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Friday, January 19th

‘Beautiful is good’ – Giovanna Bertazzonia on Christie’s

Altair Brandon-Salmon dives into the world of art auctions with Giovanna Bertazzonia, co-chair of Modern Art at Christie’s

Political cartoons must now be held to a new standard in...

Viveka Herzum challenges the role political cartoons play in our current climate

Basquiat brought to life at the Barbican

Excessive detail hinders an energetic and ground-breaking Basquiat exhibition, writes Eleanor Birdsall-Smith

Opera: Passion, power and politics

The new exhibition at the V&A entertains yet bemuses Julia Alsop

The queen of artistic appropriation is crowned at the Tate Modern

Nicola Dwornik reviews a long overdue exhibition of Fahrelnissa Zeid's life and work

My naked truth

Jess Brown contemplates the merits and shortcomings of life drawing

Grayson Perry’s Polymorphous Popularity

Georgiana Wilson explores Grayson Perry's image, identity, and popularity after seeing his latest exhibition

Coming full circle: The importance of Queer British Art for young...

Billie Esplen considers the relevance of Tate Britain's Queer Britain exhibition

The Russian Revolution was a kind of orgy

Altair Brandon-Salmon is thrilled by the British Library's exhibition marking the centenary of the Russian Revolution

The Death and Rebirth of MS Paint

Chloe Dootson-Graube investigates the artistic importance of Microsoft Paint
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