Monday 25th May 2026

Music

On Geese and the Cult of the Fake Fan

Great statistics could be drawn up about how often men in Oxford will want to talk to me about Geese. 
Culture Val Michael -

Who gets to speak? The rise of the male podcast epidemic

I couldn’t help but notice, however, that one of the reasons for my disillusionment with the genre was likely the glaring gender imbalance, often when it came to the most successful, well-known podcasts.
Culture Amy Lawson -

Internet Babies: Students of Subculture

There’s a certain kind of artist that I keep coming back to lately: artists...
Music Sharon Wilson -

Authenticity and the pop genre: Slayyyter’s ‘WOR$T GIRL IN AMERICA’

Catherine Garner, known as Slayyyter, has been chasing fame for almost ten years now. She started out making ‘lo-fi pop’ from her bedroom closet, before bursting onto the music scene in 2019 with a string of electro-pop tracks
Culture Val Michael -
Latest

Were Nickelback really that bad?

Were Nickleback responsible for killing guitar music in the pop charts?

Review: ANIMA by Thom Yorke

A glance at Yorke's finest solo album to date

Songs to Sell Your Soul To

A talk through some of the songs on our newest playlist, designed to bring a little sunshine to the life of a languishing intern.

Just a Crush?

How Tessa Violet's 'Bad Ideas' and Mitski's 'Be the Cowboy' are changing the portrayal of romance in pop

Mashrou Leila’s Message of Pride Prevails Following Government Ban

How one Lebanese band became a symbol of hope for LGBTQ people across the world

Music and Christianity: What’s it all about?

What is the role of music in Christian worship, and does it still matter in the 21st century?

Review: No Man’s Land – Frank Turner

Why the newest offering from Frank Turner was a pleasant surprise

Music on the Big Screen

Music’s place in cinema: why the soundtrack must be unforgettable

“Lil Thot”: How female empowerment and music intersect

One of the first lessons we are taught as children is that to gain respect, we must first earn it. Yet for women in...

Review: Madlib and Freddie Gibbs – Bandana

Madlib is perhaps hip-hop’s greatest enigma. In a career spanning almost three decades he has studied a variety of genres, masterfully integrating them into...

Review: Arkells at ULU

The Canadian rock band, solo gigging, and why the music community is what makes a night

Let’s talk about… Diner Days

Find Becky's playlist at: https://open.spotify.com/playlist/2QAIzDp2lLpVwjTZab4uov?si=26UzFEgWRCK3ApYlgIWebw

Preview: Lia Mice at Supernormal Festival

Lia Mice is someone important. The experimental pop creator and film score composer combines dreamy vocals, and otherworldly sonics to create a kind of...

Does Taylor need to calm down?

An exploration of Taylor Swift, and the role that musicians should have in politics

Bigmouth Strikes Again: Morrissey’s Provocative Politics

Morrissey has been cancelled. The Guardian asked the Mancunian crooner “what happened” on Twitter after his records were banned from Britain’s oldest record store....

The Timelessness of Vinyl

Why the cracking, authentic sound of a record will always beat digital music

A Tribute to Lewis Capaldi

In defence of the Greggs-serving, sunglasses-wearing, Scottish singer.

If Ever I Stray

Genre devotion in Frank Turner's music - do musicians owe us consistency?

Sensuality In Strauss’ ‘Salome’

"Salome’s kiss is undoubtedly an extreme example, a sensual climax of an obscene kind, but musically important nonetheless, and a moment that illuminates its preceding pages of music."

Frequencies and what they do to you

A primer to the niche field of "sound art"
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