Monday, May 19, 2025
Blog Page 841

Opposition to scholars’ gowns detracts from a meaningful discussion about inequality

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It is perverse to deny those who have achieved academically the rewards of their success. Those who oppose scholars’ gowns use the rhetoric of equality and privilege, but in doing so disguise the real problems concerning examination inequality at Oxford by targeting an irrelevancy.

Broadly speaking, the argument against scholars’ gowns is three fold: firstly, there is the suggestion that the process by which they are awarded is unduly affected by privilege; secondly, that they lead to an unequal academic community, which adversely affects results; thirdly, that differentiated gowns intimidate and upset those who do not wear them during exams. Behind all of this, however, is a desire for pointless and unnecessary change for change’s sake, which does not succeed in addressing any of the real problems which exist within Oxford’s exam system.

It is undeniable that when people first arrive in Oxford their educational backgrounds vary wildly and there is a great deal of inequality. Fast-forward to mods or prelims, and it is difficult to make the same case. With the exception of some slight disparities between Colleges (which are generally removed by centralised teaching and inter-collegiate collaboration), the intense education received during the first year of Oxford levels the playing-field in such a way that when it comes to the first set of exams, it is academic ability that decides whether or not you earn an upgrade in your gown.

Gender disparities are undeniably a major problem, but this issue lies in the way students are examined, and it should be a resolution of these disparities and not simply their outward symptoms which OUSU should work on combatting. It will not solve the problems of an often archaic and hence biased exam system to remove the outward symbols of success which attest to this bias—in fact, it will only disguise the problem further.

So does a differentiated gown system belie an unequal academic environment? It is not the University’s responsibility to ensure equality of outcome, but its purpose is surely to provide equality of opportunity. Oxford does not and should not aim to make sure everyone come out at the same level, but instead should aim to erode the educational inequality of those entering the university in their first year and ensure that those who work hard and achieve academically are given the opportunities to succeed. To say this is not to deny that there are structural problems which must be tackled to ensure that privilege and bias on the parts of examiners have an undue effect, but instead reaffirm the idea that the University should be a meritocratic system. Scholars’ gowns are a symbol of this meritocracy, which despite some failings, nevertheless succeeds to a great extent in rewarding achievement.

It is surprising that an argument levelled against scholars’ gowns is that the sight of them upset people in exams, and causes those who did not own them to perform worse. Surprising, since the gowns are the part of the scholarship least likely to result in later performance disparities. The financial rewards for performance in one’s first set of exams vary wildly between colleges, but overall amount to a sizeable sum of money, and in some colleges lead to priorities in accommodation, and extensive travel and academic grants. This begs the question: why hasn’t OUSU had a consultation about such ‘rewards’, if equality is truly its aim? It would be ludicrous to remove every reward for strong academic performance, but it seems that this consultation only targets the most visible yet least offensive aspect of the scholarship system. Again, a crucial problem in the Oxford exam system is present, but it is only the most irrelevant symptoms which are being targeted.

It should be remembered that you can earn a scholars’ gown at a number of points, not just your first set of exams, as they are also awarded for subsequent examinations, specific reasons such as organ scholarships, and academic performance outside of exams. The result is that your academic performance can be recognised at any point with a mark of distinction for hard work, and to remove the right to wear these from those who have already achieved scholarships reeks of envy, rather than any real desire for reform.

OUSU launches student consultation on scholars’ gowns

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Voting on an OUSU All Student Consultation on the student union’s policy on scholars’ gowns in examinations opens today at 12:30pm, after a narrow vote by OUSU Council in 7th week. Polling will remain open for two days and will be solely advisory.

OUSU Council narrowly voted to go to an All Student Consultation on whether OUSU should oppose the wearing of differential gowns in examinations during the 7th week Council meeting, in response to a motion put forward by Wadham students, Matilda Agace and Isobel Cockburn, to end the wearing of scholar’s gowns in exams.

A motion was already passed in Trinity term 2016 to ban the use of scholars’ gown in viva voce oral examinations, in order to reduce bias if examiners notice the gown.

The results of the consultation, along with the original motion, will be discussed and voted on in 1st Week Michaelmas Council. The poll is only a consultation, and the results are not binding.

The motion cites several reasons for ending the wearing of differential gowns, including that those without scholar’s gowns can feel “stressed, uncomfortable and inferior to their peers”. The motion also notes that “Oxford is the only university in the UK to have differentiated gowns in exams”.

If the motion passes in Michaelmas, OUSU sabbatical officers will be mandated to lobby the University to change the current system. It would also become OUSU policy to oppose the wearing of differential gowns in examinations.

Regarding the motion, Cockburn told Cherwell: “Anecdotally, we found that a lot of people felt much less confident and more anxious going into exams seeing big groups of people wearing scholars’ gowns, particularly women in STEM subjects.”

As a response to those who consider it ‘radical proposal’, Cockburn also told Cherwell: “subfusc is still worn and, as was argued at the 2014 referendum, it can act as an equaliser. Separate gowns act in opposition to this, creating a visual demarcation on often relatively arbitrary results.

“This is not an attempt to discourage people from celebrating their academic achievements; when you are awarded a scholarship, you are given both prizes and the title of a more academically able student.

“Of course scholars should be able to celebrate their academic achievements—but not at the expense of others.”

One student, Selma Stearns, told Cherwell: “I personally felt uncomfortable wearing my scholars’ gown because it felt showy and unnecessary. Everyone going to the exam has worked hard, and separating us based on results from another set of exams in another year seems arbitrary and elitist.”

Other arguments listed on the OUSU website in favour of the motion include the impact of the extra confidence given to scholars, and that “prelims results are more of a reflection of a student’s educational background than their grade in Finals”.

It has proven to be a divisive issue amongst students. One student, Tom Ash, told Cherwell: “I think by focusing on the gowns you’re scapegoating something which is not the most pressing issue in the system of inequality in Oxford, and getting rid of an important incentive for working in first year.”

Arguments have also been made regarding the undiscussed impact on choral and organ scholars. One organ scholar, Julia Alsop, told Cherwell: “You join the University as a scholar and student and they are intertwined—as such it diminishes us if we are not allowed to equally take our exams in the same way we experience our whole university life: as both scholars and students.”

Another student against the motion, Anna Lukina, said in a recent blog post: “Oxford [is] a place built on academic excellence—shunning rewarding it here seems absurd, especially since most current students have been accepted to this university by virtue of performing better than their peers.”

Regarding the inequality arguments put forward in favour of the motion, Lukina wrote: “The cost of gowns and disparities between different colleges in terms of scholarships/exhibitions are easier to address and will arguably make more positive impact.”

Arguments noted on the OUSU website against the motion include the impact of incentives to work hard, the long-lasting nature of the tradition, and the importance of rewarding academic excellence.

Students will have the opportunity to vote in the non-binding poll until 12.30pm this Friday.

The science books that every non-scientist should read

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Let me start by being completely honest—I am not a scientist. I am an English student who struggled with GCSE science, nearly setting myself on fire with a Bunsen burner on multiple occasions. Despite this, I love popular scientific writing, so here are my top science books for other scientifically challenged readers out there.

This short selection leans towards medical as much as it does to scientific writing. You will have to blame my sister—who is now a medicine student—for that. Her Junior Doctor books first drew my attention to the scientific world.

The Immortal Life of Henrietta Lacks by Rebecca Skloot: This is one of those rare books that you read and are instantaneously compelled to tell the world about. To give the briefest of synopses, Henrietta Lacks was a black woman from Baltimore, a sample of whose cells were taken during her treatment for cancer by a tissue researcher, George Gey. He discovered that her cells grew infinitely, and they became the basis for an incredible amount of modern medicine—including many modern vaccines and treatments for diseases such as HIV. As well as an informative read about the cell culture industry and legal disputes over tissue property, the book charts the pervasive effects of institutional racism in science and medicine. If you don’t have time to read it, it’s been made into an upcoming HBO film starring Oprah Winfrey.

How Can Physics Underlie The Mind? by George Ellis: I was writing on Virginia Woolf in Michaelmas, a woman who was intrigued by particle physics. I decided to follow suit and escape from metaphors and modernism for an hour to immerse myself in physics. Ellis’ enthusiastic explanation: that the smallest governing particles of matter are random, not determined, floored me. Discoveries in ‘quantum uncertainty’ destroy our notions of determinism, leaving our very existence a matter of chance. Ellis further cites processes like epigenetics (DNA modification by environmental factors) as proof that our brain is not solely determined by the low level structures like the particles that constitute it, but also by ‘higher’ factors like the environment we grow up in. I finished the book with the conviction that everyone should know about scientific theories of this magnitude, physicist or not.

The Brain That Changes Itself by Norman Doidge: Doidge’s book is immensely readable. He structures his scientific information into individual stories of people with neurological or mental health problems, with one thing in common—they were able to change their brains. Although these changes appear to be miraculous, the effects are a result of a phenomenon called neuroplasticity: the brain’s ability to shape itself. Doidge recalls an individual only possessing half of their brain who could still perform most functions, demonstrating that their brain had ‘re-drawn’ its ‘networks’ into different areas. This book dismantles the body/mind division. I was particularly struck by the explanation that when a person with OCD performs a compulsive act, the repetition in the brain’s neural pathways makes the compulsion/action relationship more likely to happen again—like how sledging down a snowy hill becomes easier the more times the path is used.

The Lazarus Effect by Sam Parnia: No, not the one from the Destination: Void science-fiction series. This gripping book is about cases like that of the footballer Fabrice Muamba, who was ‘dead’ for 78 minutes after an on-pitch cardiac arrest. It is clear why this event—bringing to the public eye a rare phenomenon of life after ‘death’—captured so many people’s imagination. Parnia’s book delves into investigating death, complicating the assumption that it is a clear-cut event. What makes this book so readable is the interweaving of detailed science with philosophical theories of consciousness and identity, and Parnia’s narrative urgency and intensity in conveying to his readers the importance of recent scientific research into death.

Scholars’ gowns are imposing and divisive. They must go

In 2015, Oxford students voted in favour of subfusc being worn to exams. When the question was debated, the central argument put forward in favour of keeping up the tradition was that subfusc acts as a mark of equality. No matter what your background or ethnicity, everyone walks into exams in the same black and white. From Wednesday to Friday of this week, OUSU will be asking students a new question: “Should OUSU oppose the wearing of differential gowns in examinations?”, or in other words, should we keep scholars’ gowns?

Some will argue that we should preserve them, valuing tradition for tradition’s sake. But as students here, we can choose which traditions to embrace, which to push to end entirely, and which to limit and adapt. We are responsible for the traditions we keep alive from one year to the nextwe can’t wave them away as part of “what makes Oxford what it is”. Oxford can change. Sometimes, Oxford should change.

The hierarchical gown structure is fundamentally in conflict with ideals of community and equality that the University espouses, all the more so because the division between those wearing scholar’s gowns and those wearing commoner’s gowns is visually striking. Recently, it was decided that in exams involving face-to-face contact with examiners, candidates should all wear commoner’s gowns to neutralise the risk of bias. While the particular worry about bias on the part of examiners doesn’t apply to the case of written papers, many students are made to feel uncomfortable and nervous by the presence of a visual reminder of what they might perceive as their academic inferiority. This isn’t just a hypothetical. 

One student echoes the concerns of many: “Exams are stressful enough without being forcibly reminded that you didn’t do as well as other people the last time round.”

Another said: “Not having a scholar’s gown has been really embarrassing for me. I don’t like being reminded of not doing as well as I’d have liked in Prelims when I’m anxious enough as it is.”

Apart from the fact that it creates division in the student body, there is also a clear gender bias in who is awarded scholars’ gowns. “I walk into the tent and it’s all the boys wearing the gowns,” one student said. “I already feel inferior being a girl here, let alone a woman of colour, and to just be reminded of every alienating feeling while standing in the tent is the most disheartening thing before an exam.”

The intensity of the problem varies from subject to subject, and is particularly sharp in STEM subjects, where not only are men the majority, but are also disproportionately awarded firsts. Indeed, several women say they only wear their scholars’ gowns to try to correct for the gender imbalance in who is awarded scholarships in their subject: “I couldn’t stand that the men looked as if they were cleverer.” We need to be asking ourselves as a community, is all this really necessary?

The decision as to whether to wear your scholars’ gown to exams also puts scholars in an uncomfortable position. On the one hand, you might get a confidence boost that staves off impostor syndrome, but on the other you might do so at the expense of your friends’ confidence. Whatever people decide to do, it’s an uncomfortable dilemma. One student said: “I didn’t wear my gown because it encourages us to judge each other, even if subconsciously, in quite a nasty way”. One student pointed to the costit’s £45 and not all colleges buy them for youand others said that wearing a scholar’s gown ended up feeling counterproductive: “I didn’t like the idea of having the pressure to live up to it.”

The question put to you in this week’s consultation isn’t about personal decisionsno one wants to single out anyone for blame. It’s about ending a practice that isn’t really working for any of us. The poll isn’t technically binding but the result will almost certainly be confirmed by OUSU Council next term. Whatever happens won’t necessarily influence university policy, but OUSU is certainly a powerful voice within the university. Students who are not eligible for the gowns are unnecessarily affected in a way that risks damaging their performance. Students who can wear the gowns are faced with an arbitrary dilemma. Let’s put people first and tradition secondvote yes!

 

New gin restaurant set to open in Oxford

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A kiosk serving gin made from a distillery next door is due to be built in east Oxford.

This week, Oxford City councillors approved plans for a new restaurant and garden area to be built next door to a recently-opened distillery, The Oxford Artisan Distillery. The distillery is located the outer edge of South Park near the Oxford Brookes campus.

People will be able to take a shuttle bus to the distillery from the centre of town, and will have the chance to tour the distillery before visiting the kiosk. Plans have also been approved to build a visitor centre for the distillery, which is based in a Grade II listed barn.

The plans had initially been withdrawn, following councillors’ concerns regarding the loss of public space in South Park, and worries regarding the proximity to Cheney school.

At the meeting this week, councillors agreed that the garden area should be open to both customers and other park users.

Concerns about the closeness of the school stemmed from fears of promoting anti-social behaviour. Councillor Colin Cook said: “I don’t think gin is an entry level drink for Oxford’s teenagers and any fears over children at nearby schools drinking there are over the top.”

Several students are also in favour of the new opening, although some are sceptical about the location. One student and gin-lover told Cherwell: “I think it’ll be a really nice social spot for students and locals alike, especially in summer, and it’s great that they’re bringing a listed building back into use.

“I would definitely frequent it on a sunny day (probably a bit too often!) and I’m sure it’ll be very popular.”

The kiosk will be open until 10.30pm each night serving gin along with other drinks.

Oxford gifts nineteenth-century violin to Syrian refugee

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Oxford University’s music faculty has taken a German-made violin out of the historic Bate Collection to lend to 14-year-old aspiring musician Aboud Kaplo, who is currently living as a refugee in Lebanon.

Andrew Lamb, curator of the 2000-strong instrument collection, was prompted to make the loan after being approached by film-maker and former student of the faculty, Susie Attwood, who had met Aboud and his family while filming a documentary in Lebanon.

When asked why he had taken the decision to lend a Bate Collection instrument to someone beyond University staff and students, which is its principal function, Lamb told Cherwell: “Most museums are very inward-looking. The professionals who work within a museum service generally are concerned only with their own narrow specification.

“Very often I think we lose sight of the fact that we are a global, international resource.

“If we can’t reach out…like this, we don’t really deserve to have our collections of glorious heritage at all.”

On the choice of violin itself, Lamb explained: “It’s not a grand collecting violin, but it’s a pretty good entry level instrument if you’re a young person who wants to learn to play.

“It used to belong to the previous curator before she died. She was one of these outward looking people. If she had known of this circumstance, she would have approved.”

Lamb intends to lend Aboud the violin for ten years, by which time he hopes that he will be ready to transition onto an improved instrument.

“When that time comes we will take it upon ourselves to try and find a better instrument for him,” Lamb said.

When Susie Attwood met him, Aboud was trying to teach himself using Youtube tutorials and a toy violin. He told BBC News: “Playing the violin helps me express my feelings. I want to go on to study music and play on a big stage and travel the world.”

Christ Church bans student from college events for Klu Klux Klan bop costume

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Christ Church has banned a student from all JCR events for arriving at a bop wearing a pillowcase as a Ku Klux Klan hood.

The student attended the final bop of Michaelmas term 2016 wearing a pillowcase resembling the hooded regalia of the white nationalist group the Ku Klux Klan. It was apparently intended as a “satirical response” to the bop’s theme of ‘2016’, and was not meant to cause offence, the student has told Cherwell.

As a result of the incident, the undergraduate has been blocked from attending all future JCR events and has been instructed to apologise in writing.

On Wednesday, the college sent out an email to students, regarding “a deeply regrettable incident in which an offensive item of clothing was worn at a college bop”.

“We wish to affirm in the strongest possible terms that Christ Church is firmly committed to equality, diversity, and respect, and we absolutely will not accept any breaches of such toleration: anyone who causes offence by disregarding these commitments is subject to strict college discipline,” the email from the Junior Censor, Brian Young, read.

The student has insisted that they did not intend to cause offence with the costume, which was meant as a “satirical response” to the bop’s theme.

They told Cherwell: “I arrived at the bop dressed in a jumper and jeans with a sign reading ‘Middle America’, and wearing a pillowcase resembling KKK regalia. The costume was intended as a satirical response to the theme ‘2016’. It was meant as a comment on Donald Trump’s possible connections to KKK members, after the US election.

“I did not intend to offend anyone and removed the costume within two minutes of arriving after realising the inappropriateness of it.”

Christ Church’s delayed response to the incident has raised animosity amongst some students. Although several Christ Church undergraduates say they put forward complaints soon after the bop in December, no official statement was released by the college until Wednesday.

Speaking to Cherwell, one Christ Church undergraduate, who declined to be named, claimed: “Numerous students put forth the complaint. I think the reason why it took so long is down to Christ Church’s reluctance to deal with controversy, they would much rather push things under the rug. And they have a track record of just leaving things rather than standing up and doing something.”

They added: “Also I think the atmosphere at Christ Church facilitates that sort of behaviour, in that it’s an environment where anyone thinks they can say or do anything because of ‘free speech’ and shock value.”

The Christ Church dean, The Very Revd Professor Martyn Percy, told Cherwell: “Such behaviour is completely unacceptable, and has been rightly censured by the college.

“The junior member concerned will not be attending JCR social events until further notice, and will be writing a formal note of apology.”

It is not the first time that Christ Church has disciplined one of its students for their behaviour at a college bop. In 2014, second-year student Inigo Lapwood was banned from entering the college after he brought a home-made flamethrower to a college party.

@_jackhunter

“At times refreshingly witty and sharp, and then lets itself down…”

In the most recent play by the Ionian Productions Theatre, Julia Hartley attempts to bring a relatively unknown story about love, lust and poetry to the stage. Arseholes focuses around the life of Paul Verlaine, a nineteenth century French Poet (played by Inigo Howe) who takes a talented young poet, Arthur Rimbaud (played by Archie Foster) under his wing. As the play unfolds, Verlaine leaves his young wife Mathilde (played by Tamar Koplatadze) and begins a passionate affair with the young Rimbaud. As an audience, we see Verlaine torn between familial duty and hedonistic passion, which is reflected in his poetry, which we hear (translated into English by Hartley) during the play. Lots of things worked about the play. We are thrown into excitement from the off, as Foster and Howe come running onto the stage in argument, and this excitement resurface again at other points. The script at times is sharp and comic, brought out well by the strong ensemble. The story is exciting and tragic, and we feel sympathy for Verlaine, slave to his own heart, throughout the show. The two main actors, Foster and Howe, take a difficult and demanding task to make the audience believe in their love and do it relative justice.

Howe as Verlaine is at times believably nervous and emotional, but this is often overplayed, and in the most demanding scenes, he slips into frantic gesticulation and awkward shouting. Foster as Rimbaud was clearly the standout, taking the role of the naïve and irreverent teenager in his stride.

Despite a confusing West Country accent which mysteriously disappears after scene one, Foster is the main source of life in the play. Tamar Koplatadze, who played Mathilde, was also impressive, exhibiting the heart ache of rejection with skill. Mathilde’s parents in the play, played by Keshya Amarashinge and Steve Goddard, worked well together, as they moved between comic timing and heart-felt emotion. The rest of the cast is made up of smaller roles, but the depth of the acting is good. Ernest Cabaner, played by Matt Gibson, was a personal favourite, bringing some life and zest to scenes with comic ease.

Hartley should be lauded for her effort in bringing this complicated story to life, especially considering she translated all the poems herself. However, the play lacks drive and tension. We are often led to a dramatic moment in a scene to have in snatched away from us in a cliff-hanger, and then not resolved in the next scene. The play seems stuck between ideas. In terms of comedy, it is at times refreshingly witty and sharp, and then lets itself down with crass humour and embarrassing puns. The lighting and sound both misfired, some scenes transitions had music, some didn’t, and the house lights came up three times. The realistic period costumes are let down by obviously fake props and embarrassingly fake beards. The realism of Howe and Foster’s passionate scenes is let down by the rushed and unbelievable fight scenes, with actors reeling off punches that we didn’t see or hear. To add to this, the play is simply far too long, with unnecessary scenes with no relevance to the main story dragging on.

On paper, the story behind Arseholes is intriguing and full of life, but unfortunately its transition to stage by Hartley does not do it justice. Go to see some capable acting and fantastic period costumes, but don’t expect a masterpiece.

OxView: Best finales

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The Good, The Bad, and The Ugly

Set against the violent chaos of the American Civil War, the last of Sergio Leone’s Dollars Trilogy is a western of still unmatched scale and style. Clint Eastwood is at his best as the cigar-chewing ‘man with no name’, opposite Lee Van Cleef and Eli Wallach who both positively simmer in their roles as rival outlaws chasing a stash of buried gold. Tense, long shots, and a soaring Ennio Morricone soundtrack bring the trilogy to a gripping conclusion.

The Lord of the Rings: The Return of the King

Currently tied with Titanic and Ben-Hur for the most Oscars for a single film, the final instalment in Peter Jackson’s epic fantasy trilogy is a movie on a massive scale and ultimately hard to find fault in. The level of cast performance and production value remains masterfully high as the fellowship’s desperate attempt to save Middle-Earth reaches its climax.

Three Colours: Red

Both the last film in the Three Colours Trilogy, and Polish director Krzysztof Kieslowski final work, Red is a stunning exploration of human loneliness and friendship. Starring Irène Jacob as student Valentine, this French-language film is a sumptuously directed and deeply emotionally involving drama, played out against Zbigniew Preisner’s critically acclaimed score.

Double defeat for Oxford in Varsity T20

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Oxford’s Men and Women both suffered Varsity defeats on Friday, as Cambridge completed a T20 Cricket double.

After comfortable victories in both the 50-over and T20 contests last year, the Women’s Blues meekly surrendered their Varsity crown after limping to an abject 74/9 in their twenty overs. Cambridge had no trouble in knocking off the runs, winning by nine wickets with some 50 balls remaining.

The Men’s match which followed was a somewhat tighter affair, but despite Matty Hughes’ valiant fifty, the Dark Blues fell just short, losing by ten runs after something of a recovery following a poor start with the bat.

Despite winning the toss on a sunny day which seemed perfect for batting, Oxford Women got off to the worst possible start at Fenner’s.

Wicket-keeper Charlotte Graham was run out in calamitous fashion off just the third ball of the innings, and strike bowler Lucy Binsted picked up the wickets off Vanessa Picker and captain Sophie Taylor within the first four overs to leave the visitors reeling at 11/3.

Imogen Brown and Sam Moore threatened some resurgence as they found some fluency at the crease, but the innings never really got going as wickets continued to fall.

Oxford managed to rack up 204 in this fixture last year, but their pitiful batting effort was epitomised this time out by Lucy Taylor’s tortured 32-ball stay at the crease, which yielded only three runs.

Leg-spinner Chloe Allison finished with a remarkable set of figures—four overs, two maidens, the wicket of Brown and just three runs conceded—as the Light Blues’ attack dominated.

A target of 75 was never going to be enough to challenge Cambridge’s batsmen, and openers Barber and Fisher accumulated steadily through the powerplay overs to reach 30 without loss.

Sarah Attrill picked up the wicket of Fisher, but as the Light Blues pierced the field with ease, they charged towards their target, eventually winning with a flick to fine-leg for four from Barber (33*).

This was Cambridge Women’s first ever win in a Varsity T20 fixture, and it was a fine way to do it.

The Men’s game saw two in-form sides face off: Patrick Tice’s Cambridge had won seven of their previous eight games, while Oxford’s Varsity treble last year was followed up by a series of strong results this season.

Despite losing the toss, Oxford got off to a strong start, with Toby Pettman’s medium pace proving hard to get away. He snared two wickets and took a catch within the first eight overs, and a sharp run-out from Matty Hughes saw the hosts slump to 34/4.

Tim Moses led something of a fightback, but dismissals in the middle overs meant Cambridge were 68/6 from 14 overs: a recovery was needed.

Fortunately for the hosts, Pettman (4-0-17-3) had bowled his full allocation, and returning Blue Johny Marsden’s increased pace played into their hands.

Moses slammed him for fourteen runs off the first three balls of the 18th over, and despite his eventual dismissal for 43, Rory Sale carried on where his teammate had left off, sending the final over of the innings for a further eighteen to leave the hosts 129/7.

Sale’s 14-ball cameo yielded 24 runs, which proved to be absolutely vital.

Vice-captain Dan Escott had been in fine form with the bat for Oxford, so it instantly felt like a bad sign when he was dismissed in the second over for just one: Moses proved impossible to keep out of the game, and forced an edge behind out of the Lincoln student with a nasty bouncer.

Jamie Gnodde and Alex Rackow came and went without proving the scorers with much trouble, while Hughes started to accumulate at the other end.

And just as Mathew Naylor became to settle at the crease, his lengthy partnership with Hughes was ended by a run-out at the worst possible time.

Hughes took the game into his own hands with the required rate climbing, and slammed two lusty blows for six in the fifteenth and sixteenth over to keep the run chase alive.

But some excellent death bowling from Moses and James Poulson, coupled with a lack of support from the other end, meant the Mancunian could not manage to pull off the chase: he fell in the final over, and Cambridge saw out the game to complete a ten-run victory.

The result meant it had been a disappointing two days for the Dark Blues, who were defeated by Manchester University yesterday in the BUCS National League 50-over semi-final.

However, their fighting performance will at least give them hope against of next week’s 50-over clash at Lord’s and the four-day game in Cambridge next month.