When I returned to Oxford this term, just as England teased us with the sixth heat-wave of the year, I found myself at a loose end. With the deadline for two vacation essays still far in the distance, the sun lit up the sign for Soma Surovi Jannat’s Ashmolean Now exhibition, Climate Culture Care.
“What is a good life?” This axiological question, asked earnestly in the opening lines of James Graham’s The Standard of Living – playing at Theatre Royal Haymarket until December 12 – is often overlooked by the fractured and hyper-specialised discipline of economics.
The recent shake-up in diverse roles in Hollywood has repercussions for the balance of power of the entire industry -- as long as this new wave of films don't sacrifice quality for publicity.
The film may be based on an outrageous true story, but little will prepare you for Spike Lee's polemical parallels between the 1970s and the current state of America
In film characterisation today, art mimicking reality is not the desired outcome. Instead, art is used as a catalyst for wider representation, to inspire us to reflect on ourselves, to be better.