Friday, February 21, 2025

Music

Death of the Album, rise of the playlist

The album, once the definitive artistic statement in music, is being increasingly overshadowed by the rise of the playlist. Streaming platforms such as Spotify and Apple Music have reshaped...

Mac Miller grapples with mortality on ‘Balloonerism’

When the 'D' rings out from the organ on the dream-like second track of...

Five Hip-Hop Gems You Missed in 2024

A year dominated by the Kendrick Lamar-Drake beef, 2024 made it all too easy...

Hot springs: why Iceland is a breeding ground for musicians

Whilst for many, Iceland is associated with plane-grounding volcanic eruptions and sweeping landscapes, it...

Review: Julien Baker’s ‘Little Oblivions’

CW: Mentions of alcoholism, substance abuse. "'Little Oblivions', then, is a battle diary published long after nadir itself, with retrospective editing. The full-band sound makes it extremely listenable, and Baker’s silvery voice is snugly at home amidst metallic textures." Irene Zhang looks at Julien Baker's latest release.

Arctic Monkeys’ “Whatever People Say I Am, That’s What I’m Not”: 15 Years On

"Arctic Monkeys' sentiment of local identity is perfectly surmised in the closing track ‘A Certain Romance,’; though it bemoans the towns low fashion and ‘kids who scrap with pool cues in their hands,’ it resolves into a statement of "this is our town, our culture, and we’re owning it."" Greg Halliwell looks back at what the Sheffield quartet's debut album meant to Northern music culture, 15 years' on.

“Hey Ya!” Or Hey Nah?: Why your life is empty without “The Love Below”

"It feels almost like an Alice in Wonderland journey of sound – despite the constant growing and shrinking, we still know that we’re down the rabbit hole." Lily Kershaw looks back at André 3000's side of Outkast's 2003 double album, "The Love Below".

Like A Record Baby: Vinyl in the Pandemic

"The sanitiser that coated my hands before entering Vintage and Vinyl was sticky. I was conscious of every fingerprint I might leave– a world away from thumbing through endless stacks of records in a pre-COVID world." Shreya Banerjee discusses her lockdown love affair with the LP.

(Re)call Me Maybe: Re-evaluating Carly Rae Jepsen

"By putting on Katy Perry or Jessie J, you’re probably not looking for a quasi-religious experience. There’s no need for overly philosophical lyrics or boundary-pushing orchestral accompaniments; rather, you want catchy hooks, relatable lyrics, and, above all else, fun. Jepsen does this all flawlessly." Katie Kirkpatrick advocates for justice for Carly Rae Jepsen

Bodleian Bangers: Tom Fletcher

"You’re not going to get high quality from me today, nor a sophisticated taste. But I’m going to give you the honest truth." .

Album Review: Black Country, New Road: For the first time

"The songs that have now been crystallised on 'For the first time' have always existed, and will always exist, in a state of perpetual evolution – they talk to each other, to their own predecessors, and to the rest of the cultural sphere in which they exist."

Alice Phoebe Lou: A Listener’s Guide

"What kind of living is this? I don't wanna simply exist. I wanna punch with my fists…grab life by her wrists…and say I want this". After lockdown number three was announced, the lyrics hit me in a completely new way, as if I was listening to the song for the first time again.

Emo-ology: An Introduction

"'Emo’ music did not suddenly materialise when Gerard Way screamed ‘IM NOT O-F*****G-K’ into a microphone."

Review: Arlo Parks’ ‘Collapsed in Sunbeams’

"Collapsed in Sunbeams is a tender portrait of her microcosm of the world that feels universal."

“Here Comes Your” Alt-Rock

"Alt-rock is characterised by experimentation with texture, timbre, and structure, especially drawing on the raw, distorted punk rock sounds and new wave’s energetic appeal." Jimmy Brewer takes a look back at five bands who defined the sound of the genre.

Bodleian Bangers: Dame Helen Ghosh

"If you asked me “what am I proud of?”. I did Couch to 5k. Okay, so going with that for a running song I would say Tears for Fears “Everybody Wants to Rule the World” (1985). Definitely one of my pandemic songs."

Review: Playboi Carti’s ‘Whole Lotta Red’

The most interesting thing about Playboi Carti is that despite the immense attention and hype he draws, he remains a relative mystery. Past projects...

Bodleian Bangers: Alan Rusbridger

"If you want 45 minutes of music to die to, surely it's last bit of Act I of Mozart’s Marriage of Figaro - as good as any 45 minutes of music." Alan Rusbridger, LMH Principal and former Guardian Editor-In-Chief, is the first to feature in Music's new series, Bodleian Bangers.

Six of the best: winter albums

"Sit back and relax by the fireplace with a mince pie in one hand and a glass of mulled wine in the other, and let Bing Crosby’s ‘White Christmas’ soothe your soul."

Review: Taylor Swift’s ‘evermore’

‘In the disbelief I can’t face reinvention. I haven’t met the new me yet.’ So sings Taylor Swift in her ninth and most recent...

Review: Phoebe Bridgers’ ‘If We Make It Through December’ EP

Coming off the post-apocalyptic scream that concluded Punisher, Phoebe Bridgers’ 2020 album (my favourite album this year, and possibly ever), the muted buzz of...

Christmas Songs: The Hidden Treasures and Epic Failures

If you’re anything like me, you’ve been listening to Christmas songs since the beginning of November. Oxmas is without doubt one of the very...

Review: Adrianne Lenker’s ‘songs / instrumentals’

Big Thief’s album covers — hazy, warm-eyed snapshots of earthy nostalgia — are a fitting prelude to their deeply intimate folk music gnarled among...

Review: Future Islands’ ‘As Long As You Are’

Originating from Baltimore, Future Islands were three albums into their acclaimed discography when they hit the mainstream in 2014 with their iconic Letterman performance...

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