Monday 25th August 2025
Blog Page 991

Trump: better out than in

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Politics is an unseemly business and is best confined to bumper stickers and articles by Owen Jones, where it can go safely unnoticed. Every so often, though, the political has an unfortunate tendency to stray beyond its natural territory and force itself upon unsuspecting bystanders, like Donald Trump’s tiny, wandering hands.

Many of you will share in my disappointment that the second presidential debate brought a marked change to the thus far temperate and dignified nature of the race for the Whitehouse. Expecting a thorough and respectful examination of policy, what we instead got was a clash so considerable it could really only be viewed properly from space.

Now, I am not, by nature a decisive person; at least I don’t think I am. Yet, even to me, there seems little reason to prolong this election any longer, other than in the hope that it might yet outlive some of the candidates. With a view to speeding up the whole process, and knowing that the Cherwell comment section could well swing the result of this election, I have prepared the following forensic summary of the second debate.

What is a ‘Town Hall’ Debate?

Those of you who are unfamiliar with the set-up of a ‘Town Hall’ debate may have been surprised to find that it takes place in what appears to be a large Crèche for the politically indisposed, run by Anderson Cooper.

Although the setting was novel, the plot passed predictably enough. Trump and Hillary wiled away most of the 90 minutes pacing aimlessly around the stage and directing hysterical pleas into a silent audience like characters in a Samuel Beckett play.

Must I concentrate?

The question-and-answer format is tailored to those for whom more than two minutes worth of information on any given question constitutes a dangerous overload. Though the two moderators frequently discouraged both the candidates from exceeding their time, Trump was heard to complain at one point that it was ‘one on three’; though presumably that is just the kind of encounter he will bragging about next time he hits the locker room with Billy “ninth-most-famous-Bush” Bush. 

Who best took advantage of the bar stools?

Hillary’s determination to merely sit on her bar stool was really quite uncreative, and in honesty, may well have cost her my vote. The Donald, on the other hand, used his to full effect: standing behind it as if it were a shield, toying with it suggestively with his chipolata fingers, and wielding it above his head in the final moments of the debate to administer the death blow, or ‘Turbo Trump’, to his opponent.

Who provided the best talking points?

It has come, somewhat inevitably, to the point in the election cycle where all anyone seems able to talk about is pussy, specifically ‘grabbing’ pussy. Here we go again, we all sigh. Will these politicians every give up being so predictable and accept that the public are tired of the same old genital-obsessed rhetoric? Thus it was a welcome relief when Trump threatened to incarcerate Hilary, with just the kind of devilish charm he knows the ladies can’t resist.

Who provided the most effective distractions while their opponent spoke?

The split-screen frame in which the debate is filmed invites the non-speaking participant to use mime in order to undermine their opponent’s argument.

Donald, whose lips appear to both be engaged in a ceaseless competition to become the upper one, is at a clear advantage when it comes to this kind of political diversion. Hillary, on the other hand, focused on demonstrating that bemusement, usually a fleeting sensation, can actually be sustained over a one-and-a-half hour period. 

Who Won?

Anyone who actually watched the debate will know there were no winners, only losers.

Interview: Timothy Garton Ash

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Timothy Garton Ash has a stern, unaffected look about him. I meet him in his office at St Anthony’s. He is possessed of a rather subdued elegance, his answers arrive in sincere and vigorous phrases, he suggests that we stand as we talk. Of the armful of books he has written, the latest is Free Speech, a defense of his own line of anti-authoritarian liberalism.

I wonder whether it isn’t part of the liberal disposition to be always defensive, continually on guard against perceived threats to essential freedoms. Of course the set of freedoms are a thing constantly under negotiation, Garton Ash acknowledges. But now we really are “in a period where illiberalism is on the rise” and not just illiberalism, but “anti-liberalism”. The history of freedoms is one of troughs and peaks: if the days of Gladstone and Mill were a renaissance of liberal thought, and the post-Cold-War era a time of “liberal triumphalism”, then now we are in a period of bitter contestation: its “liberal modernity versus illiberal modernity”, and the real danger is the silent “salami-slicing” of liberal values.

“At British universities freedom of speech is under threat from two sides”, caught “in a kind of pincers”. On one side is the government, whose counter terrorism legislation “in its original version, was truly insidious”. The bill, which proposed the policing of forms of non-violent extremism, led Garton Ash to make well-publicised comments earlier this year that even Jesus Christ would be banned from addressing campuses under such an ill-conceived policy.

While governing powers can be relied upon to accept essential freedoms only begrudgingly, what might be harder to explain is the pressure on free speech “from below”: the increasing disregard for free speech amongst today’s most activist students. He tells me he wants to be careful though: “I’m very suspicious of middle-aged people explaining the young”; at the same time, he finds illiberalism amongst the young “very concerning”. Perhaps today’s studentry are simply overindulged and hostile to challenge; important too is the “echo-chamber” effect of the internet, that plays a role in buttressing an intolerance of opposition; or, Garton Ash smiles, perhaps it is simply that “liberalism has been the hegemonic ideology for a long period of time. To be young is to kick against the pricks: the pricks are liberals!”

He is reluctant to despair wholesale with today’s youth. “There’s a kind of Colonel- Blimp-like rejection” of much student activism “as being anti-free-speech…I think it’s important not to damn the lot.” The Rhodes Must Fall movement of last year, for instance “was not an infringement of free speech”, he argues, although it may have pushed free speech issues to the fore in certain oblique ways. Trigger warnings too he finds he can accommodate. Of course there are “ludicrous examples”: students at Columbia trying to impose warnings on Ovid’s Metamorphoses. “Give us a break,” he exclaims. But in principle they seem no different to the warnings given before distressing news reports, for example. “The one that I really do think is a problem”, he continues, “is no-platforming… This is not a group of students saying ‘we don’t want to hear Germaine Greer or Julie Bindel’. It’s one group of students saying that another group of students should not be allowed to hear someone they want to hear, and that is a clear violation of free speech [that] I don’t think we should accept.”

Would he ever consider no-platforming? “There are many, many speakers I wouldn’t want personally to invite!” But aside from speech which is strictly unlawful, the proper response to outrageous speakers is the challenge of “robust debate—what the Americans call counter-speech.” Students who advocate no-platforming sometimes claim it as their form of free expression, but “I don’t buy that. It doesn’t seem to me to be persuasive.” Garton Ash seems to think that such arguments stem not from a rejection, but a distortion of liberalism. “Partly by taking part of the logic of egalitarian liberalism to an extreme,” we arrive at “a logic of no offence” with a radical edge, whose attraction is its “primary colour, simple solutions.” Liberalism, he adds, is deeply suspicious of all radicalism.

I ask if ideological hostility ever moves him to question whether freedom of speech is really such a universal value; is it something people accept unthinkingly, rather than feel the moral force of? The question of universalism is one that concerns him deeply. It’s no good to simply confront the world proclaiming that “there was a bunch of white men who between 1600 and 2000 worked the whole thing out”. Rather, he aims to present the arguments, “stripped away of their cultural integuments”. He is deeply opposed, though, to a brand of cultural determinism that holds some societies to be fundamentally hostile to free discourse; after all, “free speech…is the freedom that enables and secures most other freedoms”. The cruel irony is the catch-22 of free speech: “you can’t really know what you think about the subject until you’ve heard all the arguments for and against”. Yet despite this, perhaps because of it, what he has discovered in a life spent traveling through and writing about dictatorships is that people there “are a hell of a lot more interested in free speech than many people in free countries are.”

Another aspect of the contemporary retaliation against free speech comes in the form of an intricate “identity politics of free speech”. This increasingly prevalent position holds that the only tolerable form of expression is self-referential, that legitimate speech is limited fundamentally by the identity of the speaker. Garton Ash is keen to point out that “if we’re talking about the experience of African women, then I would want to listen particularly closely to African women” in that instance. “That’s common sense, logic and actually a sort of human decency. But it’s a big, and I think illegitimate, leap from that to say only African women can talk about the experience of African women, because in that case only white middle-aged professors at Oxford would be entitled to speak about the experience of white middle-aged professors at Oxford and then all wider debate logically becomes impossible.” It is vital that we avoid “absolute rules enforcing civility by law”. Instead we ought to “try to achieve what I call robust civility, which has a certain cultural, intellectual sensitivity to these things, but allows all voices to be heard.”

Bertrand Russell had a line that a writer’s most cherished ideals are rarely those he states overtly. During our conversation my impression of Garton Ash is of an owner of a deeply-felt humanism and a borderless sympathy with political struggle, giving foundation to his liberal ideals. He recently wrote of his devastation at the result of the EU referendum, calling it the “biggest defeat” of his political life. He talks of the increasing ruthlessness of anti-liberalism in China, of the iniquities of the coercive, self-interested tabloid press, and the horror at the “assassin’s veto”, played in attacks such as those on the editorial board of Charlie Hebdo. Clear above all things is his desire to spread the conversation wide, and to resolve human differences through argument and reason. “I hope that’s what we do at this university” he tells me; after all, “there’s an art to talking about these things.”

One thing I’d change about Oxford… Educating people

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Oxford does a wonderful job at educating historians, biologists, classicists, geologists, and almost any other academic discipline. But it does not do a very good job at educating people.

In the United States, university is a place of experimentation. You try many subjects, before deciding which one you’ll major in. Maybe you take a few classes in biology, a few in history, a few in Russian literature and a few in geology. Maybe you would like to double major in philosophy and geology, or drama and chemistry. That is allowed and normal.

In Britain things are different. When applying to Oxford, I realised that I would have to choose between my two academic loves. One the one hand, biology — the beauty of evolution, the intricacies of the natural world, the moral purpose of conservation and the excitement of field work. On the other hand, I had history—the imaginative study of how life once was, the great intellectual and political debates of bygone eras, and the cast of fascinating characters which shaped the modern world. Faced with such a dilemma, and being unable to study both at Oxford, I flipped a coin and hence find myself studying biology.

There is much to be said about the English style of education. Someone with a BA in any subject at Oxford will know far more on how to do that subject than someone with a BA at a US university. But there is something to be said for the opportunity to shop around, for perhaps a year or even a term, before specializing too deeply into one field.

I love biology, and do not regret applying for it. But for all the joys of biology, I still love history. Oxford is a great university, but it could be greater. There is a benefit in a liberal education, and Oxford and her students would benefit if there was a tad more flexibility in the subject combinations, and the ability to try things before delving head first into only one subject.

Christ Church motion for war on Merton and Corpus “passed with flying colours”

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Merton and Corpus Christi now find themselves with a common enemy. The general meeting of Christ Church JCR yesterday led to war being declared against the two colleges, in what observer William Rees-Mogg identified as another proof that “Oxford is slithering over the brink into the boiling cauldron of war.”

Josh Cathcart, one of the committee members who made this choice, described the origin of this declaration. “Corpus Christi asked us (I think) to help them in their war with Merton. There was talk of allowing them to fight it out, and then come in after. And it was suggested we would go to war with both Merton and Corpus. Which passed with flying colours.”

President of Christ Church JCR Ali Hussain told Cherwell he had warned his mertonian homonym a few days ago that “Merton will forever be in Christ Church’s shadow.”

Expanding on this idea, one ChCh student justified the declaration with a geographical argument, “If you can see it from the top of Tom Tower, it’s in our sphere of influence.”

The decision to take on two colleges at the same time, following a still seemingly unresolved conflict opposing Christ Church to Brasenose which started in May of last year, surprised ChCh student Louis McEvoy but failed to worry him. “On the face of it such a policy would seem risky, yet there is a genius to it: after all, Merton and Corpus are hardly likely to get over their differences to unite against Christ Church’s strength, so we can comfortably wage war against them as they undermine one another.”

“It shouldn’t be too difficult, as Corpus is the Belgium of Oxford colleges and Merton a non-entity. I salute the rightful exertion of the mighty.” McEvoy added, “Actually come to think of it Merton could pose a challenge, because we’d have to find out where it is first.”

Redha Rubaie, who had represented Corpus Christi at the first war meeting in Merton, offered an analysis of Christ Church’s decision to throw themselves into the war. “One expected Christ Church to take a stand against the tyranny of Merton. But Christ Church realised they had to improve their position in the Norrington table and found Corpus to be an easy target. They should just try doing some actual work instead.”

America’s poet laureate: Bob Dylan

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In 1963, the Freewheeling Bob Dylan sang “Yippee! I’m a poet and I know it / Hope I don’t blow it!” Well, now the Nobel Committee knows it, and it should be clear to everyone he certainly did not blow it. But evidently it is not. Beneath their polite applause the sceptics are muttering their reservations. “I’m happy for Bob Dylan”, tweeted American novelist Jodi Picoult, “but does this mean I can win a Grammy?”

The argument that Dylan can’t be a poet because his lyrics are heard not read is based on nothing more than a semantic quibble. Did Robert Burns’ ‘Auld Lang Syne’ cease to be a poem the minute someone began belting it out on New Year’s Eve? Is The Iliad not a poem because it was originally written for music? There are poems whose rhythms are songlike, and songs whose lyrics are poetic, and no other songwriter of the past half-century has created a poetic idiom so unmistakably his own as Dylan. This idiom is kaleidoscopic in its variability, gradating from the senator-baiting rhetoric of The Times They Are a Changing (1962) to the gnomic, densely allusive texture of Highway 61 Revisited (1965), to the simpler and more tender lyrics of Blood on the Tracks (1975).

He can express sentiments so brutally clear that they inspire in an instant, zealous agreement (take this, from ‘Masters of War’: “For threatening my baby, unborn and unnamed, / You ain’t worth the blood that runs in your veins”) but his lyrics can also be teasingly obscure: “The motorcycle black Madonna two-wheeled gypsy queen / and her star-studded phantom cause the grey flannel dwarf to scream.” What the hell are we to make of that?

It is very difficult to determine what test language has to pass in order to be poetic and no, it is not “does it rhyme?” The nearest I can come is to say that poetic language is language which achieves an ingenious density of meaning, even if that meaning is not readily apparent. This is a test which Dylan passes again and again. Take for instance these lines from ‘Sign on a Window’, spoken by a man in unrequited love: “Build me a cabin in Utah, / Marry me a wife, catch rainbow trout. / Have a bunch of kids who call me pa, / That must be what it’s all about.” Here, in a song which wishes for a romantic coupling that can never happen, the rhyme of Utah (Youtah) with Me pa actually enacts this coupling.

Part of the beauty of that insinuation is it hides in plain sight, perfectly visible yet easy to miss as the melody carries you by. Perhaps one reason why to many people it sounds odd to call Dylan a poet is that good poetry needs to be dwelt upon in order to be appreciated, whereas the inclination of the listener is to be carried along at the melody’s pace, blithely unaware of the complex meanings hiding beneath the smooth surface of the lines.

Take a look at the following lines, from ‘Desolation Row’, perhaps his best lyric; how could anyone catch all of their import first time round?: “Praise be to Nero’s Neptune / The Titanic sails at dawn / Everybody’s shouting / Which side are you on?” On the one hand, “Which side are you on?” could mean “which side of the boat are you on?” to which one might reply “port out, starboard home” (that’s to say, posh). But it could also be that everybody’s shouting that old socialist anthem, “Which side are you on?” In a single line Dylan manages to impersonate both leftist agitators and reactionary snobs, while suggesting it really doesn’t matter which side any of them are on, because they’re all headed for a bloody great iceberg.

Bob Dylan is one of the greatest wordsmiths of our time. Yes, he sings over music, and his words are listened to, rather than read. But that does not mean his works are not literature. In a word, Jodi Picoult, write a line like that and then say it’s not literature.

“Cigarettes and Alcohol”

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Monday October 10th saw the 22nd anniversary of Oasis (albeit possibly stolen from T.Rex) classic ‘Cigarettes and Alcohol’, an enormous and hugely enjoyable song which was claimed by the band’s discoverer to be the most important social statement made by anyone in twenty five years. Looking almost that amount of time on, I was driven to ponder whether the staying power of cigarettes and alcohol at universities was the same as this Britpop anthem.

Going back to the olden days—school—barely any people I knew smoked. It was constantly drilled into us by parents and teachers that “clever people never smoked” and that “binge drinking” was a kind of horrific act committed by “others”, and never their children. Admittedly Oxford seems to lack the intense initiations and pub crawls of some other universities and it’s not exactly like walking down Oxford streets is a stagger through smoke clouds; but one of the first shocks of arriving here was that people you knew well would often binge drink and smoke — it was perfectly normal.

The idea was that we were all semi-independent adults exercising the freedom of being away from the influences who, typically, would encourage against or ban these pastimes. Thus, as the cigarette is a symbol of a teenager who wants to seem an adult, for many students, the cigarette is the symbol of a teenager who has become one. There is a staying power to the allure of engaging in a pleasurable activity that is self-knowingly self-destructive. It is this that fuels the continued perception of it is a rebellious activity to this day.

Meanwhile, even the idea of being a recovering alcoholic (a mature student, say) joining the buzzing social scenes of universities seems a tortuous experience, as alcohol flows in abundance through many facets of university life. There is a struggle in constantly straddling the line between being a perceived ‘killjoy’ with no social life and knowing when a night out is one too many for you to feel rested, healthy and able to work. The amount of times I’ve heard someone say they’re too hungover to do work they have to do is considerable. Yet by any “adult” standard, this sort of thinking would be cause for concern.

This isn’t to say that one should worry overmuch about the going out culture of university. Instead, it is merely a point to note that so much of university social life is dominated by drink. “Going to Bridge/Cellar/Wahoo/Bullingdon tonight?” is, in my experience, an extremely common conversation starter if you bump into a friend in the evening; while ‘we should grab a pint tomorrow!’ an equally common comment amongst old friends who need to have a catch up. Meanwhile, so much of the overt social life is predicated on drinking as to make you think there’s something odd here —societies start the year with “Welcome drinks”, the political societies have meetings based around an alcoholic beverage of choice and the sports teams are famous for their occasional stomach-turning benders. Even business societies and so on have welcome drinks; while Cherwell must confess its own guilt in having crew dates as part of their social routine.

The key is to manage a healthy balance—some people (lucky bastards) can go out four times a week while maintaining a healthy routine of sleep, work and fitness; while others will recoil at the prospect of going out three times. It simply boils down to a rational ability to know when the enjoyment of the night out will be more than the relative pain of the morning after. A key way I have noticed is that sportspeople tend to manage their social life better. Whether this is because of that self-conscious awareness of their body and fitness, or whether it’s the very fact that they are necessitated by early morning starts to not vegetate in bed all day the morning after a night out, is hard to tell, but it does seem to be a principle that holds generally. Personally speaking, trying to maintain this stricter routine over the summer turned out to be difficult, but definitely a rewarding exercise.

Meanwhile, smoking is a harder nut to crack. Most smokers at university aren’t even attempting to quit—postponing to a time after university—and so if someone were trying to quit, it would be difficult to in a such a laidback atmosphere. However, it doesn’t seem so prevalent as to be a temptation for non-smokers, unless as part of a desperate sense of boredom in the Bridge smoking area. Smoking seems something left for certain groups of people, not as pervasive an issue as alcohol.

To return to the start point of this article, Oasis promoted this lifestyle as the rock and roll antithesis to Blur’s southern, educated art pop. Even the music showed this divide—the brutish power chords of Oasis to Blur’s sophisticated and unusual musicality. Yet no matter how well Oasis glamorised this outlook, it might be worth noting that they’ve all calmed down a bit over the years. Why? Because moderation is generally a pretty good thing—and it just might make you happier.

The media must approach discussions about Haiti with more nuance

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At the end of last week, Haiti began three days of national mourning to honour the near 900 people who died as a result of Hurricane Matthew. Its effects within Haiti have been immense, with tens of thousands of homes obliterated and over 350 000 people in need of aid.

Mainstream media outlets took two varying approaches in covering the disaster. Unsurprisingly, the news within the US focused on the effects upon the citizens of the east coast of their own country, whilst appearing indifferent to the high number of Haitian fatalities.

On the other hand, UK Media outlets did recognise the devastation caused in Haiti, yet it fundamentally lacked nuance. They carelessly juxta-positioned Florida’s hasty and organised response to the disaster, involving millions of citizens being encouraged to evacuate their homes in cars full of essential supplies with the Haitian response, blaming its mass devastation on its poor infrastructure, ineffective government, and lack of a coherent plan if such a disaster should strike. It also drew attention to Haiti’s vulnerability to natural disasters due to over half of the population dwelling in shantytowns in a nation still recovering from the aftershocks of the 2010 earthquake and the subsequent cholera outbreak.

As illustrated above, Haiti is portrayed in a very negative light. It is often forgotten that Haiti was the first independent nation of Latin America after the first successful transatlantic slave revolt during the Haitian revolution of 1791-1804. It is this dismissal of history which leads to the wretched portrayal of the country by foreign news media.

It is not by lack of luck that Haiti is so poor. After becoming an independent, slave-free nation, Haiti was coerced into signing a treaty with France which involved paying 90 million Francs, 40 billion US dollars today with the consideration of inflation, as a form of reparations for the loss of “property” of slaves by the French plantation owners, having only finally paid off this unjust debt by 1947. Yes, unstable and corrupt governments, such as the Duvalier rule have played their part over the years. However, how much could the country have developed and progressed without this crippling debit?

International NGOs such as the Red Cross, Oxfam or UNICEF, though benevolent in their intentions, cannot continue the “rinse and repeat” cycle of shoe-horning aid into Haiti whenever a natural disaster strikes. This is mere short term solution which fails to address the historical legacy left behind by French colonialism. It is no use highlighting the lack of response in the poorest country in the western hemisphere without acknowledging the historical framework and role of France’s colonial legacy in doing so.

It is not enough for France to send 32 tonnes of humanitarian aid to appease its own moral conscience, while failing to attempt to reconcile its own damaging colonial legacy within Haiti. It is this historical background, which has lead to Haiti’s fragility and its consistent reliance on international aid. This is something several news outlets should bare in mind in their ignorant portrayal of Haiti.

University reviews policy on social events

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Guidelines on how to make international students more comfortable within the university have been issued to Oxford teaching staff.

The new recommendations, entitled ‘Making the most of cultural diversity’ touch upon a variety of topics such as ‘Cultural Self-Awareness’ whilst also providing practical advice on how best to approach social events in colleges.

International students make up around 40 per cent of Oxford’s overall student body, with up to 56 per cent at graduate level. There are currently students from 140 countries studying at Oxford.

It is stated that social situations may be difficult for international students due to difference in custom and thus advised that non-alcoholic drinks should always be offered and food options “carefully considered”.

The report states, “A British cultural phenomenon is to provide food, such as snacks or canapes, as a form of welcome to newcomers or visitors. However, this practice may disregard the preferences of other cultures.”

The guidance added that while academics should attend social occasions, they should be conscious that some students might find them “awkward”, and it recommends ensuring soft drinks and other food options, such as canapés, are also provided.

Ioana Burtea, Merton College’s JCR International Students’ representative claims that the guidelines may be problematic as they make clear distinction between British culture and the culture specific to a foreign nation.

She told Cherwell, “Not only is British culture itself not homogeneous (just think of all the times your Scottish friends have been teased about eating haggis), but a significant portion of international students have a diverse background, especially if they’ve attended an international school pre-Oxford. The attempt to classify students into different “dominant value groups” is a superficial approach to say the least.”

David Palfreyman, the bursar of New College, recently told the Daily Mail, “I am bemused as to what a culturally neutral canapé would be. That could be quite a challenge.

“I think this advice might be a little bit oversensitive to very minor comments.”

Alongside advice on social situations, the guidelines also touch upon pastoral care, stating that international students may be more likely to take a “failure is not an option” approach to their studies, which could affect their emotional wellbeing and thus require different support to UK students.

The report also warns of the different approaches to essay writing which international students may have been taught to students coming from abroad. It offers resources entitled ‘Learning to write at Oxford’ in order to help them to adapt to a new way of working.

The guide also states that “promoting understanding must outweigh other concerns” and thus “jargon, idioms and colloquialisms” should be avoided whenever it is possible to do so.

A spokesperson for the Oxford University said “We make no apology for doing all we can to make all feel welcome.”

Backstage dialogue with Sarah Wright

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How long have you been involved in drama?

I’ve been acting and writing since I was a kid, but the first show I directed was two and a half years ago. It was La Leçon by Ionesco and I directed it as part of my Extended Project Qualification at sixth form, I knew absolutely nothing about being a director so I had to ask my friend Claudia for tips.

And do you have any tips for aspiring directors in a similar position? What was Claudia’s advice?

The one thing I never forgot, which Claudia told me, is never to just show an actor how to do a line by doing it yourself. There are certain things, like blocking, where a character definitely has to be standing in a specific place, and of course that’s fine. But if you’re too stringent with your idea of how a line or gesture should be delivered, it gets stiff . You need to help the actor find their character, not present them with a ready-made one. Also, you need to have a strong idea of where you want to go with your production. In the rehearsal room actors will look to you for answers, and you have to be able to give them that. Even if you don’t know what you’re doing you have to pretend to. Directing is kind of a weird form of acting.

So it’s a big commitment?

Yes, it’s definitely a big time commitment. Over my last two years at Oxford I’ve been involved in nineteen productions – I think – in different capacities, and you definitely have to work out where to pour your energy. Sometimes I don’t get the balance right; with The Phantom of the Opera, which I directed in Hilary 2016, there was one day during the tech rehearsals when we were in the theatre from 9am until about three in the morning—which is not good. I’ve had some very stressful moments because of theatre, but it’s also given me things to be proud of—I mean, I’d genuinely say that Phantom is what I’m proudest of. So much hard work from so many brilliant people went into that show, and I’m honoured to have worked with them.

Is it difficult to assign roles?

It really depends. I’ve had some shows where I’ve dithered for ages about who to cast, but with some it was easier. With Phantom, for example, we knew who we wanted for the principal roles pretty much immediately. Myself and Callum Spiller, the musical director, started referring to people by their character names instead of their real names before we’d even officially cast them. But I think we had nearly a hundred people audition—it was ridiculous! And amazing that so many people wanted to be involved, of course.

Are you working on anything we should look out for?

Something in which another hundred people might want to be involved… (Laughs) I’ve got a couple of writing projects on the go. Myself and Katrin Padel are in the early stages of planning a musical version of The Book Thief, John Paul and I are writing a musical loosely based on the story of Doctor Faustus, and I’m writing an adaptation of Medea. We’re hoping to take them to the Edinburgh Fringe!

Letter from abroad: Amman

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Around a month ago I took the plunge and moved to Amman with 14 other students from Oxford. Unlike most linguists at the university, Arabists embark on their year abroad in their second year, armed with lengthy lists of unnecessary vocabulary from Al-Kitaab but no clue how to place an order in a restaurant.

The purpose of this, I suppose, is to encourage total immersion, a technique that has proved to be effective in the long run but is somewhat bewildering when, having just arrived in Amman, you realise that the speech you memorised about your hobbies is of no use when trying to negotiate a deal with your soon-to-be landlord.

Having said this, four hours of classes each day covering both colloquial and Modern Standard Arabic have helped me find my feet. Colloquial Arabic, known as ‘ammiyah’, varies from region to region, but is extraordinarily useful in giving you a key insight into the culture. In Jordan, for example, Arabic is a language of extremes: things are “very beautiful” rather than  good or great, and when asked how you are, a response of “fine” or “okay” will often provoke the question “what’s wrong?”.

This language reflects the culture of polar opposites that is prevalent in Amman. Downtown Amman, for example, is home to an Umayyad mosque and a Roman amphitheatre, whilst in the nearby neighbourhood of Shmeisani, the skyscrapers under construction grow taller and taller each day. The population of Amman, estimated at 4 million documented inhabitants, is expected to double in size by the year 2025 as a result of the Syrian refugee crisis, emphasising the drastic gulf between the rich and poor in Jordan.

Abdoun Street in Amman divides the city into two parts—East and West—and thereby two extremes. You need less than 15 minutes in a famous Ammani yellow cab to experience both. West Amman, the wealthier and more westernised part of the city, is heavily populated with expatriates, embassies, vast hotels catering for businessmen and tourists, as well as Amman’s most coveted bars, clubs, and restaurants.

Moving just a few kilometres from this will take you to East Amman. Despite 30 years of urban development programmes focusing on its poorest areas and informal settlements, the social disparities between the eastern and western parts of the city are still striking.

This division is emphasised by the unbalanced income distribution in an economically thriving kingdom. Amman is attracting the attention of multi-national corporations and investors as a city whose growing economy will be competing with the Gulf boomtowns such as Dubai and Doha in the near future, but only the wealthy Ammanis with assets and investments benefit from Jordan’s economic growth. Whilst changes to the infrastructure of the eastern part of the city are being carried out by the government, these changes simply cannot keep up with the number of undocumented refugees who turn to this area of the city.

These two sections of society dominate Amman, each having their own customs, attitudes and behaviours. Both, however, are extremely welcoming to tourists and students, like myself, who are guests in their city, and regardless of whether you are on the east or west side of Abdoun Street, the greeting is always the same—”welcome to Jordan!”