Wednesday, February 19, 2025

Music

Death of the Album, rise of the playlist

The album, once the definitive artistic statement in music, is being increasingly overshadowed by the rise of the playlist. Streaming platforms such as Spotify and Apple Music have reshaped...

Mac Miller grapples with mortality on ‘Balloonerism’

When the 'D' rings out from the organ on the dream-like second track of...

Five Hip-Hop Gems You Missed in 2024

A year dominated by the Kendrick Lamar-Drake beef, 2024 made it all too easy...

Hot springs: why Iceland is a breeding ground for musicians

Whilst for many, Iceland is associated with plane-grounding volcanic eruptions and sweeping landscapes, it...

Defying Gravity: In conversation with Stephen Schwartz

“I tend to be attracted to stories about outsiders,” Schwartz tells me at the beginning of our call, “about people who feel themselves not part of the culture or not part of the mainstream if you will, and are trying to figure out how to fit in, and what the cost is of doing so.”

Father John Misty’s “new world of old characters”

"In Chloë and the Next 20th Century, Tillman succeeds spectacularly at creating a new world out of old characters."

‘Stirred to breathless heights’:  Wolf Alice Concert Review 

"This was the second of three successive sold-out nights for the four-piece at the London venue, and it proved one for us and the remaining five thousand people in attendance to remember."

Remembering SOPHIE

"SOHPIE’s tragically early passing froze music in time. What stands, crowned by Oil of Every Pearl’s Un-Insides, is an impressive but truncated body of work. While we lament SOPHIE’s untimely death, we can also enjoy the music and celebrate the legacy left behind. SOPHIE continues to inspire – both as a person and as a musician – and stands as someone we all can look up to."

‘Dragon New Warm Mountain I Believe in You’, Big Thief Album Review

In the midst of the pandemic, Adrianne Lenker (Big Thief’s lead singer) ventured into the wilderness, fresh from heartbreak, and released two new solo...

‘It leaves you in awe’, Ants From Up There – Black Country, New Road Album Review

Ants From Up There is the sophomore album from acclaimed experimental rock outfit Black Country, New Road – equal parts anthemic and introspective, the...

Reclaiming Taylor Swift’s Songwriting Genius

On Tuesday 25th of January 2022, Blur and Gorillaz frontman Damon Albarn woke up and chose violence – or at the very least, a...

Laurel Hell review: Unapologetically unresolved

“I will neglect everything else, including me as a person, just to get to keep making music. And even if it actually sometimes hurts,...

Pythagoras’ Nightmare: Reincarnation, Coldplay and the Music of the Spheres

Don’t get me wrong. The album is upbeat, cheerful, maddeningly optimistic and, at least intermittently, catchy for most of us mortals. But something tells me it’s not quite the empyreal sound Pythagoras would have had in mind.

Juggling a degree and career: In conversation with Manmzèl

Maintaining a non-academic hobby alongside an Oxford degree is a challenge. Pressures from tutors, friends and oneself conspire to clog up time that could...

Night at the Sheldonian: Oxford Millennium Orchestra Play Bruch, Beethoven and Schumann

"Out from the November night an easy orange glow invited me into the Sheldonian. I trotted up creaking stairs to the top floor, into the jaws of death – the jaws of death being an archaically unintuitive seating set up. The seats on the upper stalls are just three big steps – if you arrive late, sidling along the upper rows in front of those already seated requires deft footwork and a lot of 'excuse me's."

‘Step into Christmas’ with Out of the Blue’s Christmas charity single

Out of the Blue, an Oxford University a cappella group, has released its Christmas charity single for 2021. This year, the group is supporting...

Review: “Kid A Mnesia” by Radiohead

Kid A and its sister album Amnesiac helped introduce electronic instruments to alternative rock, and were a risky sonic departure from Radiohead’s guitar-based and immensely successful OK Computer....

“It is not for you”: Review of Adele’s 30

"We’ve got 19, 21, and 25 to hear Adele sing about growing up, breaking your heart, and the power of belonging. 30 is another project personal to a stage in her life, and regardless of whether it’s for everyone, it is a simply brilliant listen."

A Review of Cheryl Frances-Hoad’s everything grows extravagantly

"Clocking in at just under thirty minutes, this cycle was so absorbing that I nearly forgot the other songs with which the concert began."

Bilingualism in music: a cure or curse for monolingualism?

"In 2017, two of the most popular singles in America were bilingual: ‘Despacito’ and J Balvin’s club classic ‘Mi Gente’ which gained incendiary power thanks to a Beyoncé cameo. In both cases, the English-speaking singers made notable effort to acknowledge the dominance of Spanish-language pop by singing in Spanish. Indeed, despite the commercial benefits that these artists certainly received perhaps the most important outcome of their success is their cultural impact."

A House Divided: My dad and I can’t agree on Ben Platt’s album Reverie

"The lyric ‘you took my weed and two years of my precious time’ makes me laugh each time I hear it in the song ‘leave my mind’ – ironically, the song can quite easily leave my mind as soon as I’ve finished listening to it."

Willie J Healey: ‘I unashamedly want to take the world over’

"We met upstairs at the Jericho Tavern, Willie having taken some time out from watching the football at a pub down the road. Donning a tiny beanie, a different colour of which he’s worn at each tour date so far, and with a feather earring dangling from his left ear, he bears all the hallmarks of an indie songsmith - albeit, one who doesn’t take themselves too painfully seriously."

Don’t Look Back in Anger: The Rise and Fall of Britpop

"These songs hugely contrasted with the dark, depressing songs produced by American grunge artists such as Nirvana and Pearl Jam, and were generally more upbeat, optimistic and catchy. Damon Albarn of Blur said in a 1993 interview that: “If punk was about getting rid of hippies, then I’m getting rid of grunge!”."

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