Modigliani Tate review – ‘a delight to walk through’

Tate Modern's Modigliani show is tame, but beautiful

Evidence of magic at the British Library

Harry Potter: a History of Magic wonderfully illuminates the inspirations behind a cultural icon, writes Raffaella Sero

A woman weaving herself into history

Hypnotising acidic colours scream out for Anoushka Kavanagh’s attention

The strange death of Constable’s rural idyll

Daniel Villar explores how the English countryside has changed since John Constable painted The Cornfield

Those Who Follow review – “an appreciation of some too often...

Matthew Roberts explores the different faiths of modern Oxford, as presented in the exhibition Those Who Follow

The insincerity of the female nude

Women should not be afraid to reclaim their naked bodies, writes Priya Vempali

Sowing the seeds for the Eastern bloc’s sexual revolution

Chantal Marauta explores the life of Russian Revolutionary feminist Alexandra Kollontai and her fight for gender equality

Revolutionary artists: from creatives to criminals

Catherine Cibulskis reflects on the dramatic evolution of Russian art in the immediate aftermath of the revolution

“A Mythical Future”: Katya Rogatchevskaia on the Russian Revolution

The British Librarian curator discusses her exhibition Russian Revolution: Hope, Tragedy, Myths

The opening of a closed cultural world

One combative poem has a lot to reveal about the place of artists under Soviet rule, Charlie Baker writes

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An exploration of Anna Burns' The Milkman and its chilling relationship to the violence of the Troubles.

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Research by Oxford University’s Computational Propaganda Project and network analysis firm Graphika provides an in-depth analysis into Russia’s disinformation campaign around the 2016 US election.

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