Friday, May 23, 2025
Blog Page 306

I went to every library in Oxford (so you don’t have to)

Having spent almost a year and a half in a global pandemic, I was feeling a little bereft of the ‘full’ Oxford experience and looking for a chance to see more of the University while not disrupting revision for my finals. You see where this is going.

I had rules: these had to be libraries which were open to undergraduates, without needing a special reason to study there (or, if they needed a reason, I would have to meet their requirements). This is why I wasn’t able to visit, for instance, the Weston Library.    

In the process of writing this article, I felt a real sense of this university’s scale. It was a kind of travel: many of these libraries were hidden in plain sight, in buildings I’d never really given a second glance towards before. To get to the libraries themselves, I found myself traipsing through parts of the University I had no idea existed, belonging to every imaginable department, faculty, and sub-faculty.

You don’t need to go to every library on this list. But if you’re lucky enough to carry a Bod Card, you should make a point to visit at least a few. These are special places, each with its own history and personality. Make the most of them.

The Old Bodleian – Upper and Lower Reading Rooms

         I remember coming here in my first year and feeling completely terrified. The Bod’s main reading rooms seem to be largely the domain of graduates and visiting scholars — the latter group, I’m told, are a hardened breed who fight tooth and nail for their Reader Cards. All of Oxford’s libraries (that I’m aware of) operate a policy of silence, but nowhere is it quite as piercing as here. Row upon row of identical desks lend this place a deeply impersonal feeling, and for such an old building, many of the rooms are weirdly sterile. Still, the views are unparalleled.

Image of the front of the Old Bodleian Library.
Old Bodleian Library (author’s photo)

The College Library (Lincoln)

         I’m told there are 44 College libraries across the University, which vary considerably in size, friendliness and academic scope. Some graduate colleges admit non-members more freely — nevertheless I was unsuccessful in my attempts to visit a few.

That said, I do think my own College’s library is one of Oxford’s best. In truth, it was one of the main reasons I applied to Lincoln. Built in the 18th century and formerly a church, the upper floor is a pleasant, airy place to either work or spend an afternoon staring at the English Baroque ceiling. The basement is a sad, dark place and I can’t think for the life of me why I spent so much of my first year down there.

An image of Lincoln College Library.
Lincoln College Library (author’s photo)

Duke Humfrey’s Library

         Quintessentially Oxford. That is to say, old, fussy, reasonably difficult to get into, and widely known for its idiosyncratic way of doing things (no pens and no bags, please). As an actual library, it is more show than substance: the collections it houses (which are — I kid you not — the Conservative Party archive, the University Archives and local history collections) are of little actual use to most people who use the space. The students view the place as more of a day out. Who can blame them? I’ll be the first to plaster this place all over my Instagram.

Education Library

         The Education Library (not to be confused with the Continuing Education Library) is a hub for teaching and pedagogy-related texts. I’ve the impression that students from a surprisingly broad variety of disciplines find use for it (I took advantage of its modest collection of books on genocide memory, for instance). But if that’s not you, there’s a good chance it will be a little too out-of-the-way to be useful.

Like most of these smaller libraries, its real strength is its people: the librarians here were among the most friendly and helpful of anywhere in the University.

English Faculty Library

         This is the Law Library’s smaller and perhaps more charming little sibling. It is located in the same building and the aesthetics are broadly the same: effortless 60s cool with an open, central atrium overlooked by a second floor. The ‘vibe’ is considerably warmer, though.

During Covid times, the EFL was one of very few libraries to allocate seats to readers — in part, I suspect, because many tables lack power outlets.

A photo taken from the top floor of the English Faculty Library, showing bookshelves.
English Faculty Library (author’s photo)

Gladstone Link

         It’s often the punchline, but I’m not sure that the ‘Glink’ fully deserves the reputation it has gained in the decade or so that it’s been open as a study space.

The stone staircase down from the Radcliffe Camera promises much but soon brings you to a subterranean lair with very low ceilings. (Enter from the Bodleian side and you’ll find yourself in what feels like a jet-bridge, minus the HSBC branding — or, as though you’re boarding a January flight to Tromsø, minus any promise of natural light. Sit underneath an air conditioning vent and it might feel like it, too.) If there is a redeeming quality, it would be that there is a certain charm to being sandwiched between floor-to-ceiling books on history. Do be aware that the ‘floor’ in the upper Glink is more of a metal grate: I can only imagine the number of lost wireless earbuds. Also, I can never seem to find a power outlet.

A photo taken in the Gladstone Link, showing bookshelves.
Gladstone Link (author’s photo)

Nissan Institute of Japanese Studies Library

         This is one of a number of specialised centres located around St Anthony’s College. I’m reasonably sure that it was among the first to be built at the University. The library is not a big space (at present there is room for only a handful of readers), but it is bright, welcoming, and apparently designed with Japanese architectural principles in mind. Through 2021, the construction happening next door took a little away from the tranquillity which it is usually able to boast.

While you’re at the centre, here’s a real oddity: a wall plaque unveiled by the now-disgraced Nissan car executive Carlos Ghosn in 2006, who remains a fugitive in Lebanon, having fled Japan after being arrested on charges of false accounting.

KB Chen China Centre Library

         A real gem. Most students I’ve talked to don’t know that the Dickson Poon China Centre Building even exists: I’d say that discovering these obscure quarters was one of my favourite things about this challenge, but there’s nothing low-profile about this place (it also features graduate accommodation, a tearoom, a sizeable lecture theatre and teaching space, and a ‘state-of-the-art language laboratory’).

The library takes up the bottom floor, and looks out over the central courtyard: besides being home to 60,000 volumes and much of the Bodleian’s Chinese book collection, it is one of my favourite reading rooms in the entire University. It’s an ultra-modern, pleasingly designed and spacious library with both big tables and small reading nooks.

A photo of the front of the Dickson Poon building.
Dickson Poon Building, home of the KB Chen China Centre Library (author’s photo)

Latin American Centre Library

         This library was the smallest I’d been to — it’s the former front room of a house near St Anthony’s. There’s not too much to report here: a fairly small collection of books relevant to Latin American studies. It’s reasonably cozy, with only room for a handful of students even without social distancing restrictions.

A photo taken inside of the Latin American Centre Library, showing bookshelves and a shelf of magazines.
Latin American Centre Library (author’s photo)

The Law Library

         This is, for many of us non-lawyers, a hidden gem. The enormous main ‘hall’ of the library is bright and airy: come for the extensive collection of European and North American legal texts, and stay for the Aalto-inspired clean lines. It exudes effortless 60s style. Plus, if there’s one Oxford library to recreate on your Minecraft server, it’s this.

The library is, unusually, sponsored in part by the law firm Hogan Lovells, who were recently named and shamed for paying private investigators for intrusive surveillance in a New York Times investigation into the hand of post-Soviet governments in the English legal system. Less interestingly, it also suffers from a severe lack of power outlets (especially on the ‘open-plan’ desks).

Leopold Muller Memorial Library (for Hebrew and Jewish Studies)

         The Leopold Muller is located in the basement of the Clarendon Institute, which also houses the Centre for Hebrew and Jewish Studies and the Centre for Linguistics and Philology. Though I knew the library’s brief, I don’t think I was quite prepared for the sheer size of the Hebrew book collection. It turns out that Hebrew has been taught at the University since the 16th century (the first Jewish fellow to be appointed by a College would arrive some time later, in 1882).

The librarian here was certainly a character: very helpful, and the only member of staff to catch on to my ploy of visiting all of Oxford’s libraries (or perhaps the only to ask how my adventures were going). The space, I can imagine, can become a little dreary in winter on account of it catching very little natural light.

The Music Faculty Library

         If you’ve not been to the Music Faculty’s own little universe south of Christ Church, it is an experience I would wholeheartedly recommend. On the way into the library, at about ten in the morning, the door was held open for me by a figure dressed as though they were on the way to conduct the Last Night of the Proms, in full tails. It set the tone appropriately: this is an eccentric sort of place. The library itself is beautiful, but more strikingly it is charming in a Ghibli sort of way. Desks are hidden in corners, and posters plaster the walls.

Music students I’ve spoken to tell me they have a strong affinity with the Music Faculty’s librarians and the other characters sighted here. In no other library is there quite the same sense of community as in this one.

Nizami Ganjavi Library (Oriental Studies)

         Nezāmi Ganjavi is widely considered among the greatest 12th century poets in Persian literature. His legacy, Wikipedia tells me, is appreciated widely across Afghanistan, Iran, and Kurdistan, but perhaps most loudly in Azerbaijan, where he is seen as something of a national hero.

Is this a library befitting such a literary giant? Not exactly. Hidden in the shadow of the Sackler Library, this isn’t likely to appear on any ‘must see’ lists — however, even in spite of its ‘town library vibes’ (as one student described it), it is not without its charms. It’s a quiet and invariably tranquil place to get work done.

The Oxford Union Library

         This one’s dedicated to everyone who made the mistake of purchasing membership of the Oxford Union at the start of their Freshers’ Week. It still probably isn’t worth it.

I’d always meant to study here but, then again, it was the Union so it had… all that going against it. That said, I think it’s worth spending an afternoon if you have the card. The Old Library, which was initially a debating chamber, is really quite beautiful: smaller and far cozier than the chamber across the courtyard but similar in shape. It is a comfortable and slightly sleepy place to work, decorated pretty much exactly as you’d expect. The Pre-Raphaelite ceiling murals are a particular highlight, though they’re faded and not particularly visible in daylight.

The library staff seem particularly friendly here, and the library is also noted for its nonfiction collection. Reading for fun? I might try it one day.

A photo taken from the top floor of the Oxford Union Library showing bookshelves and people working on the bottom floor.
The Oxford Union Library (author’s photo)

Oxfordshire County Library

         I grew up in a part of the country that simply didn’t have the money to invest in library services. I assumed that the rest of the UK was like this, but, alas, no. The Oxford County Library is a wonderful, recently-rebuilt civic resource which is open to everyone. Though it boasts a sizable collection of books, and is an excellent place to get work done a little outside the ‘University bubble’, it is a public good that can’t be defined solely by its use as a library: it also helps people to access public services and organises events for young people across the city.

Philosophy and Theology Library

         People (especially PPE students) like to dislike this one. I think their concerns are justified. Located in the otherwise STEM-oriented Observatory Quarter, this is a library over two floors — the upper being mostly a reading room — across one side of the Radcliffe Humanities Building. The space is too small to serve its purpose effectively: even in spite of social distancing restrictions, I was shocked by how busy the reading room was.

Radcliffe Camera (Upper and Lower)

         The library that is Oxford. Any normal university would have the impressive but modest, modern and practical Social Sciences Library at its heart. But not us. Libraries are rarely so ostentatious or, frankly, naff. Nor are they usually so downright iconic. That we offer this hugely symbolic space to History and English speaks to the incorrect assumption that Oxford is stronger in the humanities; many students don’t realise that it spent most of its early years as a scientific and medical library.

The Upper Camera is a space best visited early on a clear winter’s morning: the sunlight streaming through the windows is quite a thing to see. But at any time, it is a beautiful place to work. The silence here isn’t quite as oppressive as in other study spaces — perhaps on account of the number of giddy undergraduates living out their Dark Academia dreams.

A photo taken of the Radcliffe Camera.
Radcliffe Camera (author’s photo)

Rewley House Continuing Education Library

         A library I didn’t know existed, serving 15,000(!) enrolled students at the Department of Continuing Education. I imagine most students don’t realise ContEd has a history here that stretches back to the late 1800s. At the heart of the operation for the last hundred-or-so years is Rewley House, a building on Wellington Square that I’d not paid much attention to before. The library looks out over a courtyard, and is probably unusual in housing a small number of texts on an extremely wide range of subjects (plus an extensive reference collection).

The Classics Library (The ‘Sackler Library’)

         I’d always resented that one of our libraries was named for the Sackler family, who grew extraordinarily wealthy by playing an important role in causing the opioid crisis (which, in turn, contributed to nearly 400,000 deaths from drug overdoses from 1999 to 2017 in the U.S.). It is one of many projects to which the Sacklers have lent their name — others can be found in the Guggenheim and the Met in New York, and the British Museum and the V&A in London.

But then I visited. If the Sacklers had to give their name to a library in this city, I’m almost relieved it’s this one — one of Oxford’s ugliest and least liked by readers. The architectural style can be best described as ‘McMansion’. The floors of the central rotunda are disorientating and lacking in natural light. Neoclassical columns, which again scream ‘GOP Congressman’s Florida mansion’ more than ‘world’s largest and possibly oldest Classics department’, are awkwardly shunted into the architecture as though the building is desperate to remind you what purpose it serves. Unless you need to access anything from the collections held here, it is probably a library best avoided.

Social Sciences Library

         The Manor Road Building, which houses the SSL on its ground floor, feels in many ways like a 21st century response to the 60s Internationalist St Cross Building next door. Both are wonderful and underrated, but the Manor Road Building still (having been open now for nearly twenty years) feels like a model for future university spaces. It’s light, airy and clearly designed to invite collaboration. It is an ethos that continues into the library itself, which features many sorts of workspace, including open-plan desks, booths, and workrooms. It fosters an excellent working environment that is spacious, bright and clean. The resources available cut across far more disciplines than I could hope to name here.

 My one criticism? It’s always a little too warm. Other than that, it comes highly recommended.

Taylor Institution Library (Taylorian)

         The Taylorian specialises in modern languages. It was built as the east wing of a complex which includes the University Galleries (now the Ashmolean), and extended twice in the 20th century. Other parts of the Institution provide space for talks and lectures.

I’m not certain if this is usually the case, but I’ve not once been able to find a space in the library’s iconic neoclassical main reading room on the first floor (in our current times of social distancing, at least, you must be first in the queue to have any hope of studying there). Usually this has meant that I’ve been relegated to the library’s side-rooms (the sort which specialise, for instance, in Slavic languages), which are nonetheless smallish, pleasant spaces with high ceilings.

A photo taken inside the Taylor Institution.
Taylor Institution (author’s photo)

Vere Harmsworth Library (for American Studies)

         Among the best, the Vere Harmsworth comes last. This is an ultra-modern library that completely nails it. Continuing the long-established Oxford tradition of naming buildings after people who, to greater or lesser extents, are hardly role models (see the Sackler, Rhodes House and the Thatcher Business Education Centre at the Said Business School), this one is named for the man who created the Daily Mail in its modern form.

Frankly, it’s a name unbefitting. Across four levels, it’s a clean and light space that benefits from not feeling bewilderingly large. Seating is available in open-plan desks, individual desks and booths. My favourite time to be here is late at night, an hour or so before closing time, when the outside of the building is beautifully illuminated from the ground and the huge glass windows reflect the interior. Simply put, it’s a cool space.

Image credits: Edward Rhys Jones.

Oxfordshire community leaders respond to Afghanistan Crisis: “Surely we can do better.”

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In light of the Taliban takeover of Afghanistan, representatives of Oxfordshire MPs, councillors, Afghan leaders, Afghan newcomers, and community organisations met last Friday, 20th August, calling on the UK government to be proactive and clear in its humanitarian response towards Afghan asylum-seekers. The meeting, attended by more than fifty individuals and organisations, was facilitated by Oxford refugee charity Asylum Welcome.

Released as an outcome of the meeting was a Statement on the Crisis in Afghanistan and Oxfordshire’s Response, signed by local Councillors Mark Lygo, Dr Hosnieh Djafari-Marbini, Imogen Thomas, Chris Jarvis, Lucy Pegg, and Sally Povolotsky as well as sixteen organisations that support refugees.

With the meeting taking place only five days after the Taliban occupied Kabul, the pain was fresh for local Afghan leaders, refugees, and representatives of refugee-oriented community groups, who urged international support for and solidarity with the people of Afghanistan. 

Two Afghan clients of Asylum Welcome who had been refugees spoke out about the current volatility and violence in Afghanistan, both recalling how, just two days prior, Taliban fighters had clashed with protestors in Jalalabad, a city in Eastern Afghanistan, after the latter tried to replace newly erected Taliban flags with the Afghan flag. 

“The crisis is bigger than what we see in the media. That’s the reality,” stressed Dr Aziz Barez, Executive Director of the Center for Afghanistan & Central Asia Strategic Studies (CACASS) in London and a former Afghan diplomat. The Taliban takeover, Dr Barez warned, will imperil human rights in the country, especially women’s and girls’ rights, and infringe upon “basic respect for human activity ” such as “girls going to school”. 

“Now, our sisters, mothers, daughters, and aunts are under lockdown for the rest of our lives,” said Shaista Aziz, Labour City Councillor for Rose Hill and Iffley and Cabinet Member for Inclusive Communities, sharing in the meeting what an Afghan woman from Oxford had said to her. 

“All countries need to support us, especially the UK,” appealed one of Asylum Welcome’s Afghan clients, who arrived in the UK as a refugee in 2009 but whose wife and child remain in Afghanistan, “but most of them left Afghanistan when we needed support from them. The UK government needs to help people who are living in Afghanistan. We want peace. We don’t want anything else.”

Evacuation and Resettlement of Afghan Citizens

Councillors, refugees, local Afghan leaders, and representatives of local MPs attend a meeting with Asylum Welcome. Image: Asylum Welcome

The UK government announced shortly after the takeover that it is committing to resettling 20,000 at-risk Afghan refugees over a five-year period. The Afghanistan Citizens’ Resettlement Scheme, which the Home Office calls “bespoke” and “one of the most generous” in the UK, will see 5,000 Afghan refugees resettled in the first year. 

Councillor Aziz, writing on the Oxford City Council website about how the crisis is affecting Oxford’s communities from those with relatives in Afghanistan to veterans, called the number “a woefully inadequate number that does not reflect the duty of care the UK has to Afghan civilians, to protect lives, or the military role Britain has played in Afghanistan.”

Oxford West and Abingdon MP Layla Moran, whose representatives attended the meeting via Zoom, spoke in parliament last week and urged the government to set a more ambitious resettlement target of 20,000 Afghan refugees per year, or 30 refugees per constituency, saying “surely we can do better” after “twenty years of [military] involvement”

By the end of 2020, before the Taliban takeover, there were 2.8 million Afghan refugees and asylum-seekers mostly living in the neighbouring countries of Pakistan and Iran. An estimated 3.5 million Afghans are also currently displaced within the country’s borders, and Dr Barez underlined in the meeting the coming crisis of internal displacement as well as international displacement. 

Home Secretary Priti Patel has said that the new resettlement scheme for Afghans is separate from and in addition to the Afghan Relocations and Assistance Policy (ARAP), which launched on 1st April 2021 and offers priority relocation to the UK to locally employed staff under serious threat to life. Meeting attendees cautioned, however, that the scheme must not diminish resettlement opportunities for vulnerable refugees of other nationalities. So far, the UK government has refused to clearly commit to a long-term refugee resettlement target.

Afghan constituents with affected family members are advised to continue getting in touch with their MPs, advised representatives of Oxford East MP Anneliese Dodd. Through their contacts, they said, MPs can ensure that the correct government officials receive and process people’s cases. They also encouraged Afghans seeking to reunite with their families in the UK to get in touch, even if they do not meet the official visa requirements. 

The Statement on the Crisis of Afghanistan and Oxfordshire’s Response calls for the government to “freeze any planned repatriations, grant asylum to Afghan nationals with outstanding asylum claims and release Afghan nationals currently held in detention, given that deportations cannot be safely carried out”.

The Home Office released asylum statistics on 26th August showing that as of June 2021, UK asylum applications have fallen 9% as compared to the year before. But the department is currently handling a sizable backlog of 70,000 asylum applications, which includes over 3,000 citizens of Afghanistan. 

One concern raised by meeting attendees was about Afghan asylum-seekers who arrive on UK shores spontaneously, given that the UK government is currently trying to pass a Nationality and Borders Bill that will criminalise asylum-seekers who arrive by sea or through a “safe third country”.

“The government must rethink the Nationality and Borders Bill in light of the current crisis in Afghanistan”, the Statement asserts, expressing worry that Afghans who take irregular routes “will be treated as illegal and usually refused refugee status”. 

The Statement further calls the Bill “unfit for purpose” and says that “asylum claims should be judged based on the claimant’s fear of persecution, not how they got here”. 

The Home Office has reiterated its intent to criminalise the act of entering the UK through a third country, although those who arrive in the UK via “irregular migrant routes, such as small boats” can still apply for asylum before the Nationality and Borders Bill fully comes into effect. During the meeting, Hosnieh Djafari-Marbini, Labour City Councillor of Northfield Brook, also called for the creation of humanitarian corridors for Afghans to leave safely as well as more funding for local councils, while also stressing that “people travelling to immediate third countries do not automatically find safety there.”

Asylum Welcome has suggested 12 actions to support refugees, which includes signing a petition to increase the pace and number of the UK government’s Afghan resettlement scheme, writing to local MPs to discuss their response to the Afghan crisis, and considering renting out homes to refugee families through Sanctuary HostingOxfordshire Afghan Aid (OAA), set up by Hendreds & Harwell County Councillor Sally Povolotsky in liaison with the Royal Air Force and Red Cross, has been updating regularly on Facebook about the specific in-kind donations that Afghan new arrivals need. At the time of publication, OAA is at capacity and no longer receiving drop-off donations. OAA has recommended that the public redirect their monetary and material donations towards Nowzad,  which reunites soldiers with animals they rescued in Afghanistan; Asylum Welcome; British Red Cross; and the charity shop Changing Lives, located in Didcot and Wantage, which supported OAA in its earlier efforts.

Image: Public Domain

University confirms return to in-person teaching from 6 September

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In emails sent to students and staff earlier today, the University confirmed that in-person teaching will resume from 6 September, bringing the University’s restrictions in line with Step 4 of the UK Roadmap.

Face coverings will not be mandatory and social distancing will no longer be required. However, the University announced that face coverings will be required during larger group teaching, unless exemptions apply. 

The University said its expectation is that “everyone who can will transition to returning to their offices and labs, so that by the beginning of Michaelmas term we will be fully prepared for the next academic year”. They added that the easing of restrictions will “facilitate a return to business as usual”.

The email also stated that University departments will confirm further details on guidance and other timescales in due course. 

Regular symptom-free testing and vaccination will continue to be encouraged for the University’s staff and students. Vaccinations will not be made mandatory for staff or students. Members of the University will also be required to follow the latest government self-isolation rules.

Students and staff returning from red-listed countries and who are unable to travel to Oxford for the start of Michaelmas will qualify for exemption from residency requirements. The email stated that the University and colleges “will not routinely meet the quarantine costs for students returning from red list countries”. If students are arriving from an amber-listed country, they will have to quarantine for 10 days on arrival to the UK, unless they are fully vaccinated, and will have to arrive in Oxford in time to complete quarantine before courses start.

Image credit: Billy Wilson / CC BY-NC 2.0 via flickr

Talking to Tom Mitchell, Team GB Rugby 7s captain

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Tom Mitchell is an Olympic silver medalist in rugby sevens, a former Varsity Match winner in rugby union with Oxford, and the father of a 4 month-old child: “There’s nothing like having a child to get you back to the swing of having a normal life.”

Tom has recently come back from Tokyo, where Team GB’s Rugby Sevens squad came in 4th place, unable to stand on the podium like they did in Rio 2016. Writing on his Instagram, Tom reflected on his journey: “As someone who has been fortunate to have come home with a medal and without one, any youngsters should know that hard work and following your passion are worthwhile. Don’t get me wrong, achieving your goal feels great, and not achieving what you set out to get is painful for a while. But both outcomes contain emotions that only last for a while. The deep sense of fulfilment that comes from pursuing a passion and dedicating yourself to it lasts much longer.”

Tom captained the team both times. After an “amazing high” for Team GB, coming from behind to beat USA in the quarter final, it was a “mix of emotions” for Tom as he was ruled out of Team GB’s semi final against New Zealand and the bronze medal match against Argentina the following day due to injury. “I thought we had a good chance of bouncing back from that defeat to come back into the bronze medal match. It’s a little bit difficult to get a feel when you’re injured. Obviously, I’m still around the squad and doing what I can to try to help them prepare, but you are never quite sure where the team’s at going into the game. I thought we were in a good place but we just gave them some easy tries and unfortunately against any top team in sevens, you do that and you are very unlikely to come out on the right side of the result.” 

Oxford was the “launchpad” for Tom’s rugby career. After completing an undergraduate course at the University of Bristol, Tom came to Oxford for a graduate course in Historical Studies.

“In all honesty, a lot of my memories are dominated by what was going on with the rugby club, and my experience with The Varsity Match,” he confessed. “The best thing about that journey was some of the relationships from that group. In terms of the lesson I took forward from that was how powerful it can be when you are all focussing on one goal and one aim. That was something that really marked my time at Oxford- people’s commitment to the project and to the goal.” 

The men’s 2011 Varsity Match was particularly memorable for a number of reasons. Tom Mitchell scored a try,  the Dark Blues won the match 28-10, and OURFC captain John Carter played on with an unsightly black eye, after he took a nasty punch to his eye from Cambridge forward Dave Allen. “He was a brilliant leader and a talismanic figure,” Tom said of his former captain. “I took a lot of lessons from him which I have carried forward into my own leadership of the England and GB teams. He was a great character.” 

The nature of captaincy has changed since 2011. Having to endure the uncertainty of lockdowns and the cancellation of the Olympic Games in 2020, Tom had the task of trying to keep his team’s morale high as its captain. In a “pretty dark summer” in 2020 when Team GB Rugby Sevens lost its National Lottery funding and support, and subsequently lost all its sources of income, Tom had the challenge of “trying to make people alright with the unknown”. This involved “trying not to put too much pressure on myself” and “knowing that there were limitations out of my control”. Through the torrid times of the pandemic, Tom and his teammates trained together over Zoom and created an online Friday lunchtime coffee club. When restrictions eased, the players would find a park equidistant to all team members for running and other training sessions.

“It was a tough time for the squad. Actually, the resilience in the squad was something that I found really inspiring. It was a real credit to the guys involved that they dealt with it the way they did because it could’ve been very different and we wouldn’t have finished 4th at the Olympics. Most of the guys would not have made the team if they had not been able to process it so well; who knows what squad we would have ended up taking?”

Team GB Rugby Sevens got their National Lottery funding back in December 2020, taking them through to 2021 for the one-year-late Tokyo 2020 Games. Tom was “pleasantly surprised” when he arrived in Tokyo in mid July, as the Games “had the excitement” synonymous with normal Olympic Games. Although the result was not what he had in mind, it was “powerful” for Tom, as one of Team GB’s 376 athletes, to be “part of something much bigger” in a competition where “all of the sports come together to drive in the same direction”. 

Tom has the Commonwealth Games and the Rugby Sevens World Cup in South Africa to look forward to; it is not known as to whether Great Britain will be able to compete together or as separate nations at the World Cup. For now, Tom will be taking a break and “enjoy some of the freedoms that come with not training and not having the demands of competition”. 

I concluded the interview by asking Tom whether he would be open to the prospect of taking up another postgraduate course at Oxford any time soon: “I’ll have to see if I still have the ability to still write essays!” Let’s hope Tom polishes his essay writing skills and one day brings Oxford yet more glory over Cambridge in The Varsity Matches.

Photo credits Sam Mellish, courtesy of Team GB via Tom Mitchell .

Welsh Education Minister visits Jesus College to celebrate outreach to Wales

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Jesus College was visited by Jeremy Miles, Minister for Education and the Welsh Language, on Thursday August 19th. 

The Minister said of his visit: “I’m very pleased to be here today to mark Wales’ longstanding and continued links with Jesus College and the University of Oxford more broadly.”

The Minister came to learn about the University’s, and particularly Jesus’, strong connections with Welsh educational institutions and the ways in which the University supports students applying to top universities in Wales and across the UK. After lunch at the College, the Minister gave a welcome address to the Seren-Jesus College Residential Summer School attendees.

Jesus College, colloquially known as the ‘Welsh College’, has maintained strong ties with Wales since its founding by Hugh Price in 1571. Today, these ties are nurtured through a number of access initiatives such as Oxford Cymru, an access partnership maintained by Jesus, St Catherines, and New Colleges. The partnership works with the Welsh government to offer opportunities to students in rural and coastal areas of Central and North Wales. 

Jesus College works closely with the Welsh Government’s Seren programme, which supports the brightest year 8-13 students from Welsh state schools and FE colleges in reaching their full academic potential. Two Seren summer schools are hosted at Jesus each year, with over a thousand students having participated in the program since 2016.

The Minister’s visit coincided with one such Seren Summer School: the fifth annual Seren-Jesus College Residential Summer School. Miles met and spoke with the summer school participants. The residential course is designed to give students a taste of Oxford life and in turn encourage them to apply to study. Students in the program have the opportunity to attend tutorials, seminars, and lectures. 

Miles also met with Dr Matthew Williams, Access Fellow of Jesus College. Dr Williams said: “About 70% of the 10,000 young people we work with annually through our wider outreach and access activities come from Wales, and we are committed to encouraging and enabling academically-gifted young Welsh students to apply to Oxford and other leading universities in the UK. Our work through the Oxford Cymru consortium and the Seren programme are essential to delivering on this commitment, enabling us to embrace the depth of knowledge and experience necessary to make an impact.”

Jesus’ Welsh ties are also strengthened by its Welsh alumni and prominent Welsh figures. The summer school series was recently secured in perpetuity thanks to an endowment from Mr. Oliver Thomas, a Jesus alumnus. Additionally, earlier this year Jesus announced the Michael Sheen Bursary, which will provide financial support for Welsh undergraduate students. The Bursary has been developed in collaboration with Welsh actor and activist Michael Sheen and will operate on a means-tested basis, primarily using household income criteria. 

Dr Williams added: “We understand that disadvantaged students can face financial inequalities that create a barrier to embracing the full benefit that an Oxford education can offer, so bursaries such as the Michael Sheen Bursary provide a tremendous opportunity to support Welsh students at Jesus College, making their experience more equitable, and reassuring them that Oxford is for everyone, regardless of background.”

Since the implementation of these access schemes, there has been a 20% increase in applications from Welsh state schools to Oxford and a 55% increase from 2016-2020. In 2019/20, 10% of all applications to Oxford by Welsh students came from Seren summer school participants. 

The Minister also met with Helen Charlesworth, Senior Executive Officer in the University’s Undergraduate Admissions and Outreach Department; Lois Williams a co-designer of the international summer school course, Seren ambassador and alumna of Jesus College; and Tomos Wood – also a co-designer of the course and Seren ambassador who recently graduated from Queens’ College, Cambridge. He was also welcomed by Rhian Edwards, Deputy Director for Further Education and Apprenticeships at the Welsh Government, and Rhian Griffiths, Head of Seren.

Miles continued: “The links between Jesus College and Wales date back centuries, and all those attending the residential summer school can be proud not just of their fantastic achievements, but also that they are continuing a longstanding tradition of learners from Wales going on to study at some of the best universities in the world.

“Since starting in 2016, our Seren programme has gone from strength to strength, and summer schools such as these play a vital role in building the confidence and raising the ambitions of Welsh learners, and ensuring they know that the world’s leading universities are within their reach too.”

The Minister concluded his day with dinner at his alma mater, New College. Daniel Powell, Head of Outreach at New, said of the event: “This year marked the creation of the ‘Wales Consortia’, an initiative which New College is incredibly proud to be a part of.  We hope that the students enrolled in the Seren Summer School have a rewarding and inspiring week of study in Oxford.  Of course, the opportunity to socialise is also an important trait of University life, and we look forward to welcoming them, as well as New College graduate, Mr Miles, for a celebratory dinner.” 

Image: Jesus College

Asylum Welcome displays orange hearts of solidarity with refugees

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Asylum Welcome, a local Oxford charity supporting refugees and asylum-seekers, has launched a mini-exhibition at the Old Fire Station called “Have Heart, Take Heart” to display messages of solidarity for refugees and asylum seekers in Oxfordshire. The exhibition will be open until 21st August, and these messages are also viewable on Asylum Welcome’s website

Featuring more than 150 postcards with orange hearts comprising of words of kindness, solidarity, and welcome, the exhibition was launched on 28th July in conjunction with the 70th anniversary of the Refugee Convention of 1951. The Convention is a piece of international law, to which the UK was a key drafter and signatory, that sets out the rights and responsibilities of refugees as well as countries who ratified the legislation.   

“Asylum seekers and refugees are a really important part of our society and have made a fantastic contribution,” one resident wrote. 

“Some of us are deeply ashamed of the UK government’s inhumane attitude towards refugees,” another contributor expressed. “We do not share it and wish to make you welcome!”

Introduced in 1951 following the forced displacement of millions in the aftermath of World War II, the Convention today is a foundational piece of international law that underpins asylum systems in the UK and around the world. It sets out the definition of a “refugee”, the rights of refugees, as well as the principle of non-refoulement, the principle that refugees are not to be forcefully returned where their lives or freedoms would be threatened. 

Asylum Welcome started its campaign to collect messages of solidarity after Home Secretary Priti Patel announced in March 2021 a plan to overhaul Britain’s immigration system, potentially bringing about major negative ramifications for refugees and asylum seekers in the country. The organisation’s stance is that the plan is “is deeply flawed, inhumane and is unlikely to achieve many of its desired aims.” On 20th July, the plan came to further fruition after the House of Commons passed the second reading of the Nationality and Borders Bill by 366 votes to 265. 

While the Home Secretary created the Bill with the aim to “better protect and support those in need of asylum” and “break the business model of people smuggle networks”, refugee rights campaigners have raised concerns over the Bill’s stricter requirements for refugee status, restricting of rights of refugees, prospective use of offshore asylum centres, and ineffectiveness in stopping modern slavery. 

Message from an Oxford resident: “Everyone deserves to feel safe and welcome in Oxford! My message is that while voices of hate may be loud, love is stronger and will win.” Image: Asylum Welcome

Stricter Requirements: Illegalising Refugee Modes of Arrival


One major reform arising from the Bill is that it will be illegal for newcomers to make an asylum claim if they came through a “safe third country” or United Kingdom waters without permission. 

A safe third country is defined under the new legislation as a country where one can apply to be recognised as a refugee and where one’s life and liberty is not threatened on the grounds such as race, religion, nationality, membership of a particular social group, or political opinion. By these definitions, routes taken without permission through Turkey, Greece, Italy, France, or Bosnia and Herzegovina could therefore be deemed as “illegal routes”. 

Under the proposed reforms, anyone who enters through these “illegal routes” could be subjected to up to four years of imprisonment and removal, and anyone who facilitates their entry could be punished with a life sentence. 

It is likely that these reforms would limit refugee protection to only people who enter the country through state resettlement or migration schemes. But the United Nations High Commissioner for Refugees (UNHCR), the international agency dedicated to protecting refugees, says that state resettlement is “only open to a tiny minority of eligible refugees”. According to the Migration Observatory, between 2016 and 2019, the government has resettled 5000 – 6000 refugees every year, with this number falling to 823 in 2020. 

Home Secretary Priti Patel has recently announced plans to create a “displaced talent scheme” that would allow highly skilled refugees living in Jordan and Lebanon to work in the UK for a maximum of five years, which is to be piloted for 100 refugees and their families in the next two years. But the government has yet to provide a numerical commitment to resettlement in the future. 

Restricting the Rights of Asylum Seekers and Prospective Use of Offshore Asylum Centres


Another set of concerns relates to the restricting of rights of asylum seekers and the prospective use of offshore asylum centres. 

Under the proposed Bill, anyone who has taken “illegal routes” would be subjected to deportation back to a safe third country, but the UK government currently does not have any practical agreements to deport refugees to other countries. 

In the absence of agreements, the government has proposed that those who cannot be deported will have their asylum claims processed. If successful, asylum seekers would be granted a “temporary status”, but that will leave them in a legal limbo, as their status would need to be periodically accessed and their family reunification rights as well as access to public services restricted.

The Bill also paves the way for the creation of offshore asylum centres, termed as “designated places”, to process such asylum claims following the footsteps of Australia and DenmarkSpeculations are that these centres would be in Ascension Island, oil rigs, or disused ferries. 

Nuha Abdo, an Oxford newcomer from Syria and spokesperson of the Have Heart, Take Heart project, expressed wariness over these reforms and said that she would not be living in Oxford today if the Bill were in place five years ago. 

Abdo arrived in 2016 with her two children as part of the UK government’s family reunification program for refugees. Her husband, a Syrian professor who arrived a year before, took multiple routes that would be deemed illegal under the proposed Bill before he successfully sought sanctuary in the UK. Part of his journey to safety, which spanned the countries of Greece, Turkey, and Qatar, included travel by land on lorries and by sea on boats, multiple arrests at airports, and a serious injury that led to his hospitalisation. 

“If this bill existed, it would mean that both my children and I would be separated from my husband. How can you accept people as refugees [give them temporary status] but not accept their families?” Abdo asked. 

Will the Bill Effectively Tackle Modern Slavery?


At the heart of the debates around the Bill is also the question of modern slavery. During her speech, Home Secretary Priti Patel spoke of the deaths of 39 Vietnamese people found in a trailer in Essex at the hands of human traffickers and the “moral duty” to “stop this vile trade” as the drivers of the Bill.  

Asylum Welcome Policy and Advocacy Coordinator Hari Reed said that the organisation agrees that modern slavery is a crucial issue that needs to be tackled but does not believe that the bill is going to “tackle it in any way”. 

“The government is treating smuggling as the cause of the problems with the asylum system when in fact it is the consequence. Smugglers are filling in the gap in international legislations,” Reed emphasised. “If there are safe and legal ways for refugees to get to where they need, there would be no need for smugglers.”

Abdo said that the Bill will discourage refugees from coming to the UK, but it will simply compel them to go elsewhere without deterring the activities of smugglers and traffickers. “Refugees will not stop. They will go to Europe – France or Germany. But the Bill is not going to stop smugglers. Whatever the sum is, I will pay to be safe.”

Former Prime Minister Theresa May has also voiced opposition against the creation of offshore asylum centres, saying that it “wouldn’t automatically remove the business model of the criminal gangs”, as smugglers would be “waiting for those who are rejected by the centre, and they’d still move those people across the Mediterranean.” May also believes that the Bill could potentially even increase “people being picked up and being taken into slavery”.


The UNHCR has argued that the Bill “unfairly punish[es] many refugees” in violation of the terms and spirit of the Refugee Convention. The Refugee Council, a UK national charity providing services for refugees and asylum seekers, has also called the Bill an “anti-refugee bill”

“Since we arrived in this country, every day new bills are being passed. We do not feel safe,” Abdo expressed her sense of insecurity. “It affects me emotionally. Every time [the government] applies something new, it is stressful to us.”

“What are we gaining from this Bill? We will only lose valuable people in our community,” Reed questioned and adding, “We don’t see this as progressing our asylum law at all.” 

Each of the clauses of the Bill will next be scrutinised by the House of Commons Public Bill Committee, scheduled to meet on 21st September. Members of the public with expertise, experience, or a special interest in the Bill would be able to submit their views for the committee’s consideration in oral form or in written form to [email protected]. Further information can be found here.

Image: Asylum Welcome

Review: “Smart Casual” // GOYA Theatre

The musical Smart Casual centres on a London flat, three meet-ups, and a group of friends fresh out of university: Mel, Marc, Willow, Lily, Ben, and Jordan. Together in the apartment where they got together, broke up, and made up, each of them gets caught up by frustrations typical of one’s early 20s: Ben wants to settle down into married life but discovers neither himself nor his partner, Willow, are as certain as he thinks; Lily wants only to not be boring, to not be business-like, to not be making the world shittier, yet struggles to positively want anything; and Mel knows her rent will be paid by her parents but she cannot get the one job at Vogue she wants. These characters, and their performers, feel to me like the main reason for the success of the work. Their personalities are clear-cut and well-conceived, often fitting an archetype without losing their own opinions and motivations. This frankness then lets the play focus on their interactions between them. 

Most songs have two, three, or four voices singing against or with one another and they keep a conversational tone outside of the chorus or solos, thus making each song an evolving dialogue. This style is effective in continuing interactions into the songs, but at times the balance in volume between band and co-singers make the words hard to follow. But this is far from enough to get in the way of appreciating the great vocals or understanding the character development. Ultimately, however, the play is not bound to these characters and their frustrations. It is bound to the apartment. So, when Mel moves out, the play can end leaving the characters with only directions and possibilities rather than closure. Even the ‘always better for the experience’ refrain of the final song feels like an optimistic perspective rather than an objective point. As a 21-year-old myself, that felt fitting.

A special highlight of this production is the skillful incorporation of class and sexuality into the narrative. There isn’t any one way to use such important concepts in art, but I really like it when the social gives everything a slightly tragic air without reducing the characters to stand-ins. When the friends assume that Mel is doing great in London, that she will play host, and always hear their troubles, it is somewhat because she’s the rich one with ‘rents ready to cover an apartment’, but it’s also because she hides her feelings and shies from open conflict. Or when Ben spends a year never really falling in love with Marc, it must be something to do with Marc’s flawed character and defensiveness, but it’s also the naggingly familiar story of a bi-curious man who can’t think of a male as that family-starter, life-partner he grew up expecting.

Coming back to the music though, the writer, Sam Woof, claimed that Smart Casual aspires to depart from some of the ‘farce and melodrama’ that typifies most musical theatre. This is well put, and that intent is delivered upon. Obvious moves like the conversational tone, or the general lack of movement and dancing, keep the songs grounded in the apartment conversations of the group. And none of those songs are wasted. Even a comic relief song by Marc, the camp queen of the group, works as defensive posturing that his character would struggle to overcome.

However, one might ask, why bother to undo the melodrama and unreal extravagance of the musical? The form will just work against you. Nearly all musicals will dedicate 3-5 minutes of sweeping soundtracks to a singular character point or emotion, often with recurring lines. It is not impossible, but perhaps unavoidable, that the songs will drift towards the edifying and melodramatic. But what melodrama there’s left in Smart Casual, I find it is put to good use. After all, I can think of no better way of summing up the giddy feeling of knowing you are meant to be living the most ‘formative’ and ‘pivotal’ years of your life than having each life event or strong emotion affirmed in song – the most obvious extent of this being the repeated line ‘this is actually happening’. Moreover, the edification works perfectly with the self-delusion of many of the characters. Mel sings about hating her friend’s callousness in the evening and then erases that with a song about always loving them in the morning. And in that moment, you feel the affirmative background of the score is as much for the audience as for her. So, where the show delivers on giving musicals a bit more ‘real life,’ it doesn’t leave you wishing they had just made a play.

For a student work the topics discussed are close to home. It’s why the promise of a grounded and tender depiction of undeniably important years works so well. The piece made me feel like that time could be a bit more real, and so a bit more manageable. Overall, seeing Smart Casual at the North Wall was a lovely experience and I look forward to more great work from GOYA in future.  

Image Credit: GOYA Theatre

Nostalgia, Saxophones and Eighth Weeks: review of Take the Sadness Out of Saturday Night by Bleachers

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Listening to ‘Chinatown’ and ’45’, the first two singles from Bleachers’ latest album Take the Sadness Out of Saturday Night takes me right back to eighth week of my first term at Oxford. I spent that week wrapped up in a big grey coat and scarf (channelling Dark Academia as best I could), taking Main Character walks around the city, reading in the cafes that had finally opened again, and, most importantly, dealing with a lot of messy emotions that had been building up all term. These two songs provided the perfect soundtrack for that week, blending nostalgia, sadness, and hope through melancholic vocals, acoustic guitars and soaring choruses. 

2020-21 has been a big year for Bleachers frontman Jack Antonoff. With jokes about him being ‘passed between the pop girls’ trending on Twitter, he’s produced and co-written music for the likes of Taylor Swift, Lorde, and Lana del Ray, cementing himself as a powerful presence in the pop scene. Take the Sadness Out of Saturday Night finally allows him to write music that’s entirely his own and it is an album which is extremely personal. Antonoff describes the album as, in many ways, about growing up in New Jersey and moving between there and New York and it also touches on his relationship with his mother and the premature death of his sister. This isn’t new ground for the songwriter: his previous album Gone Now deals with many of the same themes. What sets this new album apart is its tone: where Gone Now was energetic, youthful and bold, Saturday Night is slower, more reflective and more distanced from the adolescent experiences it often describes. 

Musically, there’s no denying it’s excellent. Antonoff has achieved his pop production icon status for a reason and his signature thick textures, catchy sax riffs, and clever sound effects all make their way into this album. Stand-out tracks include ‘Stop Making This Hurt’, with a melody bound to get stuck in your head and lyrics that tell a narrative. The euphoric shouting that kicks in towards the song is reminiscent of certified banger ‘Don’t Take the Money’ from Gone Now and the song has a brightness that makes it feel written for this summer. The same can be said for ‘Don’t Go Dark’, Antonoff said: “it feels like this plea and this release. I just didn’t know what else to do besides write that song. It’s probably the angriest song I’ve ever written.” This insistence can be felt in the song’s driving rhythm. 

‘45’, one of the songs that kept me company on those tumultuous December days, is one of the album’s slower, more thoughtful moments. Lyrically, it’s some of Antonoff’s best work: in the first verse, he sings ‘Hang the words of a perfect stranger / In the hallways of my heart / ‘Cause all the blessings are somebody else’s / They’re flowers in my neighbor’s pot’ and the song builds to the soaring refrain ‘Now you’re just the stranger I know best’. It’s beautifully nostalgic and benefits from being one of the songs where the texture is stripped back to primarily vocals and guitar. 

Not every song on the album works quite as well: ‘Strange Behaviour’, its quietest moment, is musically pretty forgettable and the lyrics don’t warrant its hushedness, as pretty as it is. The same can be said of ‘Secret Life’, which features Lana Del Rey: it’s nice to listen to, but doesn’t quite live up to its potential. 

As much as Saturday Night feels like a clear artistic development and sophistication from Gone Now, it does make me miss Antonoff’s previous album. Gone Now is so much brighter, so much more ambitious and so much more exciting; it also, in my opinion, works more cohesively as an album, with intricately repeating melodic motifs and really clever use of speech samples. There are stronger, catchier singles that will – and already have – stand the test of time better and the album overall feels more distinctive, more original, while still maintaining those notes of nostalgia and melancholy. 

Returning to ‘45’ and ‘Chinatown’ now, two terms later, is a different experience. Hearing them in context with the rest of the album feels like looking back on that week of my life in the context of this first year of university: notes of sadness and quiet in the context of a whole that’s brighter, more emotionally all-over-the-place and overall a much more varied, multi-layered experience. 

Image credit: Justin Higuchi/CC-BY-2.0

Review: Monsters by Tom Odell

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Tom Odell’s fourth album is far from the singer’s lovesick, ballad-heavy sound many recognise from the early 2010s. Rather than centring around the artist’s struggle in love, Monsters is a daring exposition of Odell’s struggle with anxiety. He experiments with sampling material and synthesised effects to create a technologically progressive, yet dark album.

The creation of Monsters in lockdown contributes to its experimental style. Odell used instruments to which he had easy access: a Moog synthesiser, an MPC drum machine and, of course, a piano. The substitution of a band for electronic, bedroom pop sonorities simultaneously evokes the sound of someone bored during isolation as well as Billie Eilish, Easy Life and Kanye West. Minimalist instrumentation on accessible technologies gives the album an intensely private feeling to it: we are allowed access into Odell’s musical life in lockdown Britain. 

Not only does the album give us an insight into Odell’s musical life in lockdown, but it also shows us his innermost anxieties. The cover art for Monsters, a grainy, close-up image on a computer screen which shows Odell, head-in-hands, staring into the abyss, feels as though we could be speaking on a Zoom call in which Odell is dealing with his inner demons. The album was written at a time in which debates surrounding mental health were at the forefront of our society and this is by no means lost in Monsters

The title song is, paradoxically, a catchy reflection on Odell’s own struggle with anxiety. It is a heartfelt address to his own mind: “You’re only in my mind/ Tomorrow I’ll be fine/ Cause you’re only in my mind”.  Speaking to the Sun, Odell talks about the cathartic effect of the process of tapping into his anxiety and writing about it; he encourages others to do the same. ‘Monsters v. 2’ is punctuated by sampled children’s shouts which accompany the lyrics. These lyrics have a slightly random feel to them; perhaps they reflect the growing chorus of public figures speaking out about mental health, perhaps they reflect the artist running a little too far away with experimental techniques. 

Odell’s avant-garde efforts are pursued in the album’s opening track, ‘Numb’. It has a lazy base overlaid by an in-depth exploration of the artist’s inner emotion in an evocation of Billie Eilish. Similarly, in ‘Problems’, Odell uses electronic effects to embellish the repeated and desperate affirmation: “I haven’t got a drinking problem”. Despite his efforts to convince us of his sobriety, we can’t help but worry Odell is misconstrued. 

Our worries subside a little when we hear ‘Lose you Again’ – archetypal material by Tom Odell and a ballad reminiscent of his hit, ‘Another Love’. The ballad is stitched into the album’s centre and acts as a point of reflection and grounding in Odell’s past self. Yet ‘Lose you Again’ is not simply a run-of-the-mill space-filler by Odell as it invokes a feeling of musical progression. The addition of the MDI drum machine in the ballad’s angsty second verse suggests personal and musical progression in his fourth album as Odell alters the genre expected of him. 

Monsters makes it quite clear that Odell refuses to play to his stylistic expectations. The poppy nostalgia of ‘Me and My Friends’ subverts the album’s prominent feeling of darkness – it is as though rays of a George Ezra have peaked through a blanket of introspective clouds. Despite this, ‘Me and My Friends’ feels out of place and confusing within the context of the album. ‘Fighting Fire with Fire’ similarly reflects a change of mood from melancholy to frustration. It provides an angsty rebuttal to Trumpian, polarised world politics: “I’m sick and I’m tired/ Of white messiahs/ And climate deniers/ Well bred liars”. 

Monsters takes the listener on a whirlwind tour of raw human emotion. Whether you love or hate Odell’s marmite exposition of various moods, the album clearly provides something for everyone.

Image credit: Jörgens.Mi/CC-BY-SA 3.0

Winners of Vice-Chancellor’s Social Impact Awards 2021 announced

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Esthy Yi-Hang Hung, Jacob Kelly and Harry Twohig have been announced as the winners of the Vice-Chancellors’s Social Impact Awards 2021. The annual awards are given to students who have “demonstrated an exceptional impact and commitment to positive social change while at the university”. 

Esthy Yi-Hang Hung co-founded End the Eating Disorder Crisis Now, a campain which has met and/or liaised with politicians such as Nadine Dorries, Tim Farron and other government departments. The campaign has also worked with leading health professionals from the NHS and the Royal College of Psychiatry. The group have also called for a specialised provision for eating disorders at the University at a meeting with Professor Louise Richardson, the university’s Vice-Chancellor, and are currently working with medical professionals to work towards creating new national policies. 

“The award recognises what eating disorders are: silent, deadly illnesses which have a devastating impact on sufferers, loved ones and society in lost hours of work and the need for healthcare, and also that the healthcare available to treat eating disorders is currently near-non-existent,” Esthy told Cherwell. She added: “What we’ve achieved so far would not have been possible without the other two women, Izzy Creed and Emily West, who co-founded the campaign with me and it’s been wonderful to work together on a cause we feel passionate about.”

Image: Jacob Kelly

Jacob Kelly founded the Coronavirus Tutoring Initiative after the beginning of the pandemic. The project meant school students received a cumulative of over 50,000 hours of free tutoring. Jacob now works full time with Tutor The Nation, which is the Initiative’s successor. 

Jacob told Cherwell: It’s really lovely to receive this award as recognition of all the hard work that myself and a huge number of volunteers have put in over the last 18 months. The impact of the pandemic on education is going to be felt for years to come, and it’s been a real honour to play a part in the recovery process. Knowing that we have made a difference makes all the late nights and slightly delayed essay submissions worth it!”

Image: Harry Twohig

Harry Twohig’s social action has “centered around the broad theme of challenging inequality and addressing power imbalances”. He has worked as the President of Target Schools, which is an Oxford SU access scheme which creates outreach programmes for prospective students from different backgrounds. He has also met with government ministers and officials as a member of the DCMS Policy Steering Group of the British Youth Council. Harry told Cherwell he is “looking forward to working on new topics and causes in the future”. 

Image credit:Mike Peel/ CC-BY-SA-4.0.via Wikimedia Commons