Thursday 14th May 2026
Blog Page 348

Chiang Kai-shek must fall: An introduction to fallism in Taiwan

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When coming to Taiwan in September 2021 for my year abroad, I never expected to be taken back to the debate raging in Oxford over the legacy of the Cecil John Rhodes statue at Oriel College.  As someone who participated in a demonstration earlier that summer, chanting “Rhodes must fall” outside of Oriel, I did not anticipate that Taiwan and its public spaces would be facing the same issues that we face back in the UK. Yet, on my first visit to the Chiang Kai-shek Memorial Hall 中正紀念堂in central Taipei, I quickly realised that the fierce debate around statues also exists in Taiwan.

To many in the West, it may come as a surprise that Chiang Kai-shek 蔣介石 is seen as a controversial figure in Taiwan. As a fervent anti-communist, who fought against Mao Zedong 毛澤東 and the Communist party – eventually losing and fleeing to the island of Taiwan – he is praised in the West for his stand against communism as well as his earlier fight against the Japanese during World War II. It may also come as a surprise that this debate around his legacy stands outside of the divide between those who seek a reunification with mainland China, led by the Chinese Communist Party (CCP), and those who want an independent democratic Taiwan. In reality, the percentage of Taiwanese who seek to be ruled by the CCP is so low that it could hardly shape this debate.

Instead, this is a debate over the legacy of Chiang’s government as well as that of his son Chiang Ching-Kuo 蔣經國. Chiang is controversial for the implementation of oppressive martial law, as well as for violent activities such as those of the 228 Incident in 1947. The 228 Incident took place at a point of high tensions between the government and civilians. Government officials were seen as corrupt and ineffective. Improper regulation of the economy led to an economic slump. Taiwanese veterans that served under the Japanese were unable to find employment, forming the undercurrent of resentment towards the Taiwanese government.  

The strict language policy also raised tensions; at the time of the reunification with mainland China, 75% of Taiwanese people spoke Japanese, yet, within a year, Japanese language newspapers were banned. The main form of information was therefore made less accessible to Taiwanese people. Taiwanese people were also faced with the stigma of being labelled traitors given their level of assimilation with the Japanese. The incident itself started when agents of the State Monopoly Bureau arrested a woman selling cigarettes illegally. When she demanded the return of her cigarettes, she was struck by one of the officers. The surrounding crowd was outraged, and they confronted the agents. As the civilians fled, one of the agents shot a civilian, who later died of his wounds. This started a national movement of protests. The crackdown on the movement led to the deaths of up to 18,000 Taiwanese and ended with the implementation of martial law.

While Taiwan has been hailed recently as the most democratic nation in East Asia, this was not always the case. When Chiang’s government relocated to Taiwan, he implemented martial law and ran an authoritarian government – which, like many others, murdered and disappeared their own citizens. Martial law was active in Taiwan from May 1949 all the way until July 1987. During this period of oppressive rule, there was no freedom of assembly, the press was restricted, and the government had the right to arrest anyone who voiced any opposition to the government. In addition, no political parties were allowed to be formed outside of the Kuomintang (KMT – the republican party) 國民黨, the Chinese Youth Party, and the China Democratic Socialist Party. The latter two were closely linked ideologically with the KMT. The period of martial law coincides with the period known as the White Terror. During this period, the government made use of their secret police – the Taiwan Garrison Command – to crack down on civilians and in some cases executed them extrajudicially. Up to 4,000 people were killed and there were 29,000 cases of political persecution. There are now musuems dedicated to the White Terror and the 228 incident across the island, including the 228 Memorial Park in the heart of Taipei.

It was in this context that Chiang’s statues were erected. Chiang sought to enhance the legitimacy of the KMT’s rule of the island during his presidency, in the face of it being viewed as colonial rule by some.With the takeover of government by the KMT from the Japanese, the Taiwanese people began to be ruled by ‘their own people’ rather than a foreign people. Yet, the KMT viewed the Taiwanese as different to mainland Chinese, creating a divide between those who came from mainland China – waishengren 外省人 – and the Taiwanese who lived in Taiwan before 1945 – benshengren 本省人. This difference in treatment between the two peoples has meant that the KMT rule has sometimes been seen as colonial, as the KMT did not see the benshengren as compatriots. In order to legitimise KMT rule, he enacted a series of “de-Japanification” 去日本化 and “re-Sinification” 再中國化 policies. Re-Sinification lasted from the 1950s for nearly four decades until the 1990s. 

As part of the re-Sinification, the government started to erect statues of Chiang across Taiwan in order to portray him as a strong leader. This occurred throughout his own presidency and that of his son Chiang-Ching-Kuo. During Chiang-Ching-Kuo’s presidency, the Chiang Kai-shek Memorial Hall was built, and a massive bronze statue of Chiang was installed. Jeremy E. Taylor, Associate Professor in Modern Asian History at the University of Nottingham, argued in 2006 that the aim of this as well as the naming of main roads and districts in cities was ultimately to connect Chiang with the history of Taiwan as well as engrain him into the society. By constructing these statues and promoting a traditional Chinese style of architecture, which can also be seen in the Chiang Kai-shek Memorial Hall, Chiang aimed to reconnect the national history and collective memories of the “old Republic of China” established in the mainland with the “new Republic of China” established in Taiwan. This is why the debate around the Chiang Kai-shek statues remains so important. The question is: should someone with such a controversial legacy be engrained into Taiwan and its society?

Like the statues debate in the West, the divide between the two sides of the argument falls along political lines. However, rather than adhering to the typical political divide of left and right, the debate centres on the pan-Blue 泛藍 and pan-Green 泛綠 divides. The pan-Blue 泛藍 grouping mainly takes the form of the KMT; they largely oppose the removal of Chiang statues, as they hold a more positive attitude towards him. Some politicians in the pan-Blue coalition even believe that, without Chiang, Taiwan and some parts of the mainland might still be colonised by Japan. Therefore, they consider Chiang a hero for all from a Chinese ethnic group 民族的救星. The pan-Green 泛綠 is the other political force. They mainly come in the form of the Democratic Progressive Party (DPP) 民進黨. They tend to view Chiang as a murderer and unworthy of people’s respect, and support the removal or dismantling of Chiang’s statues.

Chiang’s reputation began to change significantly under the first DPP pan-Green administration from 2000 to 2008. This was the first government not run by the KMT after the transition to democracy allowed people to vote directly for the president in 1996. Under the rule of President Chen Shui-bian 陳水扁, the DPP government sought to change completely the image of Chiang and the political narratives surrounding him. This led to them reconstructing him as a terrible, authoritarian leader and in some cases straightforwardly as a murderer. Since they viewed the remnants of Chiang’s rule, such as schools, roads, and infrastructure under his name, as reminders of the authoritarian, oppressive rule the people of Taiwan suffered under, they tried to eliminate or remove Chiang’s link to them. As a result, Chen and his government enacted a set of policies which Charles Musgrove, Professor of History at St. Mary’s College of Maryland, labels as qujianghua 去蔣化 or “de-Chiang-Kai-shek-ification”, allowing for the renaming of many roads and removal of his statues. The most clear example of this was seen in 2007 when Chen’s government changed the name of theChiang Kai-shek Memorial Hall in Taipei, which includes the largest statue of Chiang in Taiwan, to the National Taiwan Democracy Memorial Hall 國立台灣民主紀念館, and the name of the surrounding square to Liberty Square 自由廣場. However, the effectiveness of this is questionable, as the nearby Mass Rapid Transit (MRT) station is still called Chiang Kai-shek Memorial Hall Station or 中正紀念堂站.

Chen’s policy of qujianghua encouraged many of his fellow DPP party members to join the campaign arguing for the removal of Chiang’s statues as well as any heritage symbolising him from schools, public spaces, and cityscapes. Like in the West, university students were one of the main groups who enthusiastically participated in the political movement to remove Chiang Kai-shek statues. From 2000 onwards, it is estimated that Taiwanese university students organised dozens of student-run movements calling for Chiang’s statues to be destroyed or removed from their campuses.  Nevertheless, given the vastly differing views on Chiang Kai-shek and his legacy, each university experiences different amounts of conflict.

After the DPP won the 2016 election, Tsai Ing-wen, the current president of Taiwan, set the aim of “achieving transitional justice” 落實轉型正義 as one of her top five goals. Following her election, Tsai set up the “Transitional Justice Commission” 促進轉型正義委員會 in 2018.  One of the main tasks of the commission was to address the issue of statues of Chiang Kai-shek. According to the Transnational Justice Commission, in 2018 there were still 1, 083 Chiang Kai-shek statues in Taiwan. Many of them were located on school and university campuses.

‘Fallism’ – campaigns for something or someone, often a statue of an ethically questionable figure, to fall – remains a contentious issue in Taiwan today. Many people, like in the West, view the removal of important statues as an erasure of history. Tsai Ing-wen and her DPP government face the challenge of enacting their aim of achieving transitional justice whilst accounting for differing views on fallism so as to not alienate any potential voters. Yet, young people largely hold negative views of Chiang Kai-shek, so even if Chiang Kai-shek statues and his legacy in general manage to survive Tsai’s administration, it is hard to see a future in Taiwan where they remain so prominent as the debate continues to rage.

Photo by CEphoto, Uwe Aranas

What’s in a name? Buildings and the politics of nomenclature

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TW: Racism, colonialism

What’s in a name? Fourteen cutting words marginally appended to an essay penned in the heyday of the British Empire, according to the Black Lives Matter protesters who in the summer of 2020 hung, in pillory-like fashion, over the neck of David Hume’s statue in central Edinburgh a cardboard sign reading, “I am apt to suspect the negroes to be naturally inferior to the whites.” Belonging to a footnote to an essay by Hume published in 1758, the words’ association with a Scottish luminary whose intellectual legacy partakes of a celebrated national culture rather than being merely a shibboleth enshrined in academe was enough of an incentive behind a 1,700-signature petition to rename a University of Edinburgh building named after him.

David Hume Tower was renamed 40 George Street in September of 2020, but not without causing debate around the politics and value of name change – increasingly prominent over the past two decades – to flare up. Stating that the David Hume Tower is “the most prevalent building on campus,” the petition qualified that “Nobody is demanding we erase David Hume from history,” but that the university should not be promoting a man who championed white supremacy.” 

News articles to YouTube commentary videos to Reddit posts brandished the word “cancel” to allege the Scottish philosopher’s hapless victimhood to the snares of “cancel culture”: a call-out form of sociocultural ostracism wielded primarily by left-wingers that does not blush to spread its miasma over centuries-dead figures like Hume. Such, of course, is the common view held by conservative sympathisers. An American Republican interviewed by the Pew Research Center in 2020 as part of its survey of public concepts of cancel culture defined it as “trying to silence someone that does not have the same belief as you. Basically, [it’s] taking their First Amendment rights away”. The plan to rename the tower did not of course attract criticism solely from right-leaning individuals. Centre-left philosopher Anthony Grayling was one of the numerous academics to deplore openly the university’s decision to cease recognising “one of the great figures in the history of philosophy” and thereby to “wipe history clean and start over with a blank memory of the past.”

Coming hard on the heels of the murder of George Floyd at the hands of the police on the cusp of the third decade of the 21st century, the petition and the University of Edinburgh’s subsequent move shed light on the cultural, emotional, and even personal stakes that a name associated with an assortment of concrete blocks may hold for certain individuals and identity groups. Though naming indexes no intrinsic connection between a material construction and a verbal unit, each name is embedded in an archive of memory whose legacy in the present consists of modes of thinking as much as it does of flesh-and-blood traces. Lovestruck Juliet may have bemoaned that life and death, felicity and affliction should depend on an arbitrary convention, but in a real world whose actors are no protagonists in a tragic romance plot, a building is decidedly not a rose – an academic edifice named after an apologist (even if an implicit one) for human inequities does not smell as sweet as it would if it bore a different name.

Far from being simply an abstract construct, a name begins as an immaterial convention that acquires a concrete life which proliferates rapidly. A building is newly baptized in 2022: say, “David Hume Tower.” The original decision to associate three words alluding to the most venerable Scottish man of letters with an edifice belonging to one of Scotland’s most prestigious institutions may or may not be arbitrary; the association remains nominal, in any case, as soon as the decision is officially made. A number of concrete steps ensue to legitimate the act of naming; to perform the “baptism,” as it were. The words “David Hume Tower” thread their way into the university’s digital inventories, archives, Excel spreadsheet catalogues. The name morphs into an array of pixels on a computer screen as instantaneously as they can disappear from it. The ritual’s crowning moment arrives as the name becomes engraved into signposts, placards, posters, notices, prints, banners. The “David Hume Tower” reaches its ultimate evolutionary stage as a manifold tactile entity. The concrete blocks making up the actual “tower” remain a different material entity, whose identity as the “David Hume Tower” is nonetheless as solidified now as it could ever possibly be.   

Ours is a particularly ripe time for contention over the politics of naming. It is difficult to imagine Linacre College’s renaming plans, the most recent such incident in the Oxford community, generating as much fury as it has had it transpired a decade ago. Today climate change appears twice as irremediable as it did ten years ago, producing genuine bewilderment over Linacre College’s decision to rename itself Thao College to honour its donor, a Vietnamese CEO who owns an airline and whose holding company Sovico has invested in offshore oil and gas exploration as well as fossil fuel extraction. As it has unfolded, the controversy has pivoted entirely on the issue of naming. Maria Kawthat Daouda, a lecturer at Oriel College, wrote in a letter to The Daily Telegraph back in November that through its name in the memory of 15th and 16th century humanist scholar and physician Thomas Linacre, the college remains “rooted in a tradition of learning.” “Linacre was the paragon of a scholar of his time,” she continues, “but a model for ours too,” the college’s name after him serving as “a constant reminder of what scholars should strive for.” 

Despite SOVICO Group’s avowed commitment to reduce its carbon emissions to net-zero by (the not-so-near year) 2050 with the support of Oxford academics, the Oxford Climate Justice Campaign’s comments to Cherwell imply that SOVICO Group’s nominal support of their aims does not compensate for the name’s symbolic gravitas: “[…] it is disappointing to see Linacre embedding itself more closely with those financing this damaging industry.” A triple link chain emerges that is hard to disassemble: a set of buildings and plots of land (Linacre) becomes synonymous with the name “Thao,” itself connected closely with the fossil fuel industry. A part of Oxford University will thereafter be synonymous with environmental hazard.

These two recent incidents exemplify two types of the politics of name change which are intertwined even if distinct. One is retrospective: it concerns luminaries of the past embedded in national or even international cultural and intellectual lore and whose explicitly or implicitly questionable ideological leanings – by 21st century standards – are being newly spotlighted, scrutinised, and reinterpreted, clamoring for re-evaluation. The David Hume Tower incident is one such instance, as are most naming controversies centred on colonial and racial politics. The other type is prospective: it involves showing allegiance, via the symbolic act of naming, to individuals, groups, or organisations whose lives or activities are sharing and are expected to continue sharing responsibility for current issues, small-scale or global, demanding prompt redress for the sake of national, international, or all-encompassing (in the case of climate change, which concerns the wellbeing of all living things). The Linacre College controversy is an example of this, as it concerns a figure whose professional ventures have been harming and will most likely continue to harm the planet. 

My distinction is largely at the service of conceptual convenience, as in most cases the harm inflicted by ideologies in the distant past continues to affect the lives and wellbeing of people in the present in the form of trauma, even if the actual suffering could not possibly reoccur in this day and age – at least not on as great a scale, or with as great impunity. The Hume Tower incident is retrospective to the extent that the ideology endorsed in the philosopher’s footnote had for centuries had an appalling impact on the lives of individuals, families, and whole generations belonging to a particular “race.” It is at the same time prospective because memory (and therefore its politics) is necessarily prospective. Trauma, shame, and indignation are the byproducts of racism persisting through time and gnawing at human minds. 

A person casually glances at a building on an ordinary day, their consciousness awakening instantly an inner voice that produces an association between the sense datum and a string of letters (“David Hume Tower”). The association bears no value beyond the convenience of spatial orientation, either breaking off at “Tower” as soon as another datum pops up to generate another short-lived associative chain, or spawning a delightfully absurd string of mental images that are phonetically cognate: “Hume” becomes “home,” becomes “hummus.” The most dreadful thing to result from recollecting David Hume’s name upon glimpsing an edifice is a pang of hunger. A couple of meters away, another person is pacing down the street in a light-hearted mood, their gaze resting on the utmost part of a towering rectangular edifice peeking behind a squat one. The eye takes time to ingest the details: rusty gray color, double-glazed windows, a prominent shaft-shaped structure appearing to have been appended as an afterthought. The name “David Hume” rings through the person’s mind three times and the inner voice segues into the image of a faintly smiling man in a flower-embroidered waistcoat. The image retrieves a visual memory of a single sentence in a volume entitled David Hume: Selected Essays; the associative chain ends there as the mind lingers over the last link.

The second person’s experience unfolds much more slowly because it is emotionally involving and less freely associative: the triggering visual datum anticipates the final link.

This description is perhaps overly dramatic and it may be the case that no person has had an experience remotely similar to the second one I imagined. My point is that this may nevertheless be a good exercise in trying to understand why a person would heartily wish to see the David Hume Tower renamed, while someone else would remain indifferent as to whether it was renamed or not. To add to my earlier point, the power of names lies not so much with the tangible form they can take, but with the emotional stakes at work. Opting whether to respect a decision to change a name or not could ultimately be a case of whether we’re eager to exercise empathy, and of how great of a material impact on experience we’re willing to let this compassion have. And here we happen upon another distinction: there may admittedly be no emotional stakes to consider in the instance of the Linacre College incident – unless you’re inclined to imagine a diehard ecological activist whose eyes well up at the sight of a felled tree (the moral indignation that the particular incident has provoked in numerous people is certainly a powerful emotional response). There are moral stakes, of course, and this may be one of those cases where ethics should trump practical convenience, i.e., where the disinclination to honour a person whose wealth is built on environmental damage exceeds the need to subsidise one of Oxford’s least well-endowed colleges.

Troubling questions arise: isn’t it an academic institution’s primary responsibility to ensure high-quality education and equal opportunities across its entire student body? Education is after all no negligible financial investment. And how on earth will abstaining from naming a college after someone contributing to environmental damage help mitigate said environmental damage? Isn’t it high time we take some real action instead of dwelling on matters of language that have no effect on whether the SOVICO group will continue making mileage out of offshore drilling in the future? Could fulminating against the college’s decision on Twitter be an instance of political correctness gone overbearing, hypersensitive, and silly?

I believe that the first question is a serious one, perhaps turning this into a matter of ideology and values confronting the exigencies of actual experience. But that the way to go about pondering the other questions decides the matter not so much in disfavour of Linacre’s intentions as on the issue of a name’s importance in 2022.

Thao College will not become the sole site in Oxford named after a mogul with interests in natural resource exploitation. The ambitious project to construct the Stephen A. Schwarzman Centre for the Humanities is currently underway and aiming for completion in the academic year 2024-2025. The plan is to create a much-needed hub for Oxford’s humanities programmes that will foster a cross-disciplinary spirit by offering research and teaching spaces, exhibition venues, and amenities for the performing arts. The endeavour owes its genesis to a £150 million donation from American billionaire and philanthropist Stephen A. Schwarzman, a staunch Trump ally who served as chair of the former US President’s Strategic and Policy Forum and a CEO of the global private equity firm The Blackstone Group. Blackstone’s investments are believed to have contributed to Amazon deforestation, as two Brazilian companies owned partially by the firm have encroached upon land to construct a terminal highway that facilitates soybean and grain exports. The comments made by Oxford’s Vice-Chancellor foreground exclusively the sponsorship’s transformative consequences for the university’s research quality and clout, which are ostensibly the utmost priority: “This generous donation from Stephen A. Schwarzman marks a significant endorsement of the value of the Humanities in the 21st century and in Oxford University as the world leader in the field.”

Existing major facilities originating in industrialists’ sponsorship include the Oxford Big Data Institute, the world’s largest such institute, inaugurated with the support of a £20 million donation from the Li Ka Shing Foundation, whose eponymous owner is a Hong Kong business magnate (recently crowned as the country’s richest individual) with diversified investments that include plastic manufacturing. Plastic production and incineration alone pump millions of tonnes of greenhouse gases into the atmosphere each year. Admittedly, the institute does not bear the donor’s name, but its partnership with the Li Ka Shing Foundation is everywhere advertised, from the institute’s website to its Wikipedia page. Life-saving pioneering research on cancer and Alzheimer’s has been to an extent enabled by one of the planet’s major pollutants. And this is no ethically righteous statement; it’s the expression of a serious moral predicament, to which any immediate answer pegged on either side is bound to be lacking.

 An older such instance is the Blavatnik School of Government, founded in 2010 following a £75 million donation by Ukrainian-born investor Len Blavatnik, named Britain’s richest man in May 2021 by The Guardian. Blavatnik accrued his astronomic wealth over the decades by buying out Russian aluminum, metal, and energy companies as well as a Texan chemicals and plastics company and founding Access Industries, an American multinational industrial group. Access Industries, the world’s largest aluminum producer in 2017, cashes in on natural resources and chemicals, among other areas. Aluminum production’s carbon footprint makes it a particularly high-risk activity, generating as it does around two percent of global anthropogenic emissions.

And the list goes on. It goes without saying that Oxford is of course one among the several institutions in the academic elite that is performing groundbreaking research – thanks largely to lucrative endeavours that are unbelievably catastrophic for the planet. Case upon case illustrates that the Linacre incident is the latest among many such episodes in Oxford in particular, suggesting that sparking a furor over the college’s renaming plan is not dismissible as a politically correct posture. Opting for investing in medical research with life-changing potential at the cost of honouring a superman industrial shareholder may be intuitive. Yet, this is no isolated incident but a phenomenon that has become inextricable from an academic institution’s DNA. 

Names percolate into this DNA through their distinctly creative power: they churn out ephemeral or enduring material (from a slip of paper to a metal placard), fuel and affect memories, emotions, mentalities. A legacy of conferring symbolic weight on ethically ambiguous figures via the enshrining act of naming haunts Linacre’s decision. Refraining, in one single instance and on one single occasion from investing an assortment of concrete blocks with a particular name does constitute a politically powerful act, even if a passive one. It recognises what’s in a name, its rich fabric of history, memory, ideologies, emotions – its ethical onus.

Artwork by Ben Beechener

Oxford’s outreach is great: How do we make it even better?

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My introduction to Cherwell was reading a Features article, just after I’d received my UCAS offer. It was a well-written expose on Oxford’s secret drinking societies. One section of that article caught my eye; a reference to how the infamous Piers Gaveston society had started selling ‘reduced price access tickets’ to its balls. 

Access, outreach, support, opportunities. Oxford’s new buzzwords – and rightfully so. Nobody can deny the success of schemes like UNIQ, Opportunity Oxford and Target Oxbridge. I certainly can’t – if it wasn’t for the opportunities the week-long UNIQ residential gave me, I wouldn’t be writing these words today. I wouldn’t be at Oxford at all. This institution needs to be open to the world, not a closed-off cesspit. 

But those ‘reduced-price access tickets’ did little to allay the same fears I’d felt before my UNIQ residential, in that they continued the same imbalances and inequalities UNIQ had tried to prove didn’t exist. Access and outreach are being commodified in box-ticking exercises, without attention being given to why such access schemes are necessary at all. Oxford’s access schemes prove that the University is changing, but the students it attracts are still stuck in their archaic past, drenched in privilege and faux-exclusivity.  

The success of schemes like UNIQ and The Sutton Trust’s residentials is that they don’t just make the information regarding access available, but they enable a holistic experience of Universities, just like we have as Oxford students. There is a limit to this, however. The most recent pre-pandemic figures available online indicate that UNIQ accepts somewhere around 1500 students to attend in-person, with more invited to an online programme. Yet Oxford normally has upwards of 3,300 undergraduate places per year; with just 1 in 18 of these being a UNIQ graduate. The scheme is increasing opportunities, absolutely; but it is limited by its size and funding. 

This might be addressed by Colleges taking on their own access work, but the majority of such schemes fall into the pitfall of simply making the information available – meaning they are simply not as effective as more holistic University experiences at inspiring people to apply. YouTube videos – like those released by Jesus College – are informative but limited. They often don’t offer a student’s perspective – instead focussing on how an academic perceives the admissions process. Their ‘natural’ audience is small, so they rely on clickbait titles and atrocious thumbnails. If they don’t indulge in such practice – as my own College‘s YouTube channel proves – then much of the engagement is from alumni disagreeing with the direction their ex-College has taken. Don’t believe me? Just check out the comments on Hertford College’s 2030 Masterplan video

Such videos don’t reach the desired audience; appealing to those who want to know about Oxford as an institution, rather than Oxford as a potential university. Their comments are filled with questions from those looking to affirm that they have ‘Oxford intelligence’, and not what the reality of studying here is. 

It hasn’t always been this way, though. Hertford – my college – pioneered a revolutionary scheme in the 1960s to address the imbalance in Oxford admissions. Neil Tanner – then Hertford’s Tutor for Admissions – would visit schools that had never sent anybody to Oxford. He would interview those selected by the school’s senior leadership – those that actually understood the pupils. He would interview these pupils early, without an admissions test, and give them an offer to study at Hertford if they got two ‘E’ A Level grades. Hertford would shoot to the very top of the Norrington Table as a result. Ironically, the scheme was killed by the standardisation of admissions across the University – the very same standardisation that would eventually spawn UNIQ. 

This historic approach addresses all of my concerns about ‘modern outreach’. It isn’t a Piers Gav-style box ticking exercise, as Tanner himself knew the difficulties faced by disadvantaged students in accessing higher education, having himself received a scholarship to Cambridge. It didn’t just make information available, as they connected directly and personally to the students in question. It didn’t require an active search for information about Oxford, as word of the scheme was spread by teachers; those that truly understood their pupils.  

As a (occasional) history student, I’m not a fan of the cliché that we should look to the past to learn for the future. There are eminently more practical, useful applications for history. But this scheme is worthy of modern emulation, bringing ‘reach’ back into outreach. 

I’m not trying to talk current access schemes down – instead I’d love to see them expand. Everybody who has a chance of studying here should be aware that they have that chance. I wasn’t aware; a teacher had to email and tell me to apply to UNIQ. How many more potential students will be denied all the opportunities of Oxford simply because they weren’t aware of them?

I fear that it will come down to us, as students, to do the heavy lifting. Studytubers (as much as I dislike the term) offer a realistic and personal take on applying to Oxford, drastically better than the corporate style currently shared by Colleges. Social media is a powerful tool to share the personal stories of applicants – just look to @humans_of_Oxford_University. 

I’m proud that I arrived at Oxford having benefited from its access schemes. I’m just worried that there will be countless more ignorant teenagers like me, denied opportunities through no fault of their own. 

Image Credit: Thomas Coyle

Val Lewton’s 75-Minute Masterpieces

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A lot of old movies are boring. That admission may cost me my credibility as a film nerd, but it’s true. Even though I’ll complain about how modern movies are formulaic and overburdened with action scenes, I’m not always in the mood to watch something slow, old-fashioned and in black and white. But there are classic films that even my limited attention span can wholeheartedly enjoy, and very high on that list are the horror movies of Val Lewton.

Chances are that you’ve not heard of Lewton before. He was never very famous, and the beginnings of his filmmaking career were hardly promising. In 1942, he signed on to produce horror movies for the studio RKO Pictures, with his superiors setting three requirements. The first rule was that each film’s budget had to be under $150,000, or approximately $2,520,000 adjusted for inflation; for comparison, Investopedia estimates that an average movie’s budget is currently around 65 million dollars. The second rule was that each film had to be under 75 minutes long. The third was that his superiors would supply the titles—lurid, dramatic ones like I Walked With A Zombie and The Curse of the Cat People—leaving Lewton to develop them into full stories.

I Walked With A Zombie, Lewton’s second movie for RKO Pictures, is a good example of how Lewton made this system work. Working with up-and-coming director Jacques Tourneur, Lewton and his writers created a story about a nurse employed by the Hollands, a wealthy family in the Caribbean, and her discovery that the invalid woman she cares for may be a mindless zombie cursed by a family member. It’s well-paced and full of intriguing twists, not wasting any of its short 70-minute running time.

The movie’s horror is built on implication and uncertainty—the titular zombie may merely be a sick woman, but other scenes imply the reality of the supernatural. And the film’s conclusion, intercutting between a ceremony to destroy the zombie and a character’s efforts to put the woman out of her misery, is ambiguous and eerie in the best way.

But beyond its atmosphere of doubt, what makes this movie scary? Well, it’s a cliche, but the real monster of the story is humanity. The Hollands grew rich from slavery, and a slave ship’s figurehead—depicting a man shot through with arrows—proudly adorns their gardens. Instead of depicting Caribbean voodoo as evil, the film reveals that its ceremonies are manipulated by one of the Hollands, masquerading as a voodoo priest to convince islanders to embrace modern medicine, a plot point highlighting the morally ambiguous power dynamics of colonialism. The film concludes with a character plucking an arrow out of the slave ship’s figurehead and using it to free the zombie from living death, a literal but still effective symbol connecting the story’s conflicts to a real history of violence.

It’s not a perfect story—the film’s brevity leaves some characters underdeveloped, and Black and Caribbean characters are confined to the background—but its thought-provoking themes are characteristic of the movies Lewton produced. Cat People, for instance, explores contemporary attitudes towards marriage and female sexuality, and builds some truly tense scenes out of a female character’s sense of isolation when alone at night, while its loose sequel, Curse of the Cat People, explores threats lurking within an idyllic neighbourhood—mental illness, parental neglect and hints of the supernatural.

If you ask a film nerd like me what they think about modern blockbusters, you’ll probably get lectured about how, even when studios bother to hire innovative directors, their vision either gets ignored by higher-ups, or ends up dividing audiences. Even Marvel’s box-office dominance was recently shaken by the mixed reception to Chloe Zhao’s Eternals, whose unusual storytelling choices polarized viewers. But despite these limitations, there are directors who’ve made blockbusters and started franchises, and still layer in emotional complexity and thematic nuance. Just look at Ryan Coogler’s Black Panther, or the Wachowski sisters’ Matrix series, or even contemporary horror filmmakers like Mike Flanagan.

Maybe that’s why I like Val Lewton’s work so much. I admire the craft behind his movies,  their efficient storytelling and eerie visuals, but what lingers in my mind is how Lewton challenged the boundaries his studio set. His films are a reminder that directors have always worked to be creative even within difficult circumstances—and that, with some effort and a lot of luck, they’ll continue doing just that.

Artwork by Wang Sum Luk

When Disaster Strikes: Don’t Look Up’s Rally Cry Against Climate Change

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“You cannot go around saying to people that there’s a hundred percent chance they’re going to die.” So says President Orlean, played by none other than Meryl Streep, in director Adam McKay’s new apocalyptic black comedy Don’t Look Up. And yet this is exactly what Dr Randall Mindy (Leonardo DiCaprio) and PhD candidate Kate Dibiasky (Jennifer Lawrence) did. They discover a comet is heading straight towards earth, a so-called “planet killer”, that will wipe out all life. And there are only six months before it hits.

The film follows the two scientists’ attempts to persuade the world, including the US President, that there really is a comet hitting. Yet their desperate calls for action are left unheard. McKay encompasses the world of social media, fake news, political manoeuvres and mass inaction that we live in, providing frequent parallels to events taking place in real life.

McKay makes clear that the film is intended to be a representation of our current inertia about climate change. According to scientists, the earth is facing a crisis, with increasing global temperatures bringing with it warming oceans, rising sea levels and extreme weather events. If we do not soon reduce the high levels of carbon dioxide we are producing the crisis may be irreversible. Scientists have been seeing the trend in rising temperatures for many years, with most of the warming occuring in the past forty; 2016 and 2020 were the joint warmest years on record. But little action to prevent global warming has been taken by governments and businesses: those that McKay targets in the film.

Impending disaster. And yet little to nothing is being done about it. The film’s portrayal of a disaster that could be averted but is being ignored offers a clear message about the climate crisis to the audience. So is the movie’s intention to push people into action? 

Clearly, a film needs to be entertaining, but this is not mutually exclusive from also creating a reaction from audiences, in this case a shock factor. The use of comedy intends to make its serious message more palatable. But tonally the film did not quite hit the mark. At moments it was funny, but at others it was cringe-worthy. The dark comedy aspect sometimes became jarring and a little forced. Especially at moments such as when they discovered the scientists discovered the comet was going to hit, I felt unsure as to whether this was supposed to come across as comedic or devastating.

I struggled at points with the lack of subtlety in the direction. The frequent allusions between President Orlean and Donald Trump became increasingly exaggerated, especially when it came to her speech against the scientific evidence, using the slogan ‘Don’t Look Up’ – comparable perhaps to Trump’s 2016 election campaign slogan ‘Make America Great Again’ or claiming something he disagreed with was ‘fake news’. Her wearing of a cap similar to Trump’s crossed the line into being almost farcical. Despite a star-studded cast, the execution of the film failed to live up to its hype. As Mindy says: “Not everything needs to sound so clever, or charming, or likeable all the time. Sometimes we need to just be able to say things to one another. We need to hear things.” Perhaps this is a valid point. Often all we want is for politicians to not avoid questions or skate around subjects for their political advantage. But this is taken too far: the film could do with a little less obvious.

McKay’s focus on an issue like this is well-meaning, with an intention of creating shock at our lack of action in the face of apparent world disaster, but it is important to recognise the intelligence of the audience to avoid seeming condescending. However, it is undeniable that the meaning of the film could be lost on anybody, and personally I did find that it made me think. I frequently consider the future, what it will look like with global warming, and try to make an effort as an individual to reduce my carbon footprint. But is this enough? McKay’s focus in the film is an important one. It looks at the big actors in politics, business and technology, and how they are loath to act, concentrating instead on the financial and political benefits or disadvantages, rather than taking responsibility. The monetary gains seen in the minerals available on the comet outweighed the need to prevent the comet from hitting, perhaps an apt metaphor for our financial-driven world. In relation to the climate crisis, it is of course vital to individually contribute to reducing emissions, but the only way we are going to prevent a disaster is wider government action. In comparison, with a comet hurtling towards earth, the individual could do nothing: only those in power had the capacity to try to stop it.

Not every film has to have a deep moral message, and can be there purely to entertain. Don’t Look Up did prove to be an engaging watch whilst also clearly intending to educate its viewers. Its comedic elements and overall premise provided an entertaining piece, but the unconvincing and shaky handling of the black comedy and excessive emphasis on its parallels to the real world impacted its intended rallying call against climate change.

Artwork by Wang Sum Luk. Image credit: JuergenPM//Pixabay

Pinks ribbons: The stagnation of a story

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A pastel pink ribbon, looped once, pinned to the lapel of a photogenic model, iced onto a biscuit or sold at a charity fundraiser. Now made gigantic and carried out on to a football pitch. A pink ribbon is lightweight, neat, cheerful – everything breast cancer is not. Perhaps because of this, as a symbol of awareness for the disease, it has endured.

You may even be familiar with the story of its origin.

It is 1992, and Self – “a magazine for women that specializes in health, beauty and style” – is compiling its annual breast cancer awareness special issue. Editor in chief Alexandra Penney, and Evelyn Lauder – senior at cosmetics company Estée Lauder – read a column about 68-year-old Charlotte Haley, who is distributing peach-coloured ribbons with the accompanying message

“National Cancer Institute annual budget is $1.8 Billion. Only 5% goes for cancer prevention. Help us to wake up our legislators and America by wearing this ribbon.”

Haley’s work is covered in the LA Times, described as a “personal, simple effort”. Alexandra Penney, market savvy, sees promise in the little peach ribbons, and calls Haley up to ask permission to use her idea in Self’s national campaign. Haley starkly refuses: ‘Too commercial.’ Taken aback, Penney and Lauder consult their lawyers. They are told, to their joy, that if they change the colour of the ribbon, they avoid the problem of permission. Peach loses its blush and becomes pastel pink. The edition of the magazine is a success and ribbons are distributed at Estée Lauder cosmetics counters nationwide. It only gains more traction after that; today the pink ribbon is the most recognisable symbol of breast cancer awareness.

This is a succinct narrative, perhaps even an accurate one.

Online coverage of this story is patchy, with  evidence of cut and paste from a 1997 account of it by Sandy M Fernandez, in which Alexandra Penney is interviewed. “You know how it is when things are in the air,” she says breezily to Fernandez of the atmosphere in the Self office before the special issue was released. Being the one who popularised the ribbon, Penney gets the last word.

There is something in the story that resists reimagination. For a start, the tale – a small-scale campaign engulfed by corporate power – has a strong arc, and feels complete. Secondly, Charlotte Haley passed away in 2014, so opportunities to interview primary sources are dwindling.

On top of this, rather than historical truth, pieces covering this story are often preoccupied with a different purpose – usually advocating breast cancer awareness. To illustrate the lack of imaginative re-examination of the story: the cards Haley distributed with an attached peach ribbon implore their recipients to “join the grassroots movement.” The word ‘grassroots’ has been latched on to in almost every account I have found online. “Haley was strictly grassroots,” “It’s a grassroots movement,” “a grassroots effort,” “Charlotte’s grassroots campaign.” It is clear that in the pink ribbon story each rewrite did not have access to any new material.

Due to the PR success of the pink ribbon, the story is looked back upon uncritically. Charlotte Haley is rightly seen as inspiring; the more controversial Alexandra Penney is not an idea thief but merely “market-savvy”.

There is one notable dissenter: Katherine O’Brien, on her blog ihatebreastcancer. After a rare well-researched account of the pink ribbon story, she wonders if the profits from that year’s breast cancer awareness issue of Self will be donated to research, or, more likely, kept by the company. O’Brien ends the blog post with a burst of righteous anger:

“Well, as one of 150,000 U.S. people currently living with metastatic breast cancer, I want people to know that Oct. 13 is National Metastatic Breast Cancer Awareness Day. In the U.S., incidence of stage IV breast cancer—the cancer that is lethal—has stayed the same over the past 20 years; screening and improved treatment has not changed this.

“I am not among the millions of people who subscribe to Self. If I were, I would rip out every page of breast cancer related advertising and return it to editor in chief Lucy Danziger and tell her I support groups that support research. I would ask her to write about people with metastatic breast cancer and help readers understand why it is different from early-stage breast cancer. I would ask her to do an article on recurrence. I would ask her if she thinks we have enough awareness.”

This shatters abruptly images of pastel pink ribbons adorning photogenic models. The post begins to chip away at the original narrative from an oblique angle. O’Brien does not refute the facts, and instead highlights how tangential – and potentially obscuring – the media friendly pink ribbon tale can be to more painful issues. Like the fact that breast cancer is the second most common cause of death in women in the UK. Or that an estimated 12,000 women are living with undiagnosed breast cancer due to the pandemic’s disruption to screening services.

Only the journalism from 1992 manages to capture any of the urgency and momentum of Charlotte Haley’s project. The story and imagery today has become folklore, an American tale of the elephant and the mouse, disconnected from crueller realities. The story functions the way a pink ribbon does. Both bring to mind ideas of ‘awareness’, which can certainly be positive, but are unproductivel if the thought goes no further than that.

Neither bring home the grief of living with, or living alongside someone with, breast cancer. As much as progress has been made, breast cancer remains a deadly, frightening disease that has cut many, many lives tragically short.  For the pink ribbon, superficial awareness is a start, but its inability to capture the devastation the disease still causes is where its symbolism ultimately fails.

Image Credit: Marianne O’Leary/CC BY 2.0

The 2022 Midterms: An oversimplified guide to why Democrats are (probably) screwed

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It is a truth universally acknowledged that an American politician in possession of a House or Senate seat must be perpetually engaged in campaigning. The United States is a nation forever embroiled in one election or another. Every two years, all members of the House of Representatives and around one third of Senators face the voters. On half of these occasions, a presidential race also takes place concordantly – for the sake of simplicity, this article is only concerned with these positions, the federal offices; to delve into statewide races or the fates of the other half a million (!) elected American office holders would be far too complicated. Besides, when people talk about the midterms, they mostly mean congressional elections. One might be forgiven for thinking that major elections every two years does not sound that bad; after all, the UK held general elections in 2015, 2017, and 2019. We (sort of) survived those. However, the core difference is that in America the campaign process is protracted to say the least. On 6th November 2019, Parliament dissolved in anticipation of an election held around a month later on the 12th of December. By contrast, the first major Democratic candidates for the 2020 Presidential race (Sanders, Warren, et al) announced their candidacies in February 2019; election day was the 3rd November the next year.

In addition to being long, American races are expensive. The 2020 cycle cost in the vicinity of $14 billion, a sum roughly equivalent to the GDP of Mongolia. In the modern era of nationalised, polarised politics, a prospective or incumbent office holder must never cease fundraising; one never knows when one might have to spend $140 million to win their seat. (the cost of Jon Ossoff’s senate race in Georgia). American elections therefore are the political equivalent of Titanic: interminable, costly, and frequently culminating in the metaphorical equivalent of a sinking cruise liner. Nevertheless, like Elizabeth Warren, they persist. On 8th November, America is once more going to the polls. The results of the day’s vote will determine which party controls Congress for the next two years with corresponding powers over legislation, oversight, and appointments to the federal judiciary. The question of who will win is essential. Will it be the incumbent Democrats, or the insurgent (in more ways than one) Republicans?

Mark Twain said that “history doesn’t repeat itself, but it often rhymes”, and there are certainly identifiable historical trends in midterm elections over the last twenty-five years. The last two Democratic Presidents, Bill Clinton and Barack Obama, both entered office with larger mandates than Joe Biden. In 1992 and 2008, the two won by larger margins in the popular vote and significantly larger margins in the electoral college than the aforementioned  46th President of the United States. Democrats in Congress also had significantly larger majorities than they do at present; when Clinton entered office, he had 57 Democratic Senators and 258 members in the House, while Obama also began with 57 Senators (rising to 60 at one point) and 256 members. It is worth making abundantly clear that these numbers did not insulate Clinton or Obama from a midterm battering, or “shellacking” as Obama famously, and aptly, called it. By contrast, Biden has 222 members in the House and a Senate split 50/50. In short, the two current Democratic Caucuses are utterly incapable of absorbing the losses suffered in the past. Republicans require five seats (or will once a special election in June is conducted) to win the House and permit Kevin McCarthy to wrest the gavel away from Nancy Pelosi. In 1994 they won 54, and in 2010 they won 63. The outlook in the Senate is similarly bleak for Democrats. In an evenly divided chamber, the loss of a single seat is tantamount to Mitch McConnell reclaiming his job as Majority Leader; eight seats were lost in 1994 and six in 2010. 

Probably the Republicans. 

It is not just Democrats who have suffered in their first midterms; significant backlash against Donald Trump and Congressional Republicans led to Democrats regaining the House in 2018 after eight years in the minority. Of course, to some extent it is fatuous to simply quote historical election data. The occurrence of an event in the past is no guarantee of repetition or rhyme – these are elections after all, not Shakespearean sonnets. Furthermore, an eagle-eyed reader will have noted the absence of George W. Bush’s name. In his first midterms in 2002, Republicans in fact reversed the tides of history, picking up seats and padding their majorities in both the House and the Senate… but it would take a bold pundit to predict Democratic gains in the House this November, though the Senate is a slightly more complex beast. What must be examined then is what causes the party of the President to suffer in the midterms and how success is possible. 

Every single President from Bill Clinton onwards has entered office with government trifectas, meaning one party control of the presidency and both houses of Congress. Consequently, whilst they have not been able to legislate unimpeded (no one following the first year of the Biden administration could argue such a thing), they have been able to pass more of their agenda than an empowered opposition would have otherwise permitted. Before the 1994 elections, the Democrats passed major tax increases (without a single Republican vote), particularly on wealthy Americans, gun control legislation (as part of a larger Omnibus Crime Bill, now highly controversial for its contribution to mass incarceration), and failed in an attempt to pass universal health care. Putting aside Bush for the time being, Obama’s administration pushed through Congress an economic stimulus package, financial regulation in the form of Dodd-Frank, a repeal of “don’t ask, don’t tell”, the internal policy which had prohibited LGBTQ+ Americans from serving openly in the military, and, most famously, Obamacare. The Trump administration managed massive tax cuts and failed to repeal Obamacare (in a very dramatic fashion), but then again, Democrats are typically more prolific legislators and, frankly, are also better at governing. 

Passing bills is great and much of the work done under those trifectas, particularly at the beginning of the Obama years, has made America a tangibly better place. The political problem is that it gives your opponents something on which to run against you. In 1994 (a complex election cycle not to be oversimplified), Democrats were frequently attacked, in particular for the failed attempt at health care reform and the tax rises. In 2010, fiscal conservative rage towards Obamacare was a white-hot, potent motivating force, crystallised into the grassroots Tea Party movement. The ideology of this reactionary sect is reasonably easy to understand; Ian Hislop explains that the Republican Party is “very, very right wing” and the Tea Party “is mad”. Ironically, in 2019 almost every frontline Democrat running in a competitive House district put Republican attempts to repeal Obamacare at the centre of their campaign. It is an aphorism of life that has come more and more to dictate politics that people react far more strongly against what they perceive to be negative than in favour of what they perceive to be positive. There are moments when campaigns can sincerely motivate people, when calls for hope and change are a driving force – Obama in 2008; Bernie in 2016 and 2020 – but far more often, people get out to vote because of what they oppose and what they fear. Hence the problem for a party with trifecta: when you have had all the power for the last two years, your partisans have less to dread and loathe, whilst the opposition has spent two years preparing for midterms. 

Regrettably, for Biden and the Dems, this pattern appears to be holding going into 2022. The party has passed massively consequential legislation, most importantly the American Rescue Plan or ARP ($1.9 trillion of COVID relief and anti-poverty measures) and the Infrastructure Investment and Jobs Act  (bipartisan in the Senate at least) which instigates new spending worth $550 billion. These bills did and will do good things; the ARP’s yearlong expansion of the child tax credit clearly slashed the child poverty rate and reduced income volatility for millions (though the data is not yet quite clear on how much / many). Nevertheless, as with Obamacare, they give fiscal conservatives something to sink their teeth into and to run against.

However, this is not 2010 and the energy on the Republican side does not seem to be consolidated around opposition to government spending (any more than is ‘normal’) as it was then. Thus, the danger for Democrats, as it was to a lesser extent for Clinton, appears to be what did not get passed. The legislative wrangling during the Summer and Autumn over “Build Back Better” (BBB), Joe Biden’s signature policy proposal, is far too convoluted to get into here, but suffice to say Senator Joe Manchin of West Virginia ultimately killed it, announcing his opposition to the bill unexpectedly after months of negotiations – oh, the joys of a 50/50 Senate! The other big miss was on voting rights, another very messy and far more predictable failure. The reason for that legislation’s collapse is complex in a way only American politics can be and I have done my best to explain it somewhere less prominent [See Appendix]. The problem with partisan legislation that crumbles in Congress is that it ends up as the worst of both worlds. Members in the House and Senate are forced to take tough positions and votes that can be used against them without the commensurate benefits derived from (a) the perception of competence that accompanies legislating and (b) the actual good conferred by progressive legislation. House Democrats in tough districts are already fending off entirely predictable attacks from challengers over the contents of BBB without any ability to respond by pointing to its benefits which remain entirely hypothetical. 

The inverse of this phenomenon is just as problematic (hence “worst of both worlds”): the voters of the party in power are not given an incentive to reelect their politicians. Many of those who supported Biden and other Democrats in 2018 and 2020 will not vote for the party in 2022. Some may vote Republican; many will not vote at all; and this will be in large part owing to an apparent inability to keep promises. One can debate the extent to which Biden is culpable (a little, but not much), but the numbers are reasonably clear that the President’s approval ratings began to fall consistently as the media narrative solidified into “Democrats in disarray” and bills did not get passed. Based on the lessons of legislative history taught by Clinton and Obama, and the realities of the first Congress under President Biden, one can make a compelling case based on one important facet of the election that Democrats will get hammered.

So, things are bad on the legislative front; another factor fundamental to determine success or failure in the midterms is public perception of the President. All elections are, at their core, either treated by voters as choices or referenda. In the former, voters compare two options and make their decision based on an affirmative preference. In the latter, voters make their decision whether to support a candidate / party based primarily on the actions of that one candidate / party; thus any vote for the opponent is primarily a vote against, not a vote for. Presidential elections are more likely than midterms to be perceived as a choice, yet even then, one campaign might seek to make the race more of an up or down vote on their opponent. The 2020 election is a very good example of this; whilst Joe Biden undoubtedly put forward a significant policy platform, the strategy pursued by Jen O’Malley Dillon, the campaign manager, and other senior figures was to run somewhat quietly – hence Trump’s “basement” jibes. This encouraged voters to reflect on Donald Trump, whose unpopularity, they judged, would decide the race. By contrast, Obama won reelection in 2012 in large part because his team shifted the perception of the race from a referendum on his first term to a choice between the President and former Governor Mitt Romney, someone they did a very good job of portraying as a ruthless, offshoring capitalist. 

Unlike Presidential races, midterms, before which one party tends to have spent two years making most of the decisions, are almost always taken by voters to be a kind of Presidential report card and thus a referendum. After all, the President is the single most visible and important representation of their Congressional party, setting the agenda and driving the legislation. As a result, generic presidential approval ratings are a reliable indicator of performance in the House and ratings in the Battleground states tie closely to Senate success. Looking at the data from Gallup, Bill Clinton’s ratings in the last poll before the 1994 elections were even, with 46% approval and 46% disapproval – a slight outlier given that every other result since July had shown his ratings and between -5 and – 15. Barack Obama was at -3 (45% approval, 48% disapproval) immediately prior to the midterms, numbers pretty consistent with opinion for the last few months which had skewed very slightly negative. Donald Trump was less popular than his Democratic predecessors with approval ratings of -14 (40% approval, 54% disapproval) in the last poll before Republicans lost the House, numbers once again reasonably consistent with the preceding months. 

Herein lies the key to George W. Bush’s midterm trend-busting. The vast spike in approval which he enjoyed following 9/11, one of the most striking examples of the “rally around the flag” effect in recent memory, proved rather robust. The 90% approval he was given at the end of September 2001 was significantly preserved through 2002. In the last Gallup poll before the midterms, his approval rating was + 34 (63% approval, 29% disapproval), numbers actually below earlier figures. In short, the Republican secret to success in 2002 was not really a secret; the President was immensely popular and voters rewarded his party. In 2006, Bush’s second midterms, by which point Iraq looked a disaster and his ratings were deep into their terminal decline, Democrats won both the House and the Senate. 

So, Joe Biden – is he liked? FiveThirtyEight, the polling aggregator, as of 8th February has him at – 11.7 with 41.2% approval, 52.9% disapproval – closer to Trump numbers than those of Obama or Clinton. No President in the modern era has significantly improved their approval ratings in a midterm year. If the November elections are perceived as a referendum on the President, as they have been since the days of Bill Clinton and, in fact, since far earlier, then Democrats look almost certain to lose the House and likely to fall short in the Senate. If you would rather see Democrats than Republicans empowered, which I imagine is true for most Oxford students, then it would seem that the situation looks bleak to the point of foretold. 

And yet, in the midst of all this sludge, there are the glimmers of something: a case not for Democratic optimism, not even close, but perhaps for hope. Going into 2010, Nancy Pelosi’s caucus contained over 250 members; now there are 222, and it remains true that anything below the magic number of 218 means the minority. However, twelve years ago, Democrats’ numbers had been padded by two very successful cycles immediately prior. 2006 had ultimately comprised the long overdue reckoning with the Bush administration which handed Democrats the House, and in 2008, the party had benefited from the coattails of an immensely popular presidential candidate who had won in red territory (Indiana, North Carolina, Virginia) and run John McCain ragged in crimson strongholds (Missouri and Montana). What this meant was that the Democratic caucus was filled with a lot of fresh members who had never fought a tough campaign, representing territory that had gone blue only in historically triumphant cycles. Indeed, this is a point which Pelosi has made several times in recent press conferences. The losses posted in 2010 were of course related to Obama’s approval ratings, the legislating done by Democrats, and the energised / fanatical Republican response these provoked, but the numbers were inflated by overextended members unable to fight and win a tough cycle. 

This will not be the case in 2022. In 2020, Democrats had expected to pick up somewhere between eight and 15 seats; instead they made a net loss of 13 with Republicans picking off 14 incumbents. The frontline Representatives who built the 2018 majority ended up fighting bruising campaigns in a cycle that was meant to be comparatively easy. The ones that have survived into the present Congress are hardened politicians in difficult but winnable territory, who know what it means to face a highly challenging reelection campaign, and, most importantly, labour under no delusions that 2022 will be anything but brutal. Even in a cycle which was as bad as 2010, it would be difficult for Democrats to lose more than 25-30 seats, and even this would appear less likely given the strength of the party’s remaining incumbents. 

There is a major caveat here though. Democrats have also been roiled by massive numbers of incumbents declining to seek reelection: 30 as of 15th February, compared to 13 Republicans. Many are doing so out of a desire to leave before suffering the indignities of the minority in a likely Republican, likely (even more) toxic House. The issue is that whilst Democrats have their experienced, successful members elected in 2018 and 2020, they are also losing long-time incumbency boosts in other tricky territory. Representative Cheri Bustos, for example, has represented a reddish district in rural Illinois since 2012 and has now chosen retirement. In 2016, she was the only Democratic member to win by over 20 points in a district carried by Trump the very same day. Trump won it again in 2020, even as Bustos retained the seat for House Democrats. Such politicians, skilled in winning where Democrats struggle more and more to win, are significant losses for the party and will imperil the majority. 

One area in which the Democrats are experiencing entirely unforeseen success is in the redistricting battle. Every ten years, the United States conducts its census, relevant in no small part because the data which it provides becomes the basis for the decennial redrawing of Congressional districts. Each state has undergone / is undergoing this process in order that the new map can be used for the midterms. In most states, the new map is conceived by the state legislature and consented to by the governor, a political route which can make the process highly partisan. The single most effective way to lock in an electoral advantage for the next ten years is by drawing a map conducive to the interests of your party – to dabble in what is called gerrymandering. To gerrymander is to strategically allocate voters to districts so as to win one party the most seats possible, either by grouping opposing voters together into one overwhelmingly safe district, allowing your party to pick up all surrounding districts by smaller margins, or by “cracking”, breaking up areas areas of opposing voters to prevent them voting together as a bloc in a single district. 

After the 2010 midterms, Republicans took control of vast numbers of state legislatures, picking up more seats in statehouses than any party ever had before. They then dominated the redistricting process, locking in the progress made in the previous cycle. In 2012, House Democrats won the popular vote by 1.1%, almost 1.4 million votes, but flipped a mere eight districts, ending up with 201 seats to the Republicans’ 234; this, for the record, is almost the precise inverse of the party composition after the 2018 midterms when Democrats had won 8.6% of the popular vote. As a result of Republican gerrymandering in 2011 and 2012, they held the House for eight years, losing it only in a “blue wave” cycle and once demographic change had already negated some of their map-given advantage. 

Following the 2020 races, when Democrats failed to make gains at the state level, and with their majority in the House hanging by a thread, there were fears of a similar “redistricting armageddon”. Now, however, strategists and party officials are cautiously optimistic. Republicans have moved aggressively in some states, Texas being a good example, but for the most part seem to have been content with securing the districts of the party’s incumbents. There have also been some favourable court decisions from the Democratic perspective. The provisions of the Voting Rights Act which still have teeth after various Supreme Court defangings do offer some protections for minority voters. Such communities still have a right to representation, and thus “cracking” when it prevents large numbers of marginalised voters from having their own representative remains frowned upon. That being said, a lower court ruling which demanded a more favourable map for Democrats in Alabama was recently overturned by the Supreme Court, demonstrating the potency of a conservative majority of six to three, since Chief Justice John Roberts siding with the three liberals did not prevent that coalition ending up in the minority. To sum up, there were fears that gerrymandering alone would doom the House Democratic majority, and it now does not appear that this will be the case. 

It is also worth saying, since it would be journalistic malpractice not to, that in the fewer states which Democrats control, the calculus has changed. Democrats in state legislatures are pursuing partisan gerrymandering as aggressively as Republicans ever have. In New York, whilst the process is technically controlled by a nonpartisan commission, at least one official has conceded that this was set up in the knowledge that failure would be inevitable. Now Democrats, with the quasi-cartography back largely at the purview of the state legislature, are looking roughly to halve the size of the state’s Republican delegation; a similar strategy is being pursued in Illinois – and elsewhere, but frankly in the biggest blue states it matters more; gerrymandering in, say, New England where every Representative is a Democrat would not really upset any balance. Given vocal Democratic opposition to gerrymandering in the past, this has provoked rather a few cries of hypocrisy from opinion writers and the more shameless elected Republicans. 

This is an approximation of a valid critique, but it is not made in anything approaching good faith. Democrats making decisions say that they oppose partisan gerrymandering, and they are telling the truth. Legislation which passed the House this Congress would have ended the practice, and Democrats in the House supported it, while Republicans opposed it. The same is true in the Senate; the bill failed because it was the subject of a Republican filibuster which, for reasons explained in this article’s appendix, could not be broken. One party wishes to end gerrymandering, one wishes to perpetuate it. Both use it, but only because from a Democratic, frankly a democratic, perspective, it is ludicrous to suggest that in order to prove their sincerity, Democrats should unilaterally disarm, ceding all advantage to the unchecked minoritarian fantasies of Republicans. Sincerity has been proven; Democrats sought to pass the legislation. At any rate, successes in the redistricting process are unlikely to save Democrats in the House, but they may make it easier than in the 2010s to return from the oblivion to which 2022 is likely to consign them. 

I alluded earlier to the Senate being a much trickier beast to judge than the House. The House of Representatives is far more responsive to prevailing political winds since all its members are elected simultaneously whilst only about a third of Senators are up at any one time. Additionally, it has 435 seats rather than 100, so individual races and the contingencies of these are less likely to decide overall control, and candidate strength, whilst important, matters less than in Senate races. As a result, the Senate can occasionally produce rather anomalous results. 

In 2018, even as Democrats won the popular vote in the House by 8.6%, Republicans added two seats to their Senate majority, largely on account of Democrats facing an almost laughably unfavourable map, perhaps the most challenging in history. Republicans were defending nine seats, only one of which was in a state carried by Hillary Clinton in 2016 (Nevada), whilst Democrats were defending 26 seats, ten of which were in Trump states (many of which had not even been close two years earlier). Of these 10 incumbents, Democrats defended six, picked up the Nevada seat and won with Kyrsten Sinema in Arizona, ending up with strong results given the context, despite the loss of four incumbents (Indiana, Missouri, North Dakota, and Florida). Still, despite Republican success in their own bad midterms, Democrats lost several seats in 1994 and 2010, evincing the fact that the Senate is by no means immune from the wider climate. 

Nevertheless, looking at the map from cycle to cycle is immensely important, and the 2022 map is… alright. Republicans are defending more seats this time, and several of these present tentative pickup opportunities for Democrats. Republicans have two seats up in territory won by Biden: incumbent Senator Ron Johnson in Wisconsin, and an opening in Pennsylvania. Quite honestly, both of these could go either way. Johnson is a loose cannon, unpragmatically so for a Senator representing a swing state, and yet he won in both 2010 and 2016, neither of which were especially razor-thin elections. Moreover, the Democratic candidate with a commanding lead in polling for the primary, Lieutenant Governor Mandela Barnes, is unabashedly progressive, supporting Sanders in both 2016 and 2020, also potentially unpragmatic in a state with distinct red and blue streaks. The very limited hypothetical polling between Barnes and Johnson is unpromising if inconclusive. Pennsylvania is similarly difficult to read, Democrats have two good candidates, Lieutenant Governor John Fetterman and Representative Conor Lamb, both of whom perform reasonably well in hypothetical polling, though Lamb is a moderate whose positions are slightly more relaxing for Democratic strategists. On the other side, Republicans lack an incumbent (because Senator Pat Toomey has eschewed a reelection bid to a third term), as well as any other top tier candidate. On balance, the better chance for a Democratic pickup appears to be in Pennsylvania, though both races look like they are going to be tight, unpredictable, and expensive. The opinion both humorously and morbidly being voiced by some Democratic strategists is that the Senate map looks much bluer if Joe Biden’s approval ratings climb by 5-8%.

These seats are perhaps the two likeliest to flip, but Republicans and Democrats could both struggle elsewhere. Part of the danger for Republicans, in more ways than one, is Trump. In his bizarre, psychologically revealing vindictiveness, he has been wading into Senate primaries, seeking to promote loyal candidates (essentially those concurring that the 2020 election was stolen) and to dislodge the disloyal. This has the capacity to produce primary winners who struggle in general elections given that their positions are unpalatable to most who are not MAGA partisans. As it happens, this phenomenon has been one of the more consistent patterns in Senate races in the last decade or so. To choose one from a litany of examples, Democrat Chris Coons defeated Tea Party-backed Christine “I’m not a witch” O’Donnell by almost 17 points in Delaware’s 2010 Senate race. The upsetting part from Republican perspectives was less that O’Donnell had been forced to declare that she had never joined a coven, and more that she had won an upset primary victory over Mike Castle, a Representative and former Governor, who polling showed defeating Chris Coons in the general election. In almost every competitive state, there is a Republican candidate who might well be a liability in a general election. 

Though perhaps this is wishful thinking; in an era of partisanship which seems categorically different to anything since the American Civil War, a world in which Marjorie Taylor Greene is a United States Representative, it seems hard to imagine a Senate candidacy derailed by derangement the way Todd Akin’s 2012 Missouri Senate Campaign was after his “legitimate rape” comments. Impressively, Democratic incumbent Claire McCaskill later admitted to having helped Akin win the primary, believing him to be the easier lift in the general election. (The cited extract in which McCaskill admits the boosting of Akin is a great example of an utterly brilliant political gambit. The Senator faced likely defeat before the race, and ultimately won by 16 points.)

So, the competitive seats in 2022 beyond Wisconsin and Pennsylvania on the Republican side are likely to be those with a retiring incumbent. In North Carolina, a state only a light shade of red, a nasty and inconclusive Republican primary is underway, whilst Democrats appear to be consolidating early around former State Supreme Court Chief Justice, Cheri Beasley; a unity always advantageous going into a competitive race. Ohio is a slightly redder state than North Carolina, yet its current senior Senator is a Democrat, so strange things can happen. Moreover, leading Republican candidates in the Buckeye State are conducting what appears to be the country’s most bruising primary. However, both these two states are undoubtedly more likely to be retained by the Republican Senate Caucus than they are to be lost. 

The Democrats, unlike in 2018, are defending no Senators in states carried by Donald Trump in 2022. Their two most vulnerable incumbents are both 2020 special election winners who are required to run again for a full term, Raphael Warnock in Georgia, and Mark Kelly in Arizona. Both men fought tough campaigns in the knowledge that they would soon be back before voters and have thus posted strong fundraising figures. Kelly appears slightly more secure than Warnock given the marginally more favourable character of Arizona than Georgia for Democrats, alongside the failure of the Republicans to find a field-clearing candidate. Part of the peril for Warnock is Republican enthusiasm for the candidacy of Herschel Walker, a Heisman Trophy winner and successful former American football player – though the American obsession with athletes-celebrities-turned-politicians remains mysterious to me. In short, control of the Senate turns on a knife’s edge; even Ted Cruz, the most partisan of all partisans, puts the odds at around 50-50. The chamber’s majority will be decided by narrow margins in a few key states, none of which have predictable races, and whichever party carries the day looks highly unlikely to hold any more than 51 or 52 seats; indeed a continuation of the 50/50 split is far from implausible. 

This article, up until this point, has largely looked at a macroscopic politics, examining history, strategy, and the broad currents and trends in Congressional elections. To wrap up, however, it is worth outlining one or two of the specific issues upon which these elections are likely to turn, and, in keeping with the ‘horse-racey’ tone of the piece, outlining which party is up and which is down. 

Democrats are rather down. 

A year or so ago this was not widely imagined, but the issue coming to dictate Republican attack strategies is inflation. Inflation in the US is up to around seven or seven and a half per cent, its highest level in decades, and sustained price rises is one of the few issues which really does motivate votes. It was central to British politics for years, and comprised the very raison d’être of the Thatcher government, because, to understate the issue somewhat, inflation makes people poorer in such a way that they are viscerally aware of it occurring. So much of the economy moves out of sight of day to day life – not inflation. A lot of American economists thought the inflationary pressures were a transitory by-product of exiting from COVID; consequently, the Biden administration largely dismissed the issue. Larry Summers, former Treasury Secretary, and Obama administration spending hawk, argued otherwise, believing in large part that the output gap being plugged by the American Rescue Plan was smaller than the legislation was designed to fill. 

This is not an article about economics. All that is immediately obvious is that Summers was right on the immediately pertinent point; inflation did not quickly get flushed out of the system. All due credit from a political perspective should go to a handful of Republicans, particularly Elise Stefanik, the number three Republican in the House, who anticipated well before it was on the radar of mainstream Democrats that inflation would become a potent attack-line. Republicans have been laser-focussed on the issue for months and have successfully repositioned themselves as the party of economic responsibility, another remarkable turnaround for the party actually of tax cuts and deregulation. If inflation has fallen somewhat and is trending down come November, then Democrats on the frontlines may have some room to breathe and to discuss other issues. If it remains at seven per cent or higher then that will be the election and Democrats will be swept aside. 

Another matter of concern is one that has been on everyone’s brain for a while now, COVID. Broadly speaking, Democrats have been the party of restrictions and Republicans have not. This, obviously, obscures a huge amount of nuance. It appears true that Democrats incorrectly assessed the risks at points, placing excessive burdens on children and parents, an issue which Republicans have well exploited. It is also certainly true that the abdication of responsibility by double or triple-jabbed elected Republicans who have obfuscated and danced around vaccination to play to a certain segment of their base is nauseating and reprehensible. You know things are bad when even Donald Trump criticises Ron DeSantis for refusing to clarify his (definitely triple-jabbed) vaccination status. 

In September 2021, California held its first recall election in almost 20 years. Frustrations with Democratic Governor Gavin Newsom, who had notoriously attended an event at The French Laundry, a three Michelin Star, Napa Valley restaurant, boiled over, and Republicans launched an ill-judged attempt to remove him from office. Newsom stomped it into the dirt. He won by an almost identical margin to his landslide 2018 election, about 24 points, winning more votes than in that race in the process. The problem was that some of the wrong lessons were learned. Newsom’s team took from this, and exported, that COVID responsibility was a winning issue (Newsom had run as a vaccine-mandating, COVID-managing governor). Yes, perhaps, in true blue California. However the far more pressing point for Democratic voters ended up being that Newsom’s leading Republican opponent, Larry Elder, was a Republican made in the Trumpy, conspiratorial, election-denying mould; the kind of Republican that gets Democratic base voters scared. 

Two months later, New Jersey and Virginia held their slightly quaint off-year gubernatorial races. Phil Murphy, an incumbent Democrat seeking a second term in New Jersey, leaned in to his apparently high marks from voters for handling the virus. He was almost universally expected to win; New Jersey had gone for Biden by just shy of 16 points in 2020, and Murphy had won by 14 points in 2017. This time he won by about three. The race was far, far, closer than it had any right to be. Still, ultimately all people remember about elections is who won, and Murphy won. The shock came in Virginia. Terry McAuliffe had been the governor from 2014 to 2018, but the state is one of the few that prevents its leaders from serving consecutive terms, so McAuliffe sought a non-consecutive second term after four years under Ralph Northam. The gubernatorial race has in the past been considered something of a microcosm. It tends to swing against the party of the president, but the Commonwealth had, in recent years, come to be more and more aligned with the Democratic column; as indicated above, McAuliffe won his first term when Obama still sat in the Oval Office. Moreover, Biden had won Virginia by 10 points. Whilst the polling by the end of the race did point to a narrow Glenn Youngkin (Republican) victory, the actual manifestation of the numbers, a Democratic loss by 2 points, was genuinely devastating. 

Of course, all close elections are to some extent contingent. McAuliffe made a lot of errors, particularly around education, an issue becoming more divisive and politically salient as Republican school boards seek to ban books and resist COVID restrictions. Youngkin ran a very good campaign (adequately Trumpy for the base but palatable for suburban women) and the race was overshadowed by the terrible Democratic House and Senate infighting. Therefore, there are dangers of reading too much into narrow defeats. However, it is worth making perfectly clear that one Democrat was defeated in a blue-tinted state whilst running a campaign focussed in large part on COVID measures and vaccine mandates, while the other only just scraped by in deep blue territory whilst doing the same. 

One rather interesting data point which Virginia produced might reveal something about the midterms or, frankly, might not. Northam won the governor’s mansion in 2017 by nine points, with 53.9% of the vote, and just over 1.4 million ballots in his favour. McAuliffe lost in 2021 by two points, with 48.6% of the vote, but with 1.6 million ballots cast for him. Democrats turned out enough voters; it is just that Republicans turned out more. There is a possibility come November that even if Democrats mobilise an awful lot of their voters, which would not surprise me, the Republican party is easily identifiable as profoundly dangerous, and millions more people are more engaged in politics post-Trump, it may be that nothing they can do will withstand the wave that appears to be building.

Whether that is true or not, in recent days Democrats have pivoted aggressively on their COVID messaging. A spate of governors, Murphy among them, ironically, have announced plans to loosen mask mandates, and House Democrats are shifting on masks as well. A critical mass appears to have developed of people who believe that being seen as the party of continued COVID malaise is now more damaging and more likely than being seen as responsible leaders; the elections in 2021 have been a large part of this shift. As with a lot of things in this cycle, minds on COVID might already be made up; it is hard to see anyone who intends to vote based on desiring fewer restrictions deciding to vote Democrat.  

To be blunt, very few people not paid to say it think that Democrats will win in November. Even Democratic strategists or members in the House talk to reporters with the shared assumption that the House is doomed and the Senate can maybe be held if inflation drops, COVID recedes, the Republicans nominate candidates on the nuttier end of nutty, and good campaigns are run. In their less optimistic moments, Democrats fear being wiped out. It might not happen, but all the ingredients are there. A Republican backlash of significant proportions is evidently mounting and a taste was given in Virginia and New Jersey. The President’s approval ratings are underwater in every state where they need to be inverted, whilst the White House does not appear to see a clear path to get them back up to the high 40s. For all that is good in the economy -indeed much has been achieved during the Biden administration – inflation has become the headline issue, and Republicans have done a very good job of drawing the battlelines there early. Also Democrats are now worrying that they might have put themselves on the wrong side of the shifting COVID fence, as well as fearing that legislative missteps with BBB and Voting Rights will cost them in terms of base turnout and undercut attempts to present themselves as competent. If Republicans do take back the House, and perhaps the Senate too, it will be in part because of self-inflicted Democratic wounds and in part because of trends and circumstances outside of their immediate control. It will also be a profound victory for a deranged, toxic party, devoid of any policy beyond cruelty. It will also be a profound victory for stupidity – I refer you to Marjorie Taylor Greene’s latest faux-pas, mixing up the Gestapo with Gazpacho. The wheel turns; hundreds of millions are raised and spent; we watch with horrified anticipation.
 

Appendix

The attempt by Democrats to pass voting rights legislation reflected one of the party’s long-term goals, properly imbued with a particular sense of urgency by the Republican party’s accelerated pivot towards authoritarianism. Every Democratic Senator supports the principle of much of the legislation and Senator Lisa Murkowski (an Alaska Republican) also backed the John Lewis Voting Rights Act (one of the possible bills). However, owing to unintended consequences and arcane procedural rules, the United States Senate is held hostage by the filibuster. The filibuster is a quirk of the chamber which means that whilst any bill can technically be passed on a simple majority vote, opposing Senators have the opportunity to to prolong the period of debate on a bill indefinitely, effectively ‘killing’ it. Invoking cloture (the procedure to end debate and vote on the bill) requires sixty votes. And any and every bill can be filibustered, save for certain types of legislation pertaining to federal taxation or spending. The rule has technically existed since the 19th century, though for much of its history it went unused, in part because of reduced partisanship, and in part because it was not initially clear that a monster had been created. In 2022, it is an absurd relic; neither party is likely to get anywhere near 60 senators in the foreseeable future and there are very rarely sufficient willing opposition lawmakers to invoke cloture on major legislation. What this subsequently produces is a lot of gridlock and very little lawmaking. 

Chuck Schumer, the current Democratic majority leader, sought to evade the filibuster by changing the rules of the chamber to permit voting rights legislation to pass with 51 votes (all Democrats plus Kamala Harris). Amusingly, Senate rules can be changed by a majority and in the last ten years, this so-called “nuclear option” has been used twice. The first was in 2013 when Harry Reid (the recently deceased Democratic majority leader from 2007-2015) killed the filibuster on all presidential nominations, executive and judicial, save for to the Supreme Court. In 2017, Mitch McConnell (current Republican minority leader and majority leader from 2015-2021) finished the job, ending the filibuster for Supreme Court nominations. Both leaders and senate caucuses did so in the face of perceived intransigence by their opponents. In 2013, Republicans were making it hell for Obama to confirm federal judges and his desired second-term cabinet. In 2017, the overwhelming majority of Democrats were utterly unwilling to confirm Neil Gorsuch, Trump’s nominee to the Supreme Court, after believing the seat to have been stolen from Obama by McConnell. No party had attempted to touch the legislative filibuster in recent memory until Schumer attempted to create a voting rights carveout. 

The move failed because two Democratic Senators, Kyrsten Sinema of Arizona and Joe Manchin of previously mentioned fame, opposed the measure, causing it to fail 48-52. Both made a decision I believe to be incorrect, citing traditional, and clearly erroneous, arguments that the filibuster helps to preserve the Senate as an institution, protect the minority, and encourage bipartisan compromise. They both received massive flak for their votes, with swirling talk of primary challenges and being cut off from big donors. Sinema is in more danger than Manchin because she represents a state that Joe Biden won in 2020 and consequently Democrats feel that they could win again, even without her incumbency. Manchin represents West Virginia, a state which Joe Biden lost by around 40 points. Any Democratic strategist who is not an utter moron has dismissed the idea of challenging Manchin, knowing full well that that seat is either held by him, or by a Republican.  

Chuck Schumer, just like anyone paying even slight attention, knew that he would be defeated and that the vote would be 48-52. Both Manchin and Sinema had been very clear that they intended to vote no. The justification from Schumer’s perspective is that 48 Democratic Senators are now on record as holding some level of actionable opposition to the legislative filibuster, an achievement considering that many of these publicly advocated the opposite position as recently as 2017 or demurred whilst campaigning. The groundwork, therefore, is undoubtedly laid for a future push which might actually succeed. This is all fair and true. That being said, the criticisms of Schumer are also fair and true, whilst incidentally being more compelling. A floor leader should avoid splitting their caucus and isolating certain members; his responsibility is to lead them all. Certainly his failure to rule out backing primary challenges to Sinema and Manchin is unusual, irresponsible, and verges on a betrayal. The other big critique of his gambit is that during an election year, it has played into two of the narratives most harmful to his President and his party, both of which are examined in the article’s main body.

Artwork by Ben Beechener

Reclaiming Taylor Swift’s Songwriting Genius

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On Tuesday 25th of January 2022, Blur and Gorillaz frontman Damon Albarn woke up and chose violence – or at the very least, a monumental dragging on Twitter. Albarn, in an interview with the Los Angeles Times, was asked by journalist Mikael Wood if he thought modern musicians relied on ‘sound and attitude’ over true talent. Wood, answering Albarn’s call to name a musician who is more than a slick surface, stated ‘Taylor Swift is an excellent songwriter’, to which Albarn replied – ‘she doesn’t write her own songs’. Thus began – or rather, re-started – a conversation about the state of modern pop songwriting.

It seems wilfully ignorant for a musician to not know of Taylor Swift’s commitment to writing her own material. Swift is no stranger to these kinds of accusations – her 2010 album Speak Now was entirely self-written, in part, she said, to prove her songwriting prowess to the naysayers. But this was over ten years, three Album of the Year Grammy’s and several dozen awards for songwriting ago. US Bookies has done the maths; 30% of Taylor Swift’s songs were written by her alone, and the remaining 70% feature her as a co-writer. Drake and Justin Bieber, on the contrary, have written none of their songs alone.

Albarn’s mistake raises the question; why would a fellow musician and songwriter make a claim so easily disproven? Is it possible he didn’t know that Swift famously pens her own tracks? If so, why would he assume she relied on co-writers to bolster them? And why would he then go on to credit Billie Eillish with talent and acknowledge that her brother co-writes with her in the same breath?

I think part of what attracts the distancing of self-professed ‘real’ musicians from Swift’s body of work is that she makes it look easy. Swift doesn’t use alternate tunings or 5/4 time signature – she uses relatively simple chords, lyrics drawn from her feelings and melodies simple enough to stick in your mind. But all of this requires a level of openness and creativity that shouldn’t be dismissed. Albarn also called Swift’s music ‘relentlessly upbeat’, a charge that only makes sense if you’ve exclusively heard her singles from 2012 to 2019. All this in mind, it’s difficult not to attribute Albarn’s scorn to the kind of subtle misogyny feminine acts like Taylor Swift frequently attract.

In classic Twitter-stan form, Swift fans took to posting the lyrics to Blur’s ‘Song 2’, ostensibly to discredit Albarn’s own songwriting abilities. Albarn defenders returned fire with lyrics to Swift’s hit ‘Shake It Off’, a high-pop anthem that rose to number one on the Billboard Hot 100 in 2014. Neither of these tactics really get at the heart of the matter, funny though they were to witness. The repeated ‘woo hoo’s’ and ‘players gonna play, play, play’s’ of each respective song have their place in pop music, alongside the greater depth of lyrics like ‘so casually cruel in the name of being honest’ in Swift’s critically acclaimed ‘All Too Well’. What is truly important to highlight is that Albarn’s own contributions to his songs have never been in question, whereas Swift is constantly asked to prove that she pulls her own weight.

Ultimately, everyone thinks the soundtrack to their coming of age is the greatest era of music. My writing this article is likely prompted by memories of singing along to ‘Fearless’ on the way to school and belting out ‘Love Story’ with my friends on the oval. But there are great musicians in every generation, brilliant songwriters who distil our experiences with love, heartbreak, fun and fury into notes and words that carry us through our days. It’s easy to be cynical about newer music, to discount younger generations by lifting up ourselves and our tastes. Acknowledging this bias, however, does not negate the hurt men like Albarn cause when they attempt to poke holes in the validity of female songwriters like Taylor Swift.

Swift’s tweet expressing her disappointment in Albarn’s words now has over 716,000 likes, and provoked a pseudo-apology from the man himself. For all I’m sure Albarn wishes this erased the firestorm he perhaps unknowingly stoked, his words have resonated beyond the Swiftie inner-circle, sounding all too familiar to any woman whose abilities have been questioned. In the words of Taylor herself, ‘people throw rocks at things that shine’.

Timothée Chalamet and Hugh Grant cause havoc at Hertford

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Oxford’s city centre was sent into chaos today by the filming of Wonka, the Charlie and the Chocolate Factory prequel starring Timothée Chalamet.

Filming has been taking place at the Sheldonian Theatre, Radcliffe Square, and the Old Bodleian Library. Road closures are in place, with pedestrians and vehicles being held for up to ten minutes at the junction of Catte Street and Broad Street. 

Parts of Hertford College are being used to make up and dress members of the cast. Kirsten Fletcher, a student at the college, had a meeting this morning relocated as Hugh Grant was using the location as a dressing room.

Video Credit: Lucy O’Connell

Fletcher said that it was “a lot busier coming in and out of college”. Wang Sum Luk, another Hertfordian, described students being “yelled at to move out the way”. Many students at the college have reportedly taken to working in the quad rather than the library for a chance to catch passing cast members.

Video Credit: Aryan Gupta

When filming started in the Bodleian Library quad, staff at the Old Library were even forced to draw the blinds to stop students peering out the windows at the action below. A student at the library described the scenes as “madness”.

The film, set to be released in March 2023, features Chalamet as a young Willy Wonka. It also stars Olivia Colman, Rowan Atkinson, and Hugh Grant. 

Image Credit: Lucy O’Connell

Oxford City Council warns local bus services face “cliff edge”

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Funding support for local bus services in Oxford faces a “cliff edge” that could lead to further services being axed and a “slow economic recovery” from the pandemic, the city council has warned the government.

The council’s statement claims that the planned withdrawal of pandemic-related Bus Recovery Grant funding, which is due to expire on April 5, may force service providers to cut a large number of available routes, and “would significantly impact bus users and the city’s major employers”.

It also suggested the termination of grant support would undercut efforts to reduce congestion and carbon emissions in Oxford, such as plans to invest in an all-electric fleet of buses under the government’s ZEBRA scheme.

Writing to the government, the council wants “all necessary” financial assistance to be maintained until the end of March 2023, to allow for the recovery of passenger numbers hit by the introduction of Plan B measures in December, which are currently thought to be at only two-thirds of their pre-COVID levels.

Oxford Bus Company has said the funding shortfall may require cuts of up to 30%. This would be on top of previous changes to services in January, which entailed the closure of a number of routes, brought on by a “perfect storm” of the pandemic and difficulties in the recruitment of drivers.

In a letter to the Treasury, Liz Leffman, leader of Oxfordshire County Council, called the scale of potential cuts “unprecedented”, and suggested that not only all of Oxford’s park and ride services, but more than 40 routes, including key services to university hospitals, could also be under threat.

“Local authorities, including Oxfordshire County Council, have worked closely with bus operators over the past two years to support them through the pandemic, in the expectation that the government’s National Bus Strategy would bring forward improvements”, she claimed.  “It would be devastating for this hard work to be undone through the removal of support before we hear the outcome of our Bus Service Improvement Plan and future funding for bus services”.

The county council is in the process of a bid to secure £56 million from the government’s £3bn National Bus Strategy (‘Bus Back Better’) funding pot, as part of its Bus Service Improvement plan. The Observer had previously reported, however, that available funding has shrunk to £1.4bn, with the amount of funding bids submitted totalling more than £7bn.

Councillor Tom Hayes, Deputy Leader of Oxford Council and Cabinet Member for Green Transport said: “Bus travel is a crucially important way of getting around the city, and the City Council and Oxford’s major employers are very concerned about dangers posed to the bus network by a cliff edge withdrawal of Government support”.

Image Credit: Arriva436/ Wikimedia Commons