Saturday 4th April 2026
Blog Page 1305

Preview: Noises Off

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Michael Frayn’s 1982 play shows us a performance of a farce from behind the scenes, each of the three acts consisting of an attempt to perform the first act of Nothing On, a farce of debatable quality.

We’re first shown the technical rehearsal, then backstage at a matinée performance, and then at a show towards the end of the ten week run. As tensions fray among the cast and crew, we observe the disconnect between the farce world, where women are silly seductresses and gentry can coincidentally resemble Arab sheiks, and the real world, where said women are prone to losing contact lenses in their own eyes, and earnest questions about motivation are asked by performers painfully unaware of the mechanics of farce.

This production, even at the rehearsal stage, is an absolute treat, the cast putting in hilarious and well-judged performances, demonstrating that they are clearly attuned to playing their characters in and out of theirs on stage. Jackson informs me that she gave her cast an extra edge in this regard by doing several rehearsals of solid improvisation as their characters rehearsing the fictional script for Nothing On, with Tom Dowling as Lloyd Dallas directing and Misha Pinningtion as Poppy Norton-Taylor stagemanaging.

It’s this attention to detail that makes this production shine — likewise the dedication of the cast, some of whom had to rush off at the end of rehearsals to perform in West Side Story and Brief Interviews with Hideous Men later that very evening.

When Cherwell TV spirits away some of the cast for interviews, a dispute breaks out amongst the remaining cast and crew over who is the most charismatic, and it’s not immediately clear whether they’re practicing lines or not. Chatting to Aoife Cantrill and Tom Lambert, I ask if they’ve noticed any similarities between themselves and their characters. They tell me yes, and that these have only been growing throughout the rehearsal process. “I’ve certainly got stupider,” Cantrill confides.

The cast have an obvious rapport, this sense of camaraderie evident when after rehearsals they take to running around under a bedsheet, making for some of the most bizarre interviews I’ve ever conducted. Apparently, there also are plans to have a five-a-side football match with the cast of West Side Story, the coverage of which they offer as a Cherwell exclusive (so Sport, if you’re out there…) and I assure them the result of this match will decide who gets the better review.

Unfortunately, I’m only permitted to see the first act of the play, but apparently the piece gets even better as it progresses, where, as Benedict Morrison (Selsdon Mowbray) excitedly notes, “The extent of the collapse in meaning becomes more riotous.”

At the Playhouse, the show will feature a revolving set to showcase both the onstage and backstage action, but the cast will only get their set a few days before the performance, as well as having to contend with the logistical issues of numerous plates of sardines, as well as the improbable number of doors mandated by the farce format.

Real and actual mistakes blur in the rehearsal I watched, with both a director and a “director” offering corrections, but rest assured I am in no doubt that on opening night, the only mistakes will be intentional ones.

Wonderfully witty, with beautifully metatheatrical flourishes, Noises Off looks set to be the perfect tonic for your 5th Week blues.

The show is running at the Oxford Playhouse from Wednesday 18th of February until Saturday 21st.

Debate: Should we have televised leadership debates?

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Yes

Politics is abstract, and politics is confusing. We are bombarded daily by political statements from politicians. The views to which we are constantly subjected are usually loose, intangible, and transient. People – especially young people – complain that they do not know what politicians and the parties they represent stand for. The more we are pandered to by precisely formulated and isolated statements, the more alienated we feel. In short, politicians try to appear to be everything for everybody, and consequently don’t really become anything for anyone.

Such is the nature of our political system that politicians often need to be slippery. But this has led many of us to feel alienated. The Office for National Statistics reports that 42 per cent of young people have no interest in politics. What is needed is a definite yet accessible way to solidify in our minds who and what our politicians are, so that we can begin to understand them, accept them, and, if necessary, reject them. By themselves, they can be who they want to be. But brought together, battle lines are drawn, contrasts are made; our politicians become defined for who they are.

TV debates are the best way of doing this. Very rarely do we see the leaders of the parties go head to head and tackle an issue. The jeering and point-scoring of Prime Minister’s Questions doesn’t come close; watch any two from this Parliament and the pattern that emerges is one of pedestrianised questions and answers, interspersed with some animated name calling. Such debates are unfocused and often irrelevant to the concerns of the voting public.

Those in powerful positions are forced to define themselves when brought together with their opponents. In the same way, politicians of minor political standing, but growing political influence, such as the Greens, are also challenged. They have the opportunity to debate on equal terms with those of a more established standing and get to prove their worth where they would have previously been unable. The Green Party has not been heard properly in the political forum, yet is gaining traction, especially with the young demographic. Thanks to the recent changes to the TV debates, the Greens will be joining the fray. The voices of their leaders will finally be heard in a fair and proper setting. Let’s see them debate their ideas and prove their worth. Will David beat Goliath, or is David not as cunning as we think he is? TV debates provide us with the opportunity to find out.

I am not arguing that TV debates are the perfect answer to our fraught political system. They are by no means conducive to political involvement and will not revitalise our political system overnight. No one thing can completely cure the political malaise from which we seem to be suffering, but refusing to do this one thing because it is not enough is better than doing nothing at all. We have had to drag some politicians to agree to the current format, and we should keep on pressuring them to do the things some of them are obviously reluctant to do. Their reluctance is a good sign: it means that they fear their proposals being transparently presented to the public.

TV debates provide a valuable forum and opportunity to force our politicians to be forthright and consistent in their positions. Keeping the debates is a step towards pressuring politicians to be clearer and more accountable. In a confusing and abstracted political world, who could possibly argue with that?

 

No

I do not attempt to deny for one moment that political discourse, debate, and discussion are essential ingredients of a democratic society. Yet the proposed re-run of the 2010 party leader debates is not the best recipe for this. Nor is it a particularly good way for voters to decide how to cast their vote.

Ostensibly, the 2010 televised debates were a roaring success. Yet the forthcoming General Election promises to be quite different to the last. In particular, there are many more parties attempting to challenge the hegemony of Labour and the Conservatives. Since the war, it has been only the Liberal Party and, since their 1988 merger, the Liberal Democrats who have had the de facto capability to threaten the ascendancy of the two main parties. Now the Lib Dems have been joined, even usurped, by UKIP and the Greens. The SNP and Plaid Cymru are regionally based movements and do not field candidates across the UK, but they too should not be forgotten. Indeed, the SNP may find itself in coalition government with Labour should the electorate not give a clear mandate for either of the two largest parties to rule alone.

The existence of so many parties poses a problem for the broadcasters. It is almost impossible to draw a fair line between parties which are important enough to be included in the televised debates and parties which are of insufficient importance. Indeed, there has been considerable controversy regarding the selection of party leaders to take part.

The present plan it to include seven of the UK’s political parties in at least one of the proposed instalments. This will hardly be conducive to a constructive debate. Debates are best held between two opposing sides, not seven. The proposed format is likely to lead to point-scoring rhetoric and pie-in-the-sky promises rather than mature and informed debate. Voters, many of whom are already disillusioned with politics, will struggle to make sense of the seven different opinions being offered on every issue.

There is also a danger that TV debates will once again undermine the remainder of the election campaign. In 2010, the attention of voters and political commentators focused on the oratory skills of each of the party leaders above anything else. The rest of the election campaign, such as the canvassing carried out by committed local politicians, was rendered somewhat meaningless.

Indeed, having televised party leader debates just does not fit squarely with the nature of the democracy that we have here in the UK. In the US, where there is a two-party race for the presidency, the adversarial style of a televised debate between two candidates has been popular and constructive. Yet in the UK, with a voting system which requires citizens to vote for a candidate standing for election in their constituency, rather than for a Prime Minister, debates between party leaders are somehow less relevant. Voters may like a party leader, but dislike the party’s candidate for election in their constituency. The inherent contradiction between having party leader debates and having the electoral system that we do divorces us from having a direct say in who the Prime Minister will be.

Of course we need to ensure that voters are adequately engaged with politics and have sufficient access to information regarding policy on both a national and local level. A few short televised debates between point-scoring party leaders, however, cannot achieve this.

Review: Jeeves and Wooster in Perfect Nonsense

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★★★☆☆

Three Stars

It’s often hard to disassociate an acting genius from their best-known roles. Jason Alexander could never really shrug off George Costanza; Matthew Perry is burdened with a sign around his neck bearing the smug face of Chandler Bing, and Ricky Gervais has so far been able to offer only a handful of variations on the David Brent brand.

I admire those actors that attempt to move on from their most famous characters and forge a new path, and it was with this admiration at heart that I decided to approach Jeeves and Wooster with an open mind. You can’t, of course, go wrong with Wodehouse – the foppish aristocrats, the whimsical storylines, the surprisingly biting satire – all of these are as popular and relevant now as they were decades ago.

The gauntlet set down by Hugh Laurie and Stephen Fry in their marvellous mid-nineties adaptation has, in many ways, been bested in this performance. However, despite Robert Webb’s bold and in many ways loveable portrayal of Bertie Wooster, part of me was not convinced that he was right for this role. Yes, Webb may have cornered the market in lazy, immature men living in their own little world, but retrojecting this back into the era of the “bright young things” just doesn’t quite work. His attempts to be the dim-witted aristocrat often lead to his becoming merely a white-tie Jeremy, devoid of much of what Hugh Laurie so famously poured into the role. Nevertheless, Webb pulls off the role admirably – but, with such a big name, one might have expected more. The relationship between Jeeves and Wooster also lacks the camaraderie of Wodehouse’s original vision. With three actors playing a whole host of characters, the close relationship between the two main protagonists lacks some of its classic force amidst all the fast-paced, gag-filled madness taking place before one’s eyes.

In reality, though, much of this is nitpicking. The farcical nature of the play itself is a joy to behold, with characters changing guise as quickly as you can say “What ho!”, whilst the overall staging is done to absolute perfection. The plot itself is almost a sideshow to the prop-based silliness and it complements the performances perfectly. Though Jason Thorpe’s Jeeves lacks the grandeur of Stephen Fry’s portrayal, his depictions of Madeline and Sir Watkin Bassett are magnificently Wodehousian. The same can be said for Christopher Ryan’s portrayal of, among other characters, the fascist Roderick Spode, which gives the character the superhuman yet brittle quality that is as appealing now as it was in Wodehouse’s day.

What is more, you get a sense that the actors are enjoying every minute of their performances, and this spirit is infectious. With stronger casting and a greater focus on the iconic Jeeves and Wooster duo, this adaptation would truly be perfect nonsense.

We should stop the social media ‘pay-day witch-hunt’

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First of all, I would like to congratulate all those involved in the Oxford Living Wage and Accreditation campaigns. It simply cannot be right that the hardworking, University staff are not sufficiently compensated. However, work remains to be done and questions need to be asked about whether our lecturers and tutors are sufficiently rewarded.

And yet, while I appreciate the achievements of this democratic activism, I do not approve of the campaign, largely orchestrated on social media, to pressure Andrew Hamilton, our Vice-Chancellor, into a pay cut. This campaign has been lazily and erroneously merged with the admirable Living Wage campaign, to allege a causal relationship between the Vice-Chancellor’s pay and the low pay of many other staff. In my opinion, this ‘pay-day’ campaign has been run on shaky evidential and moral grounds.

The evidence supplied by Oxford Defend Education (ODE) in this campaign needs to be examined. The group urges the Vice-Chancellor to forgo £305,000 of his £380,000 salary (according to the Oxford University financial statement 2012-13) to bring University pay down to a ratio of 5:1 between the highest and lowest paid workers. They suggest that this would reduce social inequality and allow the money to be distributed to the other staff.

While the motivation is sound, there is no basis for such a claim. Even this radical, and surely unrealistic, pay cut would only free up enough money to give £29 to each of the 10,442 university staff. Andrew Hamilton’s salary, despite perhaps being too large, does not cause the University to pay below the Living Wage. The issue of low pay is far more complex than ODE allows when it scapegoats Hamilton in their social media witch-hunt.

Furthermore, those attacking Andrew Hamilton for taking home such a large salary are on shaky moral grounds. I do not condone such a discrepancy in pay; the University’s justification of Hamilton’s salary does lack of transparency. He is spoken of like a CEO, who is responsible for the day-to-day running of his business, yet information is
scarce about his actual responsibilities. Thus, it is difficult to assess whether he deserves his salary.

However, since I myself have been attracted to graduate jobs with lucrative salaries, my conscience does not permit me to criticise the Vice-Chancellor. The numbers may be different, but the motivation is the same. 
I do not believe
that earning that money is inherently wrong, and, if I felt I was rightly earning it, I too would have no qualms about receiving it.

I am not alone in being partly motivated by money: Oxford students will earn an average of £54,000 a year according to a survey by Emolument. From 2009-2012, 19.6 per cent of Oxford graduates worked in either investment and banking, accounting and financial services, or law and consultancy six months after graduating, according to University data. Many of us will become ‘the rich’ that ODE resents. I would feel better placed to admonish Hamilton for his salary if I myself forgoed money to which I was entitled me. I applaud the decision of Raymond Burse (the President of Kentucky State University who took a pay-cut), but I will not pressure someone into doing so without having the moral high ground that Mr Burse does.

In short, we must commemorate the successes of the Living Wage campaign, but it is not right to sentence our Vice-Chancellor in the hysterical, precipitous, and unjust court of social media. He should be innocent until proven guilty. Let’s continue these positive campaigns, but let’s go no further with this medieval witch-hunt.

Vexing St Valentine

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Valentine’s Day has always been a sensitive topic; one year you plan to have the perfect evening with your better half, and the next you’re organising a defiant singles’ night out. But Cupid’s bow seems to have done more than strike love into the hearts of some designers. Moschino and others have seized the opportunity to design around this festivity, in a style which might have very much surprised St Valentine himself. With Aqua’s ‘Barbie Girl’ blaring over the sound system, and a boxed Barbie doll (of course dressed in Fuschia Moschino) on every seat, guests may have been perplexed as to Jeremy Scott’s vision for the house’s show. The show opens and a real life Barbie, modelled exactly upon the plastic idol in the lap of every guest, steps onto the catwalk. More Barbies follow, all dressed in pink, wearing a curled blonde wigs. You name it, Moschino’s got it: there’s ‘Business Woman Barbie’ in a pink power suit, ‘Roller Skat- ing Barbie’, ‘Work Out Barbie’, ‘Cow Girl Barbie’, and even ‘Boarding a Plane Barbie’, with luggage in tow. Jeremy Scott shows no signs of toning the (what some might call) garishness down, but why should he? His clothes and accessories have proved to be extremely popular; his taste for pop culture and kitsch is a formula that is evidently working, and perhaps it will distinguish this Valentine’s Day among others.

Katy Perry, a close friend of Scott’s, also seemed to be feeling the romance when she decided to wear her extrava- gant love-heart dress for her performance at Le Zenith in Paris. The outfit was such a success that she wore it again in Milan, and donned it for her California Dreams tour. So well-received was the dress that, when uploaded, it took eBay’s new celebrity channel by storm, selling for a bargain $8,100. If there’s anything to learn from this, it’s not to fear if you don’t have that special someone this Valentine’s Day; it’s not just about love, maybe this year you should literally wear your heart on your sleeve 

Interview: Xavier Rolet

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I arrive at my interview with Xavier Rolet to find him talking about the Rwandan genocide and the role imperial powers played in creating internal divisions within the country. While the topic is sombre, it is a pleasant surprise that the man I am about to interview is not the stereotypical ex-banker I expected, but a man with a genuine interest in the world around him. Breathing a (very) deep sigh of relief, I realise I wouldn’t have to ‘talk finance’ the entire interview.

Xavier Rolet is the Chief Executive Officer of the London Stock Exchange (LSE), a financial infrastructure firm headquartered in London, best known for facilitating the trading of stocks and shares in the financial market. But, Rolet is keen to point out, “The UK equities business is a very small economic part of our overall business. We run clearing houses and settlement houses; we run indices, a whole range of infrastructure with large amounts of balance sheets, payment systems, and many other things.”

Rolet is obviously very proud of the institution he has led for the past six years. The London Stock Exchange may be an unassuming cog in the financial machine, with comparatively little attention paid to it in the mainstream press, but it provides vital services.

Throughout our interview, it is clear that Rolet thinks on a very macro level. Talking about the business he heads up, he is keen to mention the global scale of its operations, the diversification that he has pursued, and the forecasting of events through complex chains of interdependence. Xavier Rolet is an internationally-minded man who deals in big ideas.

And it is easy to see why this is the case. Born to parents who were both in the military, Rolet spent his early childhood in a suburb of Algiers, while his father “was out in the Algerian bush”. He then moved back to Paris, to a north-eastern suburb called Seine-Saint, which he describes as being more “more akin to, say, Tower Hamlets or Stratford… it was a sink-estate for many years.”

I get the impression, talking to Rolet, that he was not fond of his time in Paris. Indeed, in the talk he gave after our interview, he described London as the best city in the world, with New York a close second. But nowhere was there any mention of France or Paris. On leaving his homeland, Rolet notes, “I managed to, frankly, avail myself of the opportunity through the education system, through scholarships, to eventually emigrate to the U.S. to pursue my education and I started my career there.” There is little sadness in Rolet’s voice as he describes leaving France. It is a country renowned for a population that is immensely proud of its national identity, and it is odd to meet a Frenchman with little to say about his own country.

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Part of this detachment, perhaps, stems from Rolet’s deep commitment to internationalism and his awareness of how interdependent we all are as global citizens. His particular interest, he tells me, is in global security and defence. Having served as an instructor at the Air Force Academy as part of his national service, Rolet returned to education in 2007-2008, and graduated from the Institute of Advanced Studies in National Defence.

He recalls his time there, saying, “It was sort of continuing education if you want, centred more on global issues, economic intelligence, geopolitics, broader strategic issues related to defence.”

It is not surprising for a man brought up by parents in the military, living overseas due to France’s involvement in Algeria and serving in the Air Force, to pick up an interest in defence and security matters. But Rolet does surprise me by just how much he believes in internationalism.

“I happen to believe the world will continue to evolve towards what I believe will be a global governance mechanism. I know that when you listen to Nigel Farage and Marine Le Pen who are looking towards retrenchment and putting up the borders it may not feel like this, but I’m convinced we eventually will get to [some form of global governance].”

“It may start with finance, given the outcome of the crash of 2008. We are, I believe, slowly and reasonably steadily moving towards global financial governance, both in terms of conduct but also prudential regulation.”

I sense I’ve stumbled onto a topic particularly close to Xavier Rolet’s heart; these are the big ideas that evidently occupy his attention. He points me towards several emerging imbalances in geopolitics and economics about which we should be concerned. He tells me to look at “what is happening with Russia and the Ukraine, Japan going off in a bit of a strategic surprise in terms of reflating its economy and the rivalry with China, North Korea trying to chart a separate course, the tensions in the Middle East with Isis.

“These are not unrelated. I think its obviously coming out of the crisis of 2008 – where the financial crisis was very severe – that no single nation on its own has the power or balance sheet to fix the problems when they erupt on the global scene.”

Rolet seems to be warning me of what is to come. “We are right about the time when these things are going to be tested,” he says. “Whilst periods of stress usually lead to a retrenchment, the natural sort of atavistic reaction – you know, ‘no foreigners’, ‘the problems are coming from overseas’, ‘let’s not import them anymore’ – the reality is that the imbrication is so deep that I believe we will see a test soon.”

Rolet is frank about our situation. “We’ll either keel over and go into a disaster area, as Europe, frankly, has seen many times before, or we’ll be able to evolve into a more integrated global structure.”

Sometimes, it is hard to distinguish between the times Rolet is interested in external affairs for its own sake, and when he is interested because they affect his business. He manages to translate the crises of today fairly seamlessly into how the London Stock Exchange tries to anticipate them to protect itself. “We can be right, we can be wrong. But if you can correctly anticipate the trend – even if there are severe speed bumps on the way – if you predict the correct medium to long term trend, you can gain substantial competitive advantage,” he tells me.

Perhaps I’m being too harsh. Rolet is obviously a man with insatiable curiosity, concerned with both finance and global affairs. He certainly has important insights to share on the interdependence of participants on the global stage.

Although Rolet is unquestionably a capitalist, even here he occupies a more nuanced position than a simple characterisation of him as a free-marketeer type of capitalist would allow. There is a human side to his economics, a recognition of the need for regulation and guidance, a need for capitalism to work for people. Maybe he places too much faith in the mechanics of capitalism, but I cannot fault him for his desire to subsume and address social issues within his framework.

Rolet explains why companies, including financial institutions, should employ people with “a mixture of liberal arts, history, languages, experiences overseas”. He even suggests, “Maybe having a tough youth, where you’ve got to struggle to make it, can be useful in some respects.” In his talk, he tells us that some of the most entrepreneurial individuals can be found in the rough, deprived neighbourhoods of our cities.

Rolet himself is someone who has struggled and risen from what he describes as a “sinkestate” to become a very successful businessman. He has been fortunate to ride the surf of capitalism and truly believes, I think, in its positive impact on society. But at the heart of Rolet’s philosophy is a recognition that we are imperfect: states, organisations, and individuals can never know or control everything. Diversity and a breadth of study, he argues, can “help you adjust to an environment where you simply do not have all the elements necessary to make a decision”.

His views are somewhat refreshing. Rolet and the London Stock Exchange do not make the aggressive trading decisions that characterise much of the banking sector. His industry relies on neutrality, making efficient the exchange of goods and laying down the financial infrastructure for others. Unsurprisingly, Rolet has a lot to say on how we can avoid some of the mistakes we have made in the past.

I ask him whether the complexities of the financial system, and the type of securities being traded in the run up to 2008, had any bearing on the crash itself. Will we ever return to a situation where such instruments are traded again? “If you go back through the last 300 years,” he tells me, “you see a multitude of crises. The products can change, it can be U.S. savings and loans, it can be Latin American debt, you can have extreme amounts of complexity, but at the core it is still the same problem and we haven’t fixed that. It is our extreme addiction, through regulatory and fiscal subsidies, to debt.”

Rolet is not your ordinary capitalist. He is nuanced and engaged, excited and concerned simultaneously.

He also recognises that capitalism needs to do more for the ordinary citizen to trust finance again. His ideas are certainly big and exciting, but we’ll have to see if they ever come to fruition.

Oxstew: Oxford death toll of 500 in battle for free speech

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Fighting broke out yesterday in Oxford between two groups of students over a disagreement as to the nature of free speech. Oxford residents have been advised to stay indoors until further notice as heavily armed bands of students continue to roam the streets, killing or capturing anyone who does not practice free speech in the right way. Official estimates put the death toll at 503, but some sources have challenged this and have put the figure at the far higher 613 mark, with over 200 injured.

Reports suggest that it all started on Turl Street, when two groups of BNOCs exchanged insults as they passed each other on the pavement. This descended into a passionate argument about Marine Le Pen, which swelled in numbers as interested students walking by decided to joined in. After around half an hour, Turl Street was blocked with the crowd, and reports have since surfaced claiming that the noise could be heard from as far away as St. Hugh’s. What sparked the subsequent events is not entirely clear, but the argument soon turned into a physical fight, which then spread around the crowd.

Several eyewitness accounts of the beginnings of the conflict have emerged, all corroborating this story. Peter Frisk, a passerby, happened to witness how the violence began, described it as, “an absolute bloodbath”.

“It was really odd,” Frisk continued. “Although they were shouting at each other, everyone seemed to be broadly agreeing with everyone else – saying that free speech was jolly important and an essential part of our society, and so on. Then someone bellowed something along the lines of ‘I don’t like what you’re saying, but I’ll defend to the death your right to say it’ and everything kicked off. The French students started screaming about misquoting, politics students about the difference between saying something and saying something on a platform, and then a guy in the centre of the crowd whipped out a sword and started beheading people.”

When asked whether he was traumatised by the incident, Frisk paused for a minute before replying, “No, not really. I wasn’t really that interested to be honest. I just wanted to get a panini from Heroes and they were all in the way.”

The OxStew also spoke to Carmina Wild, a student who managed to evade capture by two different groups on her way home later in the evening.

“The first group that got me,” she said, “asked me straight away to demonstrate my commitment to free speech. I didn’t really know what they meant, and was starting to panic, but then I noticed in the crowd a prominent Union member and guessed that they’d like something strong. I felt bad, but I had to survive, so I denounced the entirety of Islam as inherently violent and threatened to deport or sell into slavery anyone without three good A-levels. They let me go, but then five minutes later the other side grabbed me. This time I simply said ‘smash the patriarchy’, and they all cheered, gave me a free badge and wished me well on my way.”

The Proctors are attempting to get the battle under control, by confiscating weapons and giving extra essays to those known to have participated in order to keep them off the streets. In a statement today, they have promised the residents of Oxford that their city will soon be safe once more, even if it means using some of the Vice-Chancellor’s hard-earned cash to achieve this. They also pledged to launch an inquiry into the incident, but, when asked, refused to comment whether students would ever see the results of it. 

The Campaign: Giving What We Can

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We often think of giving to charity as an act of self-sacrifice, something we ought to do given the huge amount of suffering in the world, but something that involves sacrificing our own wellbeing to increase the wellbeing of those less fortunate. However, recent research has challenged this assumption. It indicates that giving to charity tends to significantly increase a person’s wellbeing.

Imagine you are given some money. Do you think you would increase your happiness more by spending it on yourself or giving it to others? Research suggests that while most participants believed they would experience more happiness by spending the money on themselves, those who gave the money to charity or spent it on others experienced significantly more happiness.

A related study examined the spending decisions of employees in Boston, Massachusetts, who had received a bonus from their company. Those who chose to spend the money on others reported significant gains in happiness from doing so, whereas this was not the case for those who spent the money on themselves. It has been found that in most countries, charitable giving correlated with an increase in happiness equivalent to a doubling of household income.

Donating money to charity is not something that will only grant you increased happiness if you are already affluent. Research suggests that even when controlling for income, those who spent money on others rather than themselves reported greater levels of wellbeing.

RAG and Giving What We Can Oxford are currently running a ‘Big Match’ campaign to raise money for two of the world’s most effective charities: Against Malaria Foundation (AMF) and Schistosomiasis Control Initiative (SCI). SCI helps run national prevention programmes against Schistosomiasis (a disease caused by parasitic worms). AMF hands out insecticide-treated bed nets to people in areas at risk from malaria. Student societies from across Oxford have collaborated to put together a matching pot of £10,000. For every £10 you donate, a further £10 will be released from the matching pot. If £20,000 is raised, this will be enough to treat over 20,000 people for parasitic diseases and to provide almost 5,000 mosquito nets.

Find out more by searching for the Big Match campaign online. 

Interview: Richard Evans

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Sat waiting in the Gladstone Room at the Oxford Union, I felt quite intimidated by the prospect of meeting Richard Evans. Having spent six years at Oxford as both an undergraduate and doctoral student, Evans later served as an expert witness in a high-profile libel case. More recently, Evans has written several noteworthy books including seminal works on the Nazi period, the Third Reich Trilogy, its last part described in The New York Times as “not only the finest but also the most riveting account of that period”.

Richard Evans, now President of Wolfson College, Cambridge, is by any measure an intellectual heavyweight. Yet Evans turns out to be a very likeable, unassuming and open person. Remarking on his time as an undergraduate at Oxford, he describes himself as “a terrible swot” and that his admission to Jesus College in particular was no mere accident. He tells me, “It was full of Welshmen, which is why I was sent there.”

Evans also speaks fondly about studying for his doctorate at the more “cosmopolitan” St Anthony’s College, as he described it. From undergraduate life at a single-sex college, suddenly “there were women. Intelligent and beautiful women. Of course I fell in love with them all and made a fool of myself several times over but I also had some wonderful supervisors and some incredible intellectual experiences.

“The best things were the Latin American parties,” Evans recalls with a smile, “because they all after a certain stage brought guitars and started singing songs about Che Guevara – it was the sixties, you see!” It is evident from speaking with Evans that he finds cultural differences incredibly stimulating. 

I press him on a remark he made for History Today, in which Evans described a sense of “otherness” he felt and that derived from his Welsh heritage. “I never learnt Welsh, I grew up in London,” he admits. “But we went back to North Wales a lot. Everyone was speaking Welsh around me and I didn’t understand, and I had to sit through interminable Welsh language sermons… and it got me fascinated. And it was completely different, I mean, as different as you could get: the Welsh mountains, slate quarrying, castles, all of those sorts of things, again, I found hugely exciting.”

It was this intrigue surrounding other cultures, as well as his experience growing up around post-war London that inspired Evans to study German history, he tells me. “You’d go into the East End, into Stratford or Leyton and see all these rows of terraced houses with huge gaps in them. I was very struck by that. Who were these strange people who’d done that, why did the Germans want to bomb London and so on? And of course, my parents and friends had all lived through the war and talked about it a lot.”

In a foolish attempt to appear insightful, I ask Evans if he sees any parallels between Hitler’s foreign policy and that of Putin in Eastern Europe today. He bats me down immediately. “No, not at all. History doesn’t repeat itself. And the reason is that we know what happened before so that makes it very difficult for it to repeat. Putin, I think, essentially wants to recreate the Soviet Union so there’s this great limit. He’d like to annex the Baltic States to reconstitute that larger idea of Russia that he grew up in, the Russian empire. 

“Hitler was completely different. He wanted to conquer the world. He had no limits in time or space to what he thought of the Third Reich as doing, what he aimed for it to do. Whereas Putin’s use of violence is covert and relatively limited, Hitler, of course, was overt and without boundaries.” 

With my tail firmly between my legs, I move onto Evans’ time as an expert witness in the highly publicised Irving v. Lipstadt case, after Lipstadt had alleged in her book that Irving was a Holocaust-denier. As an expert witness, Evans was instructed to analyse Irving’s work, concluding in his report that, “Not one of his books can be taken on trust as an accurate representation of its historical subject.” Lipstadt was, the court found, justified in saying some of Irving’s work amounted to Holocaust denial. 

On how he found working in such an environment, Evans tells me, “You have to be absolutely on your toes the whole time. It was very draining and the adrenaline sort of keeps you going, I would collapse in the evening and think ‘I’m going to have an early night’.”

On a more sombre note, Evans also tells me of those he could see in the public gallery. “There were a lot of Auschwitz survivors who turned up with their arm sleeves rolled up and you could see their numbers tattooed, hanging on my every word when I was in the witness box.” He says it became “very important to do them justice, as it were, even though I don’t think the trial in the end could deliver the kind of catharsis that some of them, maybe, were looking for.” As the interview nears its end, Evans leans in towards the microphone and tells me, “History is not a court; we are not judges.” To Evans, studying history is about rising above moral standards of the time and not seeking to paint people “as perpetrators, bystanders, or victims.” While his analysis may seem coldly logical, it is clear that Evans, as a person, is not. Richard Evans is a phenomenal historian, but one with an overwhelming sense of humility, humour and insatiable intrigue.

Review: The Boss of It All

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★★★☆☆

Three Stars

Who is the boss of it all? The one who appears to be so? The one who plays the part of the boss? The one who controls the boss? Or, the one who actually gets what’s going on and is in control of the situation?  This production, adapted from a comedy by Danish screenwriter Lars von Trier, seems to be interested in asking precisely on this question. It partly succeeds, although not  with the best outcome.

The play revolves around the boss of an IT company (Jack Chisnall), who hires an actor (Cameron Cook) to play the part of the boss, so that he can still enjoy popularity among his staff but at the same time carry out his interests, which are in fact to sell the company. Of course, this trick works up to the point where it becomes clear that blaming someone else is not always possible, and one has to be responsible for one’s own actions. The theme of ‘boss-ness’ is nicely developed in all its possible combinations, and pretty much everyone sooner or later in the play gets to be the boss at some point.

Another interesting motif is that of pretending and dissimulating. We see this in the actor playing the part of the boss, but finding himself without a script and thereby forced to improvise. Eventually, we witness a gradual shift from the puppet controlled by the boss (the real one), to the real boss being turned into a puppet. All this makes the staff (and the audience) question who the boss of it all actually is.

All characters, especially ‘the colourful bunch’ of the staff members, are quite amusing and give a humorous insight into stereotypes: the algid emotionless beauty, the moody and delirious rustic, the chronically depressed widow – there’s room for everyone. However, the deliberate anxiety and social awkwardness, supposed to be performed to excess for comic purposes, is sometimes taken too far, departing from the ‘excessive = funny’ model, and leading to the ‘excessive = fake, rigid, awkward’ one. Kristoffer/Svend (Cameron Cook) himself, although he seems really into the part and over-the-top, sometimes comes across as too stiff, repetitive, and contrived, which effects the large potential for humour the play has.

Nevertheless, there is still laughter among the audience – which creates the most bizarre contrast with the utter depression being staged at all levels – and in some cases rightly so. There are moments of very good humour, such as the scene in slow motion and the exchange between the actor and his own part. However, other bits are not up to such standards. For example, less hilarious is the use of the puppet. It is a brilliant addition in concept, which does not feature in the original script, and it works really well with what the play is all about. But, yet, I feel that it could have been used better. Equally dubious is the decision of having a random Danish voice off stage between the change scenes; it is funny the first time, but a bit pointless after a while.

So an entertaining play overall with an engaging plot, some hilarious types, and a few funny tricks. Although, I sense there could definitely have been even more fireworks.

The Boss of It All runs at The BT Studio until Saturday.