Culture

Does ‘Euphoria’ no longer speak to our generation?

Should I have been watching Euphoria’s first season as an innocent, bright-eyed 14-year-old? Probably not. At the time, I thought that the chaotic lives of the characters were what...

Culture Emma Heagney -

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

Vocatio:Responsio, meaning Call:Response in Latin, is an early music ensemble founded and directed by...

Culture Evelyn Lambert -

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

As a history student, you occasionally come across stories so strange they feel almost fictional. Operation Mincemeat is one of them.

Culture Hattie Simpson -

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

It’s 11:02am in New York when Lisa Ko appears on the video call. In Oxford, the sun is almost down.

Books Abigail Lakeland -

Latest

Should music be used for political ends?

Richard Birch contextualises the Rolling Stones' recent visit to Cuba

Review: Zayn Malik – Mind of Mine

Harry Smith found more to like in the former One Directioner's debut than he bargained for

Delving into Dickens: A literary love affair

Markus Beeken considers his begrudging bromance with one of the most famous writers in history

Review: Grimsby – crude and vulgar

Sacha Baron Cohen's reliance on tired 'chav' stereotypes was so bad, Ellie Gomes was forced to cover her eyes

Words – Cherwell fiction

Fiction: 'She tosses the burning end over the edge of the cliff. We watch it fall, hit rocks softly, anti-climatic.'

Common People festival playlist

Ellen Peirson-Hagger compiles the tunes she hopes to hear at Oxford's Common People Festival

Heaney’s Aeneid: When is a Translation not a Translation?

Benn Sheridan discusses Heaney's Final work, a translation of Aeneid Book VI, and finds Virgil a little bit upstaged

Review: Iggy Pop – Post Pop Depression

Daniel Curtis was more impressed than depressed by Iggy Pop's latest

Review: The Witch – stands apart from jump-scare drivel

Louise Howland regards newcomer Robert Eggers as an arthouse horror hero after an impressive directional debut

Review: 10 Cloverfield Lane – choice itself is the crisis

Sarah Lynch finds parallels between Michelle's tough decision between two monsters, and the dilemma US voters currently face

Should we share our cultural pleasures?

Ellen Peirson-Hagger reflects on the perils of associating art with friends and significant others

Why the blues won’t die

Richard Birch reviews Matt and Phred's Jazz Club, Manchester

Old is Always Better

Markus Beeken gets nostalgic about Second-Hand books

Review: High Rise – both style and substance

Jem Bartholomew reviews Ben Wheatley's stylish and meaty adaptation of the J.G. Ballard's novel High Rise

Is This Art? The conclusion

Charlie Willis wonders if this column is an art form in itself

House of Cards Season Four Review

Netflix's flagship drama is a fantasy of surveillance on the political nightmares we are living through right now

"I’m as fucked off as you are"

In the wake of the Roundhouse ticket controversy, Daniel Curtis argues that Radiohead have only themselves to blame

A Panoramic View of Morocco

The music, culture and history explored

Bestival 2016 set to be a winner

Huge names announced for September's festival of 'mind-expanding music'

Preview: Orphans

The Experimental Theatre Club promises a tense exploration of societal divide

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Culture

Does ‘Euphoria’ no longer speak to our generation?

Bridging Communities: Vocatio:Responsio’s Liverpool Tour

‘Comedy is very deceptive’: Seán Carey on ‘Operation Mincemeat’

‘People are so hungry to create together’: Lisa Ko on going analogue, crafting, and writing the future

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