Music

The rise of Stats.fm: Music as a signal of identity

It is far harder to maintain a separation between your taste, your identity, and how you are thought of by others.

Culture Suzi Sharp -

On Geese and the Cult of the Fake Fan

Great statistics could be drawn up about how often men in Oxford will want to talk to me about Geese.

Culture Val Michael -

Who gets to speak? The rise of the male podcast epidemic

I couldn’t help but notice, however, that one of the reasons for my disillusionment with the genre was likely the glaring gender imbalance, often when it came to the most successful, well-known podcasts.

Culture Amy Lawson -

Internet Babies: Students of Subculture

There’s a certain kind of artist that I keep coming back to lately: artists...

Music Sharon Wilson -

Latest

RUSH! Hour: Måneskin In Review

"RUSH! is proof that Måneskin’s stratospheric rise to prominence is backed up by more than just sex appeal and the glitzy glamour of Eurovision."

In Conversation With Velvet

"If you haven’t heard of them, you should have."

Sound And Vision: Better Call Saul’s Perfect Montage

"The perfect song choice is instrumental in creating the perfect montage".

The Most Anticipated Albums of 2023

Maeve Hagerty looks to some of the most anticipated albums of 2023, from artists like Samia to A$AP Rocky.

The joy of Spotify’s Discover Weekly

Thomas Bristow talks through the beauty of Spotify's Discover Weekly interface, and how it has changed his music tastes.

Christine McVie: Fleetwood Mac’s rock ‘n’ roll romantic

"Charged with hope and joy, aching with romantic wisdom, [McVie's songs] are the songs of a woman who has lived and loved."

A rogue Vogue cover: Drake and 21 Savage’s IP gamble

What appears to have happened here is a calculated risk – a legal roll-of-the-dice for a (potentially larger) commercial gain.

I Hope You Fall In Love And I Hope It Breaks Your Heart

"Pasoori is more than just a catchy hit which broke out of Pakistan; it’s a beautiful and progressive statement of social and cultural values."

Muse ‘Will of The People’ Review : My expectations were low, and yet…

"Well done to the boys for trying to write about such a serious subject. I just wish the music didn’t sound like it belongs on Scooby Doo."

Copyright or copywrong: the Shape of You case and its implications

We can only hope the decision results in a further backlash against the culture fostered by the Blurred Lines decision and a reduction in the number of frivolous lawsuits against musicians. They are bad for artists, bad for all genres of music, and fundamentally, bad for creativity.

In Harry’s House, there’s room for the romantic

‘Harry’s House’ is a house of several rooms. Of screaming elation, beautiful minutia, and doomed love, all of which make for a complex and emotive listen.

The Smile’s “slightly crazed and uncertain landscape”

The Smile is not Radiohead; they have a new name, a new line-up, and appear to see themselves to be doing something artistically different

Music beyond the M6

In a recent interview with the Sunday Times, musician Sam Fender discussed the importance of singing in a Geordie accent for his latest album...

‘Irishness existing in England’: the brilliance of Skinty Fia

I first came across Irish post-punk band Fontaines D.C. when my brother brought me their debut album on vinyl for Christmas, back in 2019....

Oxford’s rock and roll: a very short introduction

"Rock and roll and academia has never been the most compatible pairing."

Music for the end of the world: a Plastic Beach retrospective

"Plastic Beach serves as a poetic, wonderfully produced and musically brilliant reminder that the world is slowly ending, everything is artificial and no one seems to be doing very much about it at all."

Following the money: the meaning of “selling out”

‘I love selling out’ declared Charli XCX when speaking to NPR about Crash, released in March, a project which sees her lean into mainstream pop, ironically playing the part of an industry ‘sell-out’.

Defying Gravity: In conversation with Stephen Schwartz

“I tend to be attracted to stories about outsiders,” Schwartz tells me at the beginning of our call, “about people who feel themselves not part of the culture or not part of the mainstream if you will, and are trying to figure out how to fit in, and what the cost is of doing so.”

Father John Misty’s “new world of old characters”

"In Chloë and the Next 20th Century, Tillman succeeds spectacularly at creating a new world out of old characters."

‘Stirred to breathless heights’: Wolf Alice Concert Review

"This was the second of three successive sold-out nights for the four-piece at the London venue, and it proved one for us and the remaining five thousand people in attendance to remember."

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Music

The rise of Stats.fm: Music as a signal of identity

On Geese and the Cult of the Fake Fan

Who gets to speak? The rise of the male podcast epidemic

Internet Babies: Students of Subculture

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