Friday 4th July 2025
Blog Page 598

UEFA Nations League: fun or flop?

0

Last Sunday, when Portugal won their second ever international trophy, defeating the Netherlands 1-0 to win the UEFA Nations League, questions were raised on the subject of the validity of the competition.

Never before has there been a competitive trophy in European International football besides the European Championships and the World Cup, yet one question remained about the inaugural Nations League: is this a new and refreshing competition that is here to stay? Or will it be short-lived, given its occurrence inbetween major international tournaments and lack of international significance?

I happen to believe that this year’s inaugural Nations League was a resounding success. While many players will have been fatigued given their lack of a break following the 2018 World Cup, the 2018-19 domestic season and now the Nations League, it allows players another opportunity to achieve international glory with their country and gives International friendlies more of a purpose, given that the winners of each group enter into playoff rounds for a spot in Euro 2020.

After the culmination of the domestic season, as would so often be the case, teams would be forced to jet halfway across the world to play unimportant friendlies for the national team, which offer nothing but the opportunity for the team to play together. The Nations League, on the other hand, makes International fixtures competitive at every level due to the tiered system, and allows for promotion and relegation, meaning that there is an incentive for every team taking part. For example, teams such as Georgia and Kosovo won their respective groups in League D, and hence will progress to League C in the next Nations League, and have also secured a play-off fixture for a place at Euro 2020, which would be extremely difficult for such teams to secure through the traditional route.

Following the culmination of the Nations League, the players will still receive a large summer break until pre-season begins in July – with both the Nations League semi-finals and final being played in the same week, it barely reduces the players’ summer holidays, suggesting that fatigue will not be an issue for the following season, as has been suggested.

In the same vein, while it has been suggested that the Nations League will struggle to attract large crowds, this year’s inaugural tournament has proved that not to be the case. The Portugal vs Netherlands final entertained 42,415 fans, just under 8,000 shy of the Estádio do Dragão’s entire capacity, with over 20,000 English fans alone embarking on the trip to Porto to watch their team play in the UEFA Nations League.

It provides an alternative to the habitual international friendlies and presently the often uninspiring European qualifiers, and with a piece of silverware awaiting the winner, it certainly is a tournament that engages national teams. The Nations League also allows the opportunity for countries to claim silverware which are not usually in contention; Switzerland, for example, have never before reached an International semi-final, and came within a whisker of reaching the final, had it not been for Ronaldo’s late flurry of goals last Thursday evening.

On the issue of tiredness, England and Tottenham left-back Danny Rose stated ‘It’s not draining coming to play for your country […] whenever you’re selected for England it’s a great occasion.’ The opportunity to represent one’s country on the highest stage is a lifelong ambition for many professional footballers, and the UEFA Nations League provides them with yet another chance to compete for silverware. For the viewer, the Nations League offers so much potential. The inaugural Nations League allowed fans to engage once more with their national teams and to reduce the gap between the European Championships and the World Cup: for us, it signified more competitive football on our TV screens following the end of the domestic season.

No matter what you think of the Nations League, it appears here to stay – while Portugal have won the first, it will not be the last.

Another opportunity for both players and fans to engage with their national team and challenge for silverware should not be taken lightly, as the UEFA Nations League provides a new, refreshing and competitive avenue for International football, distracting fans from the wait for next summer’s European Championships.

The 2019 UEFA Nations League has been incredibly successful; it has brought thousands of fans to Portugal in support of their national team, made the international break more interesting and competitive, and rewarded Portugal with only their second-ever international trophy.

Why has basketball not taken off in the UK?

0

This year’s NBA Finals Game 5 saw the Golden State Warriors clinch a dramatic 106-105 away win on Tuesday evening against the Toronto Raptors to keep the best-of-seven series alive. With everything on the line, this was a game that had it all: dramatic injuries, momentum swings and a last-gasp comeback to keep the Warriors in the series at 3-2 down going into game six.

This was an undeniably thrilling spectacle which had as much drama as that which we value, say, in this year’s Champions League semi-finals, yet there are far too few British sports fans who take an interest in this type of spectacle. There is the sense that there are too many basketball sceptics in Britain, whose fingers-in-ears attitude is similar to that of American sports fans who declare that “soccer” will never take off in the US.

Given that basketball, of all American sports, is the one that British sports fans are most sympathetic to, it is difficult not wonder whether any American sports – let alone basketball – will ever fully catch on in the UK. Perhaps it is the case that in each society there is a limited amount of space for popular sports. Once a particular sporting culture has established itself and the country’s sports fans’ conscience is occupied by particular sports, there is a diminished capacity for interest in additional sports. So why do the US and the UK have divergent national sporting consciences.

This links historically back to American Independence and the efforts made by the country to distinguish itself as a unique democratic and capitalistic society. Since sport plays such a central role in society, the urge to adopt national sports different to those of Britain and Europe has ultimately led to the predominance of gridiron football, baseball, basketball and ice hockey in the US.

Alongside these inherent differences in sport between countries, there are further fundamental incongruities in sporting norms between the US and the UK: a draw is a relatively common result in British team sports, whereas US team sports (of which basketball is a perfect example) often send games into overtime to determine a conclusive winner and loser; European clocks often count up in sports matches and US clocks count down; American team sports matches are more stop-start (often divided into four quarters with frequent breaks) but high-scoring, while British team sports matches are often more on-going (with just two halves) but low-scoring; unlike sports in Britain, there is no system of promotion and relegation in American professional sports, instead the leagues are closed.

These differences between the popular sports of both countries, although minor, are so fundamental that they point to the crucial incompatibility of both countries’ sport consciences. There is a predilection for more constant excitement and gratification in American sports such as basketball, while there is a predisposition for anticipation, tension and momentary excitement in British sports.

Finally, there are key organisational differences between American and British sports. Sports are and have been organised, developed and practised in different contexts in both countries: that of schools, colleges and universities in the United States, and that of voluntary clubs and associations in Britain.

This has a significant effect on the organisation of professional leagues in both countries: in America the organisational system for the major leagues such as the NBA is surprisingly socialist in nature, with the salary cap, draft process and revenue sharing providing a relatively level playing-field for all franchises. In Britain, leagues are more capitalist in nature, with far more lenient rules and limits to salaries, transfer fees, club income and other financial matters.

The incongruities touched upon above are just a few general examples of the US and UK’s differing approaches to sport – predominantly team sports which dominate the respective markets. Looking back to the thrilling NBA finals game five between the Golden State Warriors and the Toronto Raptors with these fundamental differences in mind, it is tempting to think that basketball – alongside other American sports – will always struggle to fully ingratiate itself to the UK public and media.

However, you only have to look at some of the world-renowned celebrities who are currently invested in the outcome of this year’s NBA finals to realise that the sport can also attract a global interest and eventually become popular in the UK. Canadian rapper Drake is a Toronto Raptors superfan and has attracted a lot of attention in this year’s NBA Finals for his vocal support of his local team and his courtside antics. Beyoncé, Jay-Z and Metallica amongst other celebrities were present at the NBA Finals Game 3 in Oakland’s Oracle Arena the Wednesday before last, reconfirming the link between basketball and music superstars.

Many NBA players have also established links with famous football stars and clubs, and vice-versa, a move which is likely to bring about more of a mutual understanding and respect between different countries and these different sports. NBA legend and four-time MVP Lebron James, for example, owns a 2% share in Liverpool Football Club; he paid roughly six million pounds for his original stake in 2011 and, particularly because of the club’s recent successes, this is valued at upwards of £30 million at present. In the reverse direction, famous footballers such as Neymar and Paul Pogba are avid NBA fans.

So, if anything is going to bring the sporting make-up of the US and the UK together, the advent of the internet, globalization and the cult of the celebrity is the most likely.

The journey from script to stage

0

Oxford’s drama scene brims with originality, as ever more productions are being born from the minds of its students. Yet, the journey from script to stage is an oft neglected facet of student theatre. Whilst we frequently assess the quality of the performance itself, the ephemerality of the play-going experience leaves little room to dwell on events behind the scenes.

As audience members, we sometimes forego the richer story of the play’s journey to the stage, and of the people charged with bringing it there. Speaking to debuting writer Katy Holland and director Nicholas Phipps this week, I aimed to gain a first-hand insight into their personal experiences of staging an original student production. Holland, whose only prior writing experience was producing short stories for a school newspaper, is now making her way onto the Oxford drama scene, as the creative mind behind this year’s Christ Church garden play, The Oresteia.

The inspiration for this adaption of Aeschylus’ classic Greek tragedy came from an unlikely source: the television series, The Sopranos. Holland recounts spending the vacation watching countless hours of the American drama, which she says shares key themes, such as intergenerational conflict and revenge, with the classical play. The most impressive part of Holland’s method is the way in which she weaves elements of the show into her adaption. For example, the Furies, originally three actors, are merged into the character of ‘Uncle June’ (played by Omar Abdelnasser), a nod to ‘Junior Soprano.’ As the representative of an older generation in the television show, June reflects the Furies’ embodiment of the old world order. As such, Holland elucidates the ways in which modern depictions of dysfunctional families and generational conflict can allow us to access classical tragedy. Not only does her conflation of television drama and historical theatre make Aeschylus’ work more accessible, but it is reminiscent of how even seemingly disparate things can be connected by the imaginative mind.

Another inspiration for Holland’s work, which similarly finds elements of itself woven into the garden play, was a production of The Oresteia she saw at London’s Almeida theatre. Holland pays homage to this modernised production, which influenced her decision to study classics, in echoing its use of The Beach Boys’ song ‘God Only Knows’ in her own production. It was clear from speaking to Holland that this play is an incredibly personal scrapbooking of her theatrical experiences. Despite this, she says it was important to her to keep alive the spirit of its original, and to keep in mind what its original writer Aeschylus wanted to say.

Speaking about choosing the Christ Church garden play as her platform, Holland describes it as an inclusive event in which anyone from the college can get involved. The Oresteia’s journey to becoming this year’s garden play began with a discussion between Holland and the play’s director Nicholas Phipps. After determining the potential for Holland’s work to occupy the Trinity term stage, she wrote the first draft. Originally, Holland intended to only adapt the first play (Agamemnon) from the original trilogy, but after that came up a little short, she decided to add on the further two (The Libation Bearers and The Eumenides), completing them in the first week of term.

When it came to handing over her play to Phipps, Holland knew her play was in safe hands. She describes him as a ‘brilliant’ director whom she approached because of his experience (his previous involvement in drama cuppers earned him a nomination for Best Director). Whilst Holland admits that she did have a specific vision in mind for the end product of her play, she maintained a strong collaborative relationship with Phipps. The experience was ultimately an informative one, with Holland able to learn from Phipps and the actors about the practicalities of staging a play. In fact, she says it has inspired her to try directing for herself.

When asked what she has learnt from this experience, Holland gives a response which is in many ways applicable to not just the theatre, but speaks to the resilience needed for any creative pursuit: “Your first draft won’t be good,” she says, “but that’s okay.” She concludes: writing takes lots of time, and staring at a blank page is scary, but it’s always good to write something. It’s an important message for any aspiring writers out there. The journey of writing anything begins with staring at a blank page, but it has the potential to culminate in something great.

Having previously been assistant director for the New Writing Festival production Plagued, Phipps took on the role of directing The Oresteia. Looking for a potential garden play to stage, he had the idea of the adaption suggested to him by Holland and they agreed to work together on the project. His method of directing displays the careful thought and organisation required when working with such a large group of actors. Describing his approach to the play as if it was “a puzzle that needed to be solved”, Phipps’ process revolved around breaking down the play into small blocks and rehearsing these with separate groups of the cast. In doing so, he says, he had to consider both what happens in the scene and how he could make it work onstage. He also had to be aware of how he would reconstruct the “puzzle” in later rehearsals, making sure its varying elements remained cohesive.

When asked what were the biggest challenges he faced, Phipps outlines the practical elements of working with such a large cast and a comparatively small crew. Not only was it difficult to have all the actors come together at specified times, but the lack of an assistant director meant that Phipps and Holland were often left to complete extra tasks, such as sourcing props, on top of their main duties. Ironically, it is easy to forget that those behind student theatre are still students, with busy academic lives. Their dedication to staging these productions is incredibly admirable, and is demonstrated in the professionalism of the performance itself.

Of the particular considerations surrounding garden plays, Phipps says that audiences come to them with a perspective different to that of any other type of theatre. These events attract people who wouldn’t normally go to plays, says Phipps, and everyone is expecting to have a good time. Whilst he admits this attitude takes some of the pressure off the performance itself, as the audience expect less polish, the outdoor setting offers its own challenges. Rehearsing outside is rarely straightforward and the performances themselves are at the mercy of the weather, as unfortunately was the case with the penultimate performance last Friday, which was cancelled due to the rain.

As for what he learnt from his experience, Phipps highlights the ability to accept changes to an original concept and to respect the needs of the audience. What started out as an intense drama about the Mafia, he says, became in the end a fairly comedic play. As for the future, Phipps would like to be further involved in student productions but is happy to wait for the right opportunity to come along.

The Oresteia was staged in Christ Church Cathedral Gardens from Thurs 6th until Sat 8th June (6th Week).

Interview: David Aaronovitch

University Challenge has had its fair share of idiosyncratic figures over the past couple years. Just think of Ted Loveday of Hapax Legomenon fame, or Eric Monkman or, of course, Kaamil Shah, memorable for his matted vests and lustrous chains. Before all of these very minor celebrities, however, one student shook the broadcasting bureaucracy like it had never been shook before. David Aaronovitch, now a journalist at The Times, then undergraduate at Manchester, and his fellow teammates suffered a catastrophic loss in the first round, entirely due to their stubborn refusal to answer any question except with the name of a prominent Marxist, be it Trotsky, Lenin, Che Guevara, or even Karl himself. I ask David why he adopted such a radical position.

“It had been conceived from the start that it would be a two-fold protest. One against the fact that Oxbridge had so many teams that no polytechnics did. Whilst you had some arsehole college with 60 theological students with a team all of their own, these polytechnics weren’t even invited to be a part of the show. We were also a part of a major campaign to get the university to disinvest from South African companies because of our hatred of the apartheid government. We only formally had 16 guest tickets for the recording, but we managed to forge 200 hundred more, and the security couldn’t do anything but let everyone in, banners and all. As you can imagine, the show was quickly stopped.”

Aaronovitch does not make any specific comment on the selection of the Marxist icons, except in a passing comment that other revolutionary leaders would have been just as symbolically adequate. Nevertheless, I was curious to ask him, especially given his former Eurocommunist position, about his experience with the radical left, and its persistence in student politics.

“The first prejudice we held was a default radicalism towards the left. When I went up to university in the mid 70s, there was still a residue from the famous years of rebellion, those being 1968 and 1969. Very, very few people were on the right. The other thing was a hostility towards business. I can’t remember anyone saying that their ambition was to be wealthy or to become an entrepreneur. The assumption was that these were ignoble aspirations. The right wing for us began at the centre of the Labour party. That’s probably what the majority of people around Corbyn now believe. It’s almost as if you’ve had a takeover of the Labour party by people who resemble student radicals of the early 70s. It’s very weird.”

In 2004, Aaronovitch sat down with the late Christopher Hitchens, a man who in his memoirs bitterly criticised the modern left for losing their perspective and political vision. I mention Hitchens, curious to see whether Aaronovitch too believes the concerns of the left have ultimately become trivial. 

“Some of the things that left-wing people used to campaign for have now become common place. I find it difficult to generalise, but I do think there’s a particular kind of rarefication that can happen inside of universities, in which the debates you feel you’re having don’t actually have as much resonance on the outside. I think that may be more true now than it was when I was at university.”

Predictably, the conversation verges towards the issue of free speech. I reference his appearance on Newsnight in 2015, where he debated a representative from the Leeds Student Union on the banning of controversial speakers on university campuses. He addresses my question about the psychological motivation behind no-platforming and its targets with sceptical indignation, but also a fair amount of disappointment.

“Part of it is what Phillip Roth called the ecstasy of sanctimony. One of the things you should do as you get older, as you understand that the world is complex, is to allow people their mistakes, unless they are egregious, repeated and not really mistakes. I thought social media would make us realise that people have feet of clay, and that we should allow people to apologise when they need to apologise, and then to move on. Instead, what we have had is the pile-on, the Twitter storm, the mass condemnations, and it’s exhausting. I don’t think many people realised that this is the way social media would go, and therefore we haven’t built up the defences to fight against it. I’m not talking about shoving everyone off Facebook and Twitter, but just changing our attitudes towards what we see and read.”

Continuing down this line of thought, it seemed appropriate to mention his time on Question Time with the ever-divisive Jordan Peterson. He chuckles at the allusion, lightly mocking Peterson’s slightly foppish nature. 

“He’s rather dandyish, but he’s pleasant enough. Why shouldn’t a man be well-dressed? It tells you something, but that’s not necessarily a bad thing. As far as I can see, he becomes another one of those polarising figures, even though I’m not sure if he is one in and of himself. He sort of deploys a shield and a sword. If you like him, you are to be attacked for it. If you like him, you seem to attack others. I’m not really interested in that anymore.”

From one grizzly, pallid figure to the next, Aaronovitch has been hotly reproving of Julian Assange over the past couple years. When I enquire about the cause of such disdain, he sighs and lightly nods, as if recalling an old friend. In reality, he shows very little sympathy to the recently arrested Australian. With a structured but impassioned attack on Assange’s activity, I sense this is a question he has answered before.

“When he first came along, what WikiLeaks did was entirely novel. Before you had the connected internet, it was just not possible. Journalistically, it was rather impressive. After all, a lot of journalism is about getting information from people who don’t want to give it to you. However, one of the problems with the data dump was that all of the information was coming from one side, and not the other. In other words, it would all come out of US sources, because they were less protective of their data. When the state department files were leaked, some of the things that came out compromised the safety of people who were working for democratic powers in authoritarian places. And he didn’t seem to care. I remember debating him about it when it first happened, and he just wasn’t interested. One of the patterns that became clear through his own utterances was that his dislike of authority was incredibly selective. It was by and large the Americans, and by and large what you might called liberal interventionism. He was uninterested in Putin and the Chinese – he was quite willing to see these people as allies. His greatest contempt is for liberals, which is paradoxical because it is most likely liberals who will assert his rights. If he was Russian he would probably be dead by now.”

What becomes apparent to me throughout our interview is Aaronovitch’s deep-rooted interest in unpacking the mysterious, be that the illusive individual or the multifaceted social system. It is no surprise, therefore, that he has long been fascinated with the phenomenon of conspiracy, writing a book titled Voodoo Histories: The Role of Conspiracy Theory in Shaping Modern History in 2009. Four years later, he sat side-by-side with a wide-eyed, raving Alex Jones, a guest who Andrew Neil directly labelled the “worst person I have ever interviewed.” I ask him about conspiracy in general, and how individuals like Jones affect the way we see history as well as contemporary events.

“When I wrote that book, I was just so curious about why people would choose to believe conspiracy theories when there were more plausible explanations. What’s the fun in it, why would you be seduced by it, and how damaging can it be? I think we are really getting the answer back now, which is that it is fantastically damaging. It lies behind a lot of the far right’s success in Europe and America. To give you a little example, the penultimate chapter of Voodoo Histories concerns ‘birtherism’ and Obama. It was finished in 2010 and published in 2011. A year later Donald Trump embraced ‘birtherism’ in his attack on Obama. So now we have a president who used one of the conspiracy theories I wrote about. Not a candidate. The president. This is really serious stuff. I’m not really sure he believes it himself, but he intuited that a great deal of the militant Republican base believed it, and would therefore begin to support him.”

He goes off on a little tangent about Trump at this point.

“He’s an incredibly intuitive person rather than a strategic person. In fact, in some ways, you could argue that he is a dark, intuitive genius, not even understanding his own nature himself. He kind of knows what is really bad about us, because he is a genuinely terrible person. One of the biggest liars to be elected as the leader of a democratic state, ever. That’s not some ‘I don’t like him’ hyperbole, but just analytical truth.”

We jump to another individual that Aaronovitch has discussed at length: Shamima Begum. Interestingly, he shows a great deal of sympathy towards her.

“Firstly, we have a distinction between a child and an adult for a reason. If Shamima Begum at fifteen, instead of going to Syria, had slept with someone, the adult would have been prosecuted because she was a minor. We have these rules for a reason. She got seduced into thinking that it would be a good idea – she’s a kid. She has also been pretty much pregnant since she got there, and has seen three kids die. There’s one more thing: she’s British. She went to Syria, and made a nuisance of herself to people who really didn’t need any more bloody nuisance. We then turn around and say that it’s her problem. That’s immoral. It’s also immoral towards the people there, the Kurds especially, who have to deal with it. It’s so easy to say that we should leave her there, to neglect it and forget about it. Where does that take you?”

I ask him whether the situation is complicated by the fact that Begum has showed little remorse up to now.

“It is complicated by that. It just goes to show how completely hopeless she is in creating a case for herself. What does one expect? Do we expect them to be brilliant person-to-person intellectuals. One other thing that we have to take note of is that we have created rules that protect the minority from the majority for a reason. We could all be a minority at some point or another, who find themselves in the shit. We require in a democracy not the rule of the majority, but the rule of the law. The rule of the majority is no guarantee of human rights at all. Think about Myanmar.” 

Having touched on individual cases, I could not help but discuss perhaps the most polarising political problem of them all. Aaronovitch does shy away from Brexit; in fact he seems to intellectually revel in all its twists and turns. Frustrated though he seems, he refuses to stop fighting for what he believes in. An ardent Remainer, a wholehearted European, it is here he becomes most vivacious. 

“It turned out that people who wanted to leave didn’t have the faintest idea what leave meant. The politicians have significantly changed their minds about what Brexit means without ever acknowledging it, and I find that remarkable. For example, Nigel Farage always used to speak about how Norway was doing pretty well outside the EU and were setting an example for how we could be. When we came out, he said if we followed Norway’s system it would be treachery and betrayal. This is not hyperbole. That is literally what happened. I think that’s a sign of the weakness of their argument.”

At this point the pace of his speech increases, his eyes feverishly lighting up.  

“This is the one that would get me going. This is the one that will really affect your future,  a decision formed on an ultimately cavalier basis by a group of ancient politicians who really didn’t give a bugger. The people’s whose future depends on this question are overwhelmingly against the thing we have decided for their future. That’s a problem. Why is nobody talking about that problem? All we are doing now is talking about a bunch of old people getting cross. One of the things that is really driving me around the bend at the moment is this sort of liberal defeatism, the idea that the right is on the march and we can’t do anything about them. We’ve got bloody irons in this fire, we’ve got horses in this race. Why is everyone else allowed to be angry?”

As the mere student journalist, I’m a tad taken aback by the sudden vigour. I attempt to moderate the matter, stressing the difficult complexity of Brexit. He responds curtly.

“I don’t think it’s particularly difficult. To be honest Darius, if I were your generation, I’d be so fucking furious about the whole thing that I’d burn the place down.”

Dube wins Union Presidency as “Unlock the Union” slate struggles

0

Sara Dube has been elected to serve as Oxford Union President in Hilary 2020 after a three way race that saw her claim 521 first preference votes over Charlie Coverman’s 355 and Amy Gregg’s 244.

Candidates representing Dube’s “RISE” slate also succeeded in securing the offices of Treasurer-elect (Beatrice Barr) and Secretary-elect (Lee Chin Wee).

In the race for Librarian-elect – for which “RISE” did not nominate a candidate due to an incident in which the expected candidate, Ayman D’Souza, was instead nominated in the Treasurer-elect race – Coverman’s “2020 Vision” slate successfully elected Spencer Cohen in a close race with Mo Iman, a member of Gregg’s “Unlock the Union” slate.

2020 Vision were also successful in nomination the candidates with the most first preference votes in the races for Standing Committee (Chengkai Xie), and Secretary’s Committee (Geneva Roy).

The night was disappointing for the Unlock the Union slate, who took 1 of the 7 places on Standing Committee and 2 of the 11 places on Secretary’s Committee. By contrast, RISE claimed 2 places on Standing Committee, while 2020 Vision won 3, and RISE saw 5 of its candidates elected to Secretary’s Committee to 2020 Vision’s 4.

Speaking to Cherwell about the results, Unlock the Union said: “We are, of course, disappointed with this morning’s results. But we are also so proud of every member of our team, they’ve all put in so much work – and we are really pleased for the members of our team who were successful.

“We wish both other campaigns the best and hope that the winning officers will push for the substantial change the Union needs.”

One independent candidate, Joseph Grehan-Bradley, was successfully elected to Standing Committee. Speaking to Cherwell, Grehan-Bradley said: “I’m absolutely delighted to have been elected, and to have finished third. I’m so grateful to all the people who took time out from their busy schedules yesterday to drop me a vote.

“I hope to affirm their confidence in me next term by acting as a voice for change in the union, and by delivering on my pledge to hold a referendum on the question of abolishing slates.”

The closely-fought three-way election was fought on a number of issues, with RISE pledging to spend less on committee and more on members, to negotiate a discounted Plush entry price for members, and to move the membership registration process online. 2020 Vision had pledged to offer £1 pints during happy hour at the Oxford Union bar, to organise movie screenings with actors and directors, and to invite more BME speakers. Unlock the Union’s offers included accrediting a living wage for all Union staff, filming YouTube debate tutorials, and tabling a referendum on banning slates.

Dube, Barr, and Cohen will serve their terms as President, Treasurer, and Librarian in Hilary term of 2020, while Lee will assume the role of Secretary in Michaelmas term of 2019.

Cherwell has contacted the RISE and 2020 Vision campaigns for comment.

Oxford MP calls for inquiry into voter suppression of EU citizens

0

The Oxford West and Abingdon MP, Layla Moran, has called for an urgent inquiry into claims that EU citizens were disenfranchised in the European Parliamentary elections last month.

EU citizens in the UK, including some in Oxfordshire, were reportedly denied a vote in May’s election despite being entitled to one under EU law. The mistake was linked to administrative errors made by local councils.

A number of EU nationals reported that they arrived at polling booths to find their names had been crossed out with officials confirming they were not entitled to vote. Others complained that the elections had been announced at short notice, giving them insufficient time to register to vote.

Problems were also encountered by UK voters living abroad, with reported cases of ballot papers being distributed a few hours before the poll.

A letter written by Moran was sent to the chair of the Electoral Commission and the Cabinet Secretary on Friday. Receiving cross-party support, the call gained the backing of 68 MPs from six parties. The letter outlined two issues: the UK government’s requirement that EU citizens must complete additional paperwork in order to vote, and the issues faced by UK voters who live abroad.

Moran wrote: “We find it deeply concerning that the Government appears to have taken no action to stop such serious disenfranchisement from occurring.

“Had the Government confirmed that we would be taking part in these elections sooner, rather than on the same day as the deadline for the return of the UC1 form, we could have largely avoided this situation.

“It is clear that the Government did not want to take part in these elections. However, the Government’s responsibility to every eligible voter, to enfranchise as many citizens as possible, must come above party political concerns.”

The letter comes five years after the Electoral Commission recommended reform following similar complications in 2014’s European election. Since the letter, a petition for an inquiry into the disenfranchisement of citizens has reached over 11,000 signatures, and an urgent question was raised in the House of Commons last week on the matter.

Moran, a Liberal Democrat who assumed office in June 2017, set out recommended lines of enquiry into the situation. These include the impact of the Government’s late confirmation of the election and an investigation into how many citizens were denied their vote on polling day, despite completing all procedures before the deadline.

Nicolas Hatton, founder of ‘the3million’, an advocacy group for EU citizens in the UK, and Jane Golding, founder of British in Europe, have between them raised over £40,000 for the ‘#DeniedMyVote is unlawful’ CrowdJustice fund. The fundraising constitutes part of a potential legal challenge to the #DeniedMyVote scandal, and they have called for people to come forward with examples of having been denied their vote, with the possibility of bringing forward legal action.

Hatton and Golding said: “Our team of expert public law practitioners and researchers will go through the testimonials and assess the best legal options to successfully challenge the Government.”

‘The3million’, whose name refers to the number of EU citizens living in the country, also wrote an open letter to all those standing for the Conservative Party leadership, outlining their hopes for the protection of rights.

They wrote: “British in Europe and ‘the3million’ represent over five million people who still have no guarantee that their futures are secure after nearly three years.

“You can make sure that there will never be a Windrush-style scandal for EU citizens by supporting our ‘registration, not application’ proposal for a new immigration status after Brexit. Not only is this the right thing to do, but it would also send a strong signal to EU27 countries as they consider the systems they put in place for UK citizens in their countries.”

Leaked examiners reports shed light on STEM’s gender woes

0

A trove of confidential examiner’s reports leaked to Cherwell show that Oxford’s female undergraduates are performing worse than their male classmates in several STEM subjects.

Chemistry and biochemistry

The 2017 chemistry examiner chairman wrote: “I was particularly troubled by the fact that there was an almost 10% difference between male and female attainment in the easier questions!” He stated that he had “no answers” to explain the difference but thought that “there is something clearly systematic.”

In a letter to the chemistry external examiner in 2017, the Head of Policy for taught courses noted: “There is a significant gender gap in favour of men in the proportions of candidates gaining A* in Chemistry A level, and that a number of other Russell group universities seem to have a similar (although less marked) gap.”

Two years later, she noted that the problem had persisted, suggesting that: “a gender deficit in ‘academic self-concept’” may cause an “imbalance” that is “correlated with examination performance.”

In another letter, she added: “Testing of our students at the start of the course shows a significant gender gap, which does not increase through the course, and there is a similar gap in the problem solving mark of the TSA test, which is taken at the application stage.

“It seems likely that this is a pre-existing problem rather than something created by the tutorial system.”

The department is also considering whether other confounding factors are falsely creating the appearance of a gender gap. Singaporean and eastern European students — who are usually male — tend to outperform British chemistry students. The greater proportion of men among international students accounts for half of the gender difference.

“There is no current plan to reduce the rigour of the examination process,” Gurm wrote, “the department considers it to be of [sic] the highest importance to preserve this.”

Cherwell understands that professors are collaborating with the head of Experimental Psychology on an unspecified project to improve academic self-concept.

In biochemistry, men have almost always had a greater chance of getting distinctions than women since 2010 (although women have been less likely to fail). Only 2015 did not see any difference between genders, which the examiner observed occurredw was in “the cohort with the highest proportion of males.”

Women comprised 35% of chemistry candidates and 52% of biochemistry candidates in 2017.

Computer science

Computer science’s external examiner wrote: “Of the three programs I examined there was not a single student was female [sic].” She urged the department and University to take “serious action to improve the situation.” Last week’s annual access report showed that only 9.8% of UK students admitted to computer science were women.

Physics

Men outnumbered women 4 to 1 in physics’ 2018 graduating class. The examiner noted that women were far more likely to switch out of the integrated master’s course to the BA course. Four in ten women transferred, compared to 14% of men.

“The Physics BA course is largely used as an exit route from the MPhys course,” the examiner said. “It appears that female students continue to perform noticeably worse on average than males at most levels.” Half of men received a first compared with 30% of women.

Maths

Maths had a similar gender balance to physics — 22% of candidates were women – but the results were more lopsided. The department’s examiners were “concerned to discover” that twice the proportion of male candidates received firsts compared to women, whilst women were two and a half times as likely to get a 2:2 or below.

This “very significant gender discrepancy” comes in the wake of the department’s 2017 decision to extend exam papers’ time limit from 90 minutes to 105 minutes in an attempt to help some female candidates who are “adversely affected by time pressure.”

The gap is about the same size in maths prelims. During 2016-2018, 37% of men earned distinction in contrast with 15 percent of women. Women were 35% more likely to receive a pass or lower. Graduate students in the MSc Statistical Science programme also experienced similar discrepancies. Between the same years, 54% of males earned distinctions versus 28% of females despite the gender balance being 58/42% respectively.

The examiner cautioned readers against making conclusions because “variables in addition to gender can play an important role.”

Other subjects

But a few MPLS subjects are achieving equal outcomes. Material Science’s “Confidential” report concluded: “the performance of male and female candidates was not significantly different.” Women tended to get the highest marks and men the lowest, which reflected individuals’ rankings overall.

Concern for gender disparities is not limited to MPLS either. “The better performance of male candidates is clear,” the History and Modern Languages examiner wrote. Over 2014-2018, 57% of males earned firsts compared with 36% of females. Men averaged fewer than a third of all candidates across those years. “The small number of males taking this joint school could perhaps suggest a greater degree of self-selection,” the examiner said.

There were also female attainment gaps in Music, Jurisprudence, Engineering Science, Classics, Modern Languages, Oriental Studies, Theology & Religion, and English Language and Literature. However, their examiner’s reports did not discuss their equality statistics or Cherwell was unable to acquire them.

The University and multiple women’s groups have been contacted for comment.

Tuition fee ‘cut’ to cost grads more in debt repayments

0

Students could end up paying more after graduation under the government’s new tuition fee proposals, a Cherwell analysis can reveal.

The Government-commissioned Augar Review, published in May, has proposed a cut in tuition fees to £7,500 and a scrapping of interest rates during the period of study. However, the income threshold at which graduates begin to pay off their debt would be lowered from £25,716 to £23,000.

The effect of lowering the income threshold outweighs the effect of the fee and interest rate cut, Cherwell’s analysis shows. Graduates at Oxford, in virtue of having among the highest prospective incomes within the first five years of graduation, would be among the most severely affected by the proposed changes.

Research by Cherwell compared four undergraduate courses (Law, History/Philosophy, Engineering and English) taught at six different universities (Oxford, Cambridge, UCL, Durham, Coventry and Leeds Beckett) using median income data from the Department for Education.

Our analysis found that graduates from Oxford University, who already pay off among the highest levels student debt within five years of graduation, faced the biggest increases in debt repayments of the six universities under the proposed changes. The debt repayment for a Law graduate from Oxford five years after graduation is set to increase by around £1,200 on average. This is in comparison to the repayment for a Durham Law graduate, which will increase by around £960. The debt repayment for an Engineering graduate from Oxford five years after graduation would increase by around £1,200 on average, compared with repayments for a Coventry Engineering graduate, which would increase by around £1,080.

Our analysis also found that differences in debt repayments vary to a much greater extent between universities than between degree subjects, relating to respective differences in earnings. The median incomes of Law graduates five years after graduation at Oxford versus at Coventry are £61,400 and £21,400 respectively, a near threefold difference. Contrariwise, the median incomes of Coventry graduates studying Law versus English are £24,000 and £21,400 respectively, a difference of only 12%.

The median incomes of Philosophy graduates five years after graduation at Oxford versus at Leeds Beckett are £38,100 and £19,600 respectively, a difference of almost 200%. But Philosophy and Engineering graduates at Oxford will earn £38,100 and £42,800 respectively, a difference of only 12%.

Oxford hit by mumps outbreak

0

Corpus Christi, Brasenose and LMH have all issued emails warning students of a mumps outbreak amongst the student population.

Cherwell also understands that cases of mumps have been reported at Univ, Oriel, Hertford, and Queen’s.

In an email addressed to “all students and tutors”, Corpus Christi’s Welfare Dean and College Nurse wrote that: “A number of students have been diagnosed with mumps so we thought it important to send out a message advising students what they need to look out for and what to do if they think they have mumps and advising tutors that mumps is circulating amongst the student body.”

LMH similarly warned students: “There has been reported cases of mumps in college. Mumps is a contagious viral illness which is troublesome to students particularly at exam time.”

Corpus Christi quoted the diagnosis of mumps from the NHS website as follows: “Mumps is a contagious viral infection. It is most recognisable by the painful swellings at the side of the face under the ears (the parotid glands), giving a person with mumps a distinctive “hamster face” appearance.

“Other symptoms of mumps include headaches, joint pain and a high temperature, which may develop a few days before the swelling of the parotid glands.”

The email further advises students to “See the College Doctor (but inform the receptionist that you think you have mumps so they are aware prior to your arrival at the surgery) or contact the College Nurse. “Rest, drink adequate fluids, and take paracetamol or ibuprofen for symptomatic relief.

“Apply warm or cold packs to the parotid gland as it may ease discomfort. Do not attend tutorials, lectures or interact with other students for 5 days after the initial development of parotitis (inflammation of a parotid gland). If you are able to go home it would be advisable to do so.”

Brasenose’s domestic Bursar Grahame Smith similarly told students: “Given the infectious nature of mumps we will be following the advice of the College nurse, and request that any infected student is placed in effective “quarantine”.

“We will make appropriate arrangements with the kitchen for food to be taken to such students’ accommodation rather than hall.”

The email from Corpus also reminded students that: “Mumps is usually a self-limiting condition. It will usually resolve over 1–2 weeks, with no long-term consequences and antibiotic treatment is not required.”

Oxford was previously affected by a mumps outbreak at University College in October 2018. In May 2017, an outbreak of mumps occurred in colleges across the University, causing disruption to exams and sports fixtures. At the time, Cherwell reported that as many as several dozen students were affected across the University, including major outbreaks at Exeter, Corpus Christi, and St Anne’s.

Mumps is an airborne virus transmitted through coughing or sneezing, and is easily spread through infected droplets of saliva that can be inhaled or picked up from surfaces, hence the need for students with the illness to be quarantined in their rooms or go home. In serious cases, it can cause deafness and meningitis.

Many students will already be vaccinated against mumps, since the MMR (measles, mumps and Rubella) vaccine is part of the routine NHS childhood vaccination schedule. After both doses of this are given, the vaccine provides 95% protection against mumps. Most people who have been infected by the mumps virus will develop a life-long immunity to further infection.

If you are worried that you might have contracted mumps contact your GP for advice.

Time to tilt the lens – why is the fashion industry ignoring disability?

0

Part 1 of a two-part series

With crammed shops, an almost complete absence of disabled people on catwalks and a lack of inclusive products, the fashion industry is both a business which pervades the life of every single person and at the same time sports a complete lack of representation of and accessibility for people with disabilities. But what is the fashion industry actually lacking in the way it caters or doesn’t cater to a group which makes up twenty-two percent of the population in this country? Before getting into the topic I would like to point out that all the following statements, problems and solutions are based on conversations I had with different disabled women. They represent their lives and their personal experiences and opinions, nothing less but also nothing more. 

The first problem is the kind of products that are available. While Jo’s small size means she often shops in the kids section, she is always looking for certain items that are difficult to find. Or in her own words: “being restricted to children’s wear is great from a money perspective because I don’t have to pay VAT but from an underwear perspective not so great because I don’t fit the bras I need! And when I did finally find knickers that didn’t have cartoon characters printed on them, I bought them in bulk.” And it is not just the actual product, for many it’s even getting into the shop in the first place. The layout of the common high-street shop hardly makes clothes shopping a pleasant experience when navigating the space in a wheelchair. This can make shopping an annoying and unnerving experience for wheelchair users like Anne* (name changed by editorial staff). To maximise retail space the clothes racks stand so close to each other that it is often challenging for wheelchair users to move through them. Clothes are also hung up high. That makes it easy to browse when you are standing but unreachable when you’re sitting in a wheelchair. But the challenge doesn’t stop there. Wheelchairs do not move sideways but the curtains of a common changing room do. If you do manage to get in, you are facing forwards with not enough space to turn, but that curtain is still behind your back. And where is the joy in buying a beautiful new dress when not a single part of the store has been created with your needs in mind? 

Historically the relationship between fashion and disability representation has been difficult. It is not just that the group is shockingly underrepresented, the industry has also been accused of ableism and the fetishization of disability, especially disabled women, in the past. When Alexander McQueen created a pair of carved wooden prosthetic legs for the world-class Paralympic athlete Aimee Mullins in his 1999 collection ‘No.13’, he was accused of using her for shock value and treating her as part of a ‘freak-show’. The prosthetics have high sculpted heels with pointed toes and the calf is covered in flowers and vines trailing up the leg inspired by a Louis XIV-style table. While these connections between women’s legs and furniture does bring up associations of Carlo Mollino whose chairs balance on their very thin legs like the women in fetish heels in his private picture collection, McQueen’s catwalk was also a chance for Mullins to prove her talent which she clearly did when gracefully walking over the runway after only a few hours of practice with those legs. But photoshoots like the one accompanying Kylie Jenner’s 2015 Interview article have been rightfully criticised for their ableism. While Mullins is a woman who lives and thrives with her disability every day, Jenner as an able-bodied girl posed in a gold wheelchair wearing a shiny black bodysuit with black fetish heels. As a twitter user put it “when actual models can’t find work when in their chair but able bodied people can sit their ass in one and get paid, there’s a problem.” (Amelia, @amysgotmilk, December 1, 2015) Wheelchair models are still a rarity at fashion shows and when the model and disability advocate Samanta Bullock works at a show she is usually the only one there: “And when I was going down the runway, everyone was clapping and cheering on me and that was great, I mean who doesn’t love being cheered on but it shouldn’t have to be like that. I should be able to get onto the runway in my wheelchair and people should just think ‘oh, another model’.” 

Opening itself up to people of different abilities is not just a long overdue shift in the direction of social justice but also has the potential to make the fashion industry a better industry overall. In not catering towards people with disabilities it misses out on 13.9 million potential customers in the UK alone. But this is not just a matter of profits, the measuring stick of good design – ‘form follows function’ – also raises serious questions about the clothes that the industry currently offers. If mainstream fashion is unable to cater to disabled customers, are these pieces actually good products? 

Another big factor is the corporality of clothing. This is not to deny that fashion is an artform with its good right to create impractical, crazy creations but in its everyday use it is intimately connected to the body it covers. When fashion writer and activist Sinead Burke’s light turquoise Christopher Kane dress was supposed to be shown in the ‘Body Beautiful’ exhibition of the National Museum of Scotland, curators realised that there was no mannequin in the shape of a woman with achondroplasia. They had to create one based on Sinead’s own body using a mix of plaster casts and 3D-scanning. Samanta explained how fittings were at the heart of the process of creating the pieces of her upcoming inclusive clothing line. Every single item was tried on both her as a wheelchair user and on an able-bodied model. This allowed them to find the perfect balance between getting rid of excess fabric that bunches up unflatteringly when sitting but still having enough to cover the body comfortably when standing. In an industry where fast production and constant new designs are in demand, brands rarely take the time to try their clothes on fitting models during the design process. The result is ill-fitting clothes which were made without the human body in mind. The task of designing for body shapes that have not been given their due attention by fashion designers brings the human body back into focus. This will create clothes, which actually fit, for all of us.