Wednesday, May 28, 2025

Culture

Anselm Kiefer: Early Works Review

I still remember the first time I saw Anselm Kiefer’s work. I was in...
Art Morien Robertson -

Review: Suddenly Last Summer – ‘Cannibalism, love, and lobotomies’

This week at the Burton Taylor Studio, a new rendition of Tennessee Williams’ Suddenly...
Theatre Emma Heagney -

Recorded theatre: The oxymoron of the prerecorded-live production

"Are we witnessing the downfall of the priority of ‘LIVE’ theatre?"
Culture Clemmie Ewins -
Latest

Blockbuster bust-up?

This might be the year when mainstream movies shake up awards season

The Death of Stalin review – ‘it straddles that oh-so-narrow line between repellent and comic’

Christopher Goring enjoys the satire of Iannucci’s warped world behind the Iron Curtain

Poirot’s enduring appeal

Branagh’s Murder on the Orient Express reminds us why the detective remains so intriguing, writes Raffaella Sero

All That Fall review – ‘Powerful and perturbing, with something of the uncanny about it’

Sam Rice immerses himself in a stage adaptation of Beckett's radio play

The strange death of Constable’s rural idyll

Daniel Villar explores how the English countryside has changed since John Constable painted The Cornfield

Five minutes with… Sos Eltis

This week, we chat to Sos Eltis, vice principal of Brasenose College and senior member of OUDS

Adolescent queer love in ‘Call Me By Your Name’

Angelica De Vido finds the rich exoticism of Italy a perfect compliment to this tale of summer homoeroticism

Fairytales can show us the horrors of Hitler’s Germany

The stories of Günter Grass bring Germany’s repressed trauma into the light

A gendered rewatching of The Silence of the Lambs

25 years on, Clarice Sterling's defiance of the patriarchy is as relevant as ever

The late Mr Salinger deserves his enduring reputation

The Catcher in the Rye encapsulates central tenets of our modern world, writes Barney Pite

A beastly tale of life and death

Josephine Southon reflects on the animals and beasts in Grimms' fairy tales

Those Who Follow review – “an appreciation of some too often ignored parts of this city we all call home”

Matthew Roberts explores the different faiths of modern Oxford, as presented in the exhibition Those Who Follow

Confessions of a Drama Queen: The Final Showdown

Our drama queen's term ends, not with a bang but a restraining order.

Passion over party in Pasternak’s Russia

Maria Minchenko marks the Russian Revolution centenary by casting her mind back to one of cinema's classics

Science fiction that shaped the Revolution

Daniel Antonio Villar looks at the impact of Red Star, by Alexander Bognadov

Philip Pullman’s La Belle Sauvage: His Darkest One Yet

Raffaella Sero reviews Philip Pullman's latest novel

Hollywood’s glamourising of Beauty and the Beast buries its troubling implications

21st century reimaginings of classic fairytales do not address the dark politics that underpin them. Susannah Goldsbrough explores.

Preview: ‘Lovesong’ – “one of the best pieces of student theatre this year”

John Livesey is blown away by a preview of the sold-out 'Lovesong'

Review: ‘Yellow’ – “sensitive and complex”

Zad El Bacha is highly impressed with 'Yellow', an adaptation of Charlotte Perkin Gilman's 'The Yellow Wallpaper', at the Pilch

Five Minutes With… Hugh Tappin

In our final interview of term, we chat to Hugh Tappin, of Nitrous Cow Productions
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