As Oxford's newest musical society explores ways to facilitate a much-needed space for hip-hop music, only one question springs to mind; where have they been all this time?
Competitive, difficult, and opaque. All words associated with the Oxbridge admissions process. More recently, however, they have been used by disappointed Oasis and Coldplay fans in relation to Ticketmaster.
After an initial scan through the track-list for Tennessee-born country artist Dustin Lynch’s Tullahoma, you could be forgiven for presuming this is going...
“The whole thing’s becoming/Such a bumbling farce/Was that a pivotal historical moment/We just went stumbling past?”
Not enough people have heard of Kate Tempest. These...
By the mid-60s, jazz was floundering. The preceding decade saw bebop – the most radical post-war interpretation of the breed – birth several pioneering...
Oxford University Jazz Society have welcomed in the new year with the announcement of the launch of their new independent record label, JazzSoc Records.
Describing...
Nine years after they last took Muswell Hill by storm, indie giants Vampire Weekend played a two-night engagement at London’s Alexandra Palace as part...
9pm, The Bullingdon, a Tuesday evening. Those three ingredients are pretty much guaranteed either to produce an awful or a brilliant night. Thankfully for...
To call the summer of 2018 memorable would probably be
an understatement: there was the heatwave, the subsequent hours spent in beer
gardens, and, perhaps most...