Monday 19th January 2026

Culture

‘Beautifully we may rot’: ‘Madame La Mort’ in review

In a small, black-painted room on the top floor of a pub in Islington, known as The Hope Theatre, Madame La Mort was staged for the public for the first time.

Damaging detachment: Reflections on the Booker Prize 

This Christmas vac, I made up my mind to get out of my reading slump using the Booker Prize shortlist, revealing toxic masculinity as a key theme.

In defence of the theatrical release

If film, like all art, nourishes itself on its own œuvre, I don’t think we can afford to sever the association between the cinema and the film.

Falling out of Louvre

In spite of recent events, the expected heightened security was nowhere evident.

13 Review – ‘effectively and enjoyably portrays Bartlett’s broken Britain’

Bertie Harrison-Broninski is impressed by the ambition and scope of this drama of political intrigue and belief

Daemon Voices Lecture Review – Two generations share the same world view

Pullman and Rundell make for an oddly cohesive pair at their talk in Blackwells.

The Blinders Review – The perfect band to play at Cellar

Cellar was made for sweaty, narcotic nights like this.

Masked with laughter

The trustworthy image of the male comedian is chipped away with increasing allegations of sexual abuse

Finding the ‘Homeland’

There are questions of loyalty, identity, and ethics in this long-running show

Summer and Smoke Review – ‘re-staged inventively, but unpretentiously’

Rebecca Frecknall's musical re-imagining of William's play at the Almeida is dazzling

RSC Hamlet Review – ‘This is simultaneous creativity and destruction. To be or not to be.’

John Livesey reflects upon the Basquiat elements of this perceptive RSC production

From Cellar to worldwide fame – an interview with Objekt

TJ Hertz on small venues, diversity in techno and track ID culture.

The Crocodile review – ‘a carefully considered yet hilariously nuts production’

Cesca Echlin is left in fits after a performance of Dostoyevsky's short story

García Marquez makes magical realism realistic

Barney Pite unpacks the "tragic, brutal and cruel" world of Márquez's News of a Kidnapping

Gyaldem Sugar Review – ‘the night shined but failed to sparkle’

The much anticipated ACS Gyaldem Sugar night fails to land due to a frustrating pace and lack of women artists

Walk Like Natives review – ‘A flash-mob blending into the crowd’

A secret piece of theatre, taking place in central London, is a pure celebration of joy.

Remembering Wallace: Biography and Memory

'The End of the Tour' is a powerful biopic, but by all accounts it gets David Foster Wallace wrong. Does that matter?

The Flick review – ‘a little theatrical masterpiece’

Flick is an exceptional production that brings a thin script to vivid life

Commercialism kills artistic legacy

Jumping on the mourning bandwagon serves the market rather than the dead icon’s memory

Labyrinth preview – ‘an impressive blend of exciting text and creative movement’

Tom Mackie finds himself anything but lost in this psychomaniacal retelling of the Theseus and Ariadne myth

The Flick preview – ‘there’s even going to be popcorn’

Bertie Harrison-Broninski is impressed by this witty and elegiac homage to the silver screen

Lady Bird paints a perfect picture of female adolescence

Exploring Greta Gerwig’s stunning directorial debut

Not About Heroes review – ‘It is rare to find a student production of such maturity’

Chloe Taylor is impressed and moved by this poignant study of war and poetry

Predicting the most unpredictable Oscars ceremony in years

The 90th Academy Awards features an incredible list of nominees, which makes it nearly impossible to argue what should or will win...

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