Susannah Goldsbrough

Susannah Goldsbrough reviews two Oxford productions at the Edinburgh Fringe that venture into the world of science fiction: 'Doom's Day' (the OUDS National Tour) and 'Lights Over Tesco Car Park.'

Horseplay Productions' politically-charged sketch comedy hits comedic targets despite an ambiguous through-line.

Oxford’s trashing clampdown is nothing short of garbage

Contradictory laws are no basis for bans which defy precedent and common sense

As they prepare to drop their fourth album, indie-rock sensation The Vaccines tell Susannah Goldsbrough what it's like to be old fashioned rockers in a post-punk world.

Black people and women achieved a lower percentage of firsts than their white, male counterparts.

Fire safety regulations were ignored for five years

21st century reimaginings of classic fairytales do not address the dark politics that underpin them. Susannah Goldsbrough explores.

Awkward encounters are inevitable, but advances must be reasonable, writes Susannah Goldsbrough.

The production is imaginative but the choice of play is inappropriate and bizarre, writes Susannah Goldsbrough