Saturday 21st February 2026

Culture

The ‘Silent’ Film

Not speaking does not necessarily mean having nothing to say. As much can be said with an image, movement, or glance as with a word.

A day in The Sun: ‘Ink’ at St John’s

James Graham’s Ink, directed by Georgina Cooper with the St John’s Drama Society, dramatises Rupert Murdoch’s acquisition of The Sun in the 1960s, tracing its astonishing surge to unprecedented popularity.

‘Cathy naur’: Emerald Fennell’s ‘Wuthering Heights’ in review

Although my Yorkshire identity and love of 19th-century novels make me inclined to defend Emily Brontë with all my might, I really did give this film a chance.

‘Crawling with personality’: ‘Little Shop of Horrors’ in conversation

Last week, I infiltrated a rehearsal for Cross Keys and 2046 Productions’ upcoming Little Shop Of Horrors.

Kate Rundell wins the Waterstones Children’s book prize

Cherwell revisits an interview with the author as Rooftoppers wins the 10th Waterstones Children's Book Prize.

A ‘case’ for the Anglo-Saxons

Emma Simpson visits the British Museum’s refurbished Sutton Hoo gallery.

Review: The Grand Budapest Hotel

Wes Anderson's latest film is a delightfully self-reflexive movie which demonstrates Ralph Fiennes hitherto untapped comic potential

Review: Under The Skin

There is a hauntingly austere beauty to 'Under The Skin', but some may not be able to sustain interest in this emotionally muted world.

Review: The Past

Asghar Farhadi's emotional drama once again proves his virtuosity as a film-maker

The Mighty Comeback

Inspired by Kate Bush's recent gig announcement, Rushabh Haria charts the highs and lows of artists who've come out of their career hiatus to make last ditch attempts at reclaiming the charts.

Don’t limit literature in prison

Why building books into an incentive and reward scheme is entirely counterproductive.

Review: Starred Up

Niamh McIntyre finds David Mackenzie's British prison drama to be a compelling and unflinching look at life behind bars

Printers and Presses

Isaac Goodwin takes a trip to the Bodleian’s historic presses with the Bibliophiles.

The Gods are in us: Kate Tempest

David McShane on why Tempest's epic spoken-word poetry is best seen live.

Review: Pterodactyls

Zoe Slater is compelled by this dark comedy about a dysfunctional family

Review: Dial M for Murder

Emma Papworth relishes the murderous machinations in this staged thriller

Review: The Curious Case of the Improvised Musical

Vicky Holley is enraptured by this improvised musical comedy extravaganza

Review: Devised Play I – Fear

Ellie Wade fears that the play's title eclipses an excellent production

Interview: Eagulls

Two weeks after the release of their self-titled debut album, Helen Thomas talks to frontman George Mitchell about punk, writing and smurfs

Review: Great Gatsby

Naomi Polonsky finds this show 'almost' great.

Preview: Pterodactlys

Georgina Wilson is bewitched by this symbolic portrayal of a family

Focus On: New Writers

Ben Horton meets the winners of the OUDS New Writing Festival

Bargain Bin: The Velvet Underground – White Light/White Heat

Cherwell trawls charity shops looking for musical bargains

Review: The Notwist – Close to Glass

Adam Piascik isn't impressed by this new, experimental album

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