Saturday 20th December 2025

Culture

Graceful and self-assured: Circle Mirror Transformation reviewed

Boulevard Productions’ Circle Mirror Transformation is a faithful and competent take on Annie Baker’s 2009 tragicomedy.  The play follows a group of people of different ages taking a beginners’ drama...

‘We’re all mad here’: Alice in Won-DRE-Land at Tingewick 2025

When I wandered into Tingewick Hall on a cold, dark evening in seventh week,...

A comical approach to a classic text: ‘Hedda Gabler’ reviewed

Tiptoe Productions’ Hedda Gabler, co-directed by Ollie Gillam and Gilon Fox, delivered a strong...

‘Lux’ by Rosalía review: A breath of fresh air

'The Latin title ‘Lux’ perfectly embodies the concept and overall aesthetic of divine femininity, as well as the multilingual aspects that run throughout the work. With complex and meaningful lyrics written in 13 languages, and split into four movements, the record is a breath of fresh air for the pop scene'.

The Transports at Cecil Sharp House

Ben Ray is carried away by an epic tale of transportation told through folk music and stories

Brazilian vis-à-vis

From the beaches of Copacabana in Rio de Janeiro, the megalopolis of São Paulo to Maceio, these photos illustrate the diversity of environments and people that can be found in Brazil

Felicity Jones: Star of the Oxford drama scene

Theo Davies-Lewis recounts how acting at university fostered Jones' talents

Men directing women: Almódovar ‘Julieta’

Benjamin Davies discusses guilt, colours and female relationships in Pedro Almódovar’s latest work

Single of the week: James Blunt’s ‘Love Me Better’

Emma Leech slates the pop singer's painful new release

A word from the stalls

Miriam Nemmaoui accosts a teary-eyed audience member emerging from the Burton Taylor Studio, after the final showing of STOP

Dostoyevsky and the crime of orthodoxy

Daniel Villar reflects on how Fyodor Dostoyevsky’s religious beliefs influenced his literature as the anniversary of his death approaches on 9 February

Review: ‘Two Way Mirror’

Alice Robinson reflects on an admirable attempt to tackle a difficult pair of plays

Don’t miss your STOP

Hannah Arndt is full of enthusiasm for a preview of an original student musical

Review: ‘Collaborators’

Tilly Nevin rates this student production as amongst the best she has seen in Oxford

Review: Lubaina Himid’s ‘Invisible Strategies’

Ewan Davis explores Lubaina Himid’s Invisible Strategies at Modern Art Oxford

Review: STOP

Amaris Proctor admires this play's refreshingly frank attitude towards mental illness

Readers’ Photo Competition

Have some great Instagram shots of your college pals? Or portraits of people you met while travelling abroad? Send [email protected] your best portrait photos by Wed 15 and see your work in print!

A product of pointless nostalgia

Natalia Bus argues against the unfulfilling nature of musical reunions

Mrs Dalloway: A novel in cinemascope

Alice Robinson explores how Virginia Woolf embraces the techniques and temporality of the cinema in her writing

Reviewing Moffat: The Doctor Who Christmas Special

“Doctor Who does superheroes” is a premise which seems obvious. The show’s greatest asset is its ability to jump from one genre to the...

Which film best represents your college?

Oxford colleges are known for their quirks, and inspired by these traits, here’s part two of the Cherwell guide to movies that reflect our...

Reviewing Moffat: Sherlock Series Four

This series of Sherlock is particularly varied, playing around with genre far more than usual. The first episode, ‘The Six Thatchers,’ feels at many...

Spotlight: Sal Para

Natalia Bus is captivated by this Oxford artist's authentic debut effort

Review: The Leopard

Altair Brandon-Salmon revisits the classic Italian 20th century novel

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