Sunday, May 11, 2025
Blog Page 1305

Oxford scientist suggests yeti is real

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An Oxford University geneticist has called for an expedition to catch a live yeti after matching recent DNA hair samples from the Himalayas to 40,000 year-old polar bear DNA.

Professor Bryan Sykes, of Wolfson College, found that two hair samples – one from an animal shot by a hunter in northern India 40 years ago, and another reddish-brown hair from a bamboo forest in Bhutan – showed a 100% match with DNA from a polar bear fossil.

The find, Sykes argues, suggests that there are yeti-like bears living in the Himalayas that have not been seen since the end of the last ice age – when early humans may have developed the “yeti legend”, experts say.

In the study, Sykes analysed 36 different hair samples sent in by the public that were believed to belong to “anomalous primates”.

Most of the samples turned out to be from horses, cows, bears, and even humans – yet Professor Sykes suggested that the two samples that matched the polar bear fossil DNA were enough evidence to encourage “Bigfoot enthusiasts to go back out into the forest and get the real thing”.

In his study, published in this week’s issue of the journal Proceedings Of The Royal Society B, Sykes and his team wrote, “It seems more likely that the two hairs reported here are from either a previously unrecognised bear species, colour variants of Ursus maritimus (polar bear), or U. arctos/U. maritimus hybrids.”

If hybrids, the “yetis” were likely to have been descended from cross-breeding soon after brown and polar bears separated on the path of evolution.

However, Professor Norman MacLeod, a palaeontologist and evolutionary biologist at London’s Natural History Museum, said Prof Sykes’s results “neither prove nor disprove the existence of yetis […] What they do is eliminate certain hair samples from further consideration as evidence that such creatures exist”.

Sykes is currently writing a book entitled The Yeti Enigma, and claims that an expedition to capture a live yeti is “the next logical step”. However, he may struggle to convince others to take part – third year biologist James Walker told Cherwell, “I personally wouldn’t go on an expedition.

“It would be quite exciting if another descendent of these bears existed, but if that’s what all the anecdotal evidence for a human-like yeti is then maybe it’s a bit disappointing for the yeti enthusiasts.”

Walker however admitted, “It is always interesting to identify a new extant mammalian species, especially an anomalous primate, especially if it descended from collateral hominids like Homo neanderthalensis.”

Should alleged rapists be given anonymity until charged?

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YES

Nick Mutch
 
There are two parts to this argument. Firstly, anonymity is an important aspect of the principle of justice that no one should be punished based on an accusation, because of the harm this can do to potentially innocent people.
 
Secondly, anonymity before charge for those accused does not have a negative impact on victims; rather the opposite, it makes it more likely that fair and impartial justice will be served to them, rather than to the kangaroo court of public opinion which obsesses over leaked messages or texts, as is currently happening in the case of the girl who accused ex-Union President Ben Sullivan of rape.
 
One of the most important principles of a fair legal system is not just innocent until proven guilty; it is that no one should be punished before due legal process has taken its course. Being labelled a rapist without justification is a devastating form of punishment even if, as in Sullivan’s case, charges are never bought. The damage to one’s reputation is virtually irreparable, and the word ‘rape’ will always remain next to one’s name.
 
Of course, if legal process finds one guilty, this is a perfectly appropriate punishment, along with a lengthy prison sentence. But there is no reason that this cannot wait until it has been established whether there is sufficient evidence to warrant punishment. It has been argued that by granting anonymity to those accused of sex crimes, we would be making a special exemption for this criminal category. The Home Secretary recently instructed the police forces that “there should be anonymity at arrest although I know that there will be circumstances in which the public interest means that an arrested suspect should be named”, though she rightly stated that “except under exceptional circumstances anonymity should not be given at the point of charge”.
 
The Association of Chief Police Officers’ (ACPO) official guidelines state, “Save in clearly identified circumstances… the names or identifying details of those who are arrested or suspected of a crime should not be released by police forces to the press or the public.”
 
So it is the identification of suspects, not their anonymity, which is the unusual circumstance. All a change in the law would do is give what is standard practice the force of law. Exception for exceptional circumstances eliminates the objection to anonymity for suspects made by the New Statesman, which cites a serial rape suspect who absconded from bail and escaped the country but could not be named because of anonymity laws; this exception would obviously apply to cases of absconding bail.
 
Why, then, would I waive anonymity after charge? I admit there are problems and inconsistencies with this position. But one of the most important aspects of justice is the notion that it should be, to the greatest extent possible, transparent.
 
Just as legislature acts as a check and balance on the executive, public perception acts as an (albeit unwieldy) check on legislative power, and helps to ensure that our justice system functions in a manner open to scrutiny. The argument that this public scrutiny allows more witnesses or evidence to come forward is a legitimate one; but once again, there is no reason that this cannot wait until the opening of court proceedings.
 
For consistent application of justice, for the protections of the rights of both victims and accused it makes sense to grant anonymity, at least until the closure of a proper police investigation resulting in charge.
 
NO

Niamh McIntyre

An article recently published by the Oxford Student ‘Ben Sullivan’s victim “knew her claims were false”’ was highly offensive for a number of reasons which have been discussed extensively since it appeared online on the 30th June. However, perhaps the most compelling reason for the outrage it provoked was the way in which it effectively compromised the anonymity of Sullivan’s alleged victim, publishing details which could have made her identifiable within the Oxford student community. The anonymity of alleged victims once a claim has been made is legally guaranteed, regardless of whether the proceedings are ongoing or, as in this case, dropped on the grounds of insufficient evidence.

There was, however, a marked counter-response: if Ben Sullivan’s name was allowed to be revealed before he had been charged, why should we protect the identities of the victims?

This is a debate which is reignited every time there is insufficient evidence to prosecute a notable person, or a jury cannot prove beyond reasonable doubt that the defendant committed rape. Nigel Evans, repeatedly compared to Ben Sullivan, is the most famous example of a defendant who, once cleared, becomes a vocal advocate for anonymity in rape cases; Ben himself in a Daily Mail interview supports “the right to anonymity as the inquiry is at a preliminary stage”.

This reaction is understandable given their personal experience; of course, the experience of being accused of rape for Sullivan and Evans was undeniably traumatic. However, the portrayal of both figures in the mainstream media after the declaration of innocence ironically demonstrates the immediate rehabilitation and mass public support for those cleared of rape charges.

Ultimately, a small number of isolated individual experiences should not be used to overwrite those of tens of thousands of men and women who are raped every year in the UK. The most damaging consequence of a change in the law regarding anonymity is the inevitable implication that false rape accusations are a significant threat which must be accounted for in legislation. We do not have discussions about anonymity when a defendant is cleared of murder, or drugs charges: this debate serves to perpetuate the idea of ‘crying rape’ by implying that false accusations are far more common in rape cases than in other felonies, an attitude explicitly betrayed in Peter Lloyd’s article in the Daily Mail, which asserts that anonymity would “deter anyone from making false claims out of spite, seeing the accuracy of convictions rise – not fall”.

The CPS last year noted that 0.6% rape allegations over a 17-month period were proven to be false. When these statistics are taken with appalling conviction rates (on average, 1,070 convictions compared to around 78,000 victims of rape per year), it should also be noted that a decision by the CPS not to bring charges due to insufficient evidence is not unqualified proof that claims were false, a distinction often missed in claims for the prevalence of false accusations. Providing anonymity for those accused of rape reinforces the idea that victims will not be believed, a myth that ultimately leads to 85% of rapes never being reported.

We must then consider the consequences that anonymity would have in the context of the incredibly low reporting and attrition rates of rape. Melissa McEwan’s comprehensive definition of rape culture explicitly refers to this consideration. She argues, “Rape culture is the pervasive narrative that a rape victim who reports hir rape is readily believed and well-supported, instead of acknowledging that reporting a rape is a huge personal investment… embarrassing, shameful, hurtful, frustrating.”

There are clear advantages to naming the alleged rapist,  the most obvious being the encouragement of other victims to come forward. This is something Sullivan himself has repeatedly acknowledged, “I understand why naming people is useful – naming Jimmy Savile obviously had a huge impact in getting people to come forward.” It was for this reason that the Sexual Offences Act, which used to offer anonymity to alleged rapists, was amended in 1988: police forces needed, and continue to need, to reveal the identity of rapists before they are charged to conduct the most effective investigations and improve attrition and conviction rates which are almost universally perceived as inadequate.

Women live with the threat of rape constantly hanging over them, a culture of fear which dictates how they should dress, how they should act in public, and where they should go at night. As Willard Foxton convincingly proposes in a recent New Statesman article, we might make significant progress in ending the endemic social problem of rape if there were instead a culture of fear about the consequences of raping someone.

I would agree with Ruth Hall’s, a spokeswoman for Women Against Rape, statement on this question of anonymity, that legislative reform “should pay attention to the 94% of reported cases that do not end in conviction rather than the few that are false”. Evans’ and Sullivan’s must look beyond their personal experiences, and examine the implications that anonymity would have in a culture in which 1 in 5 women (and thousands of men) will experience sexual violence at some point in their lifetime.

Christ Church newlyweds achieve internet fame

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Christ Church student Inigo Lapwood and new wife Alice Blow starred on Facebook page “Humans of Amsterdam” on Wednesday, a week after tying the knot in Christ Church meadows.

The photo, which had received over 10,000 Facebook ‘likes’ by Thursday evening, was accompanied by an explanatory comment by Lapwood on how he met Blow in “this horrible club called ‘The Purple Turtle’”, and subsequently proposed to her five times.

The photo has been received positively on the page, with one commenter declaring them the “coolest looking couple ever. Extra marriage points for keeping a good wardrobe.”

It is perhaps fortunate that the two appear to be unfazed by publicity – months after achieving university-wide notoriety through being forced to live on a houseboat after bringing a flamethrower to a Christ Church bop, Lapwood invited over 400 guests to a Facebook page for the couple’s wedding.

On the ceremony, Lapwood told Cherwell, “We had two very moving readings. Romeo and Juliet’s balcony scene featured. Joe Miles very kindly offered to play the part of Romeo, with David Browne his Juliet. Never before has the animosity between the Montagues and Capulets been presented so vividly, nor the forbidden love so passionately. I have it on good authority that people cried.”

He continued, “the other great classic of romantic literature, Jason Derulo’s ‘Talk Dirty To Me’, was kindly and seriously rendered by the best man, Tom Ough.”

However, Lapwood described their appearance on the ‘Humans of Amsterdam’ page as “kinda tragic”. He lamented, “you just can’t stroll around Amsterdam anymore looking for prostitutes and decriminalised drugs with your new wife, without some blogger coming along and misrepresenting your affection for the purple turtle. I tried to explain the true nature of our relationship with the club, but Stockholm syndrome didn’t translate that easily into Dutch.”

Nevertheless, “the honeymoon has been great,” he declared. “That said, given that we met in the PT, and endured an eight hour Megabus journey together on our second date, pretty much any subsequent joint activities seem comparatively great.”

Review: 22 Jump Street

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★★★☆☆

Three Stars

“It’s always worse the second time around.” So begins Deputy Chief Hardy as he sits 21 Jump Street heroes Schmidt and Jenko down at the beginning of the franchise’s latest instalment and outlines a plot almost identical to that of the first film.

Once again, the premise is simple: Jonah Hill and Channing Tatum return as Schmidt and Jenko, the dysfunctional buddy-cop partnership who went undercover as high school students in the first film. Moving across Jump Street into a new headquarters at number 22, this time they are sent undercover as college students to investigate the hilariously-named drug WHYPHY (“Work Hard Yes, Play Hard Yes”). Ice Cube also makes a comeback as Captain Dickson, the duo’s supervisor. With all the old elements in place that made 21 Jump Street great, the bromance begins again, set to a bromantic Diplo soundtrack yet with some nicely-observed classic elements of college life thrown in: the walks of shame, the “inspiring” but actually slightly embarrassing professors with just a little too much passion for teaching, the awkward meetings of parents at the end of term.

From the outset, though, the action is underwhelming and juvenile, not funny, whilst the film’s attempts at emotional resonance are even more cringeworthy. Both characters go through laughable identity crises, which are both stupid and wholly unbelievable, in particular Schmidt’s as a sensitive art student. Tatum can pull off pretending to be a football jock in his sleep, but Jonah Hill, world expert on dick jokes and underage drinking, feeling an affinity for Picasso? It’s absurd. Channing Tatum has proven by now that he can act, at least a bit, and he brings a certain endearing earnestness to his performance. Hill, by contrast, plays himself in the same way he has for every role since Superbad. None of this is a huge surprise.

What is pleasantly fresh is the fact that whilst the action isn’t great, the self-aware banter is. At every moment, the convenience of the circumstances that allow for an identical Jump Street sequel are sent up, to the extent that as they move across the road to the new HQ (this time a disused Vietnamese rather than Korean church), luxury apartments are being built at 23 Jump Street: “Let’s not get ahead of ourselves”, Ice Cube warns. Simply put, it’s clever. The film avoids the pitfalls of making a sequel by very explicitly drawing the viewer’s attention to them. There are nods to the previous movie, too, but these enhance 22 for viewers of 21 whilst avoiding making it an in-joke that excludes newcomers.

By not taking itself too seriously, 22 Jump Street gets away with typically risqué humour and dumb slapstick action sequences. It pillories itself even into its end credits, briefly swapping Jonah Hill for Seth Rogen with no explanation. It’s fun, and doesn’t pretend to be anything more. One scene where Schmidt and Jenko trip on WHYPHY shouldn’t appeal to anyone over 13, but is somehow hilarious. In another, Jenko “breaks up” with the clingy Schmidt, telling him “I just think we should investigate other people for a while.” It is a perfect example of the film failing to manage an emotional moment between two fairly cardboard characters, but making up for it through comedy.

In all, the best of 22 Jump Street is vastly entertaining whilst the worst is dire, meaning the whole affair manages to be simultaneously dumb and clever. Yes, it has major flaws, but as one of the most self-aware Hollywood movies since the likes of Zombieland and Kick-Ass, it will appeal to film nerds and action movie junkies alike.

Glastonbury 2014: Kasabian

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Much controversy has surrounded Sunday night headliners of previous years at Glastonbury. Beyonce, Jay-Z and Mumford & Sons, all with chart-topping singles, were unable to escape the purist skeptics. The huge amount of media attention afforded to this slot is a testament to its importance, not only to the thousands of mud-caked festival goers but also to the festival’s organisers. Love it or hate it, the Sunday night slot is what defines the year’s festival, and Kasabian did little to disappoint. 

With their first Glastonbury appearance back in 2005, and a Pyramid performance in 2009, the group looked totally at ease stepping onto the stage. The ban plugged a number of tracks from their new album, 48:13, not yet a month old; most notably ‘bumblebeee’ and ‘Eez-eh’, the latter of which will surely become an iconic Kasabian track.

Fans who hadn’t yet familiarized themselves with the album would have been pleased to hear that they have remained entirely faithful to the driving-rock sound of their very first album, only with an air of greater self-confidence that comes with a decade of experience.

Sergio Pizzorno was able to showcase his vocal talent in the middle of the set with an impressive cover of Gnarls Barkley’s ‘Crazy’, followed by lead vocals on the song he penned himself, ‘Take Aim’. Perhaps the most surprising addition to the band for the evening was not the return of former guitarist Christopher Karloff, but comedian Noel Fielding, whose comic, if slightly incredulous appearance as Vlad the Impaler added a touch of humour to proceedings.

However, the most memorable moments of this headline set were those of the tracks from their two earliest albums. ‘Empire’ was anthemic and during ‘Club Foot’the ground at Worthy farm quite literally shook. All in all, Kasabian did a slick and professional job, giving Michael Eavis plenty of reasons to invite the group back to the biggest headline slots in the festival calendar.

Glastonbury 2014: Highlights & Playlist

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Robert Plant – With rumours of Jimmy Page on-site, I was expecting big things from this set. Despite the great sideman not making an appearance I was far from disappointed. As the Led Zep frontman lifted the left edge of his top lip into a wry smile the place erupted. 9/10

The English National Ballet – I know what you’re thinking, but seriously this was incredible. On the 100th anniversary of the First World War the group performed a new piece set around the recounted memories of those who lost their loved ones. It was incredibly moving, and, with a splitting hangover at 11.30 on the Sunday morning, it was well worth getting up for. I’ve never heard the Pyramid stage so quiet. Close to tears. 7/10

Imagine Dragons – I was working during this act and was forced to watch, thinking I would hate it. The band turned up covered in designer mud with the lead guitarist clutching a solid gold axe – rock n’ roll. Thumping tunes, great stage presence but shame about the fanbase. 7/10

London Sinfonietta with Jonny Greenwood – I stumbled across this by mistake, having gone to the surprise set on the ‘Other’ stage and been disappointed by the Kaiser Chiefs. I’m not usually a fan of rockstar / orchestra collaborations – the latter often being consigned to sustained string sounds which may seem profound but are incredibly boring. This, on the other hand, was fantastic: Greenwood appears to have recently rediscovered himself as a successful film scorer whilst that Oxford side-project, Radiohead, are on a break. The Sinfonietta played some Steve Reich too – this offered the perfect vibe to facilitate stumbling into a happy afternoon. 8/10

The Rum Shack – I’ve got to admit, I’m not entirely sure who or what was playing at this one. The DJ, however, was the spitting image of Robin Williams. The Rum Shack itself is an incredible venue: set in a mock-Aztec style, you can dance under the stars with the open-top roof and awesome sound system. A cracking night (what I can remember of it) and a cracking end to Glasto. 10/10

 

 

Glastonbury 2014: What’s it all about?

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“And the rain came in from the wild blue yonder, through all the stages I wandered”.

Joe Strummer was pretty much spot on when he sang about Glastonbury in his final single, ‘Coma Girl’, back in 2003. The mud, the rain, the loos – it’s all part of what is  perhaps the most British of festivals. As I returned on the Tuesday morning for a second year working behind the scenes with the press I’ve got to admit that I was slightly disappointed by the glorious sunshine. However, the heavens well and truly opened on the Thursday afternoon, turning a little piece of West Somerset into almighty bog.

But what exactly is Glasto all about? By now, you will have heard of Metallica’s triumphant “here’s two fingers up to all the haters” headline set, the security guards dancing along to Dolly Parton, and perhaps even Banksy’s ‘Sirens of the Lambs’ being toured around the site. BBC’s ‘Glastovision’ would like us to think that the festival centres around the 90 minutes of each Pyramid stage headline act. Much like the World Cup, these acts are judged as triumphant or failing according to the final number. This just isn’t representative of reality.

Take the size, for example. For one weekend, this tiny piece of British countryside becomes the biggest town in the South West, the tenth biggest town in the country, and the most densely populated place in Europe. 165,000 people crowd onto the site – that’s 10,000 more than in the whole of Oxford – and each person comes back with an entirely different tale to tell.

The ‘secret set’, for example, is a feature entirely unique to Glasto. I saw four in total, including a beautifully intimate sunny afternoon with Lianne La Havas and a mental evening with Chase and Status down on the ‘Blues’ stage. These sets could not have been more different in terms of atmosphere yet they had one thing in common: the unique experience of being able to say ‘I was there’.

I’m still caught in the Glasto haze, as you can probably tell. Life is good and the world can be saved. I was even persuaded to sign up to Greenpeace (for a direct debit of £5 per month) by a very persuasive man with some equally persuasive dreadlocks.

The more people I spoke to the more I got the impression that there is ‘something for everyone’ at Glastonbury. One man pointed out the lack of advertising on-site, claiming that my Superdry t-shirt was a bit over the top. Another almost broke down into tears when I asked what he felt about Michael Eavis. I spotted the great man driving along by the ‘Park’ stage, where Yoko Ono was about to perform, in his Land Rover. Hoards of people ran after him just to shake his hand and say thanks.

Sitting on the sofa at home flicking between Wimbledon, the World Cup, and Dolly Parton might be fun, but bearing the mud, blood and grime to crawl to a tiny corner of the site to see a band that nobody has ever heard of is far more satisfying. That’s what Glastonbury is about.

National demonstration for free education planned

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A national demonstration in favour of free education has been called for Wednesday 19 November in central London. The protestors aim to demonstrate their opposition to tuition fees and steps towards privatisation in education.   

Occupations and other forms of local action are also being planned to occur in conjunction with the demonstration.

The protest seeks to bring together a coalition of student groups and campaigns from across the country.  Amongst the groups that have so far come out in support of the protest are the National Campaign Against Fees and Cuts (NCAFC), the Student Assembly Against Austerity, the Young Greens, as well as some local university campus groups, such as Defend Education Birmingham.

The planned demonstration follows the National Union of Students passing a motion in support of free education, at its annual conference in Liverpool in April.

Beth Redmond of the NCAFC said, “Four years on from the election of the Coalition, it is clear that fees have failed. Whole areas of higher and further education are now off limits to anyone without rich parents, and education workers are being squeezed, sacked and outsourced. We are calling this demonstration to take the fight to the government and to demand a public education system that serves society and is free and accessible to everyone.”

James Elliott, a student at St Edmund Hall and member of the NCAFC National Committee, said, “Oxford students should have every reason to attend what could be one of the biggest demonstrations since 2010. Given our Vice-Chancellor’s appetite for £16,000 fees while cutting his cleaners’ pay packets, we should join with the rest of the student movement and demand an education system that is free, public and democratic.”

Oxford Activist Network member Xavier Cohen said, “I expect that the Oxford Activist Network will overwhelmingly vote to support this demonstration and campaign in common rooms for funding for transport so that Oxford students can protest en masse for free education.”

The Ben Sullivan case has exposed our victim blaming culture

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On Sunday evening The Oxford Student published an online article, also published on telegraph.co.uk despite being quickly taken down from the OxStu‘s website, entitled ‘Sullivan’s alleged “rape victim knew her claims were false”‘.

Needless to say, I was shocked when the link appeared on my newsfeed, yet the content proved to be far more breath-taking than I could have ever imagined. It severely compromised one of the alleged victims’ anonymity by divulging personal details and offered up information relating to the woman’s sexual history, conveniently slipped in, as if to suggest that this should make the alleged victim more predisposed to engage in consensual sexual intercourse with Ben Sullivan.

The article was not only legally dubious but also astonishingly slut-shaming, and displayed total ignorance of the importance of respect and protection for sexual violence survivors.

The article states how the woman in question “is understood to have described ‘collecting’ sexual encounters with Union politicians because it feels ‘glamorous’ and ‘naughty’ in an anonymous article”.

It baffles me that the author of this article thought it appropriate to include such comments in the context of an article which suggests that the victims’ claims were false, comments which strike me as bearing a worrying similarity to remarks often used by perpetrators of sexual violence.

I agree completely with the recent Tab article, ‘No, OxStu, being sexually active doesn’t mean you can’t be raped’, which states that these remarks in the Oxstu contribute to the perverse and sadly often widespread belief that a woman who is sexually active cannot be raped, which holds that she consents sometimes and therefore consents every time. This implies that she is, perhaps ‘asking for it’.

The OxStu comments are a clear example of victim blaming, which has been pervasive throughout coverage of the case. The Mail quoted an “anonymous” friend of Ben’s, who said that the pair had been kissing earlier in the evening. Previous sexual activity, or previous consent, does not mean that someone wants to have sex with someone later.

Consent is not absolute, and can be withdrawn at any time. The quotation given here simply reiterates the most regressive and ridiculous rape myths.

This was not the only element of the article which displayed a worrying outlook on consent. The article quoted the alleged victim as saying “I was far too drunk, that’s it” in the midst of a piece which infers that consensual intercourse occurred. However, intoxication can impair one’s ability to give consent. The presence and positioning of this phrase in the OxStu article suggests that it is possible or even likely that someone who is heavily inebriated can consent to sexual intercourse.

Finally, whilst the article prides itself on obtaining a Facebook conversation between Sullivan and the alleged victim and states that she “appears to have told Sullivan directly that she knew their affair was consensual”, it is highly likely that a victim of sexual violence will not directly state that they have been raped or sexually assaulted when facing their perpetrator.

As a template letter of complaint which is currently circulating on the popular feminist zine Facebook Page, Cuntry Living, states, the author’s failure to take this fact into account “shows a blatant disregard for the welfare of the women making allegations and to the 1 in 4 women who statistics tell us will be victims of sexual assault [whilst at university]. The message this sends out to survivors is that society doesn’t care about the nuances and complexities of their trauma and that people will seek to vilify you”.

I am impressed by the quick response of students to this damaging article. Cuntry Living is alive with shocked comments, template complaint letters aimed at proctors and Daily Telegraph writers and information packs on how to submit such complaints.

OUSU President Louis Trup and OUSU Vice President for Women Anna Bradshaw have also encouraged people to send in complaints to [email protected] so that they can fairly voice the varying concerns of students.

Yet I am saddened by the damage that this article has done. As Siobhan Fenton, author of the Tab article concludes, “Rape is never justified. Just writing that sentence seems so obvious as to be absurd. Yet yesterday’s piece in the OxStu is a chilling reminder that it needs to be said.” I cannot agree more. We must all work harder to ensure that these harmful ideas really are the beliefs of a tiny, woefully misguided minority. The women of Oxford deserve better.

Where Are They Now: Westlife

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My first concert was a Westlife one. I even have a commemorative 2001 bean filled bear to remind me of the occasion. It wasn’t something cool like Arctic Monkeys or a hazy recollection of Greenday at my first Reading festival. I was a full-blown, annual Wembley-stadium-gig-attending Westlife fan until the age of 12. So you can imagine my distress when, in 2011, they announced it would all be over after a Greatest Hits album and farewell tour. What a way to go.

However, the boys haven’t completely slipped through the dazzling net of stardom. Nicky and Kian became celebrity C-Listers with the former’s performance on Strictly Come Dancing and the latter’s win on I’m a Celebrity Get Me Out Of Here!

Alas, it has not been a happy ending for all. Frontman Shane announced almost immediately after the split that he was 18 million pounds bankrupt. But he’s bounced back with a solo career and appearance on X Factor, so there’s no stopping him now. That love for the music; sometimes you just can’t fight it.