Saturday 18th July 2026
Blog Page 463

Oxford SU President-Elect criticised for Holocaust pun and ‘racist’ Instagram post

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CW: antisemitism, racism, transphobia.

Rashmi Samant, the current Oxford University Student Union President-Elect, has faced controversy after a social media post which punned on the Holocaust was discovered. This follows previous controversy regarding Samant captioning an image of herself in Malaysia with “Ching Chang”, comparing Cecil Rhodes to Hitler in a Student Union presidential debate hosted by the Oxford Blue, and separating “women” and “transwomen” in an Instagram caption.

In one Instagram post from 5 June 2017 seen by Cherwell, Samant posed in the Berlin Holocaust Memorial, which is dedicated to the Jewish victims of the Second World War. The image is captioned: “The memorial *CASTS* a *HOLLOW* dream of the past atrocities and deeds. Reflecting on it gives us the power to live with the past vouching for a bettecr future. #holocaustMemorial #uniqueArchitecture” (emphasis included in original caption), punning on the Holocaust. According to the official website of Berlin, this memorial – known to most as the Memorial to the Murdered Jews of Europe – includes “2711 rectangular blocks of concrete laid out in grid formation, recalling tombstones” and the space provides “an ideal setting for quiet contemplation”.

One student, Ethan, chose to message Samant to explain his concerns with this post. In messages seen by Cherwell, Samant responded: “I completely condemn the Holocaust in that caption and am not being insensitive. It is upto [sic] the interpreter. I am by the end of the day [sic] a non-native English student. I wouldn’t even dare to be insensitive about something like that”. When told that her actions were perceived as insensitive, Samant replied: “I don’t agree with you there. I’m sorry I cannot change your opinion. I hope you have a good day and a happy Lunar new year”. Ethan told Cherwell: “The main problem I have with her responses is that she focused her election slate around inclusion and acceptance, but when she was called out for ignorance, she has made no effort to recognise her mistakes… Nobody at Oxford wants to be told how to be more accepting and inclusive by a person who won’t make the effort to do that herself”.

Samant told Cherwell: “I would first like to begin with an apology for the insensitivity this language shows. I have since had personal experiences, conversations, and learning opportunities that have allowed me to see how this language is not appropriate, and I fully accept my error in not appropriately researching topics before posting about them. In the almost five years since this post, I have changed as a person, scholar, and activist; I am sure many other people have experienced drastic change in themselves and their personal lives in a five-year period. I reaffirm my commitment outlined in my campaign manifesto to continually learning, changing, and bettering myself to serve in this position as well as possible.”

This information comes after Samant has already faced controversy for celebrating “women, transwomen and men” while campaigning in one Instagram post, and captioned another of her in Malaysia with “Ching Chang”. Samant apologised for the former caption and attempted to explain the latter,  writing that a South East Asian friend “took a dig at my insistence on being vegetarian with that caption. Apparently in Mandarin the phrase literally translates to “eat that plant”… that was the “joke” apparently and the group played on my need to have the perfect rhyming captions to sell it to me. I should have known better”. However, Mandarin speakers on social media have contested this, claiming that “ching” cannot be written in pinyin (the romanisation system for Mandarin) and that this translation is in fact a reverse Google Translation of the phrase rather than one which would be used by a native speaker.

Jackie, a Chinese student, told Cherwell: “To know that she shows no remorse for the use of a phrase which has been used to make fun of Chinese people for our whole lives and… shows no accountability for what she says is awful – and when called out on it, she instead deleted her account rather than apologising. For the Chinese community in Oxford to have an SU president that is so set on refusing to listen to the students she represents and refusing to apologise for her racism is really disappointing, especially as institutional racism was an issue she highlighted in her manifesto”. Samant did not elaborate on these incidents in discussion with Cherwell. 

In a statement to Cherwell, the Oxford University Chinese Society said: “We condemn any act of racism in any form at any time. Racism is completely inconsistent with the values of the Oxford University Chinese Society. We urge Rashmi to stop making excuses and formally apologise for her insensitivity. She should face the consequences of her actions, and we will not accept a SU president who discriminates against any group of people”

In an event for the Oxford Blue, streamed on 8 February 2021 and uploaded onto YouTube the next day, Rashmi Samant commented on Oriel’s statue of Cecil Rhodes: “If an organisation would come up to you and give you a heap of money to set up a scholarship and say ‘I want to name this the Hitler fund or the Hitler scholarship’, would you do it?” When pressed on her choice to compare Cecil Rhodes by an audience member, she urged those watching to “give the will of Cecil Rhodes a read… because it’s a wonderful piece of literature that everybody should read”. She continued: “nobody erected him [Hitler] statues or wrote wonderful things about him or established anything about him, that’s why we still remember him for what he did, but by doing things like that we stopped remembering people for what they did and we start developing this psychology that maybe what they did was not so bad”. 

Isaac, a Jewish student at Queen’s, told Cherwell: “I think that equating Rhodes with Hitler is deeply disrespectful to the six million Jews and five million non-Jews who were systematically murdered under the Nazi regime (not to mention the many other millions that died as a result of the Second World War).”

Responding to these events, the President and Vice-President of the Oxford University Jewish Society told Cherwell they were “extremely concerned by SU President-Elect Rashmi Samant’s past social media posts, which she has alarmingly failed to apologise for. Her caption of a photo at the Berlin Holocaust Memorial exhibited severe insensitivity and ignorance, as did her ill-thought-out parallel between Cecil Rhodes and Adolf Hitler. Furthermore, we stand in full solidarity with the trans community and East and South East Asians, who have been hurt and distressed by other offensive comments made by Samant.”

Samant did not respond to these allegations but stated:  “I am confident that the support for my campaign and platform, as shown by the largest voter turnout in SU history, reflects excitement for the points listed in my manifesto, and with productive conversations about inclusivity and diversity these plans have the ability to create real change. “

When asked why she deleted her Instagram – the platform on which her previous apology was made – Samant stated: “I would also like to make clear that these conversations are important, but only have the possibility to create real change if they are had in productive settings. Social media, while a great tool for socially organizing and connecting, is not the ideal place to have these conversations as they are often oriented around hateful language and personal attacks that do not lead to actual change at our university. My choice to temporarily deactivate certain accounts is one I made to focus on family issues that I put on hold in the midst of this campaign. I am always open to hearing comments or ideas on how to address pertinent issues in our community from University students via my email, but I will not engage with personal attacks made in private messages from anonymous accounts. I am still a student studying for my course, as well as a human being facing pressures and issues like my peers.”

In her manifesto, Samant pledged to “Reform Oxford”, highlighting the “racial injustices for members of the Black, Asian, & Minority Ethnic (BAME) community)” and claiming that she is “empathetic towards the struggles faced by marginalised groups”. She planned to “lobby the University” to “remove all statues proven to be imperialist”, along with decolonising the syllabi, and tackling “institutional homophobia and transphobia, first through conducting a university-wide consultation with the LGTBQ+ community”.  She also claimed she would lobby to increase funding for mental health and to lobby the Conference of Colleges to divest their entire financial portfolio from fossil fuels as soon as possible. She was elected at the first stage of voting with 1996 votes or a 53% vote share.

The Oxford University Student Union, OUCS, Jsoc and the Oxford SU LGBTQ+ Campaign have been approached for comment.

Valentine’s Cocktails

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Ever since I spent an offbeat summer bartending in Kos back in 2018, I’ve fancied myself something of an amateur mixologist. Granted, every third drink I poured back then was a shot of tequila, but for better or worse, I was hooked. I’ve continued to seek out exciting new bars, ingredients and increasingly bizarre flavour combinations (pickle brine vodka anyone?), even completing an ‘Essentials of Bartending’ qualification from the European Bartending School during quarantine! 

With the season of love (or loathing) already upon us, here are some of my more accessible, go-to cocktail creations with a Valentine’s Day twist. Perfect for enjoying with your pals, lover(s), or on your own!  

All of the recipes are vegan by default and can be made non-alcoholic or less alcoholic (though equally delicious) by omitting some or all of the alcoholic ingredients indicated by an asterisk (*).


Bloody Valentine

The Light One: Cold – Refreshing – Light – Gin – Blood Orange – Rosemary

Refreshing and light with a pretty pink hue – what’s not to love about the Bloody Valentine? Its deceptively sweet appearance masks a wonderfully complex cocktail and it’s a dream as an aperitif. 

Ingredients:

  • 50ml dry gin*
  • 2 dashes Angostura bitters*
  • 150-300ml blood orange soda (adjust depending on desired ratio of soda to soda water)
  • 0-150ml soda water (adjust depending on desired ratio of soda to soda water)
  • Dried/fresh rosemary
  • Ice
  • Optional: dried blood orange wheels

Instructions:

  1. Add your favourite dry gin, blood orange soda, Angostura and rosemary (three sprigs fresh or a healthy amount dry) to an ice-filled cocktail shaker, shaking vigorously for a minute.
  2. Setting the shaker to the side, fill a tall glass or gin balloon with ice as desired and add two sprigs of fresh rosemary and a dried blood orange wheel.
  3. Strain the contents of the shaker into the glass and top off with soda water in order to achieve your desired ratio of blood orange soda to soda water (I would recommend a 2:1 ratio).
  4. Stir and enjoy!

Palentine’s Day

The Strong One: Cold – Strong – Multi-Spirit – Fruity – Pitcher/Bowl

The first draft of this group cocktail was created on the steps of a London supermarket by pals, for pals with the help of Sophia Oleksiyenko and Sinead Tebutt.

A lot has happened since then; I’ve made quite a few changes to what was initially dubbed Bootleg Sangria. Alas, in a sweaty tent I briefly called home, set up in a dear friend’s distinctly Torontonian backyard, the perfected Palentine’s Day was born. 

Ingredients:

  • 1 bottle Pimms*
  • 375ml vodka* (adjust depending on preferred strength, however any more vodka will seriously alter the cocktail’s taste)
  • 1 bottle rose*
  • 1L ginger ale 
  • 1L cranberry juice/soda
  • Ice 
  • Optional: cranberries

Instructions:

  1. Fill a large bowl or pitcher with a good amount of ice, add all the ingredients.
  2. Stir.
  3. Garnish with cranberries and serve long in tall glasses.

Oh

The Indulgent One: Cold – Rich – Sweet – Chocolate – Orange – Creamy – Whisky 

Oh is an absolute treat. This delicious dessert cocktail is both super comforting and surprisingly sophisticated, which makes it a fantastic choice for impressing a Valentine’s (Zoom) date or just treating yourself. 

Ingredients:

  • 25ml whisky or bourbon*
  • 37.5ml (1.5 shots) Grand Marnier*
  • Plant milk of choice
  • Hot chocolate powder or semi-sweet chocolate chips 
  • Orange zest
  • Orange peel
  • Large ice cube (or whisky stone)
  • Optional: cocoa powder

Instructions:

  1. Fill a shaker with ice and set aside.
  2. Pour plant milk of choice into a pan over medium heat, stirring occasionally to prevent film-formation. I would recommend oat, quinoa, coconut, or pea milk as they tend to boil the best without separating.
  3. When bubbles start forming at the surface, add semi-sweet chocolate chips or hot chocolate powder to taste. The goal here is a light-medium hot chocolate. The chocolate flavour should be very prominent, but the mixture should not be sickly sweet. 
  4. Whilst waiting for the milk to boil, remove the ice from the shaker and add the whisky or bourbon, Grand Marnier, and a healthy amount of orange zest, shaking vigorously for 30 seconds. 
  5. When the milk boils, the froth will rise rapidly. Quickly remove the pan from heat and add the milk to the shaker, shaking vigorously for 30 seconds.
  6. Place a large ice cube or whisky stone in a short whisky glass of your choice (I would recommend a Glencairn or tumbler) and strain the contents of the shaker into the glass.
  7. Sear the peel of an orange and run it along the rim of the glass liberally, and repeatedly. Be careful not to char or burn the orange peel. 
  8. Garnish with cocoa powder and enjoy!

Pour Deux

The Spicy One: Cold – Spicy – Sweet – Rum – Ginger

With a little bit of sugar and a little bit of spice, this fiery two-person cocktail is sure to turn up the heat. Pour Deux is a sweeter, hotter twist on the classic Dark ‘n’ Stormy, but don’t worry – if you aren’t a big spice person, you can easily omit the chili or black pepper and/or change the ratio of ginger beer to soda water for your ideal tipple.

Ingredients:

  • 50ml dark rum*
  • 75ml amaretto*
  • 275-350ml ginger beer (adjust depending on desired ratio of ginger beer to soda water)
  • 25-100ml soda water (adjust depending on desired ratio of ginger beer to soda water)
  • 2 teaspoons brown sugar
  • 2 teaspoon maple syrup
  • ⅓ teaspoon dried red chili flakes
  • ½ teaspoon black pepper
  • Lime wedge
  • Ice

Instructions:

  1. Add rum, amaretto, brown sugar, maple syrup, chili flakes, and black pepper to a shaker and set aside.
  2. Fill two large mason jars or glasses with ice, and add your desired amount of ginger beer/soda water (I would recommend a 3:1 ratio, but for those that prefer a lighter drink, 2:1 and even 1:1 are certainly possible). 
  3. Fill the shaker with ice, and shake vigorously until cold. 
  4. Strain contents of the shaker into the two glasses equally, stir, garnish with a lime wedge and enjoy!

The Morning After

The Early Morning/Late-Late Night One: Warm – Strong – Sweet – Coffee – Vodka – Creamy 

Some mornings, particularly when nights turn into mornings, are just plain hard. Enter my flatmates’ favourite: The Morning After. A warm twist on the classic espresso martini, this cocktail is a coffee lover’s dream. 

Ingredients:

  • 75ml Tia Maria
  • 25ml vodka* (adjust depending on preferred strength)
  • Double espresso (or really as much coffee as you’d like)
  • Plant milk of choice
  • 2 teaspoons brown sugar 
  • 1 teaspoon cinnamon 
  • Coarse sea salt 
  • Optional: hot chocolate powder or semi-sweet chocolate chips

Instructions:

  1. Pour plant milk of choice into a pan over medium heat, stirring occasionally to prevent film-formation. 
  2. When bubbles start forming at the surface, add the brown sugar, cinnamon, and a pinch of coarse sea salt. If you’d like, you can also add chocolate chips or hot chocolate powder to taste. 
  3. Whilst waiting for the milk to boil, prepare your espresso in your preferred manner (instant coffee is fine).
  4. Pour your Tia Maria, Vodka, and espresso into a large mug. 
  5. (If you have a milk frother and want to be extra fancy, you should froth the milk at this point as well).
  6. When the milk boils, the froth will rise rapidly. Quickly remove the pan from heat, pour the hot milk and froth into your mug, and enjoy!

Amazing artwork by Alessia Daniel.

Centre stage: Jiao Zi

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Chinese New Year celebrations reunite the whole family, and as is often the case when Chinese families get together, food takes centre stage. Most likely, there would be a bunch of little dishes, including fried rice, meatballs, a few vegetable and tofu dishes, a soup … but that’s not what we’re here for. Everyone is waiting for just one thing, the Jiao Zi, that is, the dumplings. On top of being the tastiest thing you’ve ever eaten, they are also a symbol of good fortune and prosperity. Before you devour them, let me tell you how you get there, since making these dumplings is at least as important as eating them and in most families it’s an enterprise that involves everybody.

You may perhaps remember the dumpling scene in the movie Crazy Rich Asians which shows the importance of making dumplings together as a family in Chinese culture. For those who haven’t seen it, they’re all sitting around the table and are diligently making one dumpling after the other while talking about the importance of family traditions. Well, in non-crazy-rich Chinese families, dumpling making is just as important. I can hardly imagine a Chinese New Year without spending time in the kitchen making dumplings. The point is that making dumplings requires all hands on deck, since the filling and the dough need to be made; the dough needs to be rolled out into thin little round slices; and finally, the filling needs to be folded inside the dough. And so every year under the severe stare of my mother, I try to shape my dumplings into cute little pockets. Whatever the outcome, mom will look utterly unimpressed. The grandma in Crazy Rich Asians does too, when she sees her daughter’s “ugly” dumplings. Yes, like many other things in a Chinese family kitchen, the dumpling making is only fully mastered by the grandmother, then the mother. Because yes, getting dumplings right is not simply a matter of skill, it requires mastery. To achieve the perfect dumpling, you need fingers that have done it thousands of times, you need to know exactly how much filling goes in, and how thick the dough should be. If any of these parameters are slightly off, you have failed.

Beyond the importance of making and eating the dumplings however, there is a 1800 year-long history going some way to explain their importance today. Initially invented as a frost-bite remedy during the Han dynasty by the legendary doctor Zhang Zhongjing, a pioneer of traditional Chinese medicine, they were a bit like the pills we take nowadays. Zhongjing would gather the ingredients needed for curing frostbite and would wrap them in a thin dough, boiling them so they could be delivered to patients. Since then the dish has evolved, bearing different names as dynasties passed, before settling on Jiaozi in the Qing dynasty. With time, dumplings turned into a nationwide culinary hype and even travelled beyond the Chinese borders. The Japanese Gyoza for example is derived from the Chinese Jiaozi, brought to Japan by Japanese soldiers after the Second World War. 

With their long history, dumplings also carry heavy symbolism, being a symbol for good fortune and prosperity for the year to come. It is also no coincidence that the dumplings are crescent shaped, since we are after all celebrating the new lunar year. In Chinese culture the moon is an important symbol of abundance and brightness – by eating a dumpling, you are eating harmony and prosperity! You may want a bit of this during the coming year of the ox so here is a brief recipe for beginner’s dumpling. Of course, the filling can be changed and ingredients can be added or omitted according to taste. I personally wouldn’t recommend the shrimp and would put more garlic but others would frown at me for doing so. Ultimately, it’s up to you, but a word to the wise, do not attempt to make dumplings on your own, it will be too much work. So, assemble your family for an afternoon or gather a bunch of motivated and hard-working friends and go for it!

The process of making dumplings is by no means simple – gather family and friends to help (The author at work!)

Trinity term residency requirements removed and more information about examinations given

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The Pro-Vice Chancellor has set out arrangements for examinations in Trinity Term. Residency requirements will not be in place, and measures will be taken to ensure all students receive “fair grades”.

In an email sent to all students, Martin Williams said that most exams will take place online via the Inspera platform. Students will be contacted by their department to confirm the format of their assessments. For students who are expecting to sit means in-person, departments will confirm any contingency arrangement incase the exam is moved online. The decision about whether to do this all happen in Week 8 of Hillary Term.

Whether students can return for in-person teaching in Trinity is subject to government guidance. However, Williams said he “hopes” students will be able to return for a mix of in-person and online learning. Residency requirements will not be in place for Trinity term, although students are “strongly encouraged” to return if regional and national restrictions permit doing so. Students who do not want to return to live in Oxford will not need to apply to do so.

In light of the continued disruption due to COVID-19, the University has put together an “academic support package” to ensure that students are “not disadvantaged relative to pre-pandemic years”. Exam boards will “make adjustments for papers that have been particularly impacted by the pandemic”, and review average and overall cohort results to bring them in line with previous years.

Individual students will be able to use and “enhanced” Mitigating Circumstances for Examiners process from Week 6 of Hilary. This can be submitted directly instead of via colleges. Students will also be able to submit a statement along with completed work to describe the impact that a lack of access to in-person teaching and resources has had on their work. They will also be able to self-certify for extensions and late submissions in recognition of how the pandemic has made it harder to access medical services for non-urgent reasons.

The University will publish a webpage detailing the formats for all examinations “in the near future”.

The Oxford University Student Union told Cherwell: It remains an incredibly tough time for students and we stand in solidarity with you in the challenges you face. We welcome the University’s update today which provide information on exams and Trinity term. We’re pleased to see further commitments on exams and assessment following our work on our fair outcomes for students campaign and we’d like to thank all the students who have been supporting the campaign so far. We’re still working with the university to finalise the details that will be going out about 2021 exams and assessment, and are working with the University to ensure that those details are communicated clearly and as soon as possible.

We welcome the news that the residency requirement will not be in place for Trinity Term providing clarity to students. We remain committed to actively lobbying and working closely with the University to ensure students get the best student experience possible next term whether they are in Oxford or studying remotely.”

Addressing the Unknown

Melt me.

Hold me in such a way that I forget who I am

Pull me close

Let’s watch the sun making its paperboy

rounds tapping on the window and shedding

off its flecks of glow onto the furniture

Melt my shell, burn it, crack it, smash it, with a 

rock, peel it apart, tears will erode it away

Exteriors smack into each other and blend

without much thought

My sky is clear blue no clouds. The

ground is sponges green.

These days, I lollop with little grace

As ever,

my soles press into the hard-working ground beneath us

So earnest is nature, I thought. So diligent, fighting against all odds

Yet silent to the ears of mankind.

Image Credit: Jasmine Lowe

Growin’ up with Emily

We’re sat in Emily’s car,  

the three of us,  

all berry-mouthed 

our sunglasses tucked 

in beach-bleached hair  

and sand still stuck  

in the eyelets next to laces, 

sat on towels,  

sweltering. 

And on shuffle comes 

that Radiohead song 

that reminds me of 

something I can’t remember

– it doesn’t matter, anyway – 

there is only today, 

this fast-slow day. 

Each time I dip my toes 

in the wake of the waves of the

future, the wake ebbs over them, 

then shrinks away.  

We’re sat in Emily’s car, 

and Emily asks 

if we were fated to be friends, 

whether we would’ve found each

other, had we not met how we did. 

I say yes, 

I am sure of it. 

Just how  

some people are born 

with reading holes for eyes – 

they do not merely read

books but devour them – 

we were surely born  

to find ourselves in this car 

as the sand dries 

and falls off our feet…  

How many grains of sand 

does it take to make a heap? 

And Abbie pipes up – 

you’re being too deep. 

And we’re laughing again 

like we do on the beach. 

Somewhere,  

the sun is setting, 

you can picture the scene: 

three girls sat dangling 

out the doors of a car, 

sea salt and suncream, 

we dream, 

we dream.

Image Credit: Jasmine Lowe

‘Something Wicked’: The Rise of Modern Witchcraft

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In 35BC, the Roman poet Horace depicted witches with ‘false teeth’ and ‘tall wig[s]’ of ‘dishevelled hair’, howling at the moon and ‘tearing a black lamb to bits with their teeth’. Over two thousand years later, however, the art of witchcraft is far from forgotten. Along with banana bread baking, Zoom call outfits, and home workouts, the practice of witchcraft has surged in the past year, with modern paganism trending across TikTok and Instagram.

The witch has long been a figure of curiosity both in the UK and across the world. As well as the famous Salem witch trials in the U.S., instances of witchcraft have been found across the globe. Some African tribes claim to be protected by the witchcraft of their clan, whilst in Japan the fox-witch or ‘kitsune-mochi’ is capable of shape-shifting, possession, and illusion. In England, arguably the most famous witches are found in Shakespeare’s Macbeth, chanting ‘Double, double, toil and trouble’, an incantation that very few people can claim to be unfamiliar with.

Even if you don’t spend your free time perusing the works of Shakespeare, the phenomenon of the witch is impossible to avoid in the twenty-first century. From hit shows like ‘Sabrina the Teenage Witch’ (re-made in 2020 by Netflix as ‘The Chilling Adventures of Sabrina’), to the cultural sensation that is J.K. Rowling’s ‘Harry Potter’ series, the human obsession with magic and witchcraft has manifested itself throughout art and society.

Within politics, also, the correlation between world events and the interest in witchcraft is telling. During women’s suffrage, in the nineteenth-century, the witch figure was portrayed as both a wisewoman and a devil worshipper. Meanwhile, the publication and sale of occultic books rose during the second-wave of feminism. More recently, the #MeToo movement coincided with an increase in the number of people identifying as witches. It’s fascinating that predominantly women – though studies have shown that minority ethnicities and the LGBTQ+ community also – identify with the world of witchcraft, particularly during moments of political struggle. In the face of patriarchal resistance, witchcraft seems to provide a sense of power and community to those who are so often marginalized and oppressed.

On the eve of Donald Trump’s inauguration, a witchcraft community called ‘Magic Resistance’ formed in the U.S., and has continued to meet throughout his presidency. The group perform ‘binding spells’ and gather together Tarot cards, feathers, and candles, amongst other items, alongside unflattering photos of the President. This ritual is performed each waning crescent moon so that Trump’s ‘malignant works may fail utterly’. As of today the ‘Magic Resistance #BindTrump’ Facebook group has 6.6k members, and performed their final binding on 12 January 2021 at the last waning crescent moon before Joe Biden’s inauguration.

How, then, has the current global pandemic affected the witching community?

Just as, historically, the practice of witchcraft has been shown to increase during moments of social upheaval, the COVID-19 pandemic and subsequent lockdown has resulted in a flourishing of modern witching activity. On TikTok, the ‘WitchTok’ community grew exponentially, with influencers posting tarot card readings, manifestations, and good luck spells that their followers could watch from home. As of today the hashtag #WitchTok has received 8.3 billion views, while hashtags like #witch, #witchcraft and #witchesoftiktok have received 8.9 billion views between them. There is even a teaching element to the community, under the hashtag #babywitch, where anybody new to the world of witchcraft can learn more about the spiritual practice. The WitchTok community also actively participates in the world around them. Last summer, during the Black Lives Matter demonstrations, many WitchTok accounts posted tutorials for spells that could be used on people for protection before they went out to protest.

But the online witching community is not limited to TikTok alone. Insta-witches have gained traction during the pandemic, with users like @thetarotlady performing regular tarot card readings on her Instagram live stories, and Wiccans like @harmonybeatrix even creating custom made Tarot sets for her followers to buy. Twitter’s witching community has expanded, whilst experienced witches like Pam Grossman, author of Waking The Witch, have taken to Zoom to hold online classes and conversations about witchcraft.

This isn’t to say that the community of witches is purely a lockdown phenomenon. According to a 2011 national census, 56,620 people identified as Pagan across England and Wales, as well as 11,766 people identifying as Wiccan. It is impossible, however, to deny the surge across social media that witchcraft has experienced in the past year. At a time when the world seems more uncertain than ever, young people in particular are turning to witchcraft in order to find a sense of stability.

It is notable that the most popular witching videos include recipes for ‘Banish Worry’ potions, ‘Anti-Anxiety’ spell tutorials, and positive manifestations. At its core, witchcraft focusses on harnessing inner strength and energy, regardless of external upheaval. With education interrupted, exams cancelled, and careers put on hold, it is no wonder that young people are searching for faith in the abstract where certainty has let them down.

Moreover, as social interaction is increasingly limited, the world of online witchcraft provides a strong sense of community to witches across the globe. Between live streams and the posting of magical content, the Internet has created a virtual home for modern day witches to share their spirituality and connect with like-minded people.

Witchcraft throughout the ages has been used as a means of empowerment, a source of spiritual strength in an increasingly hectic world. In 2021, however, the witch figure spends less time howling at the moon and baring their false teeth. Instead, you are most likely to encounter their inclusive community online using spells, crystals, and Tarot cards, as they harness inner strength and engage with the tumultuous world around them. Now, more than ever, the age of the modern witch is upon us.

Artwork by Emma Hewlett.

Ava Max’s ‘Crazy Ex’: smashing or bolstering hetero-normative stereotypes surrounding women and mental illness?

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CW: mental illness, mentions of gaslighting, violence.

She’s ‘sweet but psycho’, ‘torn’, ‘pushed […] to the edge’. Ava Max (born Amanda Ava Koci), the Albanian-American pop singer who shot to stardom following the 2018 release of her hit single, ‘Sweet but Psycho’, capitalises on a heavily lip-glossed and lycra-ed image of the crazy ex-girlfriend in this single, as well as in ‘Torn’ and ‘Who’s Laughing Now’ (2020). The persona that Max cultivates in these three videos is so overdone that it could be a cynical deconstruction of the ‘crazy’ stereotype, rather than a reinforcement of it. However, could the effect ultimately just be a reproduction of old misogynist tropes, changing nothing and possibly even fuelling the faithful old fire of patriarchy?

As someone who identifies as a woman and who has at times been disabled by mental illness, this question is personal and political to me, as all feminism should be. Leaving a ream of male critics and journalists to debate the intricacies of Max’s portrayals is short-sighted of the music criticism community; I hope to offer a more invested voice to the conversation.

Max herself claims the prior of ‘Sweet but Psycho’, ‘[At first, people] think I’m actually calling them psycho, but then it’s a deeper meaning’. For ‘people’, read ‘women’, here – or, rather, a White, straight woman. The three videos star Max as a ‘crazy girlfriend/ex’ figure who wreakes stylised, violent revenge on the (exclusively male and White, notably) boyfriends/exes/bosses who have wronged her. Of the three archetypal Romantic madwomen identified by Elaine Showalter in The Female Malady: Women, Madness and English Culture, 1830-1980, Max chooses to employ ‘the violent Lucia […] symbolising violence against men’. So a woman reclaims power, exclusively against men, through ownership of the very ‘psycho’ stereotypes which try to hold her down – right?

In ‘Sweet but Psycho’, Max’s revenge seems to be on men generally, perhaps a symbol for the patriarchy. Translating the specific paradigm of her rage to a female or non-binary sexual partner wouldn’t quite work, and I do wonder what different dynamics would emerge if the ethnicities of the male partners were more variable in the videos. The use of the word ‘psycho’ in the title situates this video as an explicit response to the hetero-normative, misogynist ‘psycho girlfriend’ stereotype. The music video sees Max transform from the sexy submissive, serving dinner to her partner, to a Miss Havisham/Bride of Frankenstein-style figure chasing him down the stairs in a wedding dress. She features in a straitjacket before threatening the man with a large knife, possibly an empowering reclamation of the phallus that has (allegedly) wronged her. The other male victims who topple over each other in Max’s wardrobe constitute a clear inversion of the Bluebeard myth, with dead boyfriends in the closet instead of wives. 

The song attracted criticism from UK mental health professionals, such as the Zero Suicide Alliance, on the grounds that it perpetuated negative and false stereotypes associating mental illness with violence. Poorly-judged ‘irreverent humour’ can indeed lead to further stigmatization, as Nicola Spelman, author of Popular Music and the Myths of Madness, indicates. David Metzer, in Alim Kheraj’s article ‘Why is popular music still obsessed with madness?’ offers an alternative viewpoint: that female artists such as Max are ‘protesting the expectations that have been placed upon them by flaunting that protest’.

This dimension is supported more strongly through the imagery in ‘Torn’ and ‘Who’s Laughing Now’, Max’s more recent singles. ‘Torn’ dabbles more in duality than craziness per se, invoking the nineteenth-century motif of the split hero, characteristic of classics such as Mary Shelley’s Frankenstein, or Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde. This hero is usually male, whereas Max’s female heroine lives as a downtrodden, nerdy girlfriend and badass superhero, respectively. Halfway through the song, the superhero persona turns ‘nuts’, brandishing a stiletto heel and belt as weapons. Interestingly, the climax is the unfaithful boyfriend pushing Max off the top of a high building: attempted murder. An undefeated Max slaps him across the face in response. The message here is clear: despite the play with ideas of split personality and schizophrenia for the girlfriend figure, it is the lying man who is dangerously violent.

In ‘Who’s Laughing Now’, Max grasps the crazy image by the throat. She is straitjacketed in our first sighting of her in the video. Max channels the anti-psychiatry movement of the 1960s here, which railed against the institutionalisation of mentally unwell people, and questioned the validity of mental illness as a social and cultural category, conceptualising its diagnosis instead as a means of exercising oppression. 

However, cross-editing images of Max writhing in a straitjacket and attacking her ex’s car with a large weapon somewhat undermines the accompanying lyric ‘Don’t ya know that I’m stronger?’. A glass wall separates her from the male psychiatrist later in the video, the one BIPOC man we see Max target across the three songs, but without the same romantic context and determinedly violent intent as aimed at her White exes/partners. She may smash the wall, perhaps a sister of the glass ceiling: however, he brands her as a ‘Psycho’ nonetheless, and she still ends up in ye olde asylum. The straitjacket remains. 

Ankhi Mukherjee, in Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction, charts the literary and dramatic representations of hysteria from the nineteenth century to the contemporary. She points to ‘a lasting cultural fascination with hysterical performance and play’, certainly applicable to Max’s aesthetic in these three music videos. Mukherjee’s question of whether the ‘female hysteric’ is a ‘madwoman or an actress?’ is demanding in the context of Max’s visuals. If Max aims only to be an actress, as the artist herself claims, deconstructively owning a glitzy aesthetic of madness for her own commercial success and the empowerment of gaslit women, then there is value in her employment of the madness motif.

She certainly succeeds in aligning whatever her persona actually represents, with sexiness. This is subversive in itself to some degree, when framed through Joan Busfield’s explanation of ‘mental illness’ in ‘The Female Malady? Men, Women and Madness in Nineteenth Century Britain’ [sic].

‘Madness, like its twentieth century counterpart mental illness […] is a concept which categorises some aspect of mental functioning – some thought, action, or behaviour – as abnormal, defective or disordered – that is, as undesirable’. 

Max’s figures are definitely desirable. Whether or not she is mad, she taunts her male lovers with the uncomfortable truth that they want her, anyway:

‘You’re tellin’ me that I’m insane

But don’t tell me that you don’t love the pain’. 

If her portrayal is edging closer to that of an actually mentally-ill person, on the other hand, the territory is far dodgier. To step away from preoccupation with the stylised madness images, there is another image in the ‘Sweet but Psycho’ video that is far more telling. Before the role play/murder/whatever festivities commence, Max’s persona sits in a bedroom strewn with her mussed clothes. 

Being marooned hopelessly in a disordered living space is a classic symptom of clinical depression. Max is not exclusively Showalter’s Lucia, then: she is also, perhaps, the ‘sentimental crazy Jane or crazy Kate’, or maybe even ‘suicidal Ophelia’ – or something else, entirely. A contemporary young woman with depression.

Despite this reference to ‘genuine’ mental illness, the mocking of the straitjacket image corresponds to a dominant late twentieth-century idea that mental illnesses are more social than anything else, and might not even exist. I support Busfield’s view of mental illness, that:

‘notwithstanding the sociological claim that madness and mental illness are social constructs, we do not have to accept the view of 1960s ethnomethodologists and of 1980s postmodernists that they [mental illnesses] have no ontological reality’. 

Max shows us who the really violent people are in ‘Torn’, and ‘Who’s Laughing Now’ according to her, unfaithful men and male psychiatrists – to highlight gaslighting in heterosexual romantic relationships. This is still a necessary topic for contemporary intersectional feminism.

But suggesting that her personas are not ‘really’ unwell is perhaps an opportunity missed. Max seems a bit unsure about whether she is actually ill or not in her videos. Mentally unwell women, and yes, those undergoing psychiatric care, can be victims of abuse and gaslighting, too: in fact, they are possibly more likely to be so than mentally healthy women. 

I’m not sure that suffocating a couple of interesting boundary-blurs about gender, mental illness, stereotyping and institutionalisation beneath the ‘crazy’ aesthetic is the way to go. Mental illnesses, in spite of their confusing mish-mash of cultural, situational and somatogenic factors, are, as Michael G. Kenny notes, ‘real […] though they are also a potent resource for metaphorical elaboration and obsessive/compulsive behavior’ [sic]. And they are disabling. They are not glamorous, and frustratingly cannot be changed like make-up can. Tossing symbols around and playing at being a superhero are fun, maybe empowering if you look at them under the right strobe lighting. We could do with more explicitly and proudly nuanced takes on what it means to be female and gaslit, or female and mentally ill, or both – taking into account further intersections – to sit beside or even top Max on the chart pedestal.

Who are your new Oxford SU officers, trustees and delegates?

Rashmi Samant was elected Oxford Student Union President. Samant aims to extend access to resources and events for graduating one-year Master’s students, along with lobbying the University to waive residency requirements, along with implementing a safety net and mitigating circumstances until the World Health Organisation declares that the pandemic has ended. She also wishes to focus on decolonisation and inclusivity by removing all imperialist statues (specifically mentioning Codrington in her manifesto), consulting students regarding the decolonisation of syllabi and tackling institutional homophobia and transphobia. Additionally, she aims to decarbonise the University by lobbying the Conference of Colleges to divest their entire financial portfolio from fossil fuels as soon as possible.

Devika was elected VP for Graduates. She aims to further centralise University and student communication, support the Fair Outcomes for Students campaign, collaborate with colleges and societies regarding their Race and Diversity Initiatives and tailor welfare support to graduates and non-traditional students.

Safa Sadozai was elected VP for Access and Academic Affairs. She aims to review course content to ensure that material is “accessible, accurate and representative of the diversity of students and society alike”, including a review of examinations to make them more manageable. She has also suggested altering the structure of Oxford’s terms by extending into 9th week, reviving the defunct “Free Our Wednesdays” movement or the implementation of a reading week. Sazodai has also highlighted the importance of equalising the college system by addressing different colleges’ bursaries and hardship funds.

Aleena Waseem was elected VP for Charities and Communities. In the past, Waseem has started centralised SU systems for getting vulnerable students accommodation during the vacation, and for combating homelessness and rough sleeping. In her manifesto, she has promoted working towards greater sustainability awareness and working with sustainable local businesses.

Keisha Asare was elected VP for Welfare and Equal Opportunities. She resolves to work with the Oxford Mindfulness Centre and the Counselling Service to provide workshops, lobby for next year’s finalists to be given mitigating circumstances and to reassess the Counselling Service’s pre-appointment form. 

Oluwakemi Agunbiade was elected VP for Women. Her campaign pledges focus on the health and administrative difficulties faced by women, as well as addressing sexual violence and representation. She intends to lobby for counselling service to include a request for a POC counsellor, as well as push for regular sessions of gender, trans and racial bias training throughout colleges. She further wants to revive Oxford Women and NB walk home safe. 

Bethan Adams, Dhitee Goel, and Wesley Ding have been elected as Student Trustees. This role involves considering the long-term success of the SU, and they are usually given a specific role in one of four areas: complaints, finance, media, or vice-chair. Bethan Adams was previously the President of Turl Street Homeless Action and wants to work to break barriers in student involvement by improving access. Dhitee Goel is campaigning against an increase in international fees, and greater investment in student mental-health and well-being. Wesley Ding wants to increase communication between the SU and student members, working directly with JCRs and MCRs.  

7 NUS delegates have been elected: Jade Calder, Rafiah Niha, Mehrin Abedin, Otto Barrow, Gurpreet Bahj, Aaliyah Musa, and Zuhaira Islam. This role involves representing the Oxford SU at the annual NUS delegate conference. The candidates campaigned on a range of policies, including mandatory training for staff and students to prevent sexual assault and harassment, and building closer links between Oxford SU and the SUs at other UK Universities. 

The RAG Charity Ballot saw 6094 votes cast. The local charities selected were Homeless Oxfordshire and Oxford Hospitals Charity, and the National Charities were BEAT Eating Disorders and the Access Project. 

The election saw 36,405 votes cast from a total of 4,881 voters, a 61.1% increase from the previous year. Students in the Humanities Division had the highest turnout at 23.6%, while students from the Mathematical, Physical & Life Sciences Division were least likely to vote at 15.1%. Among colleges, St Catherine’s topped the leaderboard, followed by Wadham and Magdalen.

Oxford’s overlooked inhabitants: Brexit and the East Timorese

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In my second year at university I found myself short of cash. I had underestimated the expense of living out of college and so on the first week of Trinity, I printed off ten copies of my CV and went into every restaurant on Walton Street until I’d ran out. I soon got a job at a pizzeria, and it was probably the best waitressing job I’ve ever had mainly since my colleagues were great company and very interesting. There was a girl from Romania who gushed to me about a boy she met at Café Baba in Cowley, the head chef from Umbria who spoke perfect French and then there were the three men who worked as sous-chefs and pot-washers in the kitchen. Unlike the rest of the staff, these men didn’t speak English very well although this communication barrier didn’t prevent them from being extremely friendly, often saving me slices of pizza after a mis-order. I asked our manager, a Polish man, where these guys were from. 

“East Timor. I’ve worked in restaurants across Oxford for over twenty years and in every place I’ve worked, they’ve had someone from East Timor washing the dishes.” 

I’d never heard of the place. After a couple of weeks, one of the East Timorese sous-chefs was absent for a couple of days. I asked where he was and was told that he’d gone to Portugal for a week to sort out his new passport. I wondered why he had to go to Portugal to collect his new passport if he was from this unknown-country, East Timor. But then the phone rang for another delivery or the kitchen bell dinged telling me to take these starters to table four so I never asked. 

In the year since I hung up my waitressing apron, a year in which the UK ‘Got Brexit Done’ and the the COVID 19 pandemic has infiltrated every aspect of our lives, I have found the answers to these questions and learned more about the complex and often hidden struggles of the East Timorese community living in Oxford. 

No-one is sure how many East Timorese people are living in the UK, but estimates range between five and twenty thousand, with most of them living in Oxford. Fifteen thousand people is quite a large margin for error, and you may wonder how this statistic could be so inexact. First, very little English is spoken within the fairly insular community, which means that many are not registered with GPs and rarely find themselves filling in the usual forms which ask for place of birth and nationality. They face many common issues for immigrants from developing countries, and mainly work precarious jobs which are unprotected by contracts and are often paid less than minimum wage. Bocagio do Santos, an East Timorese translator and interpreter, told me that they usually work extremely long hours, often six days a week and socialise very little outside of the Timorese community. In short, these five to twenty thousand people fly under the radar. 

But the most confusing and obscuring factor limiting understanding of the size and needs of the East Timorese is that the vast majority of them living in the UK are EU citizens. East Timor was once a colony of Portugal — until 1975 in fact. According to the country’s Wikipedia page, “for the Portuguese, East Timor remained little more than a neglected trading post until the late nineteenth century, with minimal investment in infrastructure, health, and education”. This neglect carries on today: about 30% of the country is illiterate and about 37.4% of its citizens live on $1.25 a day. Portugal abandoned its colony after an internal revolution in 1974, and in November 1975 East Timor declared its independence after almost three hundred years of occupation. Within a month Indonesia invaded and what followed has been called genocide. After UN intervention, the country finally became independent in 2002. Any Timorese person born before this date, that is to say any Timorese person older than nineteen at the time of writing, is entitled to a Portuguese passport, and all the rights of a citizen on the European Union, including, until last month, the right to live and work in the UK.

When the first Timorese began arriving in the UK in the early 1990s, they were essentially asylum seekers and yet, since they were on paper no different to a French, German, Swedish or Greek person moving to the UK, over the past thirty years they have received far less support than people fleeing violence from other countries. They were presumed to have a comparable education, culture, recent history and financial situation to Brits—as is the nature of the EU. This, evidently, is not the case. 

However, with freedom of movement between the UK and the EU coming to an end this year, even the Timorese people’s status in the UK has become precarious. Like most other EU nationals living in the UK, over the past five years they have had to apply for settled or pre-settled status. However, due to poverty, unsociable working hours, language barriers and IT illiteracy, the process has been especially challenging for this community.

Fazil Kawani, a project coordinator at the charity Asylum Welcome Oxford outlined these difficulties to me. The charity has been offering services to the Timorese community and have made a real effort to communicate the urgency of their situation through their website and through emails to community leaders. However, as the East Timorese have not had any issues regarding their immigration status in the UK until recently, very few have come into contact with the charity. “They have many of the same issues as the other communities we’re helping but they have a different status in the country and that stops them from contacting us.”

Mr dos Santos is helping many Timorese people through the labyrinth of proving that they are entitled to stay in the UK. I first found his Facebook page ‘Tetum Solutions’ which has over eight thousand followers. Tetum is the language spoken by the East-Timorese. I couldn’t understand any of the posts, naturally, but occasionally phrases like ‘National Insurance Number’ or ‘pre-settled status’ or ‘Brexit’ jumped out. I wondered if this, a voluntarily run Facebook page, was actually the only source of information for these people on an issue that massively affects their rights and future in Britain. Mr dos Santos kindly agreed to speak to me. He outlined how the vast majority of his fellow Timorese are in the dark about the fundamentals of British culture, including Brexit and that, indeed, almost all their information on the subject comes from social media. As recently as last December, dos Santos has had people approaching him with only the slightest understanding of what Brexit was and what it means for their future. 

“Most are very worried,” he told me. “Some of them have no idea how to do these applications even four years after [the referendum]. In fact, it is very likely that there are Timorese people in the UK who are totally unaware that Brexit has happened. This could end up with them being in the country illegally and they won’t even know why.” When I pushed him, dos Santos roughly estimated that around 70% have begun the process of applying for pre-settled or settled status, but that many have fallen through the net of bureaucracy. For instance, since many are paid cash-in-hand, possibly somewhat off-the-books, they don’t have a payslip to prove that they are employed in the UK. 

He suggested I got in touch with Rosalia Costa, the community leader of the East Timorese in Oxford who also kindly agreed to discuss her community with me. She is responsible for liaising between the Oxford City Council and the community on issues such as housing and outreach. On the phone, she seemed very frustrated and worried. She assumed the post in September 2019 last year, and thanks to the pandemic, has had many of her plans dashed. I asked her if the city council or any other branches of government had attempted to communicate this increasingly urgent situation to this sizable Oxford community.

“There is not much effort to communicate with us,” she said, “If something is published then either myself or our committee has to translate it but so far there hasn’t been any effort to communicate in our language.

“There are about four thousand Timorese people in Oxford so presumably we should have a service in our language to help the people who don’t want to speak up — leaflets or dropping door to door, but no, we haven’t seen anything like that.” 

She also hinted that there is often a reluctance on the part of the East Timorese to ask for help. 

“Many Timorese people disadvantage themselves by not seeking help when they need it, because of the fear of shame and judgement. You know you need help but you don’t want to ask.” 

The City Council highlighted that there have been efforts to reach out to the community on this issue saying:

“Oxford’s East Timorese community are mostly here as EU citizens with Portuguese nationality. We are encouraging all our EU citizens to apply for EU Settled Status by the deadline of 30 June 2021, so that they can continue to legally live and work in the UK. We have partnered with Asylum Welcome to support their Europa Welcome service, which helps EU citizens who are struggling to make their application, and we have specific communications in the main East Timorese language of Tetum to reach this community. The Europa Welcome team have also been doing their own community outreach.”

Mr Kawani of Asylum Welcome believes a formal support system is necessary, and that with the Council’s support, the charity is trying to provide one. “They’re not exercising their rights. The online application is a big issue. Many of them don’t have access to IT equipment and lack the technical skills to make their application.” 

These impediments to making an application come from years of poverty and isolation within the city, which mean that the Timorese are often unaware of their entitlements as EU citizens, such as Universal Credit, council housing or child benefits. When I searched something along the lines of ‘East Timorese Oxford’ into Google, one of only things which appeared was a 2018 investigation by NHS Oxford on the health needs of the East Timorese and a report of a Commissioning meeting responding to the findings of this paper. The latter report wrote: “Poverty is visible within our East Timorese community…Within Oxfordshire members of our East Timorese population are often living in houses of multiple occupancy, paying extremely high rents, with a lack of contracts, unsafe environments, damp, infestations, and poor safety standards. Exploitation by employers, with no contacts and wages lower than the minimum wage, is common.” 

Mr dos Santos confirmed this, explaining that since even three pounds an hour (less than half minimum wage) is far greater than what most could hope to earn in East Timor, the Timorese in Oxford are reluctant to ask to be paid minimum wage, or don’t even really deem it necessary or do not have the language skills to ask. Asylum Welcome and community leader Mrs Costa began arrangements working with an employment charity and social enterprise called Aspire Oxfordshire to provide English language classes for the East Timorese, at times convenient for them, to alleviate this isolation and the issues caused by language barriers. However, due to the pandemic these have been postponed. 

This is one of many ways in which the community has been particularly badly hit by COVID 19. Despite commendable efforts by the East Timorese government to improve the health infrastructure of the country, most Timorese people living in the UK had essentially zero access to healthcare growing up. As a result they often don’t have a great understanding of ‘Western’ medicine and practices. Mr dos Santos told me that some members of the community have far more faith in traditional healing and believe that illnesses are caused by past misdemeanours. Many pregnant Timorese women turn up at the hospital for the very first time on the day they go into labour having not had any antenatal scans or check-ups. Naturally this spikes serious concern among hospital staff and often leads to social services getting involved in the family. Once this link to the state is established, there are often massive improvements such as the family is registered with a GP and has easy access to housing. However, with about 90% Timorese in the UK being men and 60% of them being unmarried, this link is not often established.   

It should be clear how precarious employment, a lack of access to healthcare, cramped housing and no information on current affairs have combined in a terrible way for the Timorese during the pandemic. Once again, despite efforts made by the Council and other services, for many, Mr. dos Santos’ Facebook page is the only real source of information on COVID 19. Since he is working full-time, Mr. dos Santos is not always able to update the page with a Tetum translations as soon as restrictions are announced by the UK government. This means that when the Tier System was announced last year, many of his followers were totally clueless until over a week later. He did a loose translation for me of some of the comments underneath his post which largely expressed total complete confusion and incredulousness. Imagine your principal source of information about this all-consuming pandemic being a Facebook page which rests on the shoulders of one, albeit very dedicated, single individual. Awareness of the impact of COVID 19 is particularly an issue amongst the Timorese, since tuberculosis is very prevalent in the community and East Timor has one of the highest smoking rates in the entire world. 

The Council informed me that ,“in the pandemic [it has] have provided translated communications for a number of communities. We also work with community partner organisations, who have strong connections with different communities, to provide practical support and advice. The Council offers free translation for its customer services to help ensure everyone in the city is able to get the advice and support they need.” 

However, it did not specify if any translations had been preemptively provided in Tetum. And although this free translation service is no doubt indispensable to many, the East Timorese have been shown to be less likely to engage with Council services.

This contrasts to the situation in Tower Hamlets in London, where the council have put up huge posters and leaflets and sent out a monthly newsletter explaining social distancing and government announcements in Bengali to ensure its large Bangladeshi community is informed. Nothing similar has been put in place in areas of Oxford, for instance Blackbird Leys, which is believed to have the highest concentration of Timorese people in the UK. At the time of the last census (2011) there were 222,127 Bangladeshis living in London, which explains to some degree why this step was an obvious one; Bangladeshis living in East London are a much larger community than the Timorese in Oxford. But equally if you compare that very precise number (albeit ten years old) to the inexact estimation of the Timorese population in the UK, there is another possible explanation. Since, on paper, there is often little difference between other EU immigrants and the East Timorese, city councils, but particularly larger branches of government only have rough estimations of the size and very distinct needs of the community.

This often extends to social and legal issues. For instance, East Timor’s conception of law and order is very different to the UK’s, or indeed any other European country. Dos Santos tactfully explained this to me: “In East-Timor, if someone insults your parents, it is normal for you to go round their house and [physically] fight them. It’s very normal.” The fact that this is not the case in the UK is not always explicitly explained and this has led many Timorese finding themselves in hot water. A lot of Mr dos Santos’ work is interpreting between the police and an East Timorese person who hasn’t realised what they are doing is illegal until it is too late. Filial loyalty in East Timor is rather seen as Grievous Bodily Harm in the UK. This massive culture clash is far from inevitable. Many East Timorese people work aboard to send money back home to their families. Since 2009, East Timor is one of only fifteen countries which has access to the South Korea’s Employment Permit System allowing Timorese workers aged between eighteen and thirty-nine to fill job roles on temporary visas for up to five years. When they relocate to these countries, the Timorese workers have induction programs and lessons on Korean culture, language and way of life. This is not to say the scheme is without issues (findings have suggested that while the vast majority of workers said they were treated well, they received very little time off and were sometimes expected to work when ill) but it did mean that workers had a far greater understanding of their host country— for instance very few got into fights. There is also a very successful seasonal worker program in Australia in which the government ensures that the workers are paid minimum-wage. Mr dos Santos suggested that similar programs ought to be set up in the UK in which, at the very least, British laws and their own rights are explained to them.  

Both Rosalia Costa, the community’s leader, and Mr dos Santos showed a lot of optimism about the next generation of Timorese people living in the UK and believe that they may be the answer to many of the community’s issues. Most of them were born here and have been raised through the British education system. After a sobering discussion, it was really heart-warming to hear dos Santos speaking about his own children. He explained how, if he and his wife happen to be out of the house, his sixteen year old son will answer the queries of any Timorese person who stops by and translate any document for them, in lieu of his father.  

“They are absolutely amazing at adapting to the country. Many of them are at university and work as nurses and doctors,” said dos Santos. “Their English is perfect and many of them help their parents and grandparents. I’m very proud of them.” 

The deadline to apply for settled or pre-settled status is this June. As already discussed, whilst some have already completed or started their applications, some will have not even begun the process. Mrs. Costa told me that she is especially concerned by the fact that people are still arriving from East Timor with not much of an understanding of what awaits them and not knowing that they may not have spent enough time in the UK to be granted even pre-settled status. The East Timorese have been an established Oxford community for almost thirty years. Many improvements have been made to their situation and the new community projects and younger generations offer real hope. However, with challenges as large and complex as Brexit, the pandemic, and the profound and mutual lack of understanding between the community and the UK government, many East Timorese people’s futures are far from certain.