Tuesday 24th June 2025
Blog Page 359

Discordant disenchantment: Hyperpop as the pandemic’s soundtrack

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In 2013 when A.G. Cook founded the record label PC Music, he was on the precipice of popularising an entirely new sound. Musically, this synthetic, bright, and compelling genre has come to embody everything typical of youth culture during the pandemic. Hyperpop has drawn on the sounds of traditional pop music and amplified them drawing mostly on synthetically produced sounds. Though of course A.G. Cook was no clairvoyant, his ability (alongside pioneering artists such as the late SOPHIE) to cultivate a sound so appropriate for the current day is remarkable.

It is hard to define the Hyperpop scene. Existing largely in an ethereal and digital sphere, many critics wrongly view the microgenre as a parody. Hyperpop seemed to have reached the mainstream in 2019 when Spotify honoured its cultural significance by creating a curated Hyperpop playlist. In doing so, the microgenre began to receive more attention.

Despite the genre’s global pull, it remains particularly difficult to characterise the musical space that Hyperpop occupies. Such visual maximalism echoes the music that Hyperpop artists are creating. Its aesthetic, much like its sound, adopts garish, bright, and captivating forms. Charli XCX’s recent music video for her song ‘Claws’ epitomises the genre’s visual output. Sat before a green screen, the low-budget visuals have no relation to Charli’s mesmerising lyrics. You would be forgiven for viewing the song as satire.

Hyperpop is as much an aesthetic as it is a sound. Album covers are often busy, colourful, and meaningless: Bladee’s album 333, released in July 2020, epitomises this. Claire Barrow created the cover art, depicting a fanciful world of creatures ranging from talking frogs to anthropomorphised Broccoli trees. Mechatok’s Defective Holiday OST, the sound-track to Kim Laughton’s video game, provides a hypnotic backing to an equally hypnotic virtual experience. Developed as a piece of art, the game leads the player aimlessly through several eery, life-like scenes. For Laughton, the best way to experience the world was to place it within a digital sphere. Laughton also released the game in May 2020, amidst the height of the first wave of the Coronavirus pandemic. This timing speaks volumes to the meteoric rise of the genre: prior to the Coronavirus pandemic a minority of people existed predominantly online. However, as lockdowns were imposed across the globe, most of us turned to the internet to maintain some semblance of sanity. Within these conditions Hyperpop was able to thrive.

What does the distinct aesthetic of Hyperpop tell us about the cultural space that the genre occupies? The seemingly arcane clutter of Hyperpop’s musical and visual creations reflect a similarly muddled fanbase. The music appeals to a young, international audience and is uniquely ungendered. Reddit’s Hyperpop forum, created in March 2016, now has 3,299 members. It has grown at an increasingly fast rate in recent months. To contextualise that, Reddit’s ‘Hiphopheads’ forum has 2 million members. The forum reflects the diverse fanbase that the genre has been able to accrue. The posts range from memes to fans sharing their amplified versions of pop or hip-hop, to original low-budget productions. Those on the forum are acutely aware of Hyperpop’s digital footprint.

Hyperpop is too young for us to begin to consider its legacy. But we can consider its contribution to date. Though often misunderstood, the microgenre has matured into the perfect musical accompaniment to mood of the Coronavirus crisis. If anyone comes to produce a film about the pandemic, they would do well to call upon A.G. Cook, or perhaps even Mechatok, and ask them to produce the soundtrack.

3 HYPERPOP SOUNDS TO GET A TASTE OF THE MICROGENRE:

1.’Claws’ – Charli XCX
2. ‘Ponyboy’ – SOPHIE
3. ‘stupid horse’ – 100 gecs

Original image: hinnk via Wikimedia Commons (artwork remixed from original)

Happy 2021 Census day

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A few weeks ago, Sunday 21st March to be precise, was Census day.

Though it has been and gone, the Census remains important after this date. The government Census website states, “your answers to the Census questions will help organisations make decisions on planning and funding public services in your area, including transport, education, and healthcare”; in short, the Census is something which allows for things to be done. The Mental Health Foundation uses Census data to produce a heat map of places and people most likely to suffer from mental health issues. This is a good example of how the Census allows those who can help to be in the best position to do so. Each individual Census is essentially a hyped-up survey, nothing more, though that doesn’t mean it isn’t important both functionally and culturally. Indeed, it allows for education, transport, and the emergency services to function better.

A little history. The Roman Census was used to measure a change in the demographics of Rome and allowed for a somewhat meritocratic society. Now I do not suggest that we use our Census in the same way to decide a rigid legal class structure but this measuring of change over time is still immensely useful. It can show the epochs and points of stagnation of our history as a nation. 1841 saw the first proper Census and since then the UK has changed a lot. I mean, never mind the 1800s, even since the last census in 2011 a lot has changed. Austerity, Brexit and Covid are just a few of the happenings of the last decade; if the impacts of these things are to be measured then the census can offer this. Think of each Census as a point of data on an ever-growing Graph; the more accurate the data and the more standard the points of data, then the more accurate the conclusion which are drawn.

Now those of you who are worried about how your personal information will be used, you can find this all out on the government website linked above. I will not go into all of it here but, just to give you a brief outline of people who are specifically barred from accessing the information, there are: firstly, those who manage taxes and benefits; secondly, anybody who wants to find you or sell you anything; and thirdly, anyone enforcing the coronavirus restrictions or from NHS test and trace. So, that should settle some of the fears you may have over the collection of data and I hope this will help to put your mind at ease when filling in your Census.

The Census is also important for marginalised groups. If you fill in the Census with all this information then you have a voice, you have representation. This is of huge importance culturally because it means that the country is aware of who the country is made up of. Yes, marches, events, and festivals allow for each and all different groups to be seen and are a great sign of our diverse cultures. But they have a weakness in that they can never show the true strength of those groups and their identities because that criticism of the silent majority is always there. The Census does not have that problem. The more people who answer the various questions with the various answers, the clearer and more accurate the picture of our nation would be.

This is so important because no matter who you are, how you identify, what you believe, or who you love, the census will represent you as you are and as you choose to be. Like voting, it is a duty to participate in, but more so, it is just interesting to see the culture of our nation reflected in all of this.

So, all that is left to say is:

Happy 2021 Census day!

Image Credit: Pete via Flickr

 

 

 

 

 

 

 

 

 

 

Bahrain Grand Prix: a taster for “one hell of a season”

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After the almost religious repetition of platitudes like “pre-season testing isn’t indicative of race-pace” or “teams never reveal their hand until qualifying”, the Bahrain Grand Prix, the first of Formula One’s busy 2021 schedule, finally provided some answers. And what answers they were.

Years of unequalled dominance by Mercedes seemed to be hanging in the balance after a shaky run in pre-season testing. Literally, shaky. Hamilton and Bottas both failed to keep the rears of their cars under control following the new regulations introduced this year by the FiA, aimed at reducing downforce. Red Bull, ever the stoic pessimists, downplayed their advantage in the media running up to last Sunday; behind the scenes, they must have been licking their lips at the opportunity that had presented itself. This is the first time in the hybrid era that any team other than Mercedes look like real contenders for the Constructors Championship.

If the Bahrain Grand Prix is indicative of the races to follow, we are in for a hell of a season.

Max Verstappen qualifying in pole position by a hefty four-tenths of a second, with some floor damage, was the first real, trustworthy indicator that Mercedes’ tyrannical dominance might be wavering. Hamilton and Bottas had to settle for starting in second and third. An exciting podium race was promised by this subversive qualifying result, and I don’t know any F1 fan who wasn’t happy to see the pre-season pace of Red Bull convert itself into actual, true, Mercedes-weren’t-just-sandbagging pace last weekend.

The Grand Prix itself was, undoubtedly, one of the most exciting we have had in the past few years. Couple this with the fact that the exciting parts of it were often occurring at the front of the pack, rather than in the midfield teams (as was the case last season) and it’s no wonder that feverish whispers are stirring up and down the F1 paddock. 2021 may just be the year the hybrid era has been waiting for.

Various strategic shenanigans, undercuts, tyre-wear dramas, and contentious track limits decisions all played their part in the race for first between Verstappen and Hamilton. The last 6 laps of the race were particularly tense. Verstappen, within Hamilton’s DRS range, regularly came within touching distance of an overtake. He did, at one point, manage to edge ahead, but had to go beyond track limits at turn 4 to do so. The FiA ordered him to give the position back, and a twitch of the steering in a later corner meant he fell out of touch with Hamilton for just a brief moment, but a brief moment long enough to grant Mercedes the race win. Bottas, in the meantime, was, boringly and unsurprisingly, miles off Hamilton’s pace. P3 was always where he would finish.

The track limits decision from the FiA is a contentious one and certainly needs clarification before future races. Turn 4 is easier and faster for the drivers if they run wide, and so many of them did exactly that in pre-season testing and free practice. For qualifying purposes, the FiA ruled that drivers could not run wide: any lap time where the driver went too deep in turn 4 would be deleted. Simple and clear.

The race rules, however, are far murkier: drivers can run wide in turn 4 as long as it does not give them a ‘significant advantage’. Obviously, in the case of Verstappen, an overtake completed by running wide is a significant advantage, and you are never allowed to overtake by leaving track limits. The murkiness of this ruling though, comes from the fact that Hamilton ran wide on 29 of the 56 laps. Why would you do this unless it gave you a significant advantage? Presumably, this gave Hamilton a few tenths over the course of the race, a few tenths that ultimately decided whether it was Red Bull or Mercedes on top of the podium. A judge would blush at the wiggle-room one can find in the term ‘significant advantage’ and so the FiA will need to clarify this for future races or risk descending into farce.

In other parts of the field, teams and drivers seemed to either exceed or fall short of expectations; no team had the weekend go fully to plan. McLaren had a solid start to a season where they will look to defend their constructors’ third of last year, with the additions of a Mercedes engine and unique diffuser (I don’t know what it does either, don’t ask, I just know that it’s important) combining to make an incredibly competitive car that, on the right day, might even be up there for podiums and wins. Ferrari surprised everyone with the decency of their pace. Indeed, Sainz had some of the best racing of the day: his three-way battle with Vettel and Alonso was redolent of the wheel-to-wheel drama that occurs in lower formulas where downforce isn’t as important, and the cars are much niftier. Conversely, Aston Martin, the team around which there was the most hype in the off-season (in part due to that erotic green colour scheme which is truly gorgeous) had an atrocious weekend. Vettel finished god knows where after rear-ending Ocon (Alpine) because he was attempting a one-stop strategy (the only team to attempt this) and Lance Stroll finished P10, only picking up 1 point for a team which last year had several podiums.

Without question, though, the race for first was RedBull’s to lose, and they managed to lose it. They weren’t helped by Perez’s difficulties (though he did have a stormer to come from dead last to 5th by the end of the race), but after two years of the second driver not being up to pace, one would have thought they could manage alright with only one car in the mix. There are no excuses: they had the faster car but squandered their own chances. Strategic errors, underestimating the Mercedes pit-strategy (and so choosing not to cover it by pitting early), and driver error, failing to close the gap to Hamilton quickly enough and that twitch of the steering which will no doubt haunt Verstappen’s for weeks to come, are what lost the race.  It was experience and grit that won it for Mercedes. It was the driver, not the car.

For some, this will be a disappointment, a bad omen of the season to come, an indicator that things, contrary to what we all wanted to believe after testing, might be similar to how they have been in the past. That is a little too pessimistic for my taste, not least because Bahrain has historically been a Mercedes stronghold. Looking forward to Imola in a few weeks’ time, the characteristics of the race will be of a decidedly different, more Red Bull shaped, nature.

Even if that weren’t the case, and Imola too were a Mercedes circuit, when was the last time we could say, in dry conditions, that a driver, and not the car or good fortune, won the race? When was the last time Mercedes were out-qualified by nearly half a second, by a damaged car? If this is a taste of the season to come, I cannot think of a more exciting year in recent memory to be a Formula One fan. Red Bull, who have constantly teetered on the edge of being true contenders, finally seem to have uncovered whatever issues were holding them back, while Mercedes have been suitably hindered by the FiA, to make this year truly competitive.

What a time to be alive. It is a shame we have to wait three weeks for the next race.

Image credit: Keisuke Kariya via Flikr

International break: a help or hindrance for Premier League teams and their players?

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This season’s Premier League fixture list has been jam-packed to say the least. Monday 22nd March 2021 was just the 10th day of the year so far that not one Premier League team played a game. For the millions of avid football fans around the world, like myself, the 2020-2021 season has been an all-you-can-eat buffet of sporting entertainment, with English teams competing in the Premier League, FA Cup, Carabao Cup, Champions League and Europa League. Yet, while this international break has offered football fans an opportunity to take a pause from football and reconnect with the real world, the same cannot be said for the majority of players in England’s Premier League. With FIFA World Cup 2022 qualifiers and international friendlies aplenty, these international stars have been whisked back to their respective home-nations, expected to continue performing without any significant time to rest and recover.

The necessity of international fixtures must be questioned, especially given the current climate within which they are being played. This view has been echoed by a number of Premier League managers, including Pep Guardiola and Jurgen Klopp, with the former warning that this international break could lead to an increase in Covid-19 cases. More than this, a number of managers, such as the newly appointed Chelsea boss Thomas Tuchel and Aston Villa’s Dean Smith went as far as to block their players from travelling to ‘red zone’ countries for international duty. The ‘blocking’ of players from travelling to these countries by Premier League managers was so influential that CONMEBOL decided to postpone World Cup qualifiers due to be played this month in South America. 

Given the number of games being played this season in quick succession, international fixtures only add to players’ fatigue. The first Premier League fixture following the break is a 12:30 kick off on Saturday 3rd April which grants some players as little as two days to recover and be ready to return their attention to domestic matches. Given that we are quickly approaching the crunch point of the season, many Premier League teams will rightfully see this international break as a disruption to momentum and will be hoping they can avoid the common post-international break ‘hangover’ that affects even the teams with the largest squads to select from.

However, the issue of fixture congestion is not unique to the Premier League, with fans of the Championship outfit Norwich fans hoping their on-loan star Oliver Skipp will be available for their upcoming fixtures as they continue their push for promotion. The midfielder is currently at the UEFA European Under-21 Championship with England and is expected to play on Wednesday 31st March in an all-important group stage clash with Croatia U-21, less than two days before Norwich’s game against Preston. 

For other teams, this international break could not have come at a better time and will likely be welcomed by managers and players alike. Such is the case for Newcastle who have a number of key players out injured at present, including Allan Saint-Maximin and their top scorer this season, Callum Wilson. With a tough list of fixtures awaiting them in the coming weeks and months, not to mention a battle to stay in the Premier League, Steve Bruce will surely see this break as an opportunity to get his star players two weeks closer to a return. 

This break offers some international team managers an opportunity to witness their players in action before finalising their squads for the upcoming UEFA Euro 2020 championship scheduled for this summer. Equally, many players will be hoping to impress their managers as they target a place in their managers squad for this summer’s tournament. Therefore, while for some players this international break and its associated fixtures may be more of a chore and burden than anything else, for some European players the break is an opportunity to raise their profile by representing their country on an international stage.

Only time will tell whether this international break was successful, or indeed a wise decision at all. What is for sure is that Premier League managers will be keeping a keen eye on these international fixtures, desperate to ensure that their stars return fit and Covid-free ready to complete this long and arduous 2020-2021 season.

Image credit: jarmoluk via Pixabay

Oxford City Council makes plans to pedestrianise the city centre

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Oxford City Council is planning multiple initiatives to pedestrianise streets in Oxford, including launching a Zero Emission Zone Pilot (ZEZ Pilot) in Oxford City Centre starting August 2021. Between 7am and 7pm, access to the ZEZ will be subject to a road charge based on the vehicle’s emissions. The maximum charge will be £10 per day while emission-free vehicles will face no charge. 

The ZEZ Pilot will include Cornmarket Street and Queen street (from Waterstones to Westgate), as well as Ship Street, St. Michael’s Street (Location of the Handlebar Cafe and Kitchen), Ship Street and New Inn Hall Street (just after Gloucester Green to Westgate).

Image credit: Oxfordshire County Council

A 100 per cent discount” will be offered to students with “acute financial hardship” when moving in and out at the start and end of university terms, with requests for exemptions made via colleges. Further reductions are available for residents and businesses in the zone, blue badge workers and care and health workers.

The ZEZ Pilot is part of a wider envisaged Zero Emission Zone, which will be launched in Spring 2022 based on the level of the pilot’s success and public consultation. It is planned to span from the entrance to University Parks to just past the main entrance to Christ Church Meadows, and from just before Oxford train station to Magdalen Bridge.

Oxford City Council has also applied to pedestrianise Broad Street between Magdalen Street East and Turl Street from late June 2021 through to autumn. Councillor Tom Hayes, Deputy Leader and Cabinet Member for Green Transport and Zero Carbon Oxford says that they want to give Broad Street “back to people” and “make more streets safer to walk and cycle”. 

Many Oxford streets have already been temporarily pedestrianised, particularly to provide more space for outdoor seating. From 12 April onwards, hospitality businesses will be allowed to reopen their outdoor seating. To support them, the City Council has recently launched a funding scheme offering £3,250 per business to recoup costs incurred in infrastructure changes. 

Jane Campbell-Howard, owner of Society Café in St Michael’s Street, said that Oxford City Council had been “incredibly supportive” and that they were looking forward to serving coffee and “gently and carefully creating a buzz in St Michael’s Street”.

Image credit: Palickap, distributed under a CC-SA 4.0 License

Oxford City Council responds to concerns raised over Oxford street lighting

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CW: Sexual assault, death 

It Happens Here, an Oxford Student Union group tackling sexual violence, recently released a statement arguing that “street lighting in Oxford is currently very much imperfect, and that areas of Oxford remain poorly lit. Many women feel unsafe walking home after dark, especially in light of recent events, and this anxiety must always be taken seriously.” 

Two of sixteen street lights on Merton Streets and one of four lights on Magpie Lane were found to be out of order. Oxfordshire County Council has said that a “contractor will be attending these and treating them as a priority fault”Students at Oxford Brookes University have also campaigned for greater lighting in South Park. A petition has been handed to Oxford City Council by members of the university, following a failed 2019 petition. South Park, the site of sexual assault in 2014, instills a “sense of apprehension” in students when they cross the path through it. The petition’s website reports students have “a quickened pace to traverse the path as quickly as possible”.

Oxford City Council told petitioners that there is “already a fully-lit, safe route” near the park, and the County has said they will endeavor “to keep streets that are adopted highways well-lit and streetlights in good repair to contribute and make the streets of Oxford safer. We treated the recent issues in Merton Street and Magpie Lane as priority faults which have now been repaired, and our staff were in touch with the Oxford Student Union to update them about the repairs”.

The UK government has pledged to double safety measures to £45 million as part of an effort to protect women and girls in light of the killing of Sarah Everard. This increases greater funding for street lighting and CCTV. In 2018 a £40.8 million cash boost was granted to Oxfordshire County Council to upgrade over 50,000 LED street lights, deemed more energy-efficient. No mention of increasing street lighting can be found in the Oxfordshire Plan 2050, apart from reducing light pollution.

In response to the update from the Council, It Happens Here released a further statement: “After conversations with both the SU and the council, Oxford County Council who have responsibility for the lights has reassured us that the lights will be repaired within 7 working days and are being prioritised.”

“Lights in the area have recently been inspected by the council this week [and] they were happy that the rest of the lights were working along Merton Street and Oriel Square and that there is functional CCTV coverage across the street. We’d like to thank the County Council for their swift response on this issue.”

The Oxford University Sexual Harassment and Violence Support Service can be reached by emailing [email protected] and offers free support to any student at the University who has been impacted by sexual harassment or violence.

OSARCC is also available as a free support service which is distinct from the University.

It Happens Here can serve as an unofficial and informal point of contact for students with any concerns about the issues discussed in this article.

Image Credit: Dark Dwarf/CC BY-ND 2.0

EU countries resume administering Oxford vaccine with EMA backing

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Several European countries – including France, Italy, and Germany – have resumed use of the Oxford AstraZeneca vaccine after the European Medicines Agency said its benefits “outweigh the risk of side effects”. Portugal, Spain, and the Netherlands resumed over the week beginning on March 22nd. This comes after multiple European countries, along with Thailand and Indonesia, temporarily suspended use of the vaccine after blood clots were reported in a small number of patients who received the vaccine.

As of March 16th, 20 million people in the UK and European Economic Area had received a dose of the AstraZeneca vaccine. Seven patients developed blood clots in multiple vessels, while a further 27 developed cerebral venous sinus thrombosis (CVST), a clot which prevents blood draining from the brain. Nine people died as a result of blood clots after receiving the AstraZeneca vaccine.

The EMA concluded that the vaccine was not associated with an increased risk of blood clots. They added they would continue to investigate whether the vaccine was associated with CVST caused by low platelet counts. However, the regulator stressed that the benefits of receiving the vaccine – including preventing death or hospitalisation from COVID-19 – outweighed any small likelihood of developing blood clots.

David Spiegelhalter, Winton Professor of the Public Understanding of Risk at Cambridge University, suggested that cognitive biases may have lead people to connect the vaccine with an increased risk of developing blood clots. “It’s a common human tendency to attribute a causal effect between different events, even when there isn’t one present”, he told The Guardian. Deep vein thromboses (blood clots) occur in 1 in 1000 people every year, with older people at increased risk. According to Professor Spiegelhalter, if 5 million people were vaccinated “we would expect significantly more than 5,000 DVTs a year, or at least 100 every week. So it is not at all surprising that there have been 30 reports”.

The UK Medicines and Healthcare Products Regulatory Agency (MHRA) has also concluded that the “he benefits of the vaccine in preventing COVID-19 far outweigh the risks”. From reviewing available data from GP records and hospital admissions, they found that the evidence did not suggest a link between the vaccine as blood clots. A separate review into a link between the vaccine and the vaccine and five cases of CVST is ongoing. However, since CVST has been reported in “less than 1 in a million people vaccinated so far in the UK” and can also occur naturally, no causal connection with the vaccine has been found.

Chief Executive of the MHRA, Dr June Raine, said: “We continually monitor safety during use of all a vaccines to protect the public, and to ensure the benefits continue to outweigh the risks. Our thorough and careful review, alongside the critical assessment of leading, independent scientists, shows that there is no evidence that that blood clots in veins is occurring more than would be expected in the absence of vaccination, for either vaccine.”

As a precautionary measure, patients whom after receiving their vaccine develop headaches which last for longer than four days or bruising away from the part of the body in which they received their jab are advised to seek medical attention.

Image: Steven Cornfield via unsplash.com

BREAKING EXCLUSIVE: Cherwell and The Oxford Student to merge

Cherwell and The Oxford Student have announced their upcoming merger in a bid to create a gigantic student paper.

The merger will create the opportunity for the new paper to develop their focus on increasing the output of predictable comment pieces and news you’ve probably already seen. The merger will also allow for the expansion of the popular Puzzles section into a full pullout and for the creation of quizzes to discover which Oxford college you truly are (sorry, someone has to be St Hugh’s). 

The new paper will also be launching a Tab-style Top 100 BNOCs of Oxford competition. Entrants will be ranked by hack level, the number of likes on their Facebook profile picture, and – the most important metric – the number of Oxfesses they have been tagged in. Whether the paper will also follow the Tab in launching a “Best Bums of Oxford” competition remains to be decided.

In order to decide the new senior editorial team for the paper, the respective teams from Cherwell and The Oxford Student will fight in a Hunger Games style battle in Christchurch Meadows. Tickets will be available soon but are expected to sell out quickly, with the main buyers being those who’ve had hit pieces written about them by the respective editors. 

Trudy Ross, current Editor in Chief at Cherwell (and posh humanities student) commented: “The demand for student journalism is being grossly overestimated by posh humanities students. No matter how special Oxford thinks it is, it doesn’t need this many student papers. We’ll be doing everyone a huge favour by cutting down the number of publications they need to apply to at the start of each term, as well as saving them the awkwardness of having to cancel an interview at the last minute.”

OxStu Editor in Chief Isaac Healey said: “With the merger of our editorial teams, we have halved the time needed for article turnover and doubled our published output almost instantly. Pooling our resources has also freed up the budget to station our News reporters overseas, so readers can look forward to exciting reports from our new International Correspondents.”

“Best of all, this would cut my workload in half,” he added, before logging off and tapping in one of the other Editors to take his place.

Abigail Howe, Editor in Chief at Cherwell, was too busy rewording Oxford Mail articles to provide a full comment but, after being tapped in by Isaac, confessed that “as student journalism in Oxford consists of reporting on the same people getting into scandals and others regurgitating lukewarm takes they’ll eventually pitch to the Telegraph, a merger shouldn’t be a surprise. The next plan is to unite all student newspapers across the UK in a mega ‘Unipaper’. At least then I’d know who I was competing with when I sold my soul for a potential internship at the Spectator”. 

In conjunction with the merger announcement, The Oxford Student and Cherwell are running a competition to select the name for the new paper. The competition is open to all Oxford students and staff, and the winner will receive merchandise featuring the current logos of both papers, expected to skyrocket in value after both papers cease to exist. 

“We’ve already tried ‘The Oxford Cherwell’ and ‘The Cherwell Student’, but they aren’t very catchy and frankly, we have no idea how to proceed from here,” admitted Natasha Tan, Editor in Chief at OxStu. “Not to sound desperate, but it would be really nice if someone helped us out, and if you win you could probably feature this on your CV or something.”

Entries can be submitted via this link. The competition will run until April 2nd 2021, 23:59.

Cherwell would urge any concerned parties from OSPL or Oxford SU to check the date.

Review: Spoon River Anthology

As I’m sure as all you live theatre fanatics out there know, online theatre just doesn’t really compare to the experience of in-person theatrical events. It lacks the buzz and the anticipation of being sat in your seat. However, Spoon River Anthology proved to me that this didn’t necessarily have to be the case.

Sat in my darkened room, curtains drawn, fluffy blanket on and a glass of wine in hand, my excitement grew as I clicked the link on Paper Moon Productions’ email taking me to the Spoon River website. As I eagerly waited for the countdown clock to reach zero, it dawned on me that this felt like a really special experience. An experience just like live theatre but in the comfort of my own bedroom.

For starters, the date of the performance was specially picked to be the date of the new moon (something I learnt on the lovely pre-show website). I wasn’t just watching a YouTube video – I felt like I was participating in something collective.

In addition to the special date and countdown clock, this performance comes with its own physical anthology to leaf through as you listen to the performance audio. Spoon River Anthology is a ‘multi-media performance of music, drama, and art’, as described by Amberley Odysseas (the web designer) on the production’s website. Each monologue or scene of audio comes with its own art piece, all of which are contained within the journal you can look through during the show. It’s great to feel something like a playbill whilst you listen to the actors’ voices and the artworks in the journal are all exquisite.

Spoon River Anthology is a compilation of the individual stories of the inhabitants of the town of spoon river. These tales are all originally poems by Edgar Lee Masters, lovingly transposed for theatrical use by Georgina Dettmer. The listener is walked through these sometimes rather moving tales by Minerva Jones (Eugenie Nevin), who functions as a kind of narrator, and by the music of Michael Freeman. I have to say, the music was the real stand-out hit of this performance. I was consistently blown away by Freeman’s writing and performance which very nicely set the tone of the whole piece. His audio quality was immaculate- this really improved the immersive quality of the performance. The same cannot be said for Nevin’s audio which was a bit too crackly to maintain Freeman’s high standard. However, this was definitely a Covid-19 imposed problem, and I am willing to forgive because of Freeman’s beautiful voice and the acting talent on display in the production.

The main quality I enjoyed about this performance was how immersive it was. To enhance this sense of immersion, I strongly recommend following the advice from the production team and listening to the audio through headphones. As each different scene (and journal page) is a monologue from a different character, the audio forms a kind of ASMR vocal journey between many unique voices- a journey strongly improved by headphone use.

Delving deeper into the individual scenes: my personal favourite characters were Trainor the Druggist (Cora Bullivant), Indignation Jones (Jamie Murphy) and Dora Williams (Gracie Oddie-James). All three were performed excellently with an acute awareness of the topics they were discussing and the overall feel of the piece. In terms of sound effects, Julia (Elsie Busset)’s scene which was partially muffled, ostensibly behind a door, was incredibly inventive.

The pages of the journal also had a profound effect on how I viewed each character in the narrative. When I turned the page to the spread which signified Benjamin Pantier and his wife I was genuinely shocked by the turn the artwork took and how well this matched the change of speaker. In parts, the images told the story of individuality and interiority really effectively; while in other parts, the images were a bit off-kilter (but beautifully so). Sometimes the links from vocals to art were a little heavy-handed, such as the shell drawings accompanying the words ‘shell of a woman’. However, this clarity was useful in terms of helping the audience to decode other images and relating them to the accompanying vocals. Overall, each artwork felt sensitively collated and intimately connected with the whole performance-experience like threads woven into a tapestry. The journal turned this digital performance into a physical moment, a multi-sensory experience.

In summary, while some audio could’ve been better, I was impressed by the all-encompassing experience that Spoon River Anthology became. In a year with little to no available theatrical resources, the production team of Spoon River managed to create a magical experience of many intersecting forms of artistic talent telling important stories. From the editing of the audio file to the curation of the journal, the performance flowed seamlessly from sense to sense. I am so grateful I got to be part of the audience, and that I got to help, as the ending song says, ‘keep those words alive’.

Image Credit: Chloe Dootson-Graube (original artwork)

Hanging in the (im)balance: the state-private school disparity in Oxford

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If any place is familiar with the trials and tribulations of maintaining a complex reputation, it’s the University of Oxford. As an instantly recognisable academic, political and cultural landmark of the UK, its image is the subject of media and cultural hypersensitivity. In spite of countless assertions to the contrary, Oxford’s depiction as a strange world of bizarre customs and dusty books, neatly dressed in ball-gown hedonism, is still alive and kicking today.

This is certainly the case in my hometown of Harrogate: a sleepy little spa town tucked away at the foot of the Yorkshire Dales, where a handful of students from its schools grace the City of Dreaming Spires with our northern-tinged presence. The number of times I’ve been jokingly asked if I’ve put a certain body part in a pig’s mouth is higher than the number of Tories with actual Bullingdon Club membership. Such a unique reputation finds its roots in the institution’s practices and culture. The word Oxbridge is most often used with implications of superior social status and elitism. The term was, in fact, described by journalist Carole Cadwalladr in 2008 as shorthand for an elite that “continues to dominate Britain’s political and cultural establishment.”

The eagled-eyed amongst you will have already noticed that these characteristics of Oxford bear a striking resemblance with those of another of Britain’s most infamous educational institutions. That’s right, the much-dreaded E word. I’m talking about Eton. More specifically, not just this one institution, yet in sense of the word as encompassing all of the private schools that this nation covertly, yet proudly, boasts. You only need to flick through history to see that this University has acted, and continues to act, as a halfway house between many politicians’ humble beginnings in the Berkshire countryside, and their end goal of Westminster domination. 20 UK Prime Ministers have received an Eton education, with a total of 28 having also attended Oxford.

Look no further than the incumbent leader of our glorious Union: an Etonian, turned Balliolite, who is now responsible for making the most crucial decisions in our country. Boris Johnson, like many of his predecessors, is living evidence that Oxford has an affinity to educate the not-so-greats, in the Greats, so long as the price tag is right. This is reflected in the extent to which Oxford swings open the doors of every one of its colleges to welcome students from private schools with open arms.

A Sutton Trust study done in 2018 revealed that eight schools, six of whom were independent and the other two state sixth-form colleges in Cambridge and Hampshire, filled 1,310 Oxbridge places over three years; this is compared with 1,220 from 2,900 other schools, a practice that Oxford (as well as Cambridge) continues to maintain. This statistic is mind-blowing. It demonstrates the minuscule geographical pool from which Oxford admits students, made only narrower by its socio-economic hegemony. Such a stark statistic becomes even more terrifying when the bigger picture is considered. It is estimated that anywhere between as little as 6%-7% of the UK school population attend private schools. I implore you to pause for a second and visualise the magnitude of the discrepancy between 93% and 7%. One doesn’t need to be a mathematician to work out that such an imbalance means that a frighteningly small number of students, the majority of whom have already become accustomed to small class sizes, easy access to resources and state of the art facilities, are being given disproportionate access to one of the world’s leading academic, political and cultural institutions.

I am not calling for a ban on private school students attending Oxford, which would be a ludicrous suggestion. Education is a human right that is recognised by the majority of, if not all, international organisations. Access to education should be equal, regardless of sex, gender identity, race, sexuality, religious belief, or wealth. Yet, the existence of private schools fundamentally contradicts this principle. One of their major problems is that they restrict the choices that the majority of parents have over their children’s education. Of course, any parent with their children’s best interests at heart would choose to send them to a school with the most exciting prospects for future education and employment. Yet, the private school system restricts that choice to the few who are lucky enough to afford it.

“But what about scholarships?”, you might ask. Yet again, it comes down to the numbers. Only a shocking 1% of students at private schools pay no fees as part of scholarship programmes, whilst only 4% of private school turnover is in fact devoted to bursaries. Scholarships act as a façade– creating an illusion that private schools are committed to widening access to lower-income families and disadvantaged children. The numbers say otherwise, confirming instead that scholarships are little more than a PR stunt, merely masking a brewing pot of entrenched privileged that has leaked into Britain’s institutions for centuries.

And by maintaining such a huge disparity, Oxford has not only actively allowed for its propagation, it has become a key cog in the maintenance of educational inequality. Ashamedly, my own college, Balliol, offers the Vaughan Memorial Travelling Scholarship, a travel grant worth up to £4,000, available to Old-Etonians only. It must be noted however that some colleges make a concerted effort to stand out and stand up for state school students: Wadham, Hertford and Mansfield come to mind.

The latter is indeed a rare example, a college that builds its appeal almost entirely around its high proportion of state-educated students. The first thing one sees on Mansfield’s web page the blaring assertion that the college is ‘open, friendly and welcoming’, boasting that ‘Mansfield has the highest state sector intake of Oxford colleges’. This is indeed true, and their efforts have certainly been commendable. Mansfield appears to be the only Oxford college to have ever passed the 93% threshold, with their 2019 intake being comprised of 94% state school students.Despite this, their intake fell back across the threshold to 91% in 2020. Even with that, Mansfield by-far outshines all other colleges.

In 2019, Balliol just scraped past 60% state, whilst Christ Church barely clung onto a balance, with 49.8% of its students admitted coming from private schools. Such imbalance brings a host of dire effects, yet the most upsetting is the isolation, stress and even guilt felt by some state school students during the so-called best time of their lives. For a truly moving and personal account of such an experience, I urge you to read Balliol medic Leoni Loughlin’s article on the Oxford Student entitled “Feeding them to the Lions: Access burnout and guilt. Her account proves that for a significant proportion of state school students, access programs do little to tackle the problems that Oxford’s affinity to private schools creates.

Access programs are not working precisely because they do not go far enough in addressing the problems of the state/private disparity at its root. Like scholarships, they appear to act as a solution to temporarily plaster over cracks that the University has allowed to grow, century after century. This is why, despite their best efforts, the marketing of colleges like Mansfield and Wadham as a watertight safe space for state school students is misleading, turning a blind eye to the problems of state school students that permeate every Oxford college.

The imbalance and its plethora of disastrous consequences is a blaring problem that the University has ignored for far too long. Urgent and meaningful action is needed. As a centre of education first and foremost, providing a bridge between students’ secondary school careers and their entry into the world of adulthood and employment, it is only right that Oxford’s intake reflects that of the school population of the UK as a whole.

The quality of the social and academic education received at Oxford will only be enriched by admitting a pool of students as representative of the wider population as possible.  Perhaps, such action to ensure this may come in the form of a ‘93% charter’- a binding promise from all colleges to increase their state school admissions to meet the 93% threshold (or its representative equivalent) by a date in the near future. Such a charter must include a guarantee to admit from a wider range of state schools, not just those in leafy suburbs and small towns like Harrogate. These promises could, in fact, be entrenched into the University Statutes as a resounding commitment to take on a role as a key figure in promoting educational equality. Such proposals sound drastic, but I am calling on, pleading and imploring the heads of both the colleges and the central administration to consider it as a necessary measure to resolve a drastic problem.

Yet I am a realist, and in the great Oxonian tradition of taking time to respond to the calls of social progress, perhaps other action needs to be taken in the meantime. At this moment I am reminded of one of my mum’s favourite maxims: “If you want to change something, change it from the inside”. It is now time for private school students, committed to building a better future for all young people, to use their privilege and voice to pressure these institutions to allow waves of committed, engaged and deserving state school students to make a significant step towards institutional inequality. Such an effort must be an almost unanimous one, which may involve uncomfortable, but necessary, self-reflection and discussion. Dire problems will require dire solutions.

I want to end this article with some reflections. I sometimes feel that, despite my passion to see the end of educational inequality, it is not my place to argue – a cisgender, white male who comes from a privileged, middle-class background, who attended a highly ranked state school where opportunities for and aid in applying to Oxbridge were presented every step of the way, as well as having two loving, supportive and academic parents who have always been around to help foster my interests and soothe my worries. In the short time I’ve been at Oxford, I’ve felt so lucky to have met the most wonderful group of interesting, kind and like-minded people whilst studying a subject I love. Yet, personally, this is exactly the reason why I am writing this article and support such urgent action to be taken on this issue.

Despite what the Conservatives may tell you, privilege and status come with responsibilities, namely that of ameliorating the circumstances of those less fortunate than yourself. Students at Oxford who have come from backgrounds of privilege must become leading voices in pressuring the institution to shake off its bias, both hidden and overt, against state schools and students from disadvantaged backgrounds. Above all, the institution of the University of Oxford itself must finally recognise that its standing as a leader in academic and research progress requires it to step up too as a leader in the fight for social progress and justice. As an educative institution at its core, nowhere is it more suited to join than the wider campaigns in the UK to finally bring an end to educational inequality, such as Abolish Eton, a Labour Party grassroots campaign calling to ‘end the class segregation of our schools’. Increasing state school intake will not solve all of Oxford’s problems, yet it’s certainly a start.

Oxford is and has always been an elitist institution. Yet this must not deter people from fighting against these problems or giving into them. Such change seems impossible: Oxford’s comfort with private school students is so deeply entrenched in its culture and practices, thus change to combat this inequality must go beyond the surface level of access schemes and outreach events. It is long overdue, but it is finally time that Oxford faces up to the numbers, and does the right thing, to prove that it is really the world leader it claims to be, not desperately clinging on to its damaging past.

Image credit: Fonie Mitsopoulou

01/04/2021, 12:30: This article was amended to clarify the result of the 2018 Sutton Study.