Culture

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives of the characters were what...

Culture Emma Heagney -

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

Culture Evelyn Lambert -

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

Culture Hattie Simpson -

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

Books Abigail Lakeland -

Latest

Confessions of a Drama Queen: A Change of Career

Under-appreciated in her own time not only as an actress but also as a reviewer, our melodramatic fresher is driven to desperation, even considering writing for Cherwell.

Assassination attempts amid the violence that tore Kingston apart

The first book written by a Jamaican to win the Man Booker Prize is an epic in the truest sense of the word, writes Jacob Cheli

Touch, tenderness, and technology in Cloud of Petals

Sarah Meyohas’ new exhibition embraces electronic form in its exploration of beauty, writes Eleanor Birdsall-Smith

More Slush than Snow – The Snowman fails to impress

Jonnie Barrow is severely disappointed by the new Scandi thriller

Andrew Graham-Dixon: Bridging the gap between high culture and mass media

Art history documentary maker Andrew Graham-Dixon talks contemporary art and BBC spending to Altair Brandon-Salmon

‘Random’ preview – “Convincing and jarring”

Izzy Smith is impressed by what she sees of this masterfully emotive performance

Five minutes with Markus Beeken, Light Entertainment Society’s Community Officer

We chat to Markus Beeken, a member of the Oxford University Light Entertainment Society (commonly referred to as “owls”), about his involvement with drama at Oxford.

Imagining the Divine review – engrossing and important

Lizzy Diggins is intrigued by the religious crossovers at the Ashmolean's new exhibition

A perfectly preserved corner of London speaks to modern Britain

Susie Finlay discovers the delights of still-life drama

Strong musical talent and an excellent script

Jacob Greenhouse declares 'Cyrano de Bergarec' a triumph.

TV memes for deadline-drowning teens

Becky Cook comments on the importance of film and TV shows in meme culture

‘Bacchae’ review – A focus on gender that isn’t reflected in the casting

Louis Morris finds this year’s Oxford Greek Play, Euripides’ Bacchae, aims high but fails to impress.

Exploring the poetry of the everyday world

Quiet, mysterious Haruki Murakami fuses local culture with global emotions, writes Lucy Enderby

Confessions of a Drama Queen: My University Career Begins

In our new satirical column, 'Confessions of a Drama Queen', Katie Sayer re-imagines the Oxford drama scene from the perspective of a very melodramatic fresher