Culture

‘Pour summer in a glass’: retracing Dandelion Wine

“You did not hear them coming. You hardly heard them go. The grass bent down, sprang up again. They passed like cloud shadows downhill ... the boys of summer,...

The Source Cici Zhang -

Reviving the symposium at the Ashmolean Krasis programme

Dara Mohd, herself a Krasis Scholar, converses with Dr Jim Harris about his object-centred symposium program, Krasis, at the Ashmolean Museum.

Art Dara Mohd -

‘This Room Their Lives’ in Magdalen College’s Waynflete building

Every Magdalen member remembers their first encounter with the Waynflete Building. Sticking out a...

Art Josie Stern -

In More, Pulp aren’t just trading on nostalgia – they’re fresh

In a year where many are talking about one Britpop band in particular –...

Music Tom Cockburn -

Latest

From Rossellini to RoboCop

Tom Barrie explores the bygone era of politically and socially provocative cinema

It’s a kid-eat-kid playground

Eve Beere is enchanted by the Machiavellian scheming on show in The Secret Lives of Four Year Olds

Where are they now: Mutya Buena

Cherwell delves into the later careers of one-hit-wonders so you don’t have to...

Picks of the Week HT15 Week 8

Cherwell brings you the best of this week's gigs, plays and events

Ghostpoet: Ghosting away from hip hop

Sara Semic chats to Ghostpoet, aka Obaro Ejimiwe, about moving away from hip hop and recording with a live band

Review: The Cribs – For All My Sisters

Aidan Clark finds The Cribs' latest album among their most listenable and catchy offering to date

Review: Future Brown – Future Brown

Mark Barclay is underwhelmed by the debut album of the 'super' group Future Brown

Review: Romare – Projections

Freddy Rendall is impressed by Romare's collage of experimental dance tracks

Milestones: The Smiths’ Panic

Fergus Morgan reflects on The Smiths' seminal 1986 single 'Panic'

Review: The Architect

Bethan Roberts reviews the new Hypnotist Theatre offering

Panic at the disco: a night of trauma and regret

Ollie Johnson recounts how an ordinary Wednesday became a nightmare

Review: As I Crossed A Bridge of Dreams

Fay Watson reviews this new student adaptation at the BT Studio

Review: The Boy Next Door

Emmanuelle Soffe argues that whilst J-Lo gives a respectable performance in The Boy Next Door, the true star is youngster Ryan Guzman

Review: Focus

Lauren Rofe writes that Will Smith's latest effort is a mixed bag

Paris: five exhibitions in five days

Abigail Legge sets herself an ambitious challenge on her year abroad, and discovers some fascinating Parisien treasures

Monumental Art: Composition No. 8

Beatrice Liese enjoys taking a deeper look at Kandinsky’s masterpiece

Loading the Canon: The Ocean at the End of the Lane

Emmanuelle Soffe calls for the addition of Neil Gaiman’s surrealist novel to the literary establishment

Alice Oswald talks about performance and public poetry

Rose Sykes meets the subject of her Fourth Week review, and discusses the poet’s role in modern society

Preview: Iolanthe

Jessica McKeown is excited by this operatic spectacle

Preview: The Importance of Being Earnest

Krisztina Rakoczy gets a sneak peek at the St. Hilda's College Drama Society's new play

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Culture

‘Pour summer in a glass’: retracing Dandelion Wine

Reviving the symposium at the Ashmolean Krasis programme

‘This Room Their Lives’ in Magdalen College’s Waynflete building

In More, Pulp aren’t just trading on nostalgia – they’re fresh

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