apply to the programme in the usual way. The future of UK access to European research and innovation funding will be a matter for future discussions. Government is determined to ensure that the UK continues to play a leading role in European and international research and innovation.”

The Research Services’ European Team is currently preparing FAQs that will appear on the University of Oxford webpages as well as the Europe Gateway